European Paintings

Pasquale Picazio Canvas Nude of Young Girl 1970's Measures: Height 80 cm Width 40 cm Technique oil on canvas In good conservative condition, present signs of time due to use and ...

The son of a heraldic painter, Edmund Bristow was born in Berkshire in 1787 ( (1 Apr 1787 – 12 Feb 1876), and lived all his life locally in Eton, after having attended school in near...

Lovely still of roses by Anna Hornby Vintage Still Life of Roses by Anna Hornby'Christmas Roses' by Anna Hornby is an exquisite portrayal of delicate hellebores, known as Christmas ...

A lovely early 20th century French still life oil painting on panel. A nice quality painting of fruit with nice details showing light and colour. Si...

This beautiful antique porcelain plaque exhibits the fine quality of craftsmanship and artistry that the prestigious Berlin porcelain manufactory, KPM, is renowned for. The plaque is delicately painted with the full-length portrait of Duchess Louise of Mecklenburg-Strelitz (1776-1810), Queen of Prussia and wife of King William III (1770-1840). Louise was a popular Queen and was respected for her successful negotiations with Napoleon, before he became Emperor of France. In this plaque, she is depicted descending the steps of the Charlottenburg Palace, Berlin, which was the seat of the Prussian monarchy. She wears a simple robe a l'anglaise, which was fashionable at the time, and looks directly at the viewer in a symbol of power and majesty. The plaque is signed to the lower right by the artist 'Emile Eckhart', who worked for KPM. It is painted after a famous work by celebrated German artist Gustav Karl Ludwig Richter...

Original abstract oil on board by Swedish artist Gustaf Holger Fritiof (1913-1972) who painted under the name Kulo Green. The son of a master painter he studied at the Technical Eve...

Iris Virescens hand colored engraving signed and numbered P. J. Redoute. One of a set of large and impressive well painted set of nine floral works e...

An authentic and unique kinetic painting thin and subtle gouache on wood panel, Abstract Geometric, Op-Art, Kinetic composition of orange and blue shades through thin complex archite...

19th Century portrait of a woman painted in oil on canvas with the frame dated in 1940 Measurements with frame: 69 x 69 x 3 cm.

Parmigianino und der Europäische Manierismus by Ferino-Pagden, Sylvia (Hrg.) und Lucia (Hrg.) Forniari Schianchi. Published by Mailand; Wien: Silvana Editoriale, Spa, Cinisello Balsa...

A beautiful oil on canvas painting by Guido Agostini, Italian, 1865-1898, late 19th century in date. The sensitively painted landscape shows a girl on a country road with the cit...

A fine and large French 19th century old master school oil on canvas titled "Leda and The Swan" within a giltwood frame. Leda and the swan is a motif from Greek mythology, in which Z...

A wonderful still-life by French painter Rodolpe Fogé (1890-1976). He lived and worked in the Alsace region in north-eastern France and is mostly known for his local landscape painti...

This painting is an oil on canvas. It represents small boats near a nice bridge on a river in a French town. This painting is signed. This is a work, circa 1960.

Pair of beautifully rendered antique Austrian figural rural landscapes, oil on board, signed L Burger with name plate on the frame. Late 19th Century Gilt frames are incredible but v...

PRESENTING a FANTASTIC and LARGE Oil on Canvas Painting of ‘Venus & Cupid’ After the original masterpiece by renowned artist, Hans Zatzka. This is a mid to late 20th Century, circa ...

A beautiful oil on canvas rendering of a stag hunt, presented in a fluted giltwood frame with a bundled husk border and large, parted leaves in the corners. The painting is signed in the lower right corner by the artist, “H. de Forges”, a member of the Barbizon French school of the late 1800s, who specialized in animal hunt scenes. The vibrancy of de Forges’ painting has not diminished over time; the colors seem to pop right off the canvas. A blue sky with some low-lying white clouds hangs above trees mainly bereft of leaves, indicating it is late autumn. Slender grass, ranging from green to brown, surrounds a watering hole in the middle of a clearing, with a single stag near the water’s edge. Eight white hunting dogs with black and tan markings surround the deer on one side of the pond. Behind the pack is a brown horse ridden by a huntsman dressed in red and black, preparing to sound the hunting horn. Two more riders in red, black, and white, also on brown horses, are emerging from a small hill behind the deer. Hunting, always a very important pastime in France, became one of the more popular genres in 19th century art, along with with quality pastoral and landscape paintings. Realism was a defining feature of the Barbizon School, as artists were attracted to spending more time living and painting in the natural world. Our hunt scene depicts the surrounding of prey, or pre-hunt revelry. The beautifully colored oil on canvas stag hunt painting...

Large oil on canvas representing a lively forest: 2 horsemen embark with dogs on a path crossing a forest where men are collecting wood or drinking and eating, installed on a white s...

The Vintage Regency 19th Century Portrait of a Gentleman is an exquisite piece of art that captures the elegance and refinement of the Regency era. This finely detailed portrait feat...

A quality pair of Grisaille Oil on Canvas Painting. Signed by Eva Hollyer (1865-1948) British. One painting features Elegant Ladies in a Garden. Th...

Francesco Aviani (Italy - Venice, 25-11-1662 / 1715) att. Couple of paintings depicting Capricci Oil on canvas, 135 x 183 cm, without frame The two large and fine paintings depict two illusionistic architectural renderings, with views of colonnades and arched buildings, animated by figures. The compositions are characterized by the harmony with which the painter introduces the sumptuous architectural monuments, the mirrors of water, the buildings in the distance and the views of the landscape. Dominates with a color on the tones of brown and ochre that stands out on the blue sky, marked by some cloud of steam. The insertion of the figures to enliven the architectural views also balances with the set. The Capriccio, an artistic genre that has made its way into Italian painting since the 17th Century, is characterized by the representation of fantastic architectures or prospective inventions, sometimes combined with elements drawn freely from reality. The two paintings are an example of this type and they are a very interesting and Fine artwork. The remarkable pictorial quality emerges both from the composition of the ensemble and from the way in which the artist describes the views with great attention to detail, highlights and refined, perfectly realistic, chiaroscuro. The same must be recognized for the figures: these are described with a wise brushstroke, quick and quick touches give the dynamism of the moment that is captured, as if time had stopped to show and narrate what is happening. The painting on the right represents a large Baroque building in stone and paved with marbles, two floors, with moving façade, large columns with corinthian columns, a large portal with a staircase with large footsteps, a balustrade with string, from which some figures appear, and two equestrian monuments in bronze. The sumptuous building overlooks a large POOL of water, with a gushing fountain, around which some characters sit. In the second floor is described a white palace from which rises a tower crowned by a structure with wrought iron loggia. In addition there is a bridge and some architectural ruins behind which some mountainous reliefs fade towards the horizon. On the staircase is described a particular scene. The people seem to be part of a very precise story. A woman, in the shadow of a parasol supported by a servant, would seem to drive out of the palace a man, who, taken under his arm by two maidens with a determined attitude, is led to a boat. The scene could be identified with the biblical episode of the parable of the prodigal son (Luke 15,11-32), at the moment when the prodigal son is robbed and driven away by the harlots. The episode tells of a man with two children. The youngest said to his father: “Father, give me the part of my inheritance”. And the father divided the substances. After not many days, the youngest son, collected his things, left for a far country and there he lost his substances with prostitutes and living as a debaucher. When he had spent everything, there came a great famine in that country and he began to find himself in need. Reduced to hunger, he was forced to be a pig herder to survive. He therefore meditated in his heart to go to his father and ask for his forgiveness and to be welcomed anew, even as a servant. While still on the road, however, the father saw him and ran towards him, receiving him with open arms. He then ordered his servants to prepare a great feast for the occasion, killing for the purpose the "fatty calf". The firstborn did not understand why his brother was given such treatment, and reminded the parent that he, who had always obeyed him, had never received a single kid to celebrate with his friends. The father answered him: «Son, you are always with me and everything that is mine is yours; but it was necessary to celebrate and rejoice, because this brother of yours was dead and came back to life, was lost and was found». The parable of the prodigal son was often portrayed in painting and the scene he finds most is certainly that of returning home in his father’s arms. Among the many is a canvas by the famous painter Giovanni Paolo Pannini (or Panini) (Italy – Piacenza, 1691– Rome, 1765) kept at the Hallsborough Gallery in London. Rather rare, however, is the scene of the prodigal son driven and robbed by harlots. There is an engraving by Hans Collaert II (1561-1620) in which this moment is described in the background compared to the moment, narratively later, in which he is penitent among the pigs. The second painting, certainly pendant of the first, represents a similar palace, with some characters overlooking the balustrade marcapiano and other figures around the large bathtub quadrilobata. In the foreground is described a monument with two large stone sculptures. In the distance some architectural elements and, beyond, the mountains are lost on the horizon. The studies related to the numerous painters of architectural views and caprices, active in Italy, and the archival documents found, which could better clarify commissions, biographies and certain works, are scarce and sporadic. Therefore there are still many difficulties in reconstructing a catalogue of autograph works for each author. Through paintings in private collections, in museums and paintings passed on the antique market it is however possible to advance some attributions in order to better delineate the various artistic figures. The style of the works studied here leads to a dating that runs between the 17th and 18th Centuries, with obvious influences dictated by the perspectives of the brothers Galli Bibiena. The analysis of the architectures and the chromatic palette suggests that we are in the presence of a northern Italian and Venetian author. Observing the decorations and the volutes, the brightness and the perspective disposition in fact, we find several analogies with those used by the Vicenza painter Francesco Aviani, excellent in pictorial perspective and architectural views. The biographical profile of Francesco Aviani (Italy - Vicenza, 1662-1715) was essentially traced in 1956 by Andreina Ballarin, then re-visited by Federica Spadotto in 2014 and Giancarlo Sestieri in 2015. Certain documents about his life are scarce, as are the documented works. He was born in Venice, probably on 25 November 1662, to Bernardo and a Magdalene whose surname is unknown, and was baptized on 3 December 1662. Between 1701 and 1703 he worked, together with his brother MarCo, sculptor, for the fresