Kingwood Cabinets

A striking French 19th century Louis XV st. kingwood and ormolu Bibus. The Bibus shelf is raised by elegant lightly curved legs with fine pierced ormolu sabots. Above the scalloped s...

19th century antique quality kingwood and ormolu mounted French Vernis Martin display cabinet having an attractive shaped top with an impressiv...

An unusual French 19th century Louis XV st. kingwood and tulipwood two part cabinet joined by a central shelf. The two cabinet ends with a door have an interior shelf. The outside is...

A fine French 19th century serpentine inlaid display or storage cabinet of neat proportions, cross banded and ormolu mounted throughout and with lovely patinated timbers comprising o...

A stunning French 19th century Louis XVI st. Belle Époque Period demi lune chest Marqueté à la Reine, by P. Sormani. The chest is raised by elegant square tapered legs with fine ormo...

A very attractive French 19th century Transitional st. tulipwood, kingwood and charmwood cabinet. The cabinet is raised on cabriole legs, decorated at the front with ormolu sabots an...

Constructed in kingwood, with gilt bronze mounts; rising from bracket feet, the cabinets, a true left and right pair, have central doors dressed with well executed floral marquetry p...

A striking French 19th century Louis XVI st. kingwood and ormolu and marble cabinet. The cabinet is raised by elegant topie shaped legs with fine ormolu sabots and a tied reeded band...

A Louis XVI style table Ambulante By Francois Linke The master ébéniste using kingwood and tulipwood to great effect, with foliate ormolu mounts, rising form hoof-foot and acanth...

An elegant French 19th century Louis XV st. Kingwood, Tulipwood, ormolu, and Rouge Griotte marble cabinet. The three door cabinet à hauteur d'appui is raised by tapered lightly curve...

A beautiful and very unique French 19th century Transitional st. Kingwood and ormolu cartonnier cabinet. The one door seven drawer cabinet is rais...

19th Century Victorian Kingwood vitrine A 19th century Victorian kingwood veneered vitrine or show cabinet. The cabinet has a glazed top and a pair ...

A Pair of Display Cabinets In the Louis XVI Manner Constructed from kingwood and bois satiné with ormolu mounts throughout, each cabinet s...

A kingwood display cabinet by Haentges Frères, of tall rectangular form, the single door three-quarters glazed above a shaped parquetry panel of radiat...

A fine French Bibliotheque with Marble top above a spreading cornice, three adjustable shelves, the angles mounted with female busts and raised on ormolu paw feet.  

A stunning and extremely high quality French 19th century Louis XVI st. Belle Époque period Kingwood, Wedgwood, ormolu, and Vert de Patricia marble cabinet. The one door, one drawer ...

An exceptional French 19th century Transitional st. rosewood, kingwood, mouchette mahogany, burl elm, ormolu, and Rouge Griotte mar...

Second Empire period gilt bronze and kingwood display cabinet French, c. 1860 Measures: Height 218cm, width 128cm, depth 42cm This fine displ...

A striking and extremely elegant pair of French 19th century transitional style tulipwood and kingwood cabinets. Each cabinet is raised by Fine lightly curved legs with richly chased...

A mid-Victorian kingwood serpentine cabinet, English in the French style, the shaped top with burr-walnut half veneers within kingwood banding and b...

A fine cabinet of the Napoleon III period Retailed by Grimard of Paris Almost Certainly by François Linke   Constructed in Kingwood and mahogany, with extensive decoration of high qu...

French rare 19th century cabinet. Kingwood and parquetry with fine quality gilt bronze mounts. Clock on top. Signed Francois Linke      

A Victorian kingwood display cabinet in French taste, of rectangular form with a glazed top and front doors enclosing a single glass shelf, decorated with...

Very fine late Georgian inlaid mahogany and bronze mounted chiffonier, having three tier waterfall bookshelf top supported by bronze columns, over ...

French pair of tulipwood and inlaid bedside cabinets, having serpentine marble tops above 2 flower inlaid drawers fitted with original brass handles and flanked by ormolu decoration, inlaid sides, and elegant cabriole legs with brass sabots. This attractive pair of bedside cupboards...

