Leather Dining Room Tables

Mid-Century Modern Guanabara table by Jorge Zalszupin, Brazil, 1960s The iconic Guanabara is a table designed by Jorge Zalszupin and produced by his c...

Jumandie Seys is a Belgian artist and interior designer whose work straddles the boundary between art and design. In his quest for pure expression of for...

A beautifully grained walnut dining table with leather wrapped feet. Designed by Edward Wormley for Dunbar. Table measures 60" diameter and has a 20" leaf.

Stitched leather console by great iconic French designer of 20th century Jacques Adnet (1900-1984).

We are delighted to offer for sale this exquisite, extra large, Flamed Mahogany with hand dyed green Leather top, Extending Library or Dining table A very good looking and well m...

Axis round table by Dovain Studio Dimensions: H 79 x Ø 120 cm Materials: Estremoz white marble, Eco leather Dovain Studio Creative direction by Sergio...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Fixed oval top. The base can be covered in eco-leather, eco-nabuk, real leather or real nabuk. The top is enriched by sunburst inlays in essence of Canaletto Walnut wood. This piece ...

Handsome bamboo rattan rectangular dining table made in the California organic modern style by McGuire. Genuine McGuire model #MCBA22 with an iron frame painted golden gate orange...

Genuine McGuire organic modern round dining table featuring a hexagonal shaped base. The iron base is painted golden gate orange for authenticity and then covered with bamboo poles l...

We are delighted to offer for sale this sublime circa 1880 refectory Library Dining table with tapered legs and hand dyed Regency green leather top. This table is simply stunning ...

Zest Dining Table The Zest outdoor dining table merges elegance and modernity through its minimalist design and the use of sophisticated, premium materials. It features a marble top...

De Sede DS-615 Dining Table in Cigarro Leather and Sahara Noir Stone Top Ø180cm. Switzerland. New, current production. This Jorge Zalszupin like design by Mario Ferrarini is truly m...

Contemporary leather round dining table - Scala by Stephane Parmentier for Giobagnara. The object presented in the image h...

Genuine McGuire breakfast dining table made in the California coastal organic modern style. The table features an iron frame painted golden gate orange for authenticity. Completely c...

Giorgio Collection Luxor Modular King Bed – Luxury Upholstered Bed with Quilted Headboard / Panels Fully upholstered king bed featuring a quilted headboard and base inserts in tita...

Stunning genuine McGuire bamboo hexagonal dining table or center table base. This organic modern table base includes seven optional brass caps for each leg and was designed to be use...

Genuine McGuire bamboo rattan dining table base, for use with a round glass tabletop. This organic modern table base, from a design by John M...

This amazing collectors piece of Post-Modern design is an original 1980s production of the 'Zabro' chair (which easily transforms into a table) designed in 1984 by Alessandro Mendini...

This distinctive rectangular dining table combines rich texture with organic elegance, featuring a tooled leather tabletop that adds depth, pattern, and a refined tactile quality. Th...

A fine Palecek French Regency style center or pedestal dining table of faux bamboo & braided rope styling accented with leather joinery in excellent vintage condition. Table dimensi...

Substantial dining table having two decorative cast iron pedestal bases, which support a large rectangular top, of wood frame, with a leather ...

Fabulous 1970s vintage mid-century modern Milo Baughman style rectangular clear tempered glass and polished chromed steel Parsons style dining table by Tri-Mark Designs. Features fou...

This sculptural table boasts two bold textures: the grosgrain design leather covering the pillar-shaped solid linden wood base and the Emperador marble top. The warm burnished brass ...

Monumental 1970's black Leather dining or card Table BO287 made by Italian manufacturer Rossi di Albizzate and designed by the Italian designer Carlo Bartoli. The outline resembles ...

Large rectangle glass top bamboo & leather straps frame dining conference table by McGuire.

Thick top stretcher base studio made decorated in leather brass and studs long and narrow dining harvest table. Matches Parzinger decor.

This barely there oak table seems to defy gravity. It’s thin, brushed charcoal gray top floats over four narrow satin stainless steel legs with genuine leather detailing. It comfortably seats eight...

Dining table in metal sheathed in black leather stitched sellier and glass top, 1958. This unique piece (1958) was commissioned for the apartment of a Parisian doctor, friend of Mat...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

A large Emperador marble rectangular piece sits atop two large pillar-shaped supports in solid linden wood covered in grosgrain leather that gives this massive table a sculptural reg...

Extendable Table – Mplace Collection: Mplace Context: Dining Room Type: Table The Mplace extendable table combines clean, harmonious lines with premi...

Élysée Table by Hugues Chevalier The Élysée table by Hugues Chevalier is a sophisticated dining or conference table that seamlessly blends modernity with timeless elegance. Its ta...

Rare organic modern, rattan base and oak top dining table by Rohe. If you are looking for a mid-century table made of natural materials only for that organic modern look and feel then this Dutch design from the 1970s could be perfect for your home or business. The four legged cross base with the leather straps in the centre is like a bundle of rattan and this rare Dutch table...

Genuine McGuire bamboo rattan dining table made in the California organic modern style. The table features a rare, bespoke glazed fi...

Giorgio Collection Luxor 3-Seater Sofa with marble shelves in Velvet and Fabric This luxury Italian 3-seater sofa combines the essence of modern Art Deco with plush comfort. Designe...

