Wood Decorative Art

Vintage monochromatic red art by Tom Schmitt on three dimensional shaped canvas. Signed on reverse. circa 1968.

Beautiful small stitch embroidered fabric framed in a carved and gilded frame, with a small mirrored part. The embroidery depicts a romantic scene, with a woman sitting on the balcon...

This beautiful iconic vintage pop art Chanel poster is presented with a modern white frame and has a blue background and black. This poster is mounted on linen and is depicting the l...

This is an old noodle board made in Japan. On the back, it is inscribed “明治十二年” in writing, clearly indicating that it was made in 1879s. Over 140 years have passed, and this piece s...

19th century American framed still life depictions of fruit, set of 10. Group of 10 small framed still life depictions of fruit, to include: watercolor theorem depicting apples on a...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...

Stunning and completely original, antique oak grandfather or lantern clock, circa 1750. This very old grandfather clock is one of the tallest w...

1970s The Beatles 24-karat gold-plated record, unframed. Limited edition of 100, 11/100 with “Certificate of Authenticity” included. Golden Record on a red Velvet wooden plate. Nice ...

Antique Original Charcoal and Chalk Study Depicting a Woman and Her Baby An extremely charming portrait study sensitively and skillfully executed. Framed...

Contemporary Large Decorative Wall Art Wood Marquetry, Geometric mix Organic Shapes The Ruby Wall Decor introduces a playful touch to contemporary wall art. It features a surprising...

Here we offer 2 original vintage handcrafted acid etched brass metal owl and frog art pieces. Both are framed and have the original paper back label with the Models on the reverse. The frog is the symbol of prosperity, and the owl is symbol of the ghost spirit by the Haida Pacific Northwest Coast...

This painting was originally a 19th century winetabletop. As the original linnen cloth on the top was beautifully aged we decided to mount it as a painting. For us it's reminiscent t...

Mid Century Impasto Cityscape by Coletta. Nice heavy brushstokes made up this amazing cityscape. Deep colors of purple, black, white and yellow make up this busy composition. Perfect...

Whimsical, intricately carved wooden playing cards, believed to hail from a lively carnival of the late 1970s. This enchanting piece exudes a sense of playful nostalgia, crafted to c...

Set of six oil on panel paintings, dated to 1992. Signed "Mi" in the front corner, and on the back. Painted in a textured abstract style, almost resembling cut-outs of a bigger impr...

Ceramic wall relief signed Muresa, trademark created by Spanish ceramists Andrés Galdeano and Angel Grávalos in 1960's. Glazed ceramic with a lacquered wooden frame. Only the ceramic...

This Stylish Olive Wood Puzzle is a true work of art, crafted from premium olive wood. This unique puzzle is composed of 10 distinct pieces, offering endless creative possibilities. ...

Early 18th Century Limoges Enamel Plaque, painted with Saint Joseph being crowned by the Christ Child while an angel upholds a wreath towards the Child, the flowers in the corners ar...

A very fine and large 19th century Louis XV style Whimsical Neoclassical Revival style Oil on Canvas "The Triumph of Flora" attributed to Ferdinand Wagner II (German, 1847-1927), school of François Boucher (French, 1703-1770). The impressive artwork depicting a semi-nude Flora hovering through the clouds surrounded by playful cupids, cherubs, love doves and a seated maiden, within white and grey clouds, offering her Spring flower bouquets and floral wreaths, within a banded giltwood frame. Note: Previously used as a ceiling painting. Unsigned, Circa 1870. Measures: Canvas height: 91 3/4 inches (233 cm) Canvas width: 59 inches (150 cm) Frame height: 61 3/8 inches (155.9 cm) Frame width: 93 1/2 inches (237.5 cm) Depth: 2 3/8 inches (6 cm) Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld...

This exquisite 19th-century French framed collection of cameos presents a stunning display of classical artistry. The composition features an array of intricately detailed terracotta...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Elegant hand-watercoloured cutlery service printed on aged paper and accompanied by a beautiful frame made of carved black wood. This cutlery print is available in 2 different repre...

Hand painted Maitland Smith Coromandel wall panel. Features a crackled landscape with monkeys holding peaches in a tropical setting amongst bird...

An exceptionally fine quality example of an elaborately framed English Still Life of fruits Oil Painting on canvas, in the style of Oliver Clare or Eloise Harriet Stannard, second qu...

From our Hand-Painted Furniture Collection, we are pleased to introduce you to our Fuchsia Otello Screen. Nature has always been a source of inspiration for our hand-decorated furn...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

Artwork wall Panel scagliola decoration Handmade in Italy by Cupioli available. Prometheus a Greek mythological figure is represented in this panel. To this hero, a friend of manki...

Hand carved during the reign of Louis XVI, this linden wood and oak plaque was originally a boiserie panel that would have adorned the wall of a French manor...

