Leather Dining Room Tables

1970s Pair of Tables with Drawers, Studded Leather and Brass Handles

Oskar 705 Scalene Triangular Table by Cassina. Designed by Isao Hosoe in 1991. The crystal glass tabletop is supported by three conical legs upholstered in Russian red saddle leather...

Table with sculptural cruciform base fully upholstered in leather. The FM08B green Lepanto marble top is chamfered at the bottom, and the base profile is in dark Tay (TA73B), also av...

his is for an ultra-rare model PK40 dining table one of the last designs by the hand of Poul Kjaerholm and manufactured by Ejvind Kold Christensen, Denmark 1979. The PK40 is a unique version of Poul Kjærholm’s square conference table...

We are delighted to offer for sale this exquisite, extra large, Flamed Mahogany with hand dyed green Leather top, Extending Library or Dining table A very good looking and well m...

Echoing the harmonious and sleek design of Saarinen's pedestal table, this design rewrites its simplicity through a superb complete covering in natural parchment. A stunning high glo...

Absolute rarity! Design Afra & Tobia Scarpa, table in red marble, produced by B & B Italia 1974. Table top in "Marble di Alpi Apuane" red, only 300 co...

Gorgeous organic modern glass top dining table or center table made by McGuire. The table features a bamboo rattan pedestal base with a w...

We are delighted to offer for sale this exquisite, hand dyed brown leather extending dining or library table Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good looking and well made library or dining table, it sits very nicely as a medium sized round table...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

Fine carved leather top French provincial square game dining table.

Oval Mano dining table by Domkapa Dimensions: W 220 x D 100 x H 75 cm. Materials: Black lacquered matte, natural leather (Albany Terra), bronze mirror. Also available in different...

One of the most elegant and innovative 20th-century French furniture designers, Jacques Adnet created a simple, unadorned signature style that is both trim and vigorous. He began his career in the heyday of the Art Deco era, and in the 1950s, in association with Hermès, created chairs, lamps, desks and other pieces that employed slender metal frames clad in stitched saddle leather. With such furnishings, Adnet brought a fashion sensibility to design and decor that had not been seen since the 1920s prime of the great Paris couturier-decorator Paul Poiret. Original vintage wicker covered...

Desk Harper Walnut with solid walnut wood structure and with clear glass top. With 1 central drawer, inside down of the drawer covered with italian genuine leather in clear camel ...

Organic modern dining table base by McGuire features a steel frame wrapped with bamboo, lashed with leather bindings. Good condition with imperfections and patina consistent with age...

Fixed oval top. The base can be covered in eco-leather, eco-nabuk, real leather or real nabuk. The top is enriched by sunburst inlays in essence of Canaletto Walnut wood. This piece ...

Axis round table by Dovain Studio Dimensions: H 79 x Ø 120 cm Materials: Estremoz white marble, Eco leather Dovain Studio Creative direction by Sergio Prieto, a Spanish artist-...

Round Mano dining table by Domkapa Dimensions: W 140 x D 140 x H 75 cm. Materials: Black lacquered matte, natural leather (Albany Black), smoked glass. Also available in different...

Petite dining or game table with white leather top. Light wood frame and tapered legs with brass caps. Please confirm location.  

Genuine McGuire bamboo rattan dining table made in the California coastal organic modern style. The table features a large elongated...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

The iconic Guanabara is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A long rosewood patchwork top rests over two concrete bases fi...

Axis oval table by Dovain Studio Dimensions: H 79 x Ø 200 cm. Materials: Estremoz white marble, eco leather. Dovain Studio Creative direction by Sergio Prieto, a Spanish artist...

An Art Deco eight seat dining suite by Maurice Adams. Burr walnut veneered table with figured walnut banding and macassar ebony to base. Six fi...

Table rectangulaire de Guido Faleschini pour Mariani, Italie, 1970. Le mobilier de cette gamme désigné par Guido Faleschini était distribué par Her...

Tim Vranken is a Belgian furniture designer who focuses on solid, handmade furniture. Throughout his designs the use of pure materials and honest natural processes are paramount. The...

We are delighted to offer for sale this absolutely stunning original William IV Rosewood and gold leaf embossed green leather Library or dining table with ornately carved pedestal base and tilt top A very good looking well made and decorative piece, hand carved in rosewood, the base is very typical of the William IV era, with the original engraved brass castors and finished with a full hide green leather top that has gold leaf embossing. The table as mentioned is a tilt top, the idea being it could be used as a centre table during the day and a draft excluder...

These chairs are have timeless appeal. This is a pair of saddle leather Chesterfield style chairs. They are attributed to Hancock and Moore bu...

Baptistin Spade (1891-1969) Elegant and Large Art Deco table in Walnut, leather and Bronze circa 1930/1940.

Norma table by Tim Vranken Materials: Yellow pine burned, black leather Dimensions: D 140 x H 75 cm Tim Vranken is a Belgian furniture designer who focuses on solid, handmade fu...

Mid-Century Modern Guanabara table by Jorge Zalszupin, Brazil, 1960s The iconic Guanabara is a table designed by Jorge Zalszupin and produced by his c...

Origin: Denmark Designer: Unknown Manufacturer: Unknown Era: 1960s Materials: teak, leather Measurements: 19" wide x 19" deep x 31" tall Condition: In excellent original con...

A 1940s Danish mahogany library table with leather insert would be most appropriate used today as a large desk or dining table. This substantial neoclassical table is an example of Danish cabinetmakers adopting the British aesthetic...

