Louis XVI Serveware, Ceramics, Silver and Glass

An exceptional and extensive antique Meissen porcelain dinner service, made in Germany in the 19th century by the renowned Meissen manufactory. This complete and elegant service is d...

43-piece French glassware set from Baccarat, 19th century. According to references from the 1916 Baccarat catalogue, this glassware is in the Louis XVI style, similar to models 11582...

Antique late-19th century Italian exquisite glass liqueur set, consisting of three liqueur bottles, 3 decanters with stoppers, twelve small glasses arrange...

Sèvres porcelain cup and saucer from rom the 'Service fond beau blue, frise capraire en or' of the Emperor Louis Philippe at the Tuiler...

This large Clignancourt porcelain soup tureen and stand was produced under the royal patronage of Philippe de France, Duke of Orléans, brother of King Louis XVI. At court, he was kno...

This very nice and decorative pair of important figures representing two women with birds is made of porcelain. There is a little damage on one of the birds. This is a French work. C...

19th century Sevres biscuit group of three frolicking puttos France, Date Lettered 1884 A splendid example of 19th century Sevres biscuit porcelain...

This nice mortar is made of white marble. This is a French work from 18th Century

Cup and saucer, attributed to the Parisian Manufacture à la Reine rue Thiroux. ca 1785-1790. Refined and elaborate decoration of flower festoons and gilt ornament. The manufacture w...

Elevate your dining or decor with this meticulously handcrafted Silver Plated Mid-20th Century Austrian Crescent-Shaped Footed Tableware Centerpiece. This exquisite piece exudes eleg...

Presenting a stunning pair of mid to late 19th century French Limoges Bisque porcelain figurines from circa 1870. One is of a lady in period dress/attire cradling a Dove. All hand-painted and decorated to the finest quality. The base is marked with the makers initials “C.H.”. She is made of fine bisque porcelain in the Old Paris porcelain style. The other is of a gentleman set...

A partial coffee/dessert service in opulent Limoges porcelain, comprising 6 dessert plates, 6 side plates and a two-handled sugar container. Glazed in an opulent royal blue, the body...

Direct from Paris:  A magnificent antique French Louis XVI sterling silver flatware set by two of France’s premier silversmiths “Odiot” and “Puiforcat”, a service for 24 with extra dinner knives and dinner forks plus Mother-of-Pearl handled dessert and cheese knives by Gustave Keller – circa late 1800s.   The House of Odiot represents one of the most significant chapters in the history of French decorative arts, embodying the pinnacle of silversmithing excellence from the Ancien Régime through the Second Empire. For nearly two centuries, this illustrious firm set the standard for luxury silverware, creating pieces that were as much works of art as they were functional tableware. The Odiot workshop became synonymous with the highest levels of craftsmanship, attracting royal patrons across Europe and establishing design conventions that would influence generations of silversmiths.  The Early Years:  The Odiot dynasty began modestly in 1690 when Jean-Baptiste Gaspard Odiot established a small silversmith workshop in Paris. However, it was under his grandson, Jean-Baptiste Claude Odiot (1763-1850), that the firm achieved its legendary status. The younger Odiot came of age during one of the most dynamic periods in French decorative arts, training under master goldsmiths during the final years of Louis XVI's reign and establishing his own workshop just as the Empire style was emerging under Napoleon.  Odiot's workshop became renowned for its technical innovations in silver production. While most contemporary silversmiths used the standard 925 sterling silver (92.5% pure silver), Odiot consistently worked with a richer 950-grade alloy (95% pure silver). This formulation, while more challenging to work with due to silver's natural softness, produced items with superior luminosity and resonance. The remaining 5% of alloy typically included trace amounts of platinum or palladium, which enhanced durability without compromising the metal's radiant white sheen. Metallurgical analysis of surviving pieces reveals this unique composition contributed significantly to both the visual appeal and longevity of Odiot's works.  Unparalleled Craftmanship:  The firm maintained an almost monastic devotion to traditional techniques even as industrialization transformed manufacturing. A typical Odiot flatware...

French Louis XVI Style Crested Gilt-Silver Assembled Flat Table Service in a Louis XV Style Ormolu Mounted Kingwood Fitted Vitrine cabinet. Enjoy one the greatest combination of top ...

Vintage French Limoges Louis XVI Style Demitasse Cup Saucer Green Gold Porcelain France Porcelain 20th Century Dimensions: H x D: Cup : 5.5cm x 6cm, Saucer : 1.5cm x 9.5cm Th...

Direct from Paris: Direct from a private mansion in Paris, a magnificent 299 pc. (service for 24) antique French sterling silver flatwa...

Direct from Paris: A magnificent antique French 950 sterling silver flatware set by Frances Premier Silversmiths “Puiforcat”, currently owned by Hermes. A gorgeous service for 24 which includes additional Mother-of-Pearl handled dessert and cheese knives, 4 salt cellars with serving spoons and custom-made storage chest, 306 pieces in total – circa late 1800s. The annals of French decorative arts reserve a distinguished chapter for the House of Puiforcat, a name that has become synonymous with the pinnacle of silversmithing excellence since its establishment in 1820. This Parisian firm emerged during a golden age of French craftsmanship, when the demand for luxury tableware among aristocracy and haute bourgeoisie created fertile ground for artistic innovation. Puiforcat distinguished itself through an uncompromising commitment to quality, most notably through its pioneering use of 950 sterling silver, a purer alloy than the conventional 925 standard. The firm's flatware sets, particularly those featuring the elegant filet and laurel garlands motifs, like this stunning set, represent not merely functional tableware but veritable works of art that continue to command admiration and premium prices in the collector's market. The Early Years: The Puiforcat story begins with Jean-Baptiste Fuchs, who established his silversmith workshop in Paris in 1820 before adopting his mother's surname, Puiforcat. This nominal change marked the beginning of a family dynasty that would dominate French luxury silverware production for generations. The firm initially specialized in ecclesiastical silver and ceremonial objects, but under Jean Puiforcat's leadership during the mid-19th century, it transitioned decisively into the production of luxury flatware...

Here we present full porcelain dinner set made in France in the late 19th century, The pieces are white porcelain with a textured (basket-weave–style) relief pattern on the rims. The...

Direct from Paris: A stunning 182-piece antique sterling silver flatware set by two of France’s premier silversmiths “Puiforcat”, currently owned b...

An exquisite pair of antique white 'Porcelaine de Paris' teacups and saucers, intricately hand- painted with gilt decoration throughout. Dating from the early 19th century, the cups ...

All handcrafted glass box, made in France. A beautiful and quietly confident milk glass box, early 20th century. The form is clean and well balanced, with softly edges and a calm, a...

A 19th century Sevres hand-painted, cobalt & gilt porcelain ormolu mounted two-handle Centerpiece signed by French Artist A Chapuis. Intricate ormolu designs and decorations with acanthus leaves, flowers and other decoration. Beautiful Large Antique French Sevres Porcelain and Gilt Bronze Centerpiece. Large Porcelain platter...

A refined and beautifully executed French Limoges porcelain box, circa 1940, hand-painted with delicate floral and avian motifs in vibrant enamels against a luminous white ground. Th...

