Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Paolo Buffa Wood and Fabric Armchair, Italy 1950s

About the Item

Wooden armchair with vertical rod back with armrests and wraparound back designed by Buffa Paolo (1903 - 1970) He trained in the studio of Ponti and Lancia and opened his own studio in 1928. In the 1930s he participated in the Milan Triennials and worked for Milan's middle and upper middle classes. In 1946 he participated in the Exhibition Market for Reconstruction in Milan. Work to furnish the Hotel Quirinale in Rome and the Royal Palace of King Zoc of Albania.
  • Creator:
    Paolo Buffa (Designer)
  • Dimensions:
    Height: 29.53 in (75 cm)Width: 21.26 in (54 cm)Depth: 21.26 in (54 cm)
  • Style:
    Mid-Century Modern (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1950
  • Condition:
    Reupholstered.
  • Seller Location:
    Naples, IT
  • Reference Number:
    1stDibs: LU3221342404542

More From This Seller

View All
Melchiorre Bega High Backs Armchair, Italy 1950s
By Melchiorre Bega
Located in Naples, IT
Italian-made armchair designed by Melchiorre Bega in the 1950s. Wooden frame upholstered and lined with new blue velvet fabric, seat with upholstered and lined cushion and shaped woo...
Category

Vintage 1950s Italian Mid-Century Modern Armchairs

Materials

Velvet, Wood

Isa Bergamo Light Blue Velvet Armchair, Italy 1950s
By ISA Bergamo
Located in Naples, IT
ISA Bergamo rare armchair or lounge chair with brass legs. This elegant armchair model features a classic shape composed of a slightly curved back and beautiful spread legs. It has the soft lines and distinctive sculptural shape of the ISA Bergamo models of the 1950s, classic yet modernist and unmistakably timeless. I.S.A. (Industria Salotti e Arredamenti) also known as ISA Bergamo was an Italian furniture company founded in the late 1940s by Roberto Brembilla...
Category

Vintage 1950s Italian Mid-Century Modern Armchairs

Materials

Brass

Giampiero Vitelli for Rossi Albizzate "Suzy" Armchair, Italy 1950s
By Giuseppe Rossi di Albizzate, Giampiero Vitelli
Located in Naples, IT
Rare Mod. "Suzy" chair/armchair designed by Giampiero Vitelli for Rossi Albizzate, 1956. The frame is made of metal painted black with removable foam rubber upholstery in terracotta/...
Category

Vintage 1950s Italian Mid-Century Modern Armchairs

Materials

Metal

Pair of Wood and Fabric Stools, Italy 1950s
Located in Naples, IT
Pair of benches/stools with walnut wood frame, The toe of the legs is satin-finished brass. The seat is upholstered and the cover is green velvet.
Category

Vintage 1950s Italian Mid-Century Modern Stools

Materials

Brass

Federico Munari Pair of Sand-colored Velvet Armchairs, Italy 1950s
By Federico Munari
Located in Naples, IT
Pair of 1950s armchairs designed by Federico Munari , upholstered in sand-colored velvet and metal legs. The shape of the armchairs is designed to offer comfort and relaxation, with...
Category

Vintage 1950s Italian Mid-Century Modern Armchairs

Materials

Metal

Giampiero Vitelli for Rossi Albizzate Pair of "Suzy" Armchairs, Italy 1950s
By Giampiero Vitelli, Giuseppe Rossi di Albizzate
Located in Naples, IT
Rare pair of armchairs Mod." Suzy " designed by Giampiero Vitelli in the 1950s for Rossi Albizzate. The frame on which the seats are assembled is made with an iron frame and foam rub...
Category

Vintage 1950s Italian Mid-Century Modern Armchairs

Materials

Metal

You May Also Like

Armchair by Paolo Buffa, 1950S
By Paolo Buffa
Located in bruxelles, BE
Wood and wicker armchair by Paolo Buffa made in the 50s. Seat height: 32 cm. Wear due to time and age. For shipping, request us for receive the best price.
Category

Vintage 1950s Italian Mid-Century Modern Armchairs

Materials

Wicker, Wood

Italian Mid-Century White Fabric and Wooden Armchair by Paolo Buffa, 1950s
By Paolo Buffa
Located in MIlano, IT
Italian mid-century White fabric and wooden armchair by Paolo Buffa, 1950s Armchair with wooden structure. The seat is made up of a padded cushion in white fabric, supported by a me...
Category

Vintage 1950s Italian Mid-Century Modern Armchairs

Materials

Fabric, Wood

Pair of Wood Armchairs attributed to Paolo Buffa, Italy, 1950s
By Paolo Buffa
Located in Milan, IT
Pair of armchairs attributed to Paolo Buffa. Lean detailed wood frame, upholstered seat and free back rest cushion.
Category

Vintage 1950s Italian Armchairs

Materials

Wood

1950s Pair Of Italian Armchairs By Paolo Buffa
By Paolo Buffa
Located in London, London
Pair of armchairs By Paolo Buffa Cherry wood frame Spindle back Decorative feet with brass caps Italy 1950s Certificate of authenticity from the Paolo Buffa archives Alcuni Mobili di Paolo...
Category