Mid-Century Modern dining set by Hans Olsen for Frem Rojle. Table with 1 extra leave. 6 chairs with new upholstery in black leather.

A Thick Rattan or Bamboo table with leather lashing. The round table is a compliment to many spaces and can be used as a side table, Center Table or, with a larger piece of glass, is easily a dining table for four...

Mahogany wood, leather and bronze dining room set for 12 people. Argentina, 1938. Designed by the architect Alejandro Bustillo (1889-1982) for ...

An eye-catching dining table, model PK40, designed by Poul Kjaerholm and manufactured by Fritz Hansen in Denmark around 1980. This iconic and rare piece of mid-century Scandinavia...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they deserve all the accolades: they managed to take the idea of bringing our Artisano leather to the table and turn this into a reality. A concealed metal construction serves as a stable support for the table leg, to which four pieces of leather in the form of a cone are applied with a strap seam. Certainly, you are familiar with the spinning dances of the dervishes in their long skirts. When they celebrate their centuries-old ritual in a trance, their generous movements create a particularly impressive motif that Italian designer Mario Ferrarini could never forget. The whirling dervishes provided the inspiration for a conical table leg in which four pieces of ARTISANO leather are joined by hand with carefully applied cross stitching – the strong, shaping features of this leather are ideal for the DS 615 table series – whether as an exclusive conference table or as an eyecatcher in a stylish dining room: the table invites people to discuss, laugh, consult, eat or linger, there’s never a square moment! Additional information: Material: Marble Beligan blue top with leather Additional Information: Base Characteristics Artisano: Type: Core leather Thickness: 2.4 – 2.6 mm Characteristics: Strong, firm and durable. The saddle leather is uniquely created by nature with its pattern of pores, grain and surface structure. Its qualities make it suitable for compact seating pieces or backrests as well as smooth surfaces such as bodies and sides. Top characteristics tela: The surfaces of Tela are coated with mixtures of stone or metal. Due to an intelligent and meticulously designed mix of materials the finished table tops function as a canvas to play on. Dimensions: 180 W x 74 H Available in other base upholstery options: Naturale, fango, black Available in other top options: Metal iron, marble carrara, stone coral, stone jade, stone lapislazuli, metal brass Available in other stone options: Calacatta oro, star dust, sahara noir, rosso lepanto, verde guatemala, green botanic, beola(indoor/semi-outdoor), labrador antique...

Stunning 1930s French carved and stepped dining room table and six matching chairs. High deco carvings on four facets of table and on each chair back. Made out of exotic African Pada...

A beautifully grained walnut dining table with leather wrapped feet. Designed by Edward Wormley for Dunbar. Table measures 60" diameter and has a 20" leaf.

Stunning bamboo rectangular dining table made in the California organic modern style by McGuire. This is a genuine McGuire model # MCBA22 with an iron frame painted golden gate orange for authenticity. The table features a geometric design base measuring 46 inches wide and 21 inches deep covered with tobacco colored bamboo poles...

Genuine McGuire round dining table featuring a square base. The base is created from an iron frame painted golden gate orange for authencity...

Ferreirinha Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Ferreirinha marble dining table pays homage to the lasting legacy of Antónia Adelaide Ferreira, a visionary businesswoman who defied the male-driven Portuguese wine industry during the 19th century. Crafted with meticulous attention to detail, the design of this marble dining table stands as a manifesto of strength, resilience and generosity, all remarkable qualities of the also known “Ferreirinha”. Ferreirinha 8-Seat Dining Table M102714 dark red high standard Italian leather WD107 American oak, open-pore black stained, matte finish ME032 Oxidised brass; matt finish ST044 Calacatta black...

Brutalist so called Guaruja round pedestal table designed by Jorge Zalszupin and manufactured by his own company l’Atelier, Brazil 1959. This stunning large dining table has a rosewo...

De Couro of Brasil red leather dining room set. All in red nubuck leather; 6 dining room chairs and also the base of the dining room table. On top a very thick rounded glass top. ...

Great leather top table with chrome base. Leather has a green brown color with a rich patina. Please see pictures. High-quality. Ready for a new home.

Iconic Guanabara table designed by Jorge Zalszupin for L'atelier, 1959. Features an impressive boat-shaped rosewood top over a massive concrete base covered in a saddle leather. The ...

Circo dining table leather by Sebastian Herkner Materials: Galvanized and powder-coated tubular steel. Aluminum top. Leather. Technique: Weaved by local craftspeople in Colombia. ...

Bespoke monumental McGuire rectangular dining table made in the organic modern style. Authentic, genuine McGuire table with an iron frame painted golden gate orange...

Giancarlo Vegni "Rolling-2b" Oval Table, Italy, Early 21st century The large dramatic & stylish oval table has a smoked glass top set on steel columns wound with leather with st...

Genuine McGuire bamboo rattan dining table made in the California organic modern style. The table features a rare, bespoke glazed fi...

Guido Faleschini for i4 Mariani, dining or conference table, leather, wood, metal, Italy, 1970s This massive round dining table is designed by the creative Italian designer Guido F...

Ferreirinha Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Ferreirinha marble d...

Amazing genuine McGuire organic modern bamboo rattan dining table or center table featuring a hexagonal base. Genuine McGuire, not a reproduction with an iron frame painted golden gate orange...

Substantial dining table having two decorative cast iron pedestal bases, which support a large rectangular top, of wood frame, with a leather ...