Direct from St. Tropez:  Direct from a private mansion in St. Tropez, a stunning 19th century 950 sterling silver and vermeil table service by premier French silversmith "Boin Taburet", consisting of a 322-piece flatware set plus a 15 piece Serving platter set in their classic shell pattern, absolutely magnificent, circa late 1890s. The 19th century represented a golden age for French decorative arts, particularly in the realm of silversmithing, where technical precision and artistic innovation converged to produce some of the most exquisite tableware in European history. Among the luminaries of this era, the Parisian firm Boin-Taburet emerged as a preeminent force, celebrated for its exceptional craftsmanship, royal patronage, and the enduring beauty of its silver creations. Specializing in sterling silver and vermeil flatware, as well as ornate serving pieces such as Louis XVI-style platters, Boin-Taburet’s work epitomized the elegance and sophistication of French luxury during a period marked by opulent dining culture and aristocratic refinement. The Early Years:  The origins of Boin-Taburet can be traced to the early 19th century, a time when Paris reasserted itself as the epicenter of fine silver production following the upheavals of the French Revolution and the Napoleonic Wars. The firm’s exact founding date remains uncertain due to incomplete archival records, but it is widely accepted that it rose to prominence during the Bourbon Restoration (1814–1830) and the subsequent July Monarchy (1830–1848). These periods witnessed a resurgence of aristocratic wealth and a renewed demand for luxury goods, creating fertile ground for master silversmiths to thrive.  Boin-Taburet distinguished itself early on by adhering to the highest standards of craftsmanship while embracing stylistic influences from both the Empire and Restoration periods. The firm’s name likely derives from its founders, though historical documentation regarding its earliest proprietors is sparse. What is clear, however, is that by the mid-19th century, Boin-Taburet had secured a place among the elite Parisian silversmiths, alongside illustrious contemporaries such as Odiot, Christofle, and Puiforcat. The firm’s workshops, likely located in the historic silversmithing district of the Marais, employed highly skilled artisans who specialized in forging, chasing, and gilding silver, ensuring that each piece met exacting standards.  The 19th century was a transformative period for French silver, as the burgeoning bourgeoisie and the returning aristocracy sought tableware that reflected their social standing. Boin-Taburet responded to this demand by producing works that blended functionality with artistic grandeur. The firm’s designs frequently drew inspiration from the Louis XVI style, a neoclassical aesthetic characterized by symmetry, floral motifs, and restrained elegance. This stylistic choice not only aligned with the prevailing tastes of the time but also ensured that Boin-Taburet’s creations would remain timeless, transcending the fleeting trends that influenced other manufacturers.  Focus on Quality:  The foundation of Boin-Taburet’s enduring reputation lay in its unwavering commitment to quality. Unlike many manufacturers who began to adopt industrial techniques in the latter half of the 19th century, Boin-Taburet remained steadfast in its dedication to traditional handcrafting methods. Each piece was meticulously shaped, engraved, and finished by master silversmiths who had undergone years, if not decades, of apprenticeship to perfect their skills. This painstaking approach ensured that every item bore the hallmarks of exceptional artistry - precise detailing, balanced proportions, and a flawless surface finish.  A defining feature of Boin-Taburet’s work was its use of 950 sterling silver, a higher silver content than the standard 925 (Britannia silver) commonly used by other firms. This elevated purity not only enhanced the metal’s luster but also improved its resistance to tarnishing, making Boin-Taburet’s pieces particularly desirable for discerning clients. The firm’s Louis XVI-style serving platters, for example, were crafted from this superior alloy, resulting in pieces that were both visually striking and remarkably durable. These platters often featured elaborate chased borders adorned with acanthus leaves, floral swags, and scalloped edges, demonstrating the silversmiths’ ability to manipulate silver into intricate, three-dimensional forms.  In addition to sterling silver, Boin-Taburet excelled in the production of vermeil - a technique that involved the application of a thick layer of gold over sterling silver through either fire-gilding or electrolysis. Vermeil flatware sets...

Pearl Service also known as Bavarian Royal Service. A dinner service for 12 people, by the Royal Nymphenburg porcelain factory, designed circa 1792 by court sculptor Dominik Aulicze...

Antique 18th century French tin glaze faience soup tureen in the form of a large head of lettuce or cabbage. Measures 13" diameter x 9" tall. Good condition - scattered rim chips and...

The Louis XVI-style 800 silver sauceboat has been hammered on the body, while the oval base has been left smooth. The saucer on which the sauceboat is mounted is also smooth and feat...

Louis XVI centerpiece bronze centerpiece Origin France Circa 1930 Materials Bronze and glass excellent overall condition Original silver patina with some natural wear due to its age....

Large shaped photo frame in 925/1000 sterling silver gold plated with translucent two-tone fired enamel on guillochè and with various ornaments in Louis XVI French Empire style and 4...

Large porcelain vase in the style of Sèvers, with bronze ornamentation, mounted on a rotating base and decorated with female figures surrounded by putti at the front and views of gar...

Rectangular table frame in 925/1000 sterling silver gold plated with translucent fire enamel on guilloché with edges and frieze in French Empire Louis XVI style. External cm. 16 x 23...

A significant pair of French Sèvres style porcelain and gilt bronze covered vases. Each vase is of baluster form with a domed cover surmounted by a knop finial, raised on a conformin...

A stately and most impressive French 19th century Louis XVI st. Ormolu centerpiece. This wonderful centerpiece is raised on a tripod shaped Ormolu base with canted corners and a cent...

Elegant and substantial antique silver-plated serving tray, dating to circa 1900 and bearing the maker’s mark Matelot Liège. This refined presentation tray features a beautifully sha...

A beautiful set of crystal wine glasses with a matching carafe, made by the French brand Cristalleri de Lorraine. - 12 wine glasses for red wine, these glasses are 18 cm high and Ø8...

Antique (19th century) French bronze mounted porcelain centerpiece bowl in the Louis XVI style with cartouche depicting an artist painting a female musician and the reverse with decorated with gilt floral sprays, and interior with garlands roses and foliate sprays, each signed H Poitevin...

A Large 19th Century English Mintons Biscuit Porcelain Centerpiece with Dancing Putties. This exquisite work exemplifies the high level of craftsmanship characteristic of the period...

Direct from Paris: A magnificent 8pc. Antique French 950 sterling silver tea set by one of France’s premier French silversmiths "Boin-Taburet", plus 6 Fabergé Imperial Egg collectio...

Antique 19th century exceptional French Louis XVI style silver-gilt monumental tea service, comprising of a silver plated kettle on stand and silv...

21st century hand carved pink crystal and silver bronze vase. This vase is finely chiseled lost wax castings and hand-grounded glass. On request to customer can modificate the color...

Dine in timeless elegance with our Porcelain Painted and Gilt Floral Bouquet Decorated Set of Eleven Dinner Plates, a stunning creation from the mid-20th century by Coronet Chinaware...

An exquisite Antique French Louis XVI style gilt bronze mounted Chinese porcelain centerpiece. The finely crafted porcelain bowl, likely from the Qing dynasty, is richly enamel-paint...

A very large, impressive and rare Meissen Porcelain Model of an Eagle, circa 1880. It is finely engraved and then hand-painted to create texture and realistic coloring. Naturalistica...

A delightful set of 12 matching vintage silver-plated oyster forks made by renowned French silversmiths Ercuis (founded in 1867) and presented in their original case. Crafted in a Lo...

Rectangular tray with handles by Gianmaria Buccellati. The tray was made entirely by hand, starting from a sheet of sterling silver and hammered. The corners of the tray are rounded....

This late 18th century French porcelain soup tureen and stand are distinguished by the delicacy of their hand-painted cornflower decoration and the remarkable depth of their twilight...

An antique pair of ice colers in silver plated brass with handles from the early 20th Century. This rare pair of functional French ice buckets with footed base and richly engraved wi...

This exquisite 18th Century French Ormolu Mounted Sevres Porcelain Centerpiece painted and decorated by Jean-Jacques Pierre, adorned with enchanting early 1800's ormolu dragon handle...

A beautiful silver-plated cutlery set, made by the French brand Christofle. The cutlery serves 12 people and comes in its original oak chest. The chest has a beautiful interior, neat...

A monumental and quite important pair of antique French Louis XVI style ormolu-mounted Chinese export porcelain vases. This exceptional pair of Louis XVI style porcelain vases are be...

A magnificent museum quality French 19th century hand-diamond cut crystal and ormolu-mounted Baccarat centerpiece/surtout de table in the Louis XVI style. This is truly an exemplary ...

A Marvelous 19th Century French Louis XVI Style Baccarat Ormolu Mounted Crystal Centerpiece with Crystal Columns and Lions Paw Feet. The Bronze is marv...

21st Century bowl in white veined marble with finely chiseled lost wax castings. On request to customer can modificate the color of marble: pink, amber, brown, green, etc ..and we ca...

An elegant French 19th century Louis XVI st. ormolu and Baccarat crystal centerpiece. The centerpiece is raised by a square bas...

A beautiful and most elegant French 19th century Louis XVI st. Sèvres porcelain and ormolu centerpiece. The oblong shaped centerpiece is raised by a square ormolu base with arched si...

Charming French Trinket Box. As found in France, this piece would certainly be a fantastic addition to an existing collection of these desirable sma...

This nice mortar is made of white marble. This is a French work from 18th Century

An exquisite pair of Louis XVI-style cauldron-shaped, sterling silver salt cellars, finely decorated with swags and motifs of asparagus and laurel wreaths. Dating from around the t...

Direct from Paris, a gorgeous 19th century Louis XVI, 8 pc. 950 sterling silver the / coffee set by one of France's premier silversmiths, Gustave Keller. The set is in like new condition and includes a large sterling silver serving tray and 7 anti-tarnish storage wraps for easy storage - Circa 1890s. The art of silversmithing has long been a hallmark of French craftsmanship, embodying the nation's rich cultural heritage and artistic excellence. Among the luminaries of this venerable tradition, Gustave Keller stands out as a paragon of skill, innovation, and elegance. Active during the late 19th and early 20th centuries, Keller's work epitomizes the fusion of technical mastery and aesthetic refinement that characterizes the finest French silverware. The Early Years: Gustave Keller was born in the mid-19th century, a period marked by significant social, political, and artistic transformations in France. The aftermath of the French Revolution and the rise of the bourgeoisie created a new market for luxury goods, including silverware. Keller emerged as a prominent figure in this milieu, establishing himself as a master silversmith whose work would grace the tables of royalty and aristocracy. Keller's apprenticed under some of the most esteemed silversmiths in Paris, the epicenter of French silversmithing. By the late 19th century, he had established his own workshop, where he produced a wide range of silver items, from tableware to decorative objects. His work quickly gained recognition for its exceptional quality and artistic merit, earning him a distinguished clientele and numerous accolades. Quality and Craftsmanship: The hallmark of Gustave Keller's work is its unparalleled quality and craftsmanship. Keller was a perfectionist, and his pieces reflect a meticulous attention to detail and a deep understanding of the properties of silver. He worked primarily in 950 sterling silver, a high-grade alloy containing 95% pure silver, which is renowned for its luster, durability, and workability. This choice of material allowed Keller to create pieces that were not only beautiful but also functional and long-lasting. Keller's craftsmanship is evident in every aspect of his work, from the precision of his engraving to the elegance of his designs. He was particularly known for his ability to blend traditional techniques with innovative approaches, resulting in pieces that were both timeless and contemporary. His tea sets, for example, often feature intricate floral motifs, delicate chasing, and finely detailed handles and spouts, all executed with a level of skill that is truly remarkable. One of the most striking aspects of Keller's work is his ability to imbue his pieces with a sense of movement and life. This is particularly evident in his Louis XVI model tea sets, where the curves and lines of the silverware seem to flow seamlessly, creating a harmonious and dynamic composition. The result is a collection of pieces that are not only functional but also works of art in their own right. Royal Patronage: Gustave Keller's reputation for excellence soon attracted the attention of royalty and aristocracy. His work was highly sought after by European nobility, who appreciated the combination of luxury and artistry that his pieces embodied. Among his most notable patrons were members of the French royal family, who commissioned Keller to create bespoke silverware for their palaces and estates. Keller's royal patronage was a testament to his status as one of the leading silversmiths of his time. His ability to cater to the tastes and preferences of his elite clientele, while maintaining the highest standards of craftsmanship, set him apart from his contemporaries. His work was not only a symbol of wealth and status but also a reflection of the cultural and artistic values of the French aristocracy. One of the most significant commissions Keller received was from the court of Louis XVI. The king, known for his appreciation of fine art and craftsmanship, was particularly fond of Keller's work and commissioned a series of tea sets in the Louis XVI style – like this magnificent set. These sets, which are among Keller's most celebrated creations, exemplify the elegance and sophistication of French silversmithing during this period. Awards and Accolades: Throughout his career, Gustave Keller received numerous awards and accolades, both in France and internationally. His work was regularly exhibited at prestigious events such as the Exposition Universelle in Paris, where it was met with critical acclaim. These exhibitions provided Keller with a platform to showcase his talent and to gain recognition from his peers and the public alike. One of the most significant honors Keller received was the Grand Prix at the 1900 Exposition Universelle in Paris. This award, which was the highest accolade at the event, was a testament to Keller's exceptional skill and artistry. It also cemented his reputation as one of the leading silversmiths of his generation. In addition to the Grand Prix, Keller received numerous other awards and medals throughout his career. These included the Gold Medal at the 1889 Exposition Universelle, the Silver Medal at the 1894 Exposition Internationale in Lyon, and the Legion of Honor, one of France's highest civilian awards. These accolades not only recognized Keller's contributions to the field of silversmithing but also highlighted the importance of French craftsmanship on the global stage. Keller's 950 Sterling Tea Sets...

This beautiful set of four candelabra (or candlesticks) was made around 1900 by André Aucoc, a leading French silversmith of the time. Aucoc inherited the ...