Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 16

Art Deco Vanity , Sculptural Entrance Cabinet, by Osvaldo Borsani , Burl Walnut

$12,951.13
£9,634.33
€10,800
CA$17,734.53
A$19,718.38
CHF 10,295.85
MX$240,020.74
NOK 131,370.59
SEK 123,087.96
DKK 82,214.44
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

1930s Art Deco Italian sculptural entry cabinet, Vanity or Dressing Table by Osvaldo Borsani in burl walnut, wax polished. The cabinet can be sold separately from the mirror Excellent as a TV stand, or entry cabinet, or console. Measures: cabinet H 68/45, W 125, D 53 Measures mirror H 126, W 50, D 6. ABOT OSVALDO BORSANI Osvaldo Borsani (born 1911, Varedo, Italy–died 1985, Milano, Italy) was an Italian designer and architect, born into a family of furniture makers with along and well established artisanal tradition. His father, Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Osvaldo Borsani first studied fine arts at Accademia di Belle Arti di Brera in Milan, graduating in 1931, and then pursued studies in architecture at Politecnico di Milano, where he graduated in 1936. In 1933, two years before graduating as an architect, Borsani designed the Casa Minima project for the V Triennale di Milano (Milan Triennial), along with architects Cairoli and Varisco. This project earned him a silver medal for its Rationalist code and geometries, and he received positive reviews from the critic Edoardo Persico of Casabella magazine. Villa Borsani And Other Prominent Architectural Work In 1937, Osvaldo Borsani designed Villa Presenti in Forte dei Marmi, a sea town in Tuscany where the Italian aristocracy and industrial elite would build their houses, a project that displayed the same rationalistic rigor displayed in Casa Minima, but softened by the use of mediterranean finishes and materials. Villa Borsani designed by Osvaldo Borsani. Varedo, Italy Villa Borsani. Varedo, Italy In 1943, Osvaldo designed and built his own house, the Villa Borsani, in Varedo, which, despite being conceptualized under strict Rationalist principles, incorporated objects and art of younger artists that communicate a freer approach to the human expression. The Villa Borsani project involved artists such as Adriano Spilimbergo, Fausto Melotti, Lucio Fontana (who made the ceramic fireplace and the ceramic Madonna), and Agenore Fabbri (who made the bronze statue in the staircase). To this day, Villa Borsani has been preserved with most of its original furniture and it remains with Osvaldo Borsani’s family along with the extensive archives of his work. Osvaldo Borsani As a Successful Product and Furniture Designer After Villa Borsani, Osvaldo continued to develop many projects for the Milanese bourgeoisie, frequently with many of the same artists whom he employed for his villa. A particularly strong relationship was the one that Osvaldo developed with artist Lucio Fontana, a close friend since the time of the Accademia de Belle Arti di Brera, and whom Borsani assigned to make a large metal balcony for the Tecno company in 1956. Osvaldo Borsani’s design work, just as his larger architectural projects, which he also considered design work, very often incorporated elements created by other artists and designers such as: Roberto Crippa, Arnaldo and Giò Pomodoro, Agenore Fabbri, Fausto Melotti, Andrea Cascella, and Lucio Fontana. Of all of these collaborations, the one that Borsani forged with Lucio Fontana resulted in the creation of many of Borsani’s furnishing designs of the late 1930s and 1940s. With Fontana, Borsani integrated sculptural ceramic and bronze elements, wood and gilded stucco, and interventions on glass tabletops with decorations, to name a few design elements, to his furniture designs. In 1953, Osvaldo understood the imminent need to transform the artisan approach to furniture making into a modern industry capable of meeting a larger demand at more accessible prices. It was then that Osvaldo and his twin brother Fulgenzio founded the manufacturer Tecno, with the aim of utilizing modern manufacturing techniques that will deliver high-quality furniture to a larger international market. Initially, Tecno manufactured only Borsani’s furniture designs, and, although he continued to design furniture and objects until the early 1980s, by the late 1950s, Tecno also manufactured furniture from other designers, including Vico Magistretti, Roberto Mango, Gae Aulenti, Eugenio Gerli, Carlo de Carli, and Gio Ponti. Black P40 chair by Osvaldo Borsani for Tecno (1955) Italian design and furniture gallery Casati Gallery P40 chair by Osvaldo Borsani for Tecno (1955) Among the most successful and iconic Tecno designs are the 1954 D70, a sofa that can assume approximately 20 positions; the 1955 P40 adjustable lounge chair, described as a “machine for sitting,” which could assume 486 distinct postures; the 1954 T41 dining table; the 1961 AT 16 coat rack; the 1965 Canada chair; the 1968 Graphis office furniture system; and the 1972 P128 office chair. Along with Eugenio Gerli, Marco Fantoni, his brother Flugenzio, and his daughter Valeria, Osvaldo Borsani founded Centro Progetti Tecno (1970), a design shop focused on creating innovative products and interiors for work and school environments. Early furniture pieces by Tecno can be found in the permanent collections of the MoMA in New York, the Victoria & Albert Museum in London, the Centre Pompidou in Paris, the Trienalle di Milano Museum, and the Neue Sammlung in Munich. In 2018, the Triennale di Milano organized a retrospective of Osvaldo Borsani’s work. The exhibition “Osvaldo Borsani” was co-curated by Tommaso Fantoni, Borsani’s grandson, and Norman Foster, who had worked with Borsani at Tecno–where he designed the Nomos table and furniture systems for airport and museums.
  • Creator:
    Osvaldo Borsani (Cabinetmaker)
  • Dimensions:
    Height: 76.38 in (194 cm)Width: 49.22 in (125 cm)Depth: 20.87 in (53 cm)
  • Style:
    Art Deco (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1930s
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Vigonza, IT
  • Reference Number:
    Seller: FW251stDibs: LU2495312778702

