Late 20th Century Dining Room Tables

A round mahogany dining table with parson's legs. Manufactured by Botium.

Gorgeous re-painted 1970's metal and glass dining table in great condition in the style of Pierre Cardin. Measurements: D 130 x H 72 cm. ...

Postmodern Cena table designed by Achille Castiglioni for Zanotta, Manufactured by Zanotta, Italy Beautiful dining table or executive office desk with Beola stone tabe top. Manuf...

Previously Restored

Square Italian pietre dure technique handmade classical mosaic tabletop with blue lapis lazuli, green malachite and other semiprecious stone and marble inlays.   

An outstanding Mid-Century Modern Parsons extension dining table in gorgeous book-matched burled olive wood In the manner of Milo Baughman By Lane Furniture USA, 1970s Measures: ...

36" Eames for Herman Miller dining table Laminated top with contract aluminum 4 star base. Great for dining or conference room ...

A beautiful British Colonial, Early American, or Victorian style extension harvest style dining table USA, Circa Late 20th Century Solid cherry wood, with turned legs. Measures: 7...

Designed for use with a glass top, this bamboo rattan pedestal dining table base is marked McGuire San Francisco and has the original cerused washed finish. The organic modern base i...

Design in the style of Carlo Scarpa Drawn metal structure and glass top Dimensions: Diameter 120 cm - H 74 cm - weight 70 kg CONDITION: very good with small and inevitable signs of a...

Tomlinson Postmodern / Mid Century Olive Burl Wood & Brass Dining Table Exquisite 1970’s burl wood and brass Dining Table is exceptional quality, it feature Brass and Olive Burl ...

Italian dining table in ash wood. Central brass base. 70's Good condition Dimension : W 212 cm x D 92 cm x H78 cm

Part of the 'Radial' series, this dining table by Stanley Jay Friedman for Brueton, USA, c. 1980s. features a fiddleback and burl maple top showcasing a beautiful wood grain, along ...

Century Furniture Mid Century Burlwood and Glass Expanding Dining Table with 2 Leaves This table measures: 60 wide x 40 deep x 29.25 inches high, with a chair clearance of 26.5 inch...

Architectural dining table model T30 designed by Edoardo Landi and manufactured by Studio D, Italy 1973. This table is designed by Architect Landi in 1973, and was produced in a very small series by StudioD, together with some chairs, cabinets and tables. This table is made of solid pine wood and is stained in black, it has a glass top in the center which gives the table a nice transparent look. This table is a typical architects design, its clearly visible in the way its constructed and shaped. The table is differenly nice from every angle and is very nice in use as well. The middle part is open and can be used to store items, books, or paper work and it will be only visible from the top and sides. The table can be fully dis assembled for safe shipping. This is one of the most stunning tables I have seen recently and reminds a lot of the later designs by Jose Zanine Caldas as well. Documentation is available but not included in the sale. The table can use up to 8 chairs and the chairs on the picture are not included in this listing. Edoardo Landi studied architecture at the Scuola Superiore di Disegno Industriale, Venice. 1959–1964 founding member of Gruppo N...

1970s French dining table in the style of Jean Charles with bordeaux lacquered top is supported by a brass and chrome base. Makes for a beautiful dining or meeting room table.

Angelo Mangiarotti for Skipper 'Eros' round dining table in Marquina Marble, Italy, 1970s. This is the Skipper 'Eros' series round dining table designed by Angelo Mangiarotti in t...

A gorgeous Georgian, Regency, or Queen Anne style solid mahogany double pedestal extension dining table By Kittinger, "Colonial Williamsburg" Collection USA, Circa 1980s Measures:...

Square table by Pierre Cardin for Roche Bobois, 1970s. Black lacquered wood structure, glass top, various woods borders. It can be exten...

Angelo Mangiarotti SIGNED round pedestal dining table in highly figured white Carrara marble. This table is from the M1 and measures 53 inches diameter. The detachable round table t...

Futurist dining or conference table with a light walnut top. Designed by Norman Foster for Tecno. Italy around 2000.

This fantastic foldable metal construction with a loose smoked glass plate ( thickness 0.8 cm ) was designed by Max Sauze, circa 1970, France. It is great to use as a dining table or...

Magnificent large table by Gilles Charbin made in 1975. The top, in resin with inclusions, is in three parts. The two-piece base is made of brushed stainless steel. Unique piece. Si...

A beautiful Federal or Hepplewhite style extension dining table By Kindel Furniture USA, Circa 1980s Gorgeous book-matched mahogany, with inlaid satinwood marquetry. Measures: 80...

For FULL item description click on More Details Below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and ...

Broyhill Sculptra Mid Century Walnut Dining Table with 3 Leaves This table measures: 60 wide x 40 deep x 29.75 inches high, with a chair clearance of 26.75 inches, each of the 3 lea...

Lovely Milo Baughman thick chunky aluminum dining table. This one piece dining table has a great mellow patina to the aluminum frame. We do have the original matching Baughman dining...