Vintage hand-crafted Balinese beech wood panel, 1993 Purchased by my parents during their honeymoon. Single piece. Good conditions.

Wood marquetry Contemporary Wall Decor, David and Saul, in Stock Introducing our stunning "David & Saul" wall art, expertly crafted using the intricate marquetry technique with precious woods. Brand New decorative art in precious wood marquetry technique after the famous artist Michael Verkholansev. Each piece is meticulously handcrafted by skilled artisans, resulting in a breathtaking display of craftsmanship and artistry. The use of 24K gold leaf plating adds a touch of luxury and elegance to this unique artwork, making it a truly exquisite addition to any art collection. The juxtaposition of wood grains and colors creates a beautiful mosaic effect that captivates the eye and enhances the overall visual appeal. Display this wood marquetry art in your home or office to add a touch of sophistication and beauty to any space. History of the item: The Bible's King Saul (king of Israel) was beset by frequent fits of melancholy, and the young man David was called as a singer to comfort the king with music when he was troubled by an evil spirit. Thus began David's journey that brought him to reign in Israel. David here...

19th c. wood-block printed French panoramic wallpaper scenes in the Directoire style very likely by the premier French manufacturer, Zuber & Cie. Presenting a panorama of park and ga...

Wall Decoration Fine Silk and Metallic Threads Tapestry in Black Wood Frame - Scythian The Art of the great contemporary artist, one of the geniuses in creating images in the styl...

1956 Xaviar Amiana Dancers & Drummers painting. Oil on board. As found wood frame. Purchased directly from the artist in 1956 in Port Au Prince, Haiti b...

Clyde Burt abstract ceramic wall relief in glazed stoneware with wooden frame. Signed to front: [C. BURT]. American, circa 1965.

A lovely picture frame made of hand carved wood, made in Germany with a picture of Jesus and a Child. Found at an estate sale in Nuremberg, Germany. It is not marked. A nice addition...

A set of two Japanese paintings, each with a hand gilt background depicting a Japanese Magnolia painted sans traverse across the two panels. The originals Japanese, circa 1900. Di...

An authentic English pub sign (one-sided) featuring a painting of a cat playing a violin fiddle - from the beloved fairy tale Puss In Boots - in the light of a streetlamp at night, e...

An authentic English pub sign (one-sided) featuring a painting of a cricket player with bat and ball, entitled: Worth Brewery - The Cricketer's Arms. A very fine example of vintage ...

Otto Pilny (Swiss, 1866-1936) A very fine orientalist oil on canvas "The Slave Market", depicting a desert scene with the offering of two female slaves. Signed and Dated (l/r): Otto Pilny, 1910. Canvas height: 31 1/2 inches (80 cm). Canvas width: 47 1/4 inches (120 cm). Frame height: 37 inches (94 cm). Frame width: 52 inches (132.1 cm). Previously offered at Christie's New York, 19th Century European Art, Sale 2521 on October 12, 2011, Lot 84. Latest Otto Pilny Sale: Christie's London - The Orientalist Sale including Works from the Najd Collection on 30 March 2021 - Lot 49 "Dance in the Desert" was sold for £100,800 ($138,500) There is not that much information about Otto Pilny who began his artistic education in Prague. Pilny also lived in Vienna and ended up settling in Zurich. Just like Ludwig Deutsch (1855-1935), Rudolf Ernst (1854-1932), and Carl Leopold Müller (1834-1892), Pilny was encouraged to travel abroad. During his two trips to Egypt, a favorite destination of the Austro-Hungarian school, the first one in 1889 and later en 1892, he acquired the taste of painting Orientalist scenes of Middle Eastern landscapes...

A large and impressive late 19th century gothic style decorative oak wall hanging panel. This handsome decorative wall hanging is heavily handcarved with a central arched niche flanked by carved figures, arches with foliate scrolls and cherubs beneath a pediment top. The interesting figures include an array of characters such as gilded composition bulls heads, caryatids and male figures in Tudor dress carrying swords. Formerly a fireplace overmantel...

Imperial Majesty: 19th-Century Ming Dynasty Emperor Silk Painting This exquisite silk painting, dating back to the 19th century, depicts a majestic Ming Dynasty emperor in all his regalia. Hand-painted with meticulous detail and presented in a beautiful frame, this artwork showcases the rich tradition of Chinese silk painting. The vibrant colors and intricate brushwork capture the emperor's imperial stature and the grandeur of the Ming Dynasty. The painting's subject matter and artistic style make it a captivating addition to any collection. Dimensions: Framed measurements: 24 3/4" W x 31" H x 1 1/4" D Condition: Very good antique condition. This Antique Chinese Imperial Emperor Ancestral Painting...

Abstract Mid Century on Canvas. This custom frame has been painted white since being photographed. Nice bright colors make up this abstract modern composit...

In this listing you will find a pair of ravishing Art Deco decorative wood intarsia panels. The artist Sir Frank Brangwyn for Rowley used a variety of woods in several shades of brow...

