Louis XV Furniture

A fine pair of French 19th-20th century Louis XV style gilt and patinated bronze figural chenets. Each cast as two patinated figures of amorini (Putti) growing out of leafy volute vi...

A French Louis XV style gilt-metal and cut-glass ten-light chandelier. The caged body surmounted with ten scrolled candle-arms, each fitted with molded glass wax-holders, with two in...

A very fine French Louis XV style Palissandre, Tulipwood, mahogany and Marquetry Meuble D' Appui with one door and veined black marble top, Stamped: M. Descotte & Fils, circa 1880-18...

A very fine and palatial French, 19th century Louis XV style carved rouge royal (Namur, Belgium) marble wall Console Table. The elongated serpentine thick marble top raised and suppo...

A Large French Louis XV Style Wrought Iron Wall Mounting Console with Marble Top. The ornately scrolled iron frame surmounted with floral decorations and fitted with a veined grey ma...

A French 19th-20th century Louis XV style wrought iron and parcel-gilt eighteen-light crystal (cut-glass) chandelier. The black painted frame with twelve candle arms and six interior...

A fine and charming French 19th-20th century carved white marble whimsical group sculpture depicting two putti (Children) playing with a dolphin, fitted for use as a fountain, Paris,...

A fine French 19th-20th century Louis XV style giltwood carved figural trumeau mirror. The elongated frame crowned with a carved floral shell above an allegorical mask of a satyr and...

A French Early 20th Century Louis XV Style Gilt Wood Carved Center Table with Veined White Marble Top. Circa: Paris, 1920. Height: 30 1/2 inches (77.5 cm) Width: 48 inches (121.9...

A French Louis XV style giltwood carved serpentine console table with marble top. The tall slender and freestanding giltwood carved frame centered with floral shell surmounted with a...

A fine French 19th-20th century Louis XV style gilt bronze-mounted mahogany and tulipwood marquetry gueridon side-table. The circular top inlaid with a floral design marquetry and sy...

A fine pair of French 19th century marble and ormolu mounted figural urn three-light table lamp candelabra. The ovoid white marble body surmounted with a pair of mermaids holding han...

A very fine French Belle Epoque 19th-20th century Louis XV style eight-light silvered-bronze and colored-crystal chandelier with amethyst grape clusters and molded glass pendants of ...

A very fine French 19th century Louis XV style ormolu mounted plum pudding mahogany veneer, mahogany and Vernis Martin decorated vitrine à Deux Corps, probably by François Linke (1855-1946). The lower structure fitted with finely chased gilt-bronze mounts with female masks, musical instruments, floral drapes, bows and acanthus, centred with a frieze drawer and a cupboard door with three painted panels. The centre front painted panel with a Romantic courting park setting scene amongst sheep and a sculpture fountain of Putti; the side panels both with parks scenes of a resting lion sculpture and fountain flanked by grassing sheep. The lower cabinet interior with three drawers, the upper vitrine case with two glass shelves, a bowed beveled front door and sides, crowned with a fine gilt-bronze wreath mount with ribbons, all raised on four cabriolet legs with cast lion paw mounts. Unsigned, Paris, circa 1890-1900. The style of this cabinet is closely related to those produced in the Paris furniture making trade in the Faubourg Saint-Antoine in the 1880s and as such, without a signature or identifying mark, is unattributable. However, there are similarities with the firm Raoux et Brunet, some of whose mounts were designed by Léon Messagé and later used by François Linke. Indeed many of the mounts on this cabinet, whilst not exclusive to him, are very similar to the work produced in his early years in Paris in the 1880s. At this time Linke was making furniture to order...

A very fine French mid-19th century Louis XV style gilt bronze-mounted tulipwood, kingwood and fruitwood marquetry bombé two-drawer commode with marble top, by Bourdet, Paris, After ...

A French 19th-20th century Louis XV Style carved oak two-tier tea or dessert table. The tall and slender body with carved seashells on the apron, an upper shelf raised on four scroll...

A pair of French Early 19th century Louis XV gilt bronze figural Chenets Andirons. The scrolled and pierced body, each surmounted with a figure of a young boy and a young girl, both ...

A fine French 19th-20th century Louis XV style gilt bronze ten-light chandelier, the tapering leaf tip cast and fluted shaft over an urn form bowl issuing scrolling foliate arms upli...

A very fine and well-proportioned 19th century French lady's desk, the case veneered with marquetry decoration and embellished with finely cast and finished gilt bronze mounts. The d...

A fine French 19th-20th century Louis XV Style gilt bronze-mounted, Mahogany and Tulipwood Marquetry Side Cabinet/Secretaire in the style of François Linke (1855-1946). The slender s...

A very fine French 19th century Louis XV style gilt-bronze, mahogany and porcelain Encrier (Inkwell). The oval mahogany base surmounted with an ormolu mounted trim, dual-trays and fi...

A very fine pair of French 19th century Louis XV style three-light gilt-bronze wall appliqués (sconces - wall lights). The three scrolled candle-arms, protruding from a gilt-bronze s...

A fine French, 19th-20th century Louis XV style mahogany and gilt bronze-mounted Vitrine by Haentges Freres. The single door cabinet surmounted with or...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

A fine and large French 19th century Louis XV style gilt bronze figural Chenet (andiron) and Fender Suite. The impressive fender surmounted on each end by a figure of playful battlin...

A large fine French Louis XV style gilt bronze rock crystal, amethyst, crystal and cut-glass sixteen-light chandelier in the manner of Baccarat. The floral gilt bronze frame decorate...

A very fine and large French 19th-20th century Louis XV style mahogany and ormolu-mounted Vitrine cabinet with a Veined Mint green marble top, attributed to Georges-François Alix...

A charming French Louis XV style gilt bronze and cut-glass four-light chandelier. The cage gilt bronze frame surmounted with cut-glass pendants, four candle-arms and a central cup-li...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A large and impressive 19th century French 'Sevres' ormolu mounted painted porcelain covered urn. Cobalt-blue baluster form with tooled gilt bordering cartouche centered with hand painted romantic scene depicting a standing man and two ladies. The reverse side with landscape scene within a tooled gilt bordered cartouche. An intricately detailed gilded bronze wreath, wings and hinged ring handles flank each side of urn, conforming socle base with a gilt bronze rim with continuous acanthus leaf detail, gilt bronze shapely plinth. The lid with monogram E within blue interlaced L's Se`vres mark. Inscribed: Offert par le due de Richelieu a la princesse de lamballe...

A very fine French 19th century Louis XV style giltwood carved figural center or hall table fitted with a Brêche violette marble top. The rectangular frame with four scrolled cabriol...

Beautiful Louis XV period armoire in cherrywood. Masterfully carved floral details in relief. Two drawers, one with original lock. Door lock is also original and functional. Great or...

A very fine large, rare and charming, French, 19th century. Belle Époque carved white marble whimsical figural urn fountain depicting children climbing on an urn with flowers and garlands, influenced in the Louis XV style, by Joseph Reynés I Gurgui (Barcelona, 1850-1926). Signed: Reynes. Barcelona, circa 1890. An almost identical Carrara marble fountain also by Josep Reynés carved in 1893 currently at the Parc de la Ciutadella in Barcelona, Spain. Measures: Overall height: 55 inches (140 cm) Marble height: 49 inches (124.5 cm) width: 37 inches (94 cm) depth: 30 inches (76.3 cm) Joseph Reynes Gurguí (Barcelona, 1850 - 1926) is a Catalan sculptor, also known as Reynesy-Gurgui, Spanish school. He studied at the Ecole de la Llotja, studied for a time in Paris, in the workshops of the great French sculptors Jean-Baptiste Carpeaux (1827-1875) and Carrier-Belleuse (1824-1887). He devoted himself mainly to interior decoration. His works were profoundly marked by a French influence. He exhibited in Paris in 1895 where he received an honorable mention. In 1890 he obtained the first medal in Madrid for "The Violinist". Literature: E. Benezit Dictionaire des Peintres, Sculpteurs, Dessinateurs et Graveurs by Grund - Nouvelle Edition, 1976 - Volume 8, Page 714. Cristina Mensoza, Ramon Casas...

A fine pair of French 19th century Louis XV style gilt bronze figural chenets (Andirons), each depicting a classically draped reclining figure, one male holding a Hammer and the othe...

A fine French Louis XV style gilt bronze and cut-glass nine-light chandelier. The elongated body with cut-glass (crystal) pendants surmounted with eight candle arms and a centre fros...

A very fine pair of French 19th century Louis XV style figural gilt bronze and rouge marble six-light candelabra, each with a figure of a standing cherub holding the ornate scrolled arm candelabra, crowned with a gilt bronze candle snuffer...

A very finely chased French 19th Century Louis XV Style gilt and steel six-light figural chandelier after a model by Pierre Gouthière (French, 1732-1813). The finely chase gilt bronz...

A fine pair of French 19th-20th century Louis XV style figural gilt bronze Putti torchere table lamps on a Rouge Royal base. Each figure representi...

A very fine French 18th century oil on canvas "Fecundity" After Francois Lemoyne (French, 1688-1737) Depicting a young mother holding her twin her infant babies on her arms, within a...

A fine French 19th-20th century Louis XV style Kingwood and ormolu-mounted single-door Vitrine, the demilune shaped cabinet with and arched bonnet, molded trim above a bombé glazed d...

A Fine and large French 19th century Louis XV Style Kingwood and Tulipwood floral marquetry and finely chased ormolu-mounted desk, side table, writing table or wall console, raised o...

A French 19th century Louis XV style gilt bronze six-light figural chandelier. The elongated gilt bronze frame with six scrolled candle-arms (now electrified) surmounted with ribbons...

A very fine French 19th-20th century Louis XV style pear-shaped gilt bronze and diamond-cut-bent-glass lantern. The ovoid gilt bronze body with a single light, surmounted with three glass panels centered with a sunburst design. The scrolled gilt bronze body with scrolls, acanthus, rosettes and leaves, each panel crowned with gilt bronze bows and ribbons...

A very fine and Palatial French 19th century Louis XV style figural gilt-bronze and crystal thirty-three light chandelier, attributed to Baccarat, after a model by Jacques Caffieri (French, 1678-1755) with twenty one Candelabra Arms, three gilt-bronze cherubs each holding a wreath and three sets of three-headed Winged Griffins, the central bronze ball in a deep-cobalt-blue enamel with fleur de lys decorations. The candle sleeves are opline glass. Circa: Paris, 1890. Jacques Caffieri (French, 1678-1755) not only produced chandeliers and furniture mounts for Louis XV but also entire gilt-bronze objects. The Cabinet de la Pendule adjoining Louis XV's bedroom at Versailles takes its name from the astronomical clock...

The Spelling Manor living-room chandelier. A very Fine and Palatial French 19th century Louis XV style gilt bronze and Crystal Thirty-Three Light Twelve...

A fine pair of French 19th century Rouge-Royal marble and figural gilt bronze-mounted flambeaux urns surmounted with four ormolu figures of dolphins supporting the center urn with th...

Monumental pair of French 19th century figural gilt and patinated bronze Rosso Granite marble Flambeaux Urns Torcheres, each depicting a pair of allegorical Putti (Children) holding ...

A fine French 19th-20th century Louis XV style ormolu-mounted mahogany oval table, attributed to François Linke (1855-1946) (Unsigned). The legs surmounted with ormolu floral bouquet...

A Very Fine French 19th Century Ormolu-Mounted Louis XV Style Double-Door Vitrine attributed to Francois Linke. The front bombe Vernis Martin panel decorated with a painted scene wit...

A fine French 19th-20th century Louis XV style giltwood carved figural trumeau mirror. The elongated frame crowned with a carved floral shell above an allegorical mask of a satyr and...

A very fine and palatial French 19th century Louis XV style giltwood ornately carved two-door vitrine display cabinet of serpentine form with foliate and shell carvings, surrounding ...

A very fine French 19th century Louis XV style mahogany and finely chased ormolu mounted "Pietra Dura" top gueridon side table. The "Pietra Dura" inlaid marble top in the form of wre...

A very fine and palatial pair of French 19th- 20th century Louis XV style ebonized and gilt bronze-mounted cartel clock and matching barometer by La Maison Cam Opticien. The pair sim...

A very large fine and palatial 20th century Louis XV style gilt bronze and cut-glass twenty-four-light chandelier (There are two of these chandeliers available), the solid bronze fra...

A fine pair of French 19th century Louis XV style figural gilt bronze and silver plated bronze chenets, each surmounted by a triton blowing a seashell Horn, resting on a pierced roca...

Pair of Louis XV Fauteuil armchairs. Carved fruitwood frame has been refinished. Newly upholstered in navy blue linen with bronze nailheads.

A very fine French 19th century Louis XV style gilt-bronze figural Cartel Barometer by A. Crin, A Paris. The wall mounting cartel barometer crowned with a figure of a seated maiden a...

A fine and charming French 19th century carved white marble allegorical garden fountain group of two playful putti seated on a rocky outcrop with an upturned amphora supporting a stylized fish, drilled for water, together with a Rosso Verona marble "D" shell-shaped scalloped basin...