Harvey Probber mid century round ebonized walnut, terrazzo, and brass dining table The table measures: 50 wide x 50 deep x 24.5 high, with a chair clearance of 23.25 inches Re...

This 1970's production Il Colonnato dining table is crafted from beautiful solid travertine, showcasing the timeless elegance of this natural stone. The tabletop features its origina...

Edward Wormley for Dunbar Mid Century Mahogany Expanding Dining Table with 1 Leaf This table measures: 60.25 wide x 60.25 deep x 29.5 inches high, with a chair clearance of 28.25 in...

The 1970s table attributed to Aldo Tura is an elegant piece of design that embodies the refinement and aesthetic innovation of those years. Completely covered in parchment, a preciou...

Billy Haines faux bamboo glass top table. The table has a faux bamboo wood frame with bronze mounts. Table has a round smoked glass top.

Johannes Nørgaard for Nørgaards Møbelfabrik Mid Century Danish Rosewood Hidden Leaf Dining Table This table measures: 55 wide x 34.5 deep x 29.5 high, with a chair clearance of 27.5...

Broyhill Brasiliamid century dining table - no leaf This table measures: 60.5 wide x 40 deep x 29.5 inches, with a chair clearance of 25.5 inches All pieces of furniture can b...

Mid Century Modern Stainless Steel Pedestal Italian Granite Round Top Table by Brueton The Mid Century Modern Stainless Steel Pedestal Table by Brueto...

Italian modern white marble dining table Rilievo by Aldo Rossi, 1980s Dining table model Rilievo with rectangular top in white Calacatta marble with gray streaks. The table has four ...

Introducing a Mid-Century Modern burl wood Parsons extendable dining table by Lane. This elegant piece features a striking burl wood veneer and a versatile design, allowing it to ext...

Roland Wilhelmsson for Karl Andersson & Söner Large rectangular Solid Pine Table Sweden 1970. This is a description of a massive Swedish pine dining table designed by Roland Wilhelm...

"Delta" round dining table, crafted by designer Rudi Verelst for Novalux in 1970s Belgium. Its striking white veneer top is complemented by the distinctive pyramid-shaped chrome legs...

This distinctive dining table is a representative of the Italian Brutalismo style of the early 1970s and yet offers a graceful facet. It has a metal framed black wooden plate which r...

This vintage dining table from American of Martinsville features burled wood in a classic Parsons design. It measures 30 inches in height, 74 inches in width, and 44 inches in depth,...

This beautiful cerused oak dining table was designed by Italian mid-century modern designer Tommaso Barbi in the 1970s. The top features a nice brass inlay frame, with a round raised...

A dining-table in tension designed by Austrian 'deconstruction designer' Helmut Palla. Iron part from an early Industrial machine, obviously a pressing tool, rusty and varnished. Ta...

Stunning so called 'II Colonnato' dining table designed by Mario Bellini and manufactured by Cassina in Italy in 1977. It's made from solid Persian travertine, which has a beautiful ...

Danish Modern Teak Rectangle dining Table made in Denmark. Shows normal use and wear - table ready for use. Nice wood joints. No leaves or extensions just a solid table. Seats 4-6 ch...

84" Birdseye maple Knoll reff conference table Beautiful maple top with Knoll Reff polished chrome base. Media cable access.  

An exceptional Georgian style double pedestal extension dining table By Kindel Furniture USA, Circa 1980s Book-matched mahogany with satinwood banding, carved solid mahogany...

This fantastic and rare "Anello" polished bronze, white marble top dining table comfortably seats up to 6 people. Extremely hard to come by and very desirable. Heavy and truly a stat...

60s 70s walnut dining table Wilhelm Renz dining table folding table Object: dining table Manufacturer: Wilhelm Renz Condition: vintage ...

Fabulous vintage pair of 1970s era sculptural Lucite dining table bases in the Hollywood regency or mid-century modern style. Tables bases ar...

Italian modern glass, steel and wooden dining table Frate by Enzo Mari for Driade, 1973 Dining table mod. Frate with rectangular tempered glass top...

The extendable table was produced in the 1970s, in the British Meredew factory. The table has solid, profiled edges, which give it uniqueness and elegance. The rectangular teak table...

Dining table or desk Pine Simple chunky style Sweden 1970s

An outstanding Mid-Century Modern Parsons extension dining table in stunning book-matched olive ash burl wood By Milo Baughman for Thayer Coggin USA, 1970s Measures: 66"W x 39"D x...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

An exceptional English Georgian or Chippendale style monumental double pedestal extension dining table In the manner of Baker Furniture England, Circa 1980s Gorgeous mahogany, wit...

Vintage dining table in gilt "Bamboo" style metal and travertine stone top. France, 1980s

This is a superb quality Vintage Regency Revival dining table dating from the second half of the 20th Century. The tabletop was crafted in flame mahogany and features superb satinwo...

Baker Furniture Collector's Edition Duncan Phyfe dining table. Features an impressive satinwood banded top with custom made protective glass coveri...

Extendable Chestnut Fratino dining table, 1970s Extensions not available ! Packaging with bubble wrap and cardboard boxes is included. If the wo...