Large Antique Chinese fan Painted Entirely by Hand 1940 China Ducks Flower.

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

A large and impactful Brutalist etched copper work of wall art by Bernhard Rohne for Metallic Design Studio, signed, numbered, and dated. German-born, Vancouver-based artist and d...

Wood paneling element painted with neoclassical motifs. (framed panel) Early 19th century

This piece is a part of Brendan Bass’s one-of-a-kind collection, Le Monde. French for “The World”, the Le Monde collection is made up of rare and hard to find pieces curated by Brend...

Exceptional Danish Mid-Century Modern piece of ceramic artistry. Handmade wall plaque made of six glazed tiles (each 15x15 cm) in dark blue, light blue, eggplant gray, gold and black...

Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...

Emile Aubry, France, 1932 documentation, comparable with a similar work - catalogue "Salon des Independents" Paris from 1932 Muse´e des Beaux-Arts, Pau, Be´arn, Pyre´ne´es-Atlantique...

Add a striking touch of modernist character to your space with this Mid-Century Modern inspired abstract collage, created in Spain circa 1990. This dynamic composition features a com...

Rather small size wall telephone model 305 with detached earpiece, made in 1918 by L.M. Ericsson & Co, Stockholm. Size app.: 45 cm (roughly 17.7 in) high, 23 cm (roughly 9.1 in) wid...

A French Directoire period framed painted panel from the late 18th century, with floral motifs. Born in France during the later years of the 18th century, this exquisite decorative p...

Handcrafted "Our Lady of the Sacred Heart, pray for us" banner. It must have taken a highly skilled seamstress an enormous amount of time to create this impressive religious banner....

Delft 18th Century style tiles featuring a bird in a cage. Mural has six approximately 5 x 5 tiles. These are painted with a green bird cage and yellow...

This sculptural fossil fish mural features two Diplomystus dentatus, a Phareodus testis, a Cockerellites liops, and three Knightia eocaena. All fossils are from the Early Eocene and ...

The Songye Shield is a striking example of African tribal art from the Congo, dating back to the mid-20th century. This shield, traditionally used by the Songye people for protection...

This is a nice, antique, oval tiger wood veneer frame with convex / bubble glass. Inside, is an print with various fruits. This is a nice, solid frame, showing some typical cosmet...

Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and r...

20th Century Original painted Gold Rush Sign.

This richly textured abstract Color Field painting presents a brooding field of deep eggplant purple with lavender and periwinkle tones breaking through the darkness. The layered, cr...

Decorative Art, Wall Decoration, Fine Silk Embroidery Tapestry Metallic Threads 'Shadow of Leonardo' The mysterious figure of Leonardo da Vi...

Silk and Metallic Threads Embroidered Tapestry in Black Wood Frame with Pearls Large Modern Decorative Art in Erotic Style Silk, Silver Metallic Threads, Mother of Pearl, Black woo...

A striking framed collection of Antique Beadwork. Antwerp label on verso. Group of individual antique neoclassical embroidered pieces- swags with fruits, bows, a flaming heart with s...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890-1900's, Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...

Ferdinand Wagner II (German, 1847-1927) A very fine and charming triptych group of three oil on canvas laid on board titled "An Allegory to Spring" each panel depicting different playful and joyous scenes of putti and a cherubs reminiscent of spring, love and peace. The center panel depicting a seated putto, crowned with flowers, a standing putto behind him holding a sack of arrows and a seated cherub facing him next to a watchful peace dove on top resting of a flower bouquet. The left panel depicting a seated putto next to a standing putto with a freshly harvested apple. The right side panel depicting a standing cherub holding a fig branches with leaves. All three-in-one panels within individually carved giltwood frames. All panels signed at the lower left: Ferd. Wagner, circa 1890. Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr...

An Attractive and Interesting Set of Nine 19th Century Display Boxes Full of Butterfly Specimens. Housed in nine ebonised trays with wall hanging fittings, these butterfly specimens...

Rare Ginori plate in porcelain painted 1860 Italy with Allegory of Women, taken from a work of the Uffizzi of Florence of 1600 by Francesco Furini "Painti...

Lovely painted picture frame Great piece of folk art Original paint. Painted on pine. The measurement given below is the outside of the frame Internally it measures 9.75 x 8.25 i...

Eugène Galien-Laloue (1854-1941) "Theatre du Chatelet" watercolor and gouache on paper signed 'E Galien Laloue' lower left, within a giltwood and gesso c...

Vintage Shooting Lodge Target Plaque dated 1934. A rare and beautiful wooden shooting target plaque with inscriptions. This rare kings plaque was issued by a shooting club...

Vintage Silver relief picture "Trieste - San Giusto", collection Alliani made in Italy in the 1970s. Sterling Silver 925 and gold. Sculpture relief picture has certification of authe...