17th Century Furniture

17th century Hand Carved Antique Side Farm Table Desk Center Drawer Los Angeles. W&M table in light Oakwood with center drawer. These tables were used in the Mas and Manoir. It's the perfect to your home as a side table, between two chairs, to have a chinoiserie piece of art on top. Or as a small bureau desk...

An impressive Antique Charles II sterling Silver Porringer of substantial size decorated with a chased stylised leaf pattern around the base and a chased band around the middle of th...

17th century cabinet from northern Italy, Milan. Ebony veneer and bird decoration in ivory inlay. Very good condition considering age. Only restorations have been carried out over t...

Sharing with you this fantastic Chinese Porcelain Plate Kangxi period. Fantastic decoration in blue and white and marked with Chenghua at the base. Please enjoy Condition Some rimf...

17th century Italian gold leaf fragment with calcite crystals in a rock matrix with gold leaf crystal quartz and mounted on a rock coral base. This fragment was originally part of a...

A sensational and extremely high quality pair of French 17th century Louis XIV period ormolu and rock crystal candelabras, circa 1680. Each eight arm girandole is raised by a circula...

Framework. Gilded and polychrome wood, 17th century. Presents loss in lower left area. Frame made of carved wood gilded and polychrome in certain areas that presents a decoration bas...

This elegant armchair exudes classic gravitas, with scroll arms, fall turnings and triple toe feet The tapestry back depicting Flora underneath a bower is a distinctive feature. It...

Antique map titled 'Frisiae antiquissima trans rhenu provinc et adiacentium regionum nova et exacta descriptio'. Original antique map of the province of Friesland, the Netherlands. T...

These monumental Chinese roof tiles were once installed as part of the elaborate roof of a Ming-dynasty temple or grand courtyard home. Dated to the 17th century or earlier, the scul...

A large exquisite silk satin panel embroidered in pastel colors with mythological figures, animals, foliage, and intertwined scrollwork from Piedmont Italy, circa 17th century. Prove...

Late 17th century walnut and marquetry longcase clock. Marked "Windmills, London"

A large French walnut coffer with exceptional hardware. This coffer is made of solid pieces of walnut. This piece would be ideal for a large room, behind a sofa, in a hall or stair landing...

This French Limestone Wall Fountain from the 17th century is a stunning piece of craftsmanship. The antique fountain is made out of lime...

ANNUNCIATION TRIPTYCH Spanish School 17th Century Oil on canvas glued to wood, Spanish school 17th century Dim.: (total) 97 x 153 cm very good conservation condition

Box ‘Cheveux de Vénus moulded pressed white glass with original sienna patina Model by René Lalique created in 1910. Signature engraved on the wheel. Height : 6 cm diameter : 6,...

Sharing with you this very nice edo period, 1666/1680, example. A rare version with Fan in the border Unmarked Additional information: Material: Porcelain & Pottery Region of Origin...

17th century Italian pair of giltwood candlesticks.

An exceptional William Kent design, wall-mounted, marble-topped console table. The William Kent Audley Console has a stylised carved shell to the frieze an...

Fireback with the coat of arms of France from the 18th century reproduced in the book "Plaques de Cheminées" by Henri Carpentier, page 206.

This Pallade model pendant lamp was designed in 1968 by Studio Tetrarch (consisting out designers Adelaide Bonati, Silvio Bonatti, Enrico De Munari, Carla Federspiel) for Artemide. I...

An Arita dish in storage box. Edo Period ( 17th century) Decorated in overglaze enamel on underglaze blue. Flowers, landscape, Dragon and Phoenix. Color bursting from it. Period; 16...

A very nicely decorated Late Ming Blue and White Porcelain Dish with landscape scene. Marked on the back, chenghua marked but not of the period. Tianqi or Chongzhen Additional infor...

JESUS CHRIST CRUCIFIED Indo-Portuguese sculpture from the 17th century in ivor... The figure is represented dead, wearing a cendal point at the waist. Cross in carved rosewood wood....

17th century oak coffer with the hinged three panelled top above a three panelled front with carved decoration, a wonderfully carved top rail above the three panelled front, standing...

A very fine quality late 17th century burr walnut cabinet on chest from the Queen Anne/William and Mary period with outstanding patina and nutty colour, and of desirable compact prop...

Northern Italian Baroque ebonized walnut guilloché frame, inset with old mercury glass. A bold and dramatic sculptural statement piece for any interior...

A terrific 17th century Arte Populaire Commode - Chest of Drawers from Northern Italy. Wonderfully constructed from poplar and pine woods with 2 drawers, molded panel sides and rais...

A wonderful 17th century FOUENE from the South of France. A FOUENE is a pronged harpoon like piece used in catching fish or clearing fish from a pond. Wonderfully crafted in hand f...

17th century religious Spanish old master painting, oil on canvas, depicting Saint Anthony of Padua with infant Christ. Dimensions: (unfr...

This an absolutely magnificent unique 17th century painting illustrates pirates in the time of Barbary Slave Trade (European slaves were acquired by Barbary pirates...

Late 17th Century, Miniature Silkwork Embroidery Reversable Picture. The embroidery is extremely finely worked in coloured silk threads on a paper or felt ground. Colours blues, gree...

Limoges enamel pax depicting the Assumption of Mary, in a silver frame in Renaissance style decorated with scrollwork and five angel heads, ca. 1600. Total height: 14.8 cm., width...

A very nicely decorated SET of 6 deep dishes in Blue and white, Kangxi/Yongzheng Period. Decorated with flowers Additional information: Material: Porcelain & Pottery Color: Blue & W...

Beautiful dish in blue and white, late ming period Tianqi or Chongzhen. Additional information: Material: Porcelain & Pottery Decoration Type / Colour: Blue & White, Ko-Sometsuke Re...

Spectacular large scale mid-17th Century Flemish tapestry created after the 1630s design by Jacob Jordaens (d. 1678). Several tapestries of identical design were produced based on dr...

An exceptionally rare early 17th century, James I/Charles I, black Japanned jewel box decorated with gold and red flowers and foliage. With a domed lid, o...

Hand-carved Portland stone pedestal with a brass sundial plate.  Base and pedestal, 2 pieces. Late 17th/early 18th century. Portland stone is a limestone geological formation datin...

A fine matching pair of hanging scrolls ink on paper mounted in green brocade borders circa Edo period (17-18th century). The Kano school painting depicts wild geese in the reeds by the margin of water, a popular subject borrowed from the Chinese tradition. Both painting were signed as Tanyu with a red seal of Morinobu, his birth name. The storage box is also present and was inscribed with the title Painting of Geese and Reeds and Kano Tanyu...

17th century leather knife box converted to a letter box with original brass hardware, sitting on brass ball feet. Fitted interior lined with 18th century silk fabric. In very good...

17th century French andirons made of cast iron. The style of the andirons is Gothic. They are in a good condition.

Circle of Willem Wissing Oil on canvas in its original frame Canvas size 65x75cm = 25.5”x29.5" Including frame 82x93cm = 32”x36.5" The oil painting is in excellent condition. Fr...

Sphinx from Florence of the Early 18th Century: A Symbol of Grace and Power The Sphinx, crafted around 1700 in Florence from sandstone, is a captivating example of garden and park a...

A very fine mid-18th century desk from the Catalan region of Spain. This wonderful desk is beautifully constructed from walnut and hand-forged iron ...

This 17th-century French School drawing of a hand is a masterful work of art, presented in an elegant silver gilt frame. Measuring 20.75 inches by 20.75 inches, the drawing showcases...

Fine French Louis XIII armchair. Made in the 17th century from walnut and equipped with hidden out sliding tray supports as a extra feature. We restored this armchair and reupholster...

Superb Jacobean period chest of drawers from the 17th century from England in oak Very beautiful chest of drawers with a superb molding work on the drawers of very good quality as w...

An early nineteenth century painted pine chest of drawers, in excellent serviceable condition. English, early nineteenth century.

Circle of ALESSANDRO ALLORI Portrait Of a Young Man Wearing A Ruff Wall Art , possibly portrait of a young Nobleman Oil on Wood Panel , unsigned . signs of restoration , normal wood panel cracks due to centuries and elements as seen in the pictures but overall great piece of Art. Alessandro di Cristofano di Lorenzo del Bronzino Allori (Florence, 31 May 1535 – 22 September 1607) was an Italian painter of the late Mannerist Florentine school. In 1540, after the death of his father, Allori was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. This incredible Artwork painting would be beautiful addition to collectors or to decorate a law office a library , Hallway , Living room a man's room or as a great elegant gift idea for an office space and house warming . Antique dealer West Hollywood Melrose Ave La Cienega Blvd . On top of a dresser a semainier a secretaire or in the background of your desk , this outstanding painting with the hand carved wood gilt frame will be the touch of old world adding the charm history and elegance to your decore . This beautiful portrait of a gentleman is very versatile and can go with any design, rustic farm , elegant space , formal setting , modern or old world European charm . overall good shape, recanvassing so many of the wonderful Art In the prime of his career, Allori headed one of the "two most important workshops in Florence in the second half of the 16th century" (the other being headed by Santi di Tito...

A remarkable 17th-century oak side table.  Displaying a moulded top sitting gracefully above a frieze drawer adorned with geometric decoration - showcasing exquisite craftsmanship. T...

Early 17th Century French Mortar

Antonio Calza (Italy, Verona, 1653-18th April 1725) "Battle between Christian and Turkish cavalry with castle" The painting depicts a bloody battle between Christian and Turkish cavalry. Characterized by dynamism, intensity of color and light, the main scene occupies the lower horizontal section of the canvas, optically interrupted by the black fumes of the shots from which emerge, on the left, the towers of a fortress. On the right, in the distance you can see the combat in progress in the countryside, beyond which you can see the pale presence of hills that create a fifth, marking the horizon. To frame the scene contributes to the left, against light and in the foreground, a portion of the wall. The painter, however, introduces a horse on the ground, of which we see only the back, a ruse to involve the observer making him become active and participate in the scene. In the foreground, lifeless bodies, wounded horses and, scattered on the ground, weapons and a drum enhance the drama of the clash. The excitement and expressive force, the intense chromatic range attentive to the conditions of light and the fine brushstrokes, decisive and dramatic, suggests the attribution to Antonio Calza, one of the most important painters of battles of the seventeenth century, excellent student and continuator of the greatest interpreter of the genre, Jacques Courtois called il Borgognone (Saint-Hyppolite 1621 - Rome 1676). Il Borgognone, although not having had a real school or direct students, places itself as a primary reference point by the Italian and foreign "battaglisti". The genre of battle painting found great success in the collections of the Italian and European nobility of the seventeenth and eighteenth centuries. The battles of the Italian Renaissance, in which the scene converged towards a precise protagonist, evolve towards a type of combat "without hero". The bloody realism of the details and the dynamic development of the narrative confuse the figure of the protagonist, when present, to give importance to the swirl of horses and armed fighters, among which, moreover, does not emerge a winner. The certain documents relating to the life and movements of Antonio Calza are scarce; it was equally difficult to reconstruct, from the critics, a catalogue of autograph works. Through paintings in private collections, in museums and paintings passed on the antiques market it has been possible to identify a copious corpus of works that can be traced back to his hand. The work of art historians, together with that of antique dealers, in conferring proper attributions in order to best outline the figure of Calza, continues but studies are still in progress. In this sense, the work of Giancarlo Sestieri should certainly be noted, who investigated the artistic production of the battaglisti and Calza, thus allowing the comparison of the numerous photographic works reported, to identify and recognize the stylistic qualities that distinguish the corpus of paintings assigned to him today. Antonio Calza was born in 1653 in Italy, in Verona and in 1664 he entered the school of Carlo Cignani in Bologna, dedicating himself to painting battles and landscapes. He then perfected in Rome, where he knew the works of the then undisputed head of the sector, Jacques Courtois called the Burgundian. In 1675 he returned to Verona and married an 88-year-old widow who, dying, left him a rich inheritance. Much appreciated by the nobility and the bourgeoisie, he received numerous commissions. Bartolomeo Dal Pozzo (Le Vite de' pittori, de gli scultori et architetti veronesi, 1718) praises "three great paintings of battles...

Temptations of San Antonio Abad. Oil on canvas. 17th century, following the model of David Teniers II (Antwerp, 1610-Brussels, 1690). Oil on canvas showing a figurative scene located inside a cave. To the right, you can see a cross standing, supported; to the left, a hut; and in the center of the painting appears an elderly, bearded man, leaning on a table on which there is a ceramic jug and a skull, with an open book at the foot of it. The man looks towards a woman, who points to something outside, and appears accompanied by a large frog and a series of ghostly beings or monsters dressed in brightly colored cloth and clothing. San Antonio Abad or Antonio Magno (251-356) was a Christian monk, considered the founder of the eremitical movement. He was tempted numerous times by the devil while he was in the desert, becoming a subject frequently represented in art (as can be seen in this oil painting). He is represented in a black habit because the Order of the Knights of the Hospital of San Antonio (Hospitals) was placed under his patronage, being the color of the habits of the members of this order (the tau or Egyptian cross was also the symbol chosen by they). David Teniers II or El Joven was a prominent Flemish painter and engraver, son of David Teniers El Viejo or I and father of David Teniers III, much appreciated at the time for his scenes of villagers and common people, his paintings of monkey painters, etc. . He dealt with the theme of the Temptations of Saint Anthony...

Striking Tuscan cabinet with canted corners. Four drawers above two doors, on later paw-feet (can be taken off). Beautiful rich color. Our pieces are left in lived-in condition, pe...

Fine William and Mary period English oak side table, the thumb molded top with ogee shaped under molding, the single drawer having line inlaid panels and half round molded facade, ov...

A nice and tall decorative fireback or backsplash. This was originally a sides of an old cast iron stove from the 17th century. In the early 19th century these decorative stove whe...

A 17th century or earlier large copper alms dish or alms plate.

This silver bas-relief is an original decorative artwork realized in the mid-17th century. The work is an original relief realized in silver. A golden frame is included (cm 28 ...