Brazilian Furniture

Rarissime table basse à deux tiroirs latéraux par Carlo Hauner et Martin Eisler. Cette table fut peu produite par Forma.

Day bed Manufactured by Unilabor Brasil, 1960 Jacaranda wood, iron, fabric upholstery Measurements 190 cm x 90 cm x 40h cm 74,8 in x 35,43 in x 15,74h in Literature Unilabor, by Ma...

Folding and articulated bench in teak wood and rope, production of the 1960s from Brazil in the style of Zanine Caldas' creations.         

"I can't live well with too much rigidity. The 90-degree angle, for example, is something I love, but I can't do it. The things I do end up being a little lyrical, a little sensual, ...

Room Divider Manufactured by Tenreiro Moveis e Decoraçoes Brazil, 1960 Black and white painted jacaranda Measurements 280 cm x 3,5 cm x 201,2h cm 110,23 in in x 1,37 in x 71,29h in ...

Céramique Tupy Ceramic ashtray, c. 1950 Signed and numbered under the base Enameled polychrome ceramic 9 x 19 x 8 cm 3 27/50 x 7 12/25 x 3 3/20 in Tupy ceramic ashtray, made around ...

Incroyable série de quatre fauteuils par Joaquim Tenreiro, Incroyable dessin et délicatesse des lignes.

Paire de fauteuils dit : Concha par Martin Eisler et Carlo Hauner pour Forma, vers 1955

Large horse head made by Abraham Palatnik. The Brazilian artist Palatnik (1928) was the founder of the technological movement in Brazilian art and...

Office Desk model "Square" Manufactured by Tenreiro Moveis e Decoraçao Brazil, 1966 Jacaranda, Glass Measurements 100 cm x 100 cm x 76h cm 39,3 in x 39,3 in x 29,9h in Detail This ...

Joaquim Tenreiro Three seats sofa Manufactured by Tenreiro Moveis e Decoraçaos Brazil, 1954 Jacaranda, upholstery From the archives of Side Gallery, Barcelona Measurements: ...

This mid-century coffee table, designed by Martin Eisler for Forma S.A. Móveis e Objetos de Arte, features a dual-layer design with a wooden base and an opaque glass top. Its geometr...

This armchair by John Graz, dating from the 1960s. The room is characterized by a high slightly inclined backrest, offering optimal comfort. Its contoured structure in caviuna, an ex...

Moyses B. Klajn for Moveis Leal, pair of lounge chairs, Brazilian hardwood, iron, reupholstered in linen "Menerbes" by Pierre Frey, Brazil, circa 1968 These exceptionally rare armch...

Brazilian Modern manifest, the scissor chair is a Lina Bo Bardi design still on the process of attribution. It has been inspired by Le Corbusier Modernism and the tropical wood give ...

Celina Decorações, a Rio de Janeiro-based manufacturer, founded in 1938 by Celina Zilberberg, was most active in the mid-20th century era until the 1980s. The company began as an uph...

This rare pair of mid-century Brazilian armchairs is attributed to the design collective Branco and Preto. Made in a rational and geometric way, they present lightness and simplicity...

Rino Levi was one of the pioneers of the modern movement in Brazil, advocating for simple, practical and economical design, disparaging the imitation of classicism. ‘Classical spirit’ rather than classical forms was his ideal. Levi was instrumental in spreading the fame of Brazilian modernism through his furniture designs as well. As this beautiful Brazilian wood sofa shows, by the 1960s, Levi abandoned Italian rationalism in favour of an approach closer to that of the Rio modernists both in his architectural and furniture designs. As a piece of true Brazilian mid-century design, the beauty of the wood and organic shapes and lines dominate this three-seater sofa. The tilted, architectural lines of wood making up the armrests create a visually distinct and exciting appearance. The additional horizontal lines connecting to the backrest are a creative addition, while also supporting the overall stability. The frame with its joinery praises Rino Levi’s craftsmanship and architectural expertise. The beautiful colour of the wood is highlighted by the light upholstery of the body in a premium bouclé fabric, including the three removable cushions. This sofa model is rare to find, for as during Brazil's military dictatorship, it was against the law to export furniture. The ban on exports only ended in the 1980s, but it still took some time for things to change, not to mention that handmade pieces were created in limited editions. Therefore, it is no exaggeration to say that this sofa is special, and a real rarity. Condition: In good vintage condition. Wear consistent with age and use. Some scratches and marks on the wood. The sofa has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 86.41 in W x 28.74 in D x 30.31 in H; Seat height 16.14 in 219.5 cm W x 73 cm D x 77 cm H; Seat height 41 cm About the Designer: Rino Levi was a Brazilian architect important to the development of modernism in Brazil. Levi was born to Italian Jewish parents on December 31, 1901 in São Paulo, Brazil. After graduating from Colégio Dante Alighieri in São Paulo, Levi studied in Milan and Rome under Marcello Piacentini. In 1924, he moved to the School of Architecture of Rome. There, he met Adalberto...

