Louis XVI Furniture

Exceptional giltwood Louis XVI-style cushion mirror, double framed with beveled plate. Torch and quiver center at the top.

French Louis XVI Style Marquetry Writing Desk / Bonheur du Jour—Circa 1900s This exquisite French Louis XVI-style bonheur du jour is a marquetry-inlaid writing desk, crafted in Fran...

21st Century patinated gold bronze fireplace tools. The handles of the fireplace tools are in cut clear crystal. Each object is handcrafted and ...

Very fine Louis XVI style ormolu-mounted marquetry commode French, Early 20th Century Height 95cm, width 162cm, depth 59cm After an important model by Jean-Henri Riesener (French, 1734-1806), a highly renowned ebeniste of great standing, this exceptional commode is of outstanding quality, and fully embodies the quality of craftsmanship and great artistic style of the Louis XVI period and the original piece, which is currently housed in the Chateau de Fontainebleau, France. Riesener was a leading exponent and supplier of pieces in the Neoclassical Louis XVI style, and this design conveys the regal feel and presence of his manner, most notably in terms of the beautiful marquetry decorative panel to the front. It consists of a white marble top, above front facing drawers, with a lower door opening; curved sides that are extensively decorated with intricate geometric designs, and a central panel that depicts, in inlay...

Very fine French cabinet by Paul Sormani. Louis XVI design with very fine gilt bronze mounts. Signed P Sormani. Illuminated.

A Louis XVI style oval accent table. The caned tabletop is covered with a beveled glass top. Round tapered legs are fluted, topped with rosettes carved in squares, and finish in turn...

An extremely elegant French 19th century Louis XVI st. Ormolu fire screen. This attractive three panel fire screen is supported on four Ormolu topie shaped feet. Each panel is edged ...

Antique French Louis XVI style round side table with marble top. Painted with Distressed Gold Gilt Accents Gorgeous marble top with carved wooden features. 32"h x 20 1/2"diameter

This exquisite Antique French Louis XVI Style Walnut Cane Loveseat Settee, carefully curated from Provence, France, exemplifies timeless elegance and craftsmanship. Crafted from soli...

A marvelous 19th century English Dore bronze mounted crystal bowl centerpiece with dore bronze bird handles, signed on the bottom, Osler. The crystal bowl...

This is a gorgeous Maison Bagues of Paris Attributed end table. The table features gorgeous cast bronze or brass faux bois style supports and a chinoiserie paint decorated top with b...

Antique French Louis XVI style chest of drawers topped with a rare brown, gray, white and some copper touch marble, called Brèche Nouvelle and from France. Fluted legs decorated wit...

Antique French green colors mirror with a “marbled” patina effect, embellished with a small silvered pediment representing a stylized Louis XVI-style bow. Antique frame with a green ...

Opulent French lacquered console table or petite writing desk crafted from mahogany with a chic light sky blue lacquered finish. The desk features a marble top with a thick patinated...

This very impressive console table comes from the famous American Country house Blairsden. This house built in Peapack NJ for C. Ledyard Blair and Mrs. Florence Blair between 1898 and 1903. The house was created and decorated by the important architectural firm of Carrere & Hastings. The firm produced many homes, churches, monuments and public buildings for America's gilded age notables. Blairsden boasts extensive landscaped gardens in the manner of the French Baroque in the tradition of Andre Le Notre. The interiors as well where extensively set out and incorporated appropriate French and English furniture complimenting the decorative schemes. No expense was spared to create this house and grounds based on the ideals of Edwardian splendor and the ideal modern residence. This house was listed in 1903 upon its completion in the survey of American Estates & Gardens published by Barr Ferree. While much was spoken of its location, setting, architectural accomplishments and style the summation of the listing called "Blairsden one of the most elaborate and extensive schemes of its kind ever carried out in America." This table was formally part of the dining rooms complete redecoration by the architectural firm carried out in 1913. The room was originally planned around dark paneling and a warm even family-style catering to their children. The new rooms scheme was greatly enlarged and lightened up considerably by extensive plasterwork and painting in the Adams style. This table and a mate was used to center two opposing walls and complimented the inset painted panels and plasterwork ceiling which contained many references to swags, pateria, and other classical motifs. This table has been pictured in several period photographs and the house is extensively spoken of in the comprehensive book published in 2006 by Acanthus Press encompassing the principles ideals and the extent of there work especially in the Beaux-Arts...

Louis XVI-style (early 20th Century) white antique painted daybed with rounded sides and leaf finials having restored pink upholstery.  

French Louis XVI style marble top console cabinet, early 20th c., Mahogany case fitted with five drawers, two curved door cabinets, Rising on tapered fluted legs, bronze mounts.

A gorgeous French Regency Louis XVI or Neoclassical style extension dining table By Baker Furniture USA, circa 1980s Beautiful cherry wood, with inlaid parquetry top, brass-...

A Louis XVI Style Giltwood and Aubusson Tapestry Five-Piece Salon Suite. This suite of seat furniture comprises four fauteuils or open armchairs of generous proportions and a canapé...

A wonderfully impressive 19th century Louis XVI style Cherub mantel clock with maps and a globe above a white enamel clock face, the eight day hou...

A fine French Louis XVI style mahogany and gilt-bronze mounted two-door and two-drawer server commode with a brêche violette marble top, in the manner of François Linke (1855-1946). The twin front doors, concealing a single shelf interior, each centered with an applied spray of flowers and hummingbirds...

A Pair of Large Gilt-Bronze Mounted Sèvres-Style Cobalt Blue Ground Porcelain Vases and Covers. Signed 'H. Desprez'. Each of baluster form. One painted to the front with Louis XV a...

Direct from Paris, A Magnificent 8-piece Sterling Silver Tea Set by one of France's Premier French Silversmith "Boin-Taburet", and includes 6 Faberge Imperial Egg espresso cups and saucers in fine Limoges porcelain. The world of silver-smithing has witnessed the rise and fall of many notable firms throughout its history. In the realm of French silver-smithing, the name "Boin-Taburet" stands as a symbol of enduring excellence, innovation, and craftsmanship. Fabergé, a name synonymous with opulence, craftsmanship, and unparalleled luxury, has captivated the world for over a century. The brand's remarkable journey from a modest Russian jewelry atelier to a symbol of prestige and sophistication is a testament to its enduring legacy. In 1885 Tsar Alexander III commissioned a lavish Easter egg for his wife, Empress Maria Feodorovna. This magnificent piece, known as the Hen Egg, was an extraordinary fusion of artistry and engineering, setting the stage for what would become Faberge’s most iconic creations - the Imperial Easter Eggs. The Imperial Easter Eggs, a series of intricately designed and meticulously crafted eggs, became the hallmark of Fabergé's artistry. Peter Carl Fabergé and his team of skilled artisans poured their hearts and souls into creating these masterpieces, which were intended as gifts from the Russian Tsars to their wives and mothers. The history of Boin-Taburet is closely linked to the two families that merged to create this iconic firm. The story begins with the Boin family, where Alexis Boin, a skilled silversmith, laid the foundation of the firm. Boin's craftsmanship and artistic abilities were quickly recognized, and his works gained prominence during the early 19th century. The Taburet family, on the other hand, was equally esteemed in the silver-smithing world. Auguste Taburet, known for his intricate designs and fine workmanship, brought the Taburet name to the forefront of French silver-smithing. It was the union of these two families through marriage in 1845 that established the firm known as "Boin-Taburet." The Imperial Easter Eggs not only showcased Fabergé's technical prowess but also solidified the brand's reputation as the jeweler to the Russian imperial family. They were exquisite symbols of love and devotion, and their creation marked a collaborative effort between Fabergé and the Romanov dynasty. The quality and craftsmanship of Boin-Taburet's silverware, exemplified in this stunning tea set, earned the firm a well-deserved reputation. Notably, Boin-Taburet received royal patronage from Emperor Napoleon III, which marked a significant milestone in their history. This recognition catapulted the firm to new heights, and they began creating exquisite pieces for the French royal court. Their exceptional work was displayed at prestigious international exhibitions, further enhancing their reputation on the global stage. The firm's achievements were not limited to France, as Boin-Taburet's pieces found homes in royal collections around the world. This is an amazing 8 piece set and in each of the sterling pieces have been professionally restored to near new condition. The majestic Samovar (Water Fountain) stands roughly 39.00cm. high to the top of the lid, is approximately 23.00cm. across to the tip of the spout and weights 2,270 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris" on the underside. The Coffee server stands roughly 21.50cm. high to the top of the lid, is approximately 22.00cm. across to the tip of the handle and weights 698 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Freres sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49213 16" on the underside. The Teapot is roughly 18.50cm. high to the top of the lid, approximately 22.50cm. across from the tip of the spout to the outside of the handle and weights 701 grams. It also bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Freres sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49208 16" on the underside. The Hot Chocolate server stands roughly 22.00cm. high to the top of the lid, is approximately 21.00cm. across to the tip of the handle and weights 733 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 51103 17" on the underside. The elegant Sugar Bowl stands approximately 17.00cm. high to the top of the lid, roughly 13.50cm. across to the outside of the handles and weights 560 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49665 16" on the underside. The Cream Pitcher stand approximately 11.00cm. high to the top of the handle, is roughly 12.00cm. across from the tip of the spout to the outside of the handle and weights 195 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49214 16" on the underside. The sturdy Candy / Biscuit Dish is roughly 6.00cm. high, approximately 15.00cm. in length to the tips of the handles and weights 275 grams. It also bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 48511 16" on the underside. The massive serving tray is approximately 63.70cm. in length, 51.00cm. across at its widest point and weights in excess of 3,100 grams. It also bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Freres sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris" on the underside. "The Imperial Swan Egg...

This pair of Louis XVI-style demilune consoles is a stunning and unique addition to any interior space. Created at our atelier in France, these consoles are part of our rethought antique lineup. We took a 20th-century Louis XVI-style round dining table that we repurposed into two matching demilunes...

20th century Italian superb chest of drawers, circa 1960s. In perfect high quality Louis XVI style characterized by a refined floral decoration inlaid in walnut wood. The decoration ...

French, Louis XVI style, sofa, hand-carved in solid, beechwood. Fully “upholstered in customers choice of fabric and completed with bolster pillows and feather cushions”. (13 m's of ...

Early 20th Century French Louis XVI Style Inlaid Bronze Mounted Walnut Full Bed Dimensions : 59.5" Wide X 83" Long X 55" Tall This gorgeous bed was made in France in the Early 20th...

A fine 19th century Louis XVI gilt bronze mounted onyx centrepiece Origin: French Date: 19th century Dimension: 17 1/2 in. x 22 1/2 in. x 13 in.

A very fine, large fire-gilded bronze church chandelier in Louis XVI style, France, late 18th century. This wonderful piece is finely elaborate in precise detail decorated with elega...

A rare pair of Louis XVI commodes from Altona, crafted in solid mahogany with beautiful grain patterns. Each features three gently curved drawers with original gilt bronze handles an...

This impressive long case clock is a testament to the exquisite craftsmanship and horological ingenuity of the 18th century. Executed in the Louis XV style, it showcases a harmonious...

This is a stunning large antique French Sevres style "Bleu Royale"  porcelain and ormolu mounted vase circa 1870 in date, later converted into a lamp. In Louis XVI style, of baluster form with wolf...

A striking an high quality French 19th century Louis XVI st. Crystal and Ormolu chandelier, attributed to Baccarat. The twelve light chandelier displays a bottom Crystal bell s...

Discover a stunning piece of history with this Louis XVI chest of drawers from 1780. Crafted from solid oak, this exquisite commode showcases the timeless elegance of the period. Its...

This giltwood mirror has a nicely hand carved floral crest with cascading leaves. Here is that small mirror that you have been looking for to use in the powder room or hallway. It is...

Pair of strict classicistical fire gilded candlesticks France 1840, signed Barbedienne. Strict classicist design with square base, flowers and leaf ornaments in different finish. Decorated and smooth elements in alternation create otically balanced object. The widest part of the stem is 4.0cm Ferdinand Barbedienne (* August 6, 1810 in Saint-Martin-de-Fresnay, Calvados department, France; † March 21, 1892 in Paris) was a French sculptor, bronze ware manufacturer, and gallery owner. One of the most important and popular Éditeurs d'art, or publishers of art articles, he had most of the French sculptors of his time under contract. Life and work Ferdinand Barbedienne was the son of a farmer. At the age of 13, he learned the Craft of saddlery. In 1822 he moved to Paris, where he first worked as a clerk in a wallpaper shop. He received start-up capital from his employer to open his own store, which he set up on Rue Notre-Dame-de-Lorette in 1834. He pursued the idea of exhibiting bronze statues in addition to his core business and mass producing them in small format. In 1838, he joined forces with the mechanic Achille Collas, who had developed the machine á reduction (réducteur for short); a device based on the principles of the pantograph that could reproduce three-dimensional objects in any size - reduced or enlarged. On November 29, 1838, both signed the founding contract for the company Société Ferdinand Barbedienne et Achille Collas, which aimed to commercially exploit the mechanized production of sculptural works for an initial 20 years. Barbedienne took care of the commercial management of the company, while Collas contributed the patent on his invention and seven existing machines, and with his profound knowledge of machinery was responsible for the production processes. Together they decided on the subject matter of the objects, the selling prices, and all other financial matters. In 1841, they produced casts of the Apollo of Belvedere, the Spinario, and 21 pieces with the motif of a bas-relief of the Parthenon. These were followed by versions of the Laocoon group, the Venus of Arles, and the Borghese Fencer, among others. Special interest was initially shown in works from antiquity, for which casts from the Atelier de Moulage in the Louvre served as models. The company continued to produce works by representatives of the Renaissance such as Michelangelo, Donatello, Giovanni Bologna or by French sculptors such as Jean Goujon, Jean-François Flamand, Pierre Puget, François Girardon, Antoine Coysevox...

French Louis XVI style bergère armchair upholstered in sage green velvet, 19th century Deep and comfortable, Classic French ch...

This is a Spanish-made pair of gorgeous French Louis XVI styled needlepoint upholstered cane back armchairs. They are whimsical and unique with their mermaid and Capricorn figures. T...

A striking Italian early 19th century Louis XV st. giltwood upholstered headboard. The headboard displays an impressive and most decorative carved giltwood top crown. The top crown i...

This Louis XVI style paneled room is composed of two shelves and cupboards with double doors made of wood painted in light green in the 20th century. They frame a Louis XVI period mantel sculpted in Saint-Anne grey marble with a fluted decor on the header and the jambs. The mantel is accompanied by its trumeau also from the same period, made of sculpted woodn painted in the same colors as the rest of the room. The decor are risen up with gold painting such as the beautiful Love allegory recognizable thanks to the kissing birds...

Antique French Louis XVI mirror, circa 1880.  

A spectacular French mid-19th century Louis XVI style mahogany and marble center table. The rectangular frame is crowned with a slab of Calacatta type marble in ethereal veining of g...

A spectacular French mid-19th century, circa 1855, Louis XVI st. tulipwood parquetry and ormolu mounted, Model 2 Concert Grand Piano, signed Pleyel...

A remarkable pair of French 19th century Louis XVI st. patinated bronze, ormolu, and Rouge Griotte marble lamps. Each lamp is raised by elegant ormolu ball feet below the square pati...

This is a lovely French walnut commode with two ribbon-carved drawers raised on tapering legs. Marked "Don Ruseau, New York," this beautiful chest of drawers refers to the original 1...

Oyster gray painted beechwood Academic Revival fauteuil in the Louis XVI taste. The chair has a boxed upholstered seat on a painted beechwood seat frame. The front legs are turned an...

An impressive and extremely elegant pair of French 19th century Louis XVI st. Ebony, Ormolu and Marble pedestals. Each stunning pedestal is raised by a square Ebony base with a fine ...

A gorgeous French Regency Louis XVI style console table, sofa table, or buffet server USA, Circa Late 20th Century Beautiful solid mahogany, with ornate carvings. Measures: 59.5"W...

A very fine and monumental pair of antique French Louis XVI doré bronze and white carrara marble covered vases with ram’s heads and serpentine handles, attributed to Henry Dasson. Th...

A very impressive gilded ormolu Louis XVI style clock garniture, the clock and candelabra being supported by winged cherubs, scrolling swags and foliage and classical mask...

Trumeau, painted and parcel gilt with natural wear, having a gadrooned pediment with carved festooning, surmounted by molded cornice, over similarly carved border holding distressed ...

A stunning and complete set of fourteen French 19th century Louis XVI st. giltwood dining chairs. This large set comprises of two armchairs and twelve side chairs. Each chair is rais...

French Louis XVI style oval dining table from Paris decorated with timeless classical styling and hand carved excellence on the entire framework, emphasizing typical neoclassical gil...

Antique French Louis XVI Blue Sèvres Porcelain and Ormolu Mounted Clock, circa 1875-85.

This elegant pair of Louis XVI style painted wood benches was crafted in northern France circa 1980. Each bench stands on finely carved, tapered and fluted legs decorated with floral...

Pair of Louis XVI style giltwood consoles: Made as a one off by master craftsmen, elegantly carved and hand finished in a water gilded...

This is a superb parlor or salon set from a famous (though we can't say who) philanthropist from Manhattan. The set features gorgeous tapestry upholstery which we believe is Aubusson...

Rare pair of 20th Century French display buffets. This pair embody much of the Louis XVI style, particularly in overall form, such as the quadrant corners, and the feet. They also de...

Portrait of a scholar, standing, in indoor attire, his hand resting on a large book (with a title that seems to be written in Hebrew?) Oil on canvas from the 18th century, probably ...

A French Louis XVI style pollard burl and finely cast brass table lamp, the twin light arms above a shaped base with brass mounts surmounted by hand-sewn silk shade. Dimensions: ...