Leather Dining Room Tables

Designed for use with a glass top, this bamboo rattan pedestal dining table base is marked McGuire San Francisco and has the original cerused washed finish. The organic modern base i...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

We are delighted to offer for sale this exquisite, hand dyed brown leather extending dining or library table Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good looking and well made library or dining table, it sits very nicely as a medium sized round table...

Dining Table in Rosewood and Leather by Arne Vodder, 1950's Additional Information: Material: Rosewood, leather Style: Mid century, Scandinavian Rare dining table model 212 Produced...

Distinctive genuine McGuire square shaped breakfast dining table made in the California coastal organic modern style. Authentic McGuire, not a reproduction featuring an iron frame pa...

Fabulous 410 cm long Dining table and 10 chairs ‘Darby’ by Torbjørn Afdal for Bruksbo Norway, 60s Torbjørn Afdal (1917-1999) designed several dining tables in different sizes; this...

Vintage French black dining table featuring leather, metal, bronze, glass, and lacquer. Mosais by Jean-Louis Berthet.

Enamored by the versatility and performance of sheet aluminum on our custom architectural projects, we worked to introduce a new family of aluminum only tables. Nesting their imper...

Sculpted Velocity: Giancarlo Vegni's "Rolling-2b" and the Luxury of Line This "Rolling-2b" Oval Table by Italian designer Giancarlo Vegni is a masterful study in materials and movem...

Amazing 1970's Mid-century modern cerused oak and steel dining table designed by Romeo Rega for Mobel Italia, fully restored with minor wear and patina due to age and use, the table ...

Dining or conference table, walnut, cognac leather, Italy, 1960s This furniture piece's versatility is due to its substantial size, making it an optimal option for various functions...

Mugello dining table designed in 1987 by Lodovico Acerbis and Giotto Stoppino for Acerbis International, Italy. Lacquered iron structure with aluminum legs sheathed with leather cove...

Mid Century Rattan Dining Table, attributed to The McGuire Company, Asian, circa 1960s. Please see our Gabriella Crespi dining chairs on 1stdibs t...

Havana leather dining table, France, c. 1960-70 Measures: H 29.5 D: 52 W: 52 in.   

The iconic Guanabara is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A long rosewood patchwork top rests over two concrete bases finished with black leather. This patchwork solution is present in other pieces designed by Zalszupin. Modern design taught us to use the material rationally, using the design as a tool to void waste. Aesthetically, the patchwork explores the different tones of the Brazilian Rosewood beautifully, achieving a fantastic result. At the time, the Guanabara table was presented as a dynamic piece that could be used in corporate spaces (as a meeting table...

An Edward Wormley walnut extension dining table designed for Dunbar in the early 1950s. The dark walnut base sets on four leather cased feet contrasts with the walnut top which is a ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely exquisite, super collectable Hermes Paris, Guido Faleschini Designed for Mariani circa 1970'...

Jorge Zalszupin “Guarujá” Dining Table for L’Atelier, Wood and Leather, Brazil, 1959. The Guarujá” dining table, designed by Jorge Zalszupin in 1959 for L’Atelier, exemplifies the t...

Giorgio Collection Luxor 3-Seater Sofa with marble shelves in Velvet and Fabric This luxury Italian 3-seater sofa combines the essence of modern Art Deco with plush comfort. Designe...

Italian modern oval dining table in parchment with red lacquered wood legs 1970s Dining table with oval top covered in parchment, with a glossy finish. It has four red lacquered wood...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

A round dining table with a marble top, featuring a saddle leather-wrapped structure and a metal base. The table's elegant marble surface gives it a sophi...

Ferreirinha Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Ferreirinha marble dining table pays homage to Antónia Adelaide Ferreira, a vi...

Luigi Massoni for Poltrona Frau, dining table model ‘Dinette’, leather, smoked glass, Italy, 1972 A remarkable Dinette dining table, designed by Luigi Massoni for Poltrona Frau in 1...

A unique and visually striking table produced as part of the Gavina collection. This piece features a matte black leather-wrapped top and a geometric stainless steel base — a bold in...

A beautiful dining table, model “T210”, designed by Osvaldo Borsani and manufactured by Tecno Milano in Italy around 1950. This eye-catching table rests on black cast iron legs an...

Origin: Denmark Designer: Unknown Manufacturer: Unknown Era: 1960s Materials: teak, leather Measurements: 19" wide x 19" deep x 31" tall Condition: In excellent original con...

Ferreirinha Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Ferreirinha marble dining table pays homage to Antónia Adelaide Ferreira, a visionary businesswoman who defied the male-dominated Portuguese wine industry in the 19th century. Crafted with meticulous attention to detail, this marble dining table stands as a tribute to strength, resilience, and generosity—the defining qualities of the legendary “Ferreirinha.” Its sculptural design, with bold yet graceful elements, reflects her pioneering spirit, which continues to inspire generations. The Ferreirinha dining table features a polished Calacatta Black...

Royal House Antiques Royal House Antiques is delighted to offer for sale this exquisite, extra large, Fully Restored, Howard & Son's Berners Street, Flamed Mahogany with hand dyed b...

Genuine McGuire organic modern round dining table featuring a hexagonal shaped base. The iron base is painted golden gate orange for authenticity and then covered with bamboo poles l...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they deserve all the accolades: they managed to take the idea of bringing our Artisano leather to the table and turn this into a reality. A concealed metal construction serves as a stable support for the table leg, to which four pieces of leather in the form of a cone are applied with a strap seam. Certainly, you are familiar with the spinning dances of the dervishes in their long skirts. When they celebrate their centuries-old ritual in a trance, their generous movements create a particularly impressive motif that Italian designer Mario Ferrarini could never forget. The whirling dervishes provided the inspiration for a conical table leg in which four pieces of ARTISANO leather are joined by hand with carefully applied cross stitching – the strong, shaping features of this leather are ideal for the DS 615 table series – whether as an exclusive conference table or as an eyecatcher in a stylish dining room: the table invites people to discuss, laugh, consult, eat or linger, there’s never a square moment! Additional information: Material: Marble Beligan blue top with leather Additional Information: Base Characteristics Artisano: Type: Core leather Thickness: 2.4 – 2.6 mm Characteristics: Strong, firm and durable. The saddle leather is uniquely created by nature with its pattern of pores, grain and surface structure. Its qualities make it suitable for compact seating pieces or backrests as well as smooth surfaces such as bodies and sides. Top characteristics tela: The surfaces of Tela are coated with mixtures of stone or metal. Due to an intelligent and meticulously designed mix of materials the finished table tops function as a canvas to play on. Dimensions: 180 W x 74 H Available in other base upholstery options: Naturale, fango, black Available in other top options: Metal iron, marble carrara, stone coral, stone jade, stone lapislazuli, metal brass Available in other stone options: Calacatta oro, star dust, sahara noir, rosso lepanto, verde guatemala, green botanic, beola(indoor/semi-outdoor), labrador antique...

This statement midcentury round table boasts a sleek, cylindrical, chrome-plated base that exudes a strong sense of modernity and sophistication. The flat surfaces of the table are d...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

Ferreirinha Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Ferreirinha marble dining table pays homage to Antónia Adelaide Ferreira, a vi...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

Stainless steel dining set designed by Gary Gutterman for Axius Designs in 1970s. Set includes glass top dining table and 8 chairs. All original and in very good condition.

Travertine and Leather Single Pedestal Glass Top Italian Mid Century Modern Rectangle Dining Table MINT!

1950's Stitched leather small diner table, or writing table by Jacques Adnet Cow leather and tainted pearwood

An eye-catching dining table, model PK40, designed by Poul Kjaerholm and manufactured by Fritz Hansen in Denmark around 1980. This iconic and rare piece of mid-century Scandinavia...

Rare dining table designed by Elias Svedberg. Produced by Nordiska Kompaniet (NK) in Sweden.

We are delighted to offer for sale this absolutely stunning original William IV Rosewood and gold leaf embossed green leather Library or dining table with ornately carved pedestal base and tilt top A very good looking well made and decorative piece, hand carved in rosewood, the base is very typical of the William IV era, with the original engraved brass castors and finished with a full hide green leather top that has gold leaf embossing. The table as mentioned is a tilt top, the idea being it could be used as a centre table during the day and a draft excluder...

Contemporary round leather dining table - Bivio by Stephane Parmentier for Giobagnara. The object presented in the image has following fini...