A marble and wood coffee table by Joaquim Tenreiro. 1960 The modern legs in the shape of an ellipse, a flush construction of the marble top with the wooden structure. A contrast b...

Fauteuil dit poltronatus par Casa Hollanda.

Branco & Preto (1952-1965) Model n°R3 Pair of armchairs Imbuia wood and fabric Edited by Branco & Preto Creation date: circa 1952 H 75 × L 62 × P 75 cm Bibliography: Movel moderno no...

Joaquim Tenreiro Pair of armchairs model “Leve” Manufactured by Langenbach & Tenreiro Ltda Brasil, 1942 Jacaranda, upholstery From the archives of Side Gallery, Barcelona M...

Side table Manufactured by Tendo Brasileira Brazil, 1960 Steel, glass Measurements 34,9 cm × 33 cm × 49,5h cm 13,7 in × 13 in × 19,5h in Provenance Manuel Guedes family, Sao Paulo ...

Set of beautiful rustic end tables in very good condition. These tables were produced in Brazil in the 1960s. They are made of solid tropical wood and are extremely heavy. These tables are a celebration of simplicity and unpretentious design. The straightforward shapes and basic carvings contribute to a relaxed and approachable aesthetic. Transform your living space with the unique fusion of Brutalist strength, rustic warmth, and Brazilian charm...

This rare mid-century Brazilian armchair is attributed to the design collective Branco and Preto. Made in a rational and geometric way, they present lightness and simplicity. This c...

Pair of geese designed and made by Abraham Palatnik. The Brazilian artist Abraham Palatnik (1928 - 2020) was the founder of the technological movemen...

Carlos Hauner & Martin Eisler Pair of armchairs Manufactured by Forma Moveis Brazil, 1955 Caviuna wood legs, velvet and cotton upholstery Measurements: 77 cm x 77 cm x 72 H cm. 30.3 in x 30.3 in x 28.3 H in. Literature: Casa & Jardim, 1956. Nº 92 Bio: Beside Carlos Hauner, Martin Eisler (1913­-1977) was the founder for the iconic Brazilian furniture company Forma. He was born in Vienna, Austria, and studied architecture in his country. In 1938 he moved to Buenos Aires. After meeting Carlos Hauner in Brazil, he started traveling there frequently to collaborate on designs and, they founded Forma to sell their own designs as well as pieces licensed from Knoll International. Eisler also opened Forma in Buenos Aires, along with partners Arnold Hakel and Susi Aczel...

A pair of coffee tables with a geometric design inspired by modernism. The glass is painted on the underside, the design is visible in transparency. Recently handcrafted. The fram...

This remarkable coffee table is imbued with Brazilian history and craftsmanship. Dating from the 1960s, she proudly bears the label of the Liceu de Arte e Oficios workshop, an emblem...

Buffet Manufactured by Unilabor Brazil, 1956 Jacaranda wood Measurements 206 cm x 40 cm x 78h cm 81,1 in x 15,74 in x 30,7h in Literature Unilabor, by Mauro Claro. Brasil, 2004. Se...

Pair of armchairs, 1954 Lacquered wood, fabric upholstery 66 x 64 x 78h cm 26 x 25.19 x 30.7h in

Ceramic Tupy Vase - modern Brazilian ceramics, c. 1960 Signed and numbered under the base Enamelled polychrome ceramic 27 x 23 x 11 cm

Brazilian design. Futuristic Pendant, c. 1960 Metal and glass 75 x 75 x 70 cm Suspension has five burners with chromed metal structure and two convex translucent glass trays.

Kinetic art - Beautiful and rare polyester resin sculpture from the HOME AND FARM collection representing an elephant signed in the base. c. 1960. This sculpture is part of the seri...

Armchairs designed and produced by “Liceu de Artes e Ofícios” around 1960’s in Belo Horizonte, Brazil. Solid wood, brass details and new upholstery. Rea...

Pair of chairs Manufactured by Unilabor Brazil, 1955 Iron, fabric upholstered Measurements 40 cm x 43 cm x 82h cm 15,78 in x 16,9 in x 32,28h in Literature Unilabor, by Mauro Claro...

Eye-catching architectural coffee table crafted by an anonymous architect in Brazil during the 1960s. The design has similarities to the style of Carlo Hauner and Martin Eisler, who ...

The lamp consists of a large numbers of ring-shaped, lacquered of white discs which are suspended around the centrally located bulb. The fan-shaped discs hide the bulb and at the sam...

“Habitat – revista das artes no Brasil”, nº 15, March – April 1954 “Magazine of contemporary culture, dedicated to architecture, painting, sculpture, industrial design, graphic arts...