Mid-20th Century Italian Mid-Century Modern Armchairs

Materials

Cherry

Paolo Buffa Mid-Century Modern Italian Armchair, 1950s
By Paolo Buffa
Located in Puglia, Puglia
Beautiful armchair with curved armrests, made by Paolo Buffa in 1950. The structure in curved and padded wood, the upholstery was redone more than twenty years ago but it is in very ...
Category

Vintage 1950s Italian Mid-Century Modern Armchairs

Materials

Fabric, Beech

Upholstered Italian Armchairs attributed to Paolo Buffa, Italy 1950s
By Paolo Buffa
Located in Utrecht, NL
Italian Modern furniture is defined by unique design, perfect execution, and exclusivity. This pair of armchairs is attributed to Italian design icon, Paolo Buffa. Coinciding with contemporary debates about the role of design and its responsibility to the larger population, Buffa reworked the presiding neoclassical idiom. The architect incorporated simplified forms into his designs in order to streamline production techniques, whilst always retaining a high regard for materials and harmonious portions. This pair of armchairs is said to have been designed by Buffa during the 1950s and elegantly balances comfort and functionality with high-quality craftsmanship and materials: the refined, articulated lines of the armchairs’ frames counter the volume of its cushions and uniquely patterned upholstery. By the mid-1930s, Buffa had established his own studio, where the Milanese architect designed expertly crafted furniture featuring intricate details and combined luxurious materials for an elite clientele. Buffa developed close relationships with cabinetmaking workshops in Brianza, renowned for their traditional furniture manufacturing, and during the following decades collaborated with some of the period’s most skilled artisans. These relationships enabled Buffa to introduce a modern vocabulary into his work whilst adhering to Milan’s heritage of artisan furniture production, in order to realize inventive furniture designs that revealed a skilful union of design and execution. These chairs embody this patently, with their most intricate feature being the upholstery covering the elegant, stylish shape of the solid wood frames. The elaborate pattern invites the eyes to spend time observing and exploring it, therefore the overall impression is interesting and stylish, while it also makes these chairs a one-of-a-kind pair. The exposed architectural, tapered legs supporting the comfortable seats and curved backs complement the design of this model greatly. The slim look serves as a counterweight to the voluptuous bodies, and the colour of the wood complements the pattern as well. The overall design is focused on elegant and measured proportions, balanced compositions, and refined décor elements including the exclusive materials. Besides the upholstery, the versatile shapes, from the curving, rounded edges on the top to the characteristic armrests and tapered legs, make these chairs stand out. Buffa’s designs were featured in important publications, such as Roberto Aloi’s L’arredamento moderno series, through which a coherent evolution can be traced in Buffa’s work as he interpreted the formal elegance of Italian design with a subtle yet recognizably modern rigour evidenced by this pair. Paolo Buffa was especially passionate about furniture and product design, an area where he remained faithful to a figurative repertoire of substantial classicism, while not disdaining impulses of authentic modernity. He was extremely active in the Milanese design scene that was just as vibrant and unique as these armchairs. In an atmosphere committed to the reinterpretation of the Lombard classicism and Milanese architecture, exceptional pieces were created, as this pair shows. Condition: In good vintage condition. Wear consistent with age and use. Small scratches and marks on the wood. The chairs have been reupholstered recently in a premium patterned fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 29.52 in W x 34.44 in D x 37 in H; Seat height 15.15 in; Arm height 22.44 in 75 cm W x 87.5 cm D x 94 cm H; Seat height 38.5 cm; Arm height 57 cm Literature: 'Alcuni Mobili di Paolo Buffa', Domus, no. 178, October 1942, p. 431 for a similar example Roberto Aloi, L’Arredamento Moderno, quarta serie, Milan, 1949, fig. 366 for a similar example Roberto Rizzi, I mobile di Paolo Buffa, exh. cat., Mostra Internazionale dell'Arredamento, Cantù, 2002, pp. 30, 34-35 for a drawing and images of a similar example About the (attributed) designer: Paolo Buffa (born 1903, Milan – died 1970, Milan) was an Italian furniture designer who defined his own unique design aesthetic to become one of the most sought-after Italian designers of his day. Renowned for pairing elements from both the opulent Neoclassical and the streamlined Art Deco styles around a more modern sensitivity, Buffa excelled in creating high quality pieces that spoke to the well-to-do clientele of the time. Born in Milan in 1903, Buffa trained at the Politecnico di Milano. Following his graduation in 1927, he worked briefly for Gio Ponti, and in 1928, he partnered with architect Antonio Cassi to establish their own design studio in Milan. By 1936, Paolo Buffa opened his own independent studio where he became particularly successful, in part because he had already tapped into his unique combination of stylistic elements. His incorporation of more traditionally Neoclassical motifs or materials – for example, rich rosewoods or supple, velveteen fabrics – with the relatively avant-garde forms and themes of a lighter Art...
Category

Vintage 1950s Italian Mid-Century Modern Armchairs

Materials

Fabric, Wood

Recently Viewed

View All