Origin: Denmark Designer: Unknown Manufacturer: Unknown Era: 1960s Materials: teak, leather Measurements: 19" wide x 19" deep x 31" tall Condition: In excellent original con...

Vintage McGuire California Circular Glass & Bamboo Dining Table, USA, circa 1970 Circular glass top dining table constructed in iconic McGuire California leather wrapped bamboo. Exc...

Mid-Century Modern thick glass bamboo frame McGuire dining conference table.

Squared table with glass bronzed top. The beautiful squared glass top is perfect for a Contemporary and luxurious environment . The base are a combination of Vitroplex, to create a s...

Oval Mano dining table by Domkapa Dimensions: W 220 x D 100 x H 75 cm. Materials: Black lacquered matte, natural leather (Albany Terra), bronze mirror. Also available in different...

AMBIANIC presents 1960s Mexican modernism Sensational Dining Table mahogany wood wrapped in leather solid brass hardware. New lucite tabletop oval shap...

MISE EN SCÈNE. Designed in England. Made in France. *Our items are customisable in finish and size. Made to order pieces. Each piece is numbered, signed and comes with a certificat...

21st Century Lune Table, in Gold Limed Oak, Bronze, and Leather Details, Handcrafted by Duistt The Lune table is a perfect example to show how well-mixed materials can work together...

Round Mano dining table by Domkapa Dimensions: W 140 x D 140 x H 75 cm. Materials: Black lacquered matte, natural leather (Albany Black), smoked glass. Also available in different...

Giorgio Collection Luxor Presidential Office Chair – Italian Leather Desk Chair on Wheels Luxurious desk chair with adjustable height and quilted backrest, upholstered in premium It...

CORNEILLE TABLE by Hugues Chevalier The Corneille Table is a refined dining or meeting table that embodies contemporary elegance. Featuring a meticulously crafted wood-inlaid tabl...

This elegant table combines refined materials with a minimalist form, featuring a rich leather-clad tabletop set atop sleek metal legs. The surface is upholstered in a warm, textured...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

Desk Harper Walnut with solid walnut wood structure and with clear glass top. With 1 central drawer, inside down of the drawer covered with italian genuine leather in clear camel ...

Contemporary round leather dining table - Bivio by Stephane Parmentier for Giobagnara. The object presented in the image has following fini...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they deserve all the accolades: they managed to take the idea of bringing our Artisano leather to the table and turn this into a reality. A concealed metal construction serves as a stabile support for the table leg, to which four pieces of leather in the form of a cone are applied with a strap seam. Certainly, you are familiar with the spinning dances of the dervishes in their long skirts. When they celebrate their centuries-old ritual in a trance, their generous movements create a particularly impressive motif that Italian designer Mario Ferrarini could never forget. The whirling dervishes provided the inspiration for a conical table leg in which four pieces of Artisano leather are joined by hand with carefully applied cross stitching – the strong, shaping features of this leather are ideal for the DS 615 table series – whether as an exclusive conference table or as an eye-catcher in a stylish dining room: the table invites people to discuss, laugh, consult, eat or linger – there’s never a square moment! Additional information: Material: Metal brass top with cigarro leather Base Characteristics Artisano: Type: Core leather Thickness: 2,4 - 2,6 mm Characteristics: Strong, firm and durable. The saddle leather is uniquely created by nature with its pattern of pores, grain and surface structure. Its qualities make it suitable for compact seating pieces or backrests as well as smooth surfaces such as bodies and sides. Top characteristics Tela: The surfaces of Tela are coated with mixtures of stone or metal. Due to an intelligent and meticulously designed mix of materials the finished table tops function as a canvas to play on. Dimensions: 160 W x 74 H Available in other base upholstery options: Naturale, fango, black Available in other top options: Metal iron, marble Carrara, stone coral, stone jade, stone lapislazuli, marble beligan blue Available in other stone options: Calacatta oro, star dust, sahara noir, rosso lepanto, verde guatemala, green botanic, beola(indoor/semi-outdoor), labrador antique...

Table torsade with bronze legs structure and massive glass top. Available with genuine leather legs structure, price: 14500.00€.

A rectangular dining table featuring a metal base, a saddle leather structure and a marble top. The table combines modern elegance with a touch of luxury, showcasing a sturdy metal b...

Tranquility dining table is conceived, designed and created by award-winning artist and architectural designer Michael Olshefski of Primal Modern. Inspired by nature and bonsai, this serene dining table showcases a stunning and rare old-growth fiddleback California White Oak live edge...

This exquisitely crafted dining table, designed by Joaquim Tenreiro (1906-1992) in 1947, evokes a refined coexistence of traditional values and modern aesthetics. Its delicate shapes...

Structure: Solid American walnut. Top : Table top available in American walnut , with edge profile covered by leather of different types and categories. * This item can be custo...

Echoing the spirit of Joe Colombo’s iconic play table, this Italian Modern game table was designed in the 1970s. Resting on four cylindrical chromed steel legs, its square top has a ...

Stupendo Tavolo da pranzo o da ufficio Tondo con struttura tappezzata in Pelle beige e top in vetro incassato color ambra. Design Luigi Massoni, produzione Frau anni 70. Il tavolo si...

Joy Dining Table by Doimo Brasil Dimensions: D 160 x H 75 cm Materials: Base: Natural Leather, Top: Veneer. With the intention of providing good taste and personality, Doimo dec...