More From This Seller

View All
Italian 1920s Art Deco Vanity Cabinet Console with Mirror in Walnut, Glass Tops
Located in Vigonza, Padua
Very elegant modern Italian 1920s Art Deco vanity cabinet console with beveled mirror in walnut and veneer walnut, with two cabinets glass tops,...
Category

Early 20th Century Italian Art Deco Vanities

Materials

Glass, Mirror, Walnut

Art Deco Commode in Burl Walnut attributed Osvaldo Borsani , Atelier Di Varedo
By Osvaldo Borsani, Atelier Borsani Varedo
Located in Vigonza, Padua
Majestic and elegant chest of drawers attributed Osvaldo Borsani designer, produced in the Varedo Atelier , original in every part, with bakelite handles, 1930s Art Deco chest of drawers, commode , in burl walnut with mirror, polished to wax. Excellent condition. Measures cm: D 53, W 120, H 100. mirror cm: W 90 H 75. About Osvaldo Borsani Osvaldo Borsani (born 1911, Varedo, Italy–died 1985, Milano, Italy) was an Italian designer and architect, born into a family of furniture makers with along and well established artisanal tradition. His father, Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Osvaldo Borsani first studied fine arts at Accademia di Belle Arti di Brera in Milan, graduating in 1931, and then pursued studies in architecture at Politecnico di Milano, where he graduated in 1936. In 1933, two years before graduating as an architect, Borsani designed the Casa Minima project for the V Triennale di Milano (Milan Triennial), along with architects Cairoli and Varisco. This project earned him a silver medal for its Rationalist code and geometries, and he received positive reviews from the critic Edoardo Persico of Casabella magazine. Villa Borsani And Other Prominent Architectural Work In 1937, Osvaldo Borsani designed Villa Presenti in Forte dei Marmi, a sea town in Tuscany where the Italian aristocracy and industrial elite would build their houses, a project that displayed the same rationalistic rigor displayed in Casa Minima, but softened by the use of mediterranean finishes and materials. Villa Borsani designed by Osvaldo Borsani. Varedo, Italy Villa Borsani. Varedo, Italy In 1943, Osvaldo designed and built his own house, the Villa Borsani, in Varedo, which, despite being conceptualized under strict Rationalist principles, incorporated objects and art of younger artists that communicate a freer approach to the human expression. The Villa Borsani project involved artists such as Adriano Spilimbergo, Fausto Melotti, Lucio Fontana (who made the ceramic fireplace and the ceramic Madonna), and Agenore Fabbri (who made the bronze statue in the staircase). To this day, Villa Borsani has been preserved with most of its original furniture and it remains with Osvaldo Borsani’s family along with the extensive archives of his work. Osvaldo Borsani As a Successful Product and Furniture Designer After Villa Borsani, Osvaldo continued to develop many projects for the Milanese bourgeoisie, frequently with many of the same artists whom he employed for his villa. A particularly strong relationship was the one that Osvaldo developed with artist Lucio Fontana, a close friend since the time of the Accademia de Belle Arti di Brera, and whom Borsani assigned to make a large metal balcony for the Tecno company in 1956. Osvaldo Borsani’s design work, just as his larger architectural projects, which he also considered design work, very often incorporated elements created by other artists and designers such as: Roberto Crippa, Arnaldo and Giò Pomodoro, Agenore Fabbri, Fausto Melotti, Andrea Cascella...
Category

Vintage 1920s Italian Art Deco Commodes and Chests of Drawers

Materials

Mirror, Walnut, Burl

Art Deco Bar Cabinet in Burl Walnut, Guglielmo Urlich Attributed, circa 1930
By Meroni & Fossati
Located in Vigonza, Padua
Art Deco bar cabinet in burl walnut, Guglielmo Urlich attributed for Meroni & Fossati , Lissone-Milano . All original cabinet restored, with functioning internal lighting. The internal mirror, has parts of small mirrors oxidized, that we thought not to replace to have a 100% original cabinet. Original Murano glass handles, circa 1930. The internal compartment has a removable shelf, usable as a tray. Measures cm: H76 W82 D44 (internal H38cm). Guglielmo Ulrich (born 1904, Milan–died 1977...
Category

Mid-20th Century Italian Art Deco Dry Bars

Materials

Mirror, Burl, Walnut

Art Deco Commode & Mirror in walnut by Atelier Varedo, Gino Maggioni attributed.
By Gino Maggioni, Atelier Borsani Varedo
Located in Vigonza, Padua
Commode of innovative design inspired by the geometrism of Josef Hoffmann, the great Viennese designer; this commode is attributed to Gino Maggioni, architect and furniture designer ...
Category

Vintage 1920s Italian Art Deco Bedroom Sets

Materials

Walnut

Art Deco Cabinet Nightstand in Walnut, Burl Walnut Osvaldo Borsani Attributed
By Osvaldo Borsani
Located in Vigonza, Padua
Sculptural Art Deco cabinet nightstand in walnut, burl walnut Osvaldo Borsani attributed for Atelier di Varedo. Original accessories of the era Meas...
Category

Vintage 1930s Italian Art Deco Night Stands

Materials

Walnut, Burl

1940s, Italy, Chippendale Walnut Mirrored Dressing Table and Burl Walnut Veneer
By Cantu
Located in Vigonza, Padua
1940s, Italy, Chippendale walnut mirrored Dressing table and burl walnut veneer with biselled mirror Cabinet and polished with shellac and wa...
Category

Vintage 1920s Italian Baroque Revival Vanities

Materials

Mirror, Walnut, Burl

You May Also Like

Art Deco Italian Walnut Briar Sideboard with Mirror, Early 20th Century
Located in Puglia, Puglia
Art Deco sideboard or dressing table with mirror, early 20th century. Made of walnut briar, composed of a base with two doors and two drawers, which can also be used without the mirr...
Category

Antique Early 1900s Italian Art Deco Sideboards

Materials

Mirror, Walnut

Art Deco Figured Walnut Dressing Table
Located in London, GB
A fantastic Art Deco figured walnut dressing table. This was made in England, it dates from the 1930’s. It is of outstanding quality and has an amazing design. It is a great size an...
Category

Vintage 1930s British Art Deco Vanities

Materials

Mirror, Walnut

Sculptural Walnut Sideboard and Mirror, 1920s
By Giovanni Guerrini
Located in Montelabbate, PU
1 of 2 Prestigious Art Deco sideboards with mirror, in walnut and walnut burl on the front it has 2 niches that house masterfully carved sculptures. On the top it has 1 decorative r...
Category

Vintage 1920s Italian Art Deco Sideboards

Materials

Mirror, Walnut, Burl

Sculptural Walnut Sideboard and Mirror, 1920s
$13,790 Sale Price / item
36% Off
Gaetano Borsani for Atelier di Varedo Vanity Set with Stool in Walnut Burl
By Gaetano Borsani
Located in Waalwijk, NL
Gaetano Borsani for Atelier di Varedo - Gaetano Borsani, vanity and stool, walnut burl, brass, linoleum, Milan, Italy, 1930 An exceptional vanity with matching stool designed by Ga...
Category

Vintage 1930s Italian Art Deco Cupboards

Materials

Brass

Art Deco Stylish Vanity Dressing Table In Walnut, English, c1930
Located in Devon, England
For your consideration is this original 1930s Art Deco Walnut dressing table. Originating from England and oozing everything about this wonderful bygone era we've all come to love an...
Category

Mid-20th Century English Art Deco Bedroom Sets

Materials

Mirror, Walnut

Fine French Art Deco Thuya Wood Vanity w/ dressing mirror, Maurice Dufrène
By Maurice Dufrêne
Located in New York City, NY
Important and spectacular French Art Deco vanity in beautifully figured thuya wood, attributed to Maurice Dufrène. Created in full burl wood with marquetry inlay, this vanity has the original beveled cheval mirror that slightly swivels, along with the original veined marble tops in light yellow, burnt umber, ochre and rouge. Two cabinet doors on either side of the vanity each open to reveal four spacious drawers that fill the interior space. Original nickeled bronze pull handles...
Category

Early 20th Century French Art Deco Vanities

Materials

Marble