Early 20th Century Cabinets

Antique Shanxi province elm 2 door cabinet with original patina and clear lacquer   

A fabulous Edwardian cabinet in the manner of 'Edward and Roberts' London. This exceptional piece is finely carved and of fantastic quality with rich patination, fine grain with cro...

Early 20th Century Amsterdam School Arts & Crafts Design Bedside Cabinet. Made in the Netherlands, Amsterdam Region in the first part of the 20th Century...

I can confidently say this is the only Epstein Fluted cocktail cabinet on the market today, they are almost extinct. Please look around and you will not find another one like this of...

Add a touch of historical charm to your space with this North American Early 20th Century Mahogany Wood Demilune Shape China Cabinet, a remarkable piece of furniture that reflects the craftsmanship and design of the era. The charleston inlaid...

A Chinese Late Qing Dynasty period elm wood cabinet from the early 20th century, with brass medallion, teardrop pulls, two drawers and two do...

Beautiful Swedish antique Art Deco cabinet in quilted gold birch veneers with carved detailed on the glazed doors, deco feet and inlaid marquetry on the lower doors, circa 1920s. Th...

A Dutch Colonial cabinet with bonnet top, glass doors and red and gilded accents. This early 20th-century Dutch Colonial cabinet is a stunning representation of period craftsmanship,...

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Antique Arts & Crafts Pine Wood 27 Drawer Apothecary File Cabinet Sideboard. Circa Ea...

K0450 stylish Art Nouveau mahogany and marquetry hall cabinet with arched cresting above divided mirror flanked by a pair of circular platforms on downswept supports, the projecting ...

The serpentine shape of this piece makes it a real statement It is made of a burr walnut in a honey hue. It has two doors That open to a shelved storage. It has two drawers that Op...

Shapland & Petter Edwardian mother of pearl inlaid mahogany display cabinet, stamped to lock and fitted with a series of shelves and mirror a...

Art Nouveau mahogany display cabinet.

A pair of traditional cabinets in the manner of Mathieu Béfort with an ebonized wood frame that are decorated with figural gilt bronze mounts, depicting male and female figures, alon...

Josef Frank Art Deco cherrywood cabinet or Bergemöbel for Haus Und Garten, Vienna, circa 1925 Josef Frank is one of the most popular Austrian represen...

Antique "Shop of the Crafter" Small Cabinet OSCAR ONKEN , Stickley Era w5591 ON SALE NOW. THE LOCAL WE SELLING FOR ARE MOVING TO CA ALL MUST SELL ALL MUST SELL ...

This is a Japanese antique cabinet made in the Meiji period. This is a masterpiece that highlights traditional techniques and craftsmanship, ...

A Pair of French Empire Design Figured Walnut Three Drawer Nightstand Chests With Mounted Gilt Provenance: From an Establishment on Belgrave Square London see images7 Known to be ...

Striking & Unique Vintage Oriental Lacquered Storage Cabinet. The piece features lovely relief painted figures, a distress yellow painted finish, a mirrored back interior with 2 glas...

Louis XVI style marble and ormolu bronze mounted mahogany vitrine display table with mirrored interior , supported by four tapering legs . The vitrine is in great condition . Minor w...

Large glazed display cabinet in chrome by Siegel. France Circa 1900. H 171cm x W 70cm x D 31cm

A Pair Of Stunning French Art Deco Bedside Cabinets Exquisite Walnut Cloud Shaped Cabinets with Inner Shelf. Designed in the 1920's. .

​Early 20th Century Country French Oak Marble Top Server Cabinet Dimensions : 33" Wide X 15" Deep X 32" Tall This marble top cabinet was made in France in the early 20th century an...

Louis XV 1920s little side cabinet or nightstand blond walnut and walnut inlay maple, restored and polished to wax Measure cm: H 60 x W 40 x D 26.

Exquisite & Luxurious! This Dutch antique Art Deco Tea cabinet / display cabinet from 1920 in Amsterdam School design style. Marvelous Amsterdam Sch...

Vitrin, France, ca. 1900. Very good condition. Wood: walnut Dimensions: height 260 cm / width 120 cm / depth 60 cm

George Montague Ellwood. A rare Arts and Crafts oak purdonium made by J S Henry. A set of chairs also designed by G M Ellwood with similar inlays were exhibited at The Dublin Museu...

Introducing this stunning chip carved wall cabinet! Handcrafted with a traditional Dutch chip carving technique, this beautiful piece adds warmth and charm to any room. The intricate...

Danish art deco pedestal cabinet in ebonized mahogany. Offers a convex front with a single door that opens to reveal five shelves. Made in high quality by carpenter master Otto Meyer...

A Bois Citronnier Meuble d'Entre Deux By François Linke Constructed from satiné quarter-veneered bois citronnier, with rosewood crossbanding and ormolu mounts, the rectangular ca...

Pair of interesting and lovely single door walnut cabinets with satinwood decorative inlay, probably Edwardian made in the Sheraton taste. Each has a single pull-out open drawer shelf. Possibly bedside lockers...

A Japanese compound cabinet from the early 20th century with black and gold speckled finish and glass sliding doors. Created in Japan during the early years of the 20th century, this...

Beginning 20th century low Venetian Baroque console in carved gold walnut, veneer walnut and burl walnut with inlay thread. Cabinet color fuch...

Mahogany display cabinet, the arched top over two unusual concave glazed side doors, the interior fitted with adjustable glazed shelves. To the base fitted with three long central dr...

Very large satinwood display cabinet. The moulded cornice with pendant-drop frieze. To the large central glazed door opening to reveal original velvet-lined interior having two adjus...

Walnut Queen Anne style side cabinet suitable as a cocktail cabinet Features intricate hand painted Chinoiserie designs Makers tag on inside of door reads 'Northampton Cabinet Compan...

Antique Spanish circa 1920s carved wood cabinet with 2 drawers and 2 doors. Measurements: Height: 31 Length: 41" Depth: 17".

Mahogany Sheraton Revival glazed bookcase. Circa 1900 This bookcase stands upon a plinth base. The bookcase features 2 glazed doors which open to reveal 3 adjustable shelves. The top...

This is the 1920s Swedish Grace cabinet designed by Axel Einar Hjorth for AB Svenska Möbelfabrikerna in Bodafors, Sweden. It comes builded in two sections. Made of birch and veneered with dark brown stained birch. The inside and the shelves are veneered with natural birch. Behind the doors hides two removable shelves in each section. The front is richly ornamented and the two front legs resemble paws. In an age of 100 years it still has a beautiful strong, vibrant colors without any fading. Marked "AB Svenska Möbelfabrikerna Bodafors" with a metal plate inside the upper right door. The locks work and one key is included. ____________________ Axel Einar Hjorth worked in his younger years at Svenska Möbelfabrikerna in Bodafors, before he in 1927 got employed as chief designer at Nordiska Kompaniet. Thus, the cabinet was designed before 1927 and it’s fair to assume the cabinet was manufactured sometime in the 1920s. Axel Einar Hjorth is beside his design of these type of Swedish Grace furniture known for the design of Nordiska Kompaniets Sport Cabin...

French Art Déco cabinet by Pierre Paul Montagnac.(1883 to 1961) with bronze application. Thuja root wood, gilded feet and border. Interior oak wi...

This vintage Art Deco cabinet in solid oak has a trapezoid shape, with two large drawers beneath a glass top trimmed in brass, three smaller drawers beneath, and a large storage spac...

Mahogany standing bow fronted corner cabinet, the bow-fronted astragal glazed full-length door opening to reveal a shelved interior. All raised up on shaped plinth and bracket feet. ...

A magnificent Art Deco burr walnut cocktail cabinet by Epstein. This was made in England, it dates from the 1920’s. It is of outstanding quality, the top has beautifully fluted door...

English buffet with marble top and 2 doors. The handles and escutcheons are bronze. It rests on four tapered legs that ends in casters. Dimensions. Approx 36 W ; 30 H ; 19 D.

Antique Oak 16 Drawer Typesetter's Letterhead Filer The Antique Oak 16 Drawer Typesetter's Letterhead Filer is a beautifully crafted filing cabinet, origina...

Italian painted and giltwood chinoiserie cabinet. Stunning versatile Italian painted and gilt wood chinoiserie 2-door cabinet, bookcase, bar or cu...

This heavily carved oak cabinet features a top with canted sides and a single door that showcases an urn flanked by opposing fish. The door swings on elegant, long hinges and opens t...

Heals. In the style of E W Godwin. An English Anglo-Japanese Aesthetic Movement set of ebonized display shelves, with the original beveled oblong mirror to the top, surrounded with fretwork decoration and pagoda sides to the edges of the top shelf and to all the stepped shelves...

Pair of English Renaissance style (19/20th Century) dark stained oak carved 2 door sideboard cabinets with Wainscot panels and drawer (PRICED AS Pai...

A pair of early 20th century mahogany display cabinets, the moulded edge top with a panelled back, astragal glazed door opening to reveal a mirrored back and a single glass shelf, ha...

This piece is number 12 of the now closed edition of 25. The cabinet has several drawers of different sizes for storing tools and documents and has a folding shelf to provide a writi...

Arts & Crafts Stand with Drawer by Gustav Stickley - SIGNED! - This is a nice Gustav Stickley Stand with two drawers in good condition. The stand has the original finish. There are...

Magnificent and rare Art Deco Haagse School serving cabinet. The design attributed to Hildo Krop. Striking Dutch design from the 1920s. Solid oak frame and the two doors still have t...

Antique Thai British Colonial Teak and Glass Display Cabinet/Bookcase Store books and display your treasured items with this functional and charmingly crafted teak bookcase. This pi...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A very fine 19th century Louis XVI style gilt bronze and gilt metal mounted rosewood vitrine cabinet with malachite tops, by Pierre E. Guerin (1843-1911), in the manner of François Linke (1855-1946). The slender single-glazed front door tri-level vitrine 'Meuble d'Appui' cabinet fitted with three sectional malachite veneer tops (later) and glazed beveled-glass panels on the sides, surmounted with gilt-bronze and gilt-metal ornamental mounts with playful Putti amongst vines and leaves, ribbons, musical instruments, flowers, torches, masks, wreaths and acanthus, all raised on six fluted and tapered legs with gilt-bronze ring fittings and sabots. The apron mounts with a polychromed Verde-green background. The mounts marked 'P.E. Guerin 527 and other numerals. The interior with two glass shelves and a recent green velvet paneling. Circa: New York, 1890-1900. The marks on the bronze of this cabinet are from Pierre E. Guerin (1843-1911), who established his New York foundry in 1864 providing mounts for renowned cabinet makers such as Leon Marcotte and Pottier and Stymus...

This cabinet was manufactured in the state of Texas. The cabinet likely served a clerical office housing county maps, as indicated by the still present labels on some of the drawers....

This small yet striking storage shelf is made from high-quality keyaki wood. This is an antique from the Taisho period. It is just the right size to place next to a low sofa, and is...

This is a nice Arts & Crafts Cellaret Small Cabinet by the Grand Rapids Furniture Company in the early 1900s. It has a great selection of oak, beautiful original color and finish wit...

A stunning glazed bronze museum display cabinet, originally supplied to the Victoria & Albert Museum in London and later acquired by the artist, Damian Hirst...