The Chantal Big Occasional Chair offers bold proportions and plush comfort, featuring luxurious leather upholstery and soft down cushioning. This Italian-made sculptural lounge chair...

The iconic Guanabara is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished...

Jumandie Seys is a Belgian artist and interior designer whose work straddles the boundary between art and design. In his quest for pure expression of form and material, he creates ob...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they deserve all the accolades: they managed to take the idea of bringing our Artisano leather to the table and turn this into a reality. A concealed metal construction serves as a stable support for the table leg, to which four pieces of leather in the form of a cone are applied with a strap seam. Certainly, you are familiar with the spinning dances of the dervishes in their long skirts. When they celebrate their centuries-old ritual in a trance, their generous movements create a particularly impressive motif that Italian designer Mario Ferrarini could never forget. The whirling dervishes provided the inspiration for a conical table leg in which four pieces of ARTISANO leather are joined by hand with carefully applied cross stitching – the strong, shaping features of this leather are ideal for the DS 615 table series – whether as an exclusive conference table or as an eye-catcher in a stylish dining room: the table invites people to discuss, laugh, consult, eat or linger – there’s never a square moment! Additional information: Material: Marble beligan blue top with leather Additional Information: Base Characteristics Artisano: Type: Core leather Thickness: 2.4 - 2.6 mm Characteristics: Strong, firm and durable. The saddle leather is uniquely created by nature with its pattern of pores, grain and surface structure. Its qualities make it suitable for compact seating pieces or backrests as well as smooth surfaces such as bodies and sides. Top Characteristics Tela: The surfaces of Tela are coated with mixtures of stone or metal. Due to an intelligent and meticulously designed mix of materials the finished table tops function as a canvas to play on. Dimensions: 140 W x 74 H Available in other base upholstery options: Naturale, fango, black Available in other top options: Metal iron, marble Carrara, stone coral, stone jade, stone lapislazuli and metal brass Available in other stone options: Calacatta oro, star dust, sahara noir, rosso lepanto, verde guatemala, green botanic, beola(indoor/semi-outdoor), labrador antique...

Fixed oval top. The base can be covered in eco-leather, eco-nabuk, real leather or real nabuk. The top is enriched by sunburst inlays in essence of Canaletto Walnut wood. This piece ...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Handsome bamboo rattan rectangular dining table made in the California organic modern style by McGuire. Genuine McGuire model #MCBA22 with an iron frame painted golden gate orange...

Very rare expandable dining table designed by Edward Wormley for Dunbar, 1950s. Walnut with black leather anklets and brass hardware. The table starts...

Vintage Organic Modern Bamboo and Leather with Glass Top Dining Table by McGuire The Vintage Organic Modern Bamboo and Leather with Glass Top Hexagonal Dining Table by McGuire exemp...

We are delighted to offer for sale this sublime circa 1880 refectory Library Dining table with tapered legs and hand dyed Regency green leather top. This table is simply stunning ...

Exceptional dining table designed by Kai Winding in 1960's for Slagelse Möbelvaerk, Denmark. Hardwood with brass and leather fittings with two...

The Mone dining table, Features a contemporary design, standing out with its asymmetrical tabletop. The surface showcases a wood grain texture with clean lines, giving it a sleek a...

Tim Vranken is a Belgian furniture designer who focuses on solid, handmade furniture. Throughout his designs the use of pure materials and honest natural processes are paramount. The...

Material synergy was an idea commonly experimented with in the Mid-Century and remains popular in contemporary design. The shown table is a newly fabricated custom piece, designed sp...

Brutalist so called Guaruja round pedestal table designed by Jorge Zalszupin and manufactured by his own company l’Atelier, Brazil 1959. This stunning large dining table has a rosewo...

Mid-Century Modern lacquered parchment square dining table or card table. High quality thick lacquer finish over real parchment.

his is for an ultra-rare model PK40 dining table one of the last designs by the hand of Poul Kjaerholm and manufactured by Ejvind Kold Christensen, Denmark 1979. The PK40 is a unique version of Poul Kjærholm’s square conference table...

We are delighted to offer for sale this exquisite, extra large, Flamed Mahogany with hand dyed green Leather top, Extending Library or Dining table A very good looking and well m...