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Émile Renard (French, 1850-1930) A Charming Oil on Canvas "A Good Poker Hand"
About the Item
Émile Renard (French, 1850-1930) A Fine and Charming Oil on Canvas "A Good Poker Hand", depicting a joyous seated man, smoking a pipe, showing his Poker hand of cards. Within a carved wood and parcel-gilt frame. Signed 'E Renard' (center left). Circa: 1900.
Émile Renard was a French painter born in 1850 in Sèvres, France and died in Paris, France in 1930. He debuted at the Salon des Artistes Français in 1873.
Museums:
La Grand-mère - Musée d'Orsay, Paris, France
Le Baptême - Musée d'Orsay, Paris, France
Prise de Voile - Musée d'Orsay, Paris, France
Canvas Height: 27 inches (68.6 cm)
Canvas Width: 22 inches (55.9 cm)
Frame Height: 43 1/2 inches (110.5 cm)
Frame Width: 38 1/2 inches (97.8 cm)
Frame Depth: 3 1/2 inches (8.9 cm)
- Creator:Renard (Painter)
- Dimensions:Height: 43.5 in (110.49 cm)Width: 38.5 in (97.79 cm)Depth: 3.5 in (8.89 cm)
- Style:Other (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:1900-1909
- Date of Manufacture:Circa: Paris, 1900
- Condition:Minor fading. A truly beautiful and charming painting, great for a card room or man cave. Overall condition is very good. Please view all images.
- Seller Location:Los Angeles, CA
- Reference Number:Seller: Ref.: A2725 - Lot 114671stDibs: LU1796236822882
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Franz (Bernard) Gailliard (Belgian, 1861-1932) "La Place Sainte Gudule a` Bruxelles Apre`s Le Carnaval" A fine and large oil on canvas depicting a street scene in late 19th century Brussels - La Place Sainte Gudule - after the Carnaval. Unframed. Signed: F. GAILLIARD (l/r), Circa 1890.
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Franz F.D.A. Gailliard (1861-1932) was a Belgian Neo-Impressionnist and Luminist painter of figures, portraits, landscapes and beach scenes. He was also a reporter, watercolourist and draughtsman for French, English and Belgian lifestyle magazines and newspapers such as the French Le Patriote illustre´, Belgian Le Petit Bleu and English London Illustrated News. He received his artistic education at the Academy of Brussels under the tutorship of Jean Portaels, Joseph Stallaert and Franc¸ois Bossuet. Gailliard also studied at the Brussels Academy of Beaux-Arts and in Paris under the supervision of Jean-Le´on Ge´ro^me (French, 1824–1904) and followed class together with his contemporaries James Ensor, Le´on Fre´de´ric and Fernand Khnopff. He met up with the renowned American painter James Whistler in 1887 and showed him around Brussels. He was the first artist to introduce the "dripping" method in 1891. After having painting in a realist and traditional style, he got influenced by the Impressionist French School, and headed toward a "luministe-divisionniste" technique in his latest period. He exhibited at the Brussels Salon, and at the Salon des Artistes Franc¸ais in Paris from 1882 to 1891, as well as in Venice and Du¨sseldorf. Gailliard exhibited his oeuvre at the "Cercle Artistique et Litte´raire" in Brussels in 1910 and 1913. He became eventually director at the Academy of Sint-Gillis where his son Jean-Jacques Gailliard took class in order to also become painter. A retrospective was held in is honour is 1957 in Sint-Gillis. Even though he was influenced by the Art Deco aesthetics after the First War, he never stopped studying and experimenting with light.
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Museums:
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Acknowledgments:
Biography information of Gailliard was obtained from Galerie Ary Jan in Paris.
This painting was previously offered at Bonhams New York on May 06, 2009, Sale Number 17454, "The Severin Wunderman Collection", Lot 4247W.
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