Armchair designed by Sérgio Rodrigues in iron structure, solid wood arms and new black leather upholstery. Brazil, 1950.

MArtin Eisler (1913-1977) & Carlo Hauner (1927-1997) Sofa (two units available) Manufactured by Forma Moveis Brazil, 1955 Caviuna wood legs, velvet and cotton upholstery Measurements 240 cm x 77 cm x 72h cm. 94,48 in x 30,3 in x 28,3h in. Literature Casa & Jardim, 1956. Nº 92 Provenance: Private collection, Sao Paulo Bio: Beside Carlos Hauner, Martin Eisler (1913­-1977) was the founder for the iconic Brazilian furniture company Forma. He was born in Vienna, Austria, and studied architecture in his country. In 1938 he moved to Buenos Aires. After meeting Carlos Hauner in Brazil, he started traveling there frequently to collaborate on designs and, they founded Forma to sell their own designs as well as pieces licensed from Knoll International. Eisler also opened Forma in Buenos Aires, along with partners Arnold Hakel and Susi Aczel...

This Brazilian ceramic vase, dating from about 1950, is a real work of art. Its enamelled polychrome ceramic gives it a timeless beauty. With dimensi...

Sofa with integrated tabletop by Carlo Hauner & Martin Eisler for forma, 1950s Carlo Hauner was an Italian-born Brazilian designer and architect, widely recognized for his work in t...

Stunning and comfortable ‘Concha’ (shell) lounge chair designed by Carlo Hauner and Martin Eisler and manufactured by Forma Moveis, Brazil 1950. This chair has a solid steel structur...

Super rare sculptural lounge sofa designed and made by Liceu de Artes e Oficios, Brazil 1955. The sofa has elegant lines and awesome woodworking details. The feet are slightly angled...

Amazing side table designed by Jorge Zalszupin and manufactures by his own company L’Atelier, Brazil 1960. This beautiful piece features a bend plywood ...

JOSE ZANINE DE CALDAS (1919-2001). Pair of armchairs model “H.” Manufactured by Moveis Artísticos Z. Brazil, 1949. Marine plywood, fabric upholstery. Measuremenents 58 cm x 50 cm x 80 H cm. Literature: Habitat, nº9, Sao Paulo 1952. José Zanine Caldas (Belmonte, Bahia, 1918 - Vitória, Espírito Santo, 2001) was an architect and designer. Caldas stands out on the national architecture in Brazil for his exploration of the constructive qualities of Brazilian woods, defining his work with a warm rustic ambience, working on both high-end residential projects and also popular constructions. Never actually training as an architect, he starting working in the 1940s as a designer at Severo & Villares and as a member of the National Artistic Historical Heritage Service (Sphan). He opens a maquet studio in Rio de Janeiro, where he worked between 1941 and 1948, and, at the suggestion of Oswaldo Bratke (1907-1997), moved the studio to São Paulo, from 1949 to 1955. The studio served important modern architects of the two cities, and was responsible for most of the models presented in the book Modern Architecture in Brazil, 1956, by Henrique E. Mindlin (1911-1971).. During the 1940s, he also began developing and researching at the Institute of Technological Research of the University of São Paulo (IPT/USP), and was first introduced to plywood. In 1949, he founded the Fábrica Móveis Artísticos Z, with the objective of producing large-scale industrialized furniture, good quaility and afforable, the furniture was to be materialized using plywood sheets. This method minimized material waste and the need for artisan skills, as the parts were mechanically produced and the use of labor was only needed for the assembling of the furniture. His time at Móveis Artísticos Z, in 1953 was rather short lived and left the company in 1953 and instead worked on landscape projects until 1958 in São Paulo, when he moved to Brasília, where he built his first house, also in 1958, and coordinated the construction of others until 1964. Appointed by Rocha Miranda to Darcy Ribeiro (1922-1997), he joined the University of Brasília (UnB) in 1962 and taught modeling classes until 1964, when he lost his position due to the military coup. He set off and travelled through Latin America and Africa, an experience that had a remarkable effect on his work. On return to Brazil he built his second house, the first of a series of projects in the Joatinga region of Rio de Janeiro. In 1968, he moved to Nova Viçosa, Bahia, and opened a workshop, which ran up until 1980. His experience in the Bahian city was shaped by his renewed love and contact with nature, and he began working closely with environmentalists. In one of these collaborations, he participated in the project of an environmental reserve with the artist Frans Krajcberg (1921-2017) for whom he also designed a studio in 1971. The furniture he designed during this period, is reflective of his ecological sensitivity, his works were constructed with crude logs of wood, whose twisted lines inspire his drawings. It is also in Nova Viçosa that the architect builds the Casa dos Triângulos (1970) and casa da Beira do Rio (1970), in which he adopted a very artisanal construction system with typical woods of the region. According to the historian and architecture critic Roberto Conduru, Caldas' performance was relevant for the diffusion of environmental values in architectural projects: a "taste for the alternative and the rustic was disseminated throughout the Brazilian territory [...], encouraged by environmental preservation campaigns, by the wear and tear of the current models in reinforced concrete and by the re-emergence of the regionalist ideal in the international panorama"1. Between 1970 and 1978, he kept an office in Rio de Janeiro, where he returned in 1982. In 1975, the filmmaker Antonio Carlos da Fontoura made the film Arquitetura de Morar, about the houses of Joatinga, with a soundtrack by Tom Jobim (1927-1993), for whom Caldas designed a house. Two years later, the architect's work was exhibited at the Museum of Modern Art of Rio de Janeiro (MAM/RJ), at the São Paulo Museum of Art Assis Chateaubriand (Masp) in Belo Horizonte, and the following year at Solar do Unhão, in Salvador. Between 1980 and 1982 The Helium House Olga Jr was designed and built in São Paulo. Caldas outlined the plans for the construction sourcing the all the wood, the actual assembly of the house was carried out by the owner. The house, is defined by wooden structure that stands out from the fence walls, the clay tile roof of wide eaves and the demolition materials that give the building the feeling of rusticity, warmth and nostalgia. The house was similar to those built in the 1970s for Eurico Ficher and Pedro Valente, in Joatinga. In 1983, Calders founded the Center for the Development of Applications of The Woods of Brazil (DAM), and gave it to UnB in 1985. During this period, he proposed the creation of the Escola do Fazer, a teaching center focused on the use of wood for the construction of houses, furniture and utilitarian objects for the low-income population. Despite the fact that much of Calders early work was centered around building houses for the elite, in the 1980s the designer dedicates himself the DAM where he rigorously researches popular housing based on artisan construction processes and whereby the users participate in the construction process. At the Brasília unit, he developed prototypes of popular houses with eucalyptus logs as a structure and sealing in soil-cement, betting on an ideal of self-construction already tested at Casa do Nilo, in São Gonçalo, Rio de Janeiro. From that moment on, as occurred with his the furniture designs, Caldas adopts the use of crude wood logs rolled...

Mid-Century Modern "Redig" dining table by Brazilian Designer Sergio Rodrigues, 1950s. The name of the piece is certainly a reference to architect Olavo Redig de Santos, a fellow ar...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Coffee table Manufactured by Forma Moveis Brazil, 1950s Ebonized wood, glass top Midcentury design Brazilian coffee table. Measurements 60 cm diameter x 49 height cm. 23.50 in diameter x 19.3 height in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 1950s and 1960s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance.  Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Joaquim Tenreiro Pair of armchairs model “Leve” Manufactured by Langenbach & Tenreiro Ltda Brasil, 1942 Jacaranda, upholstery From the archives of Side Gallery, Barcelona M...

Martin Eisler (1913-1977) designed this rosewood coffee table for Forma S.A. Móveis e Objetos de Arte. It belongs to a furniture category commonly found during the midcentury period ...

Set of four chairs in “caviúna” wood, cane and upholstery, unknown designer, produced by “Hall. Móveis e Decorações”, São Paulo, Brazil.

We have a pair of chairs with armrests made in solid wood by Cantù Móveis e Interiores Ltda, in the 1960s, Brasil. Architects Jorge Jabour Mauad and Osires Cunha Meale were responsi...

Martin Eisler, lounge chair, iron, leather, Brazil, 1950s Elegant and modern lounge chair by Brazilian designer Martin Eisler. A visually interesting contrast is created between the...

The name chosen by the young Brazilian architects Miguel Forte, Jacob Ruchti, Plinio Groce, Roberta Aflalo, Carlos Millan and the Chinese Che Y Hwa for their design company literally...

An original 1960s L'atelier console table designed by Jorge Zalszupin, Brazil. This versatile console table also works as a small desk. It has his iconic patchwork pattern Imbuia wo...

Ceiling lamp in aluminum, brass and opal glass.

Martin Eisler (1913-1977) & Carlos Hauner (1927-1997) Pair of armchairs Manufactured by Forma Moveis Brazil, 1955 Caviuna wood legs, velvet and cotton upholstery Measurements: 77 cm x 77 cm x 72 H cm. 30.3 in x 30.3 in x 28.3 H in. Literature: Casa & Jardim, 1956. Nº 92 Details: Belonging to a three pieces set of sofa and two armchairs.

Classic armchair designed and produced by “Móveis Cimo” in 1940s, made of solid “imbuia” wood, curved “imbuia” plywood and brass details. Very strong and c...

Très rare table d’appoint par Abraham Palatnik.