We are delighted to offer for sale this exceptionally rare Alfred Beurdeley (1847-1919) Paris fully stamped Tulip and Kingwood with bronze mounts jewelry casket on stand This is one of the finest jewelry caskets I have ever seen, the quality is second to none, if you search works by Berurdeley you will see multiple pieces in the hundreds of thousands of pounds, these are some of the best and most collectable original handmade master craftsman pieces ever conceived. A Japanese lacquered cabinet of similar form made by Beurdeley which was larger sold in Sothebys in June last year for 216,125 Euros including fees The cabinet is made with bookmatched Tulip and Kingwood with gilt bronze mounts all-over, the leather top is the original which is nicely aged, there is also a functioning key which is needed to access the drop front Condition wise this piece has been cleaned waxed and polished, I have left the overall finish original however it can be fully restored to include a strip back and French polish should the new owners wish, this restoration would be completed at the new owners expense. On inspection I can see two panels which have timber shrinkage splits, there are some patina marks to the top and general patina marks Dimensions: Height 100.5cm Width 41.5cm Depth 31cm Please note all measurements are taken at the widest point Alfred Beurdeley, 1847-1919 Nationality: French Date of Birth: 1847 Place of Birth: Paris Place of Death: Paris Identity: Emmanuel-Alfred Beurdeley was a collector who came from a family of cabinetmakers, antique dealers and collectors. He was the illegitimate son of Louis-Auguste-Alfred Beurdeley (1808–82). His grandfather, Jean Beurdeley (1772–1853), who served in Napoleon's army, opened a small antique shop in the Marais district of Paris. In 1830 he bought the Pavillon de Hanovre, 28 Boulevard des Italiens, which became the Beurdeley firm's principal gallery until 1894. L.-A.-A. Beurdeley dealt in antiques and works of art and was also a cabinetmaker specializing in reproductions of seventeenth and eighteenth Century Furniture. His clients included Napoleon III and the Empress Eugénie. Life: In 1875 E.-A. Beurdeley took over his family's gallery and workshops and until 1894 concentrated on continuing the line of luxury furniture sold by his father. He was one of the most important Parisian cabinetmakers, and won a Gold Medal at the Exposition Universelle in Paris in 1878. He was appointed Chevalier de la Légion d'honneur in 1893 following the Universal Exhibition in Amsterdam. In 1895 he closed the Pavillon de Hanovre and retired to his hôtel in the Rue de Clichy. The rest of his life was spent acquiring and selling enormous collections of furniture, Chinese porcelain, paintings and drawings, including an extraordinary group of eighteenth century French drawings by François Boucher, Jean-Honoré Fragonard, Nicolas Lancret and Antoine Watteau in 1905. He also owned JW's La Dormeuse...

Stunning 19th century French Empire, neoclassical/Rococo Revival style Marquetry vitrine or display cabinet, of large proportions!! A real statement piece! Made of a fabulous variety of veneers, including kingwood, satinwood, tulipwood, harewood and walnut with quality classical ormolu mounts. It has ebonized pillars in the Empire style, with walnut and exotic hardwood friezes in the Rococo style. Double glass doors to middle section and single glass doors on either side. The glass on the doors are framed in ormolu banding. Floral Marquetry panels on front and parquetry on the sides. The front central section is a pullout / pull-out drawers with gorgeous walnut frieze panel and original carved walnut knobs. Scrolling pelmet on the top in 3 sections banded in ormolu beading. Scrolling base with cabriolet feet and ormolu mounts on base. Various ormolu mounts, floral mounts, mounts of Baachus and mounts of neoclassical female figures. In 3 sections. with 2 side cabinets and large central section with 3 section pelmet, stunning piece!!! The quality ormolu mounts are marked with the letter “R” and what appears to be “FR 678”. We were originally of the belief that this piece might have been made at the very end of the 19th century, but having regard to the quality of workmanship throughout this piece we are of the opinion that it was most likely made in the third quarter of the 19th century, circa 1870 and by an obviously top quality Parisienne maker with a surname beginning with “R”. It is definitely in the style of David Roentgen who was known for his Rococo/neoclassical styles. David Roentgen, (born Aug. 11, 1743-died Feb. 12, 1807, Wiesbaden, Duchy of Nassau), cabinetmaker to Queen Marie-Antoinette of France; under his direction the family workshop at Neuwied (near Cologne), founded by his father, Abraham Roentgen, became perhaps the most-successful firm of furniture production in the 18th century. After succeeding his father as head of the Neuwied workshop in 1772, Roentgen strove to broaden their clientele, an ambition that brought him first to Hamburg and ultimately to Paris (1774), where in 1779 he was spectacularly successful in selling his finest furniture to King Louis XVI of France for £3,300 to £4,000, an unprecedented sum for the time. Appointed cabinetmaker to the queen, Roentgen was granted admission (1780) as maître-ébéniste (master cabinetmaker) to the trade corporation of Paris cabinetmakers, making it possible for him to keep in Paris a stock of the furniture manufactured at Neuwied. Thus he was able to compete with such great cabinetmakers as Jean-Henri Riesener and Adam Weisweiler, reputedly his former pupil at Neuwied. After his first visit to St. Petersburg, Empress Catherine II the Great bought huge quantities of his furniture; King Frederick William II of Prussia was also his client. When in 1795 the French Revolutionary armies threatened to cross the Rhine, Roentgen evacuated his establishment and moved his stock farther inland. Unfortunately, he lost everything in his Parisian salon and in his Neuwied workshop, both of which were sacked by Republican troops. He was crushed, despite his appointment as court furnisher to the king of Prussia. Although he never succeeded in starting production again, former apprentices of his whom he helped to establish in the German cities of Berlin (David Hacker...

This kingwood cabinet is an exquisite piece of antique French furniture, which is decorated with beautiful vernis Martin panels. Vernis Martin is a type of imitation lacquer, which f...

A very fine French 19th century Louis XV style mahogany, kingwood and stainwood ormolu-mounted marquetry two-door Meuble D'Appui attributed to either Joseph-Emmanuel Zwiener or Zwien...

A superb quality palatial French Louis XVI style ormolu mounted, satinwood, kingwood parquetry and Vernis Martin style paneling three-door raised Vitrine Display Cabinet attributed to Paul Sormani (1817-1877). The Vernis Martin Panels signed "V. Gossen." The lower part of the cabinet with three frieze drawers supported by two square-sectioned on tapered legs, fronting an ormolu mounted parquetry back panel, on toupie feet. The ormolu stamped with the initials "P.S." on the reverse. Circa: Paris, 1870. Height: 101 inches (256.5 cm). Width: 56 inches (142.2 cm). Depth: 20 inches (50.8 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

A very fine Louis XV Style cabinet in the manner of Paul Sormani. This exquisite and very well proportioned cabinet is made of bois violette or kingwood, with well executed floral i...

Pair of singed Linke bronze mounted and parquetry commodes in the Louis XV style. Parisian made cabinets are signed "F. Linke" on the bronze mounts. S...

A very fine French 19th/20th century Louis XVI style mahogany, kingwood and tulipwood parquetry three-door vitrine with ormolu-mounted floral wreaths, ribbons, female masks and centr...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Exceptional French cabinet with floral and foliate marquetry inlay with gilt bronze mounts. two doors open at the front and interior has one shelf. Sides are shaped and floral mar...

This large and exquisite vitrine cabinet is a true statement piece and would make the perfect place to display an antique collection of curios or fine tableware. The cabinet is c...

A fine pair of French 19th century Louis XV style tulipwood and gilt bronze mounted two-Door Meuble D'Appui (Side-Cabinets) with a Brêche d'Alep marble top. The slender cabinets...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

A good quality pair of late 18th century marble topped, marquetry inlaid side cabinets, each with their original marble tops, scrolling ormolu mounts to the frieze, wonderful floral ...

Very fine Lacquer Chiniosiere Side Cabinet by Raulin, Paris, circa 1880 Gilt-bronze mounted tulipwood cabinet with a shaped rectangular marble top above a cupboard door inset with...

Gervais Durand was an exceptional furniture maker of the later 19th century, known especially for his reproductions of 18th Century works, but also responsible for some strikingly or...

Enveloped in sumptuous parquetry and doré bronze, this majestic Louis XIV inspired French linen press displays the characteristics of superior craftsmanship and luxurious design seen in the creations of the iconic Françios Linke. Crafted of sumptuous kingwood, the glorious parquetry door opens to reveal six compartments used to store linens, such as those for the bedroom or even the dining table. The masterful woodwork is flawlessly balanced by intricate doré bronze mounts in the form of Neoclassical floral swags, garlands, plumes and acanthus scrolls. The delicately spiraled doré bronze feet give the cabinet a sense of lightness and balance. Enhanced by a beautiful rouge marble top, this elegant linen press is an excellent example of late 19th century French furniture...

A superb quality French 19th-20th century Louis XV style ormolu-mounted kingwood, satinwood and satine single door figural vitrine by the renown Parisian master craftsman and cabinet...

A very fine and rare French 19th-20th century Louis XVI style Belle Epoque ormolu-mounted satine, kingwood and burlwood two-door cabinet, the mounts by Ferdinand Barbedienne, fitted with a shaped Breccia Colorata marble top above a Vitruvian scroll frieze, centered by two doors flanked by putti and griffin mounts, the interior with two shelves, on four tapering fluted legs, the backs of the mounts stamped 'FB'. Paris, circa 1890-1900. Ferdinand Barbedienne (French, 1810-1892) Was a highly important and prolific bronze founder of furniture mounts and more commonly, bronze sculpture including figures, animals, urns, clocks and candelabra. His signature Varied from hand written capitals to stamp in capitals,- Bronzes cast bear...

A fine French 19th-20th century Louis XV style Kingwood and ormolu-mounted single-door Vitrine, the demilune shaped cabinet with and arched bonnet, molded trim above a bombé glazed d...

French Louis XV-style (19th Century) kingwood 2 door vitrine display cabinet with bronze trim and shaped glass sides

Rare and important 19th century French kingwood and parquetry inlaid display or vitrine cabinet, signed by the renowned designer and cabinet maker François Linke. The shaped bonnet atop large glass double doors and inset parquetry panels trimmed in bronze. Finely appointed overall with remarkably detailed gilt bronze mounts depicting caryatid masques, maiden busts, shells, acanthus leaves, and fleur de lis. The entire on gilt bronze animal...

A fine French 19th-20th century Louis XV Style gilt bronze-mounted, Mahogany and Tulipwood Marquetry Side Cabinet/Secretaire in the style of François Linke (1855-1946). The slender s...

A Fine Louis XVth Style Meuble a Hauteur D'Appui In the Manner of J-E. Zwiener Constructed in Bois Violette, with well executed floral inlays, and having extensive gilt bronze moun...

A beautiful rosewood Demi Lune style cabinet. Grey and white marble top, above three drawers and having two side cabinet doors, all standing on tape...

A fine quality 19th century seaweed marquetry inlaid Pier cabinet, having gilded ormolu mounts and a 'Sevres' porcelain plaque to the center of the door. The door opening to reveal ...

A superior example of 18th century Italian cabinetry, demonstrating fine proportions and materials. The original hand shaped sienna marble-top set within a gilded gesso molding, ov...

French Louis XV-style (19th Century) kingwood 2 door vitrine display cabinet with shaped glass sides and rust marble top

Kingwood, Vernis Martin and Gilt-Bronze mounted side cabinet by Linke French, Late 19th Century Height 127cm, width 147cm, depth 50cm Made in the late-nineteenth century in the height of the French Belle Époque, this exceptional ormolu, kingwood, and Vernis Martin cabinet...

French Louis XVI kingwood and inlaid veneer high cabinet with three doors (grill center door) with a white marble top with gallery and gilt bronze trim.  

This extraordinary, palace-size French Empire Revival armoire dates from circa 1900 and measures 98" (8 ft 2 in) tall, 60" (5 ft) wide and 22" deep. It features extensive and massive...

A Truly Magnificent 19th century Secre´taire a` Abattant by Maison Rogie´ of Paris After the original in the Wallace Collection, London, made in 1777 by Pierre-Antoine Foullet Con...

A good quality pair of 19th century French kingwood, ormolu-mounted pier cabinets, each with the original marble tops and 'Sevres' porcelain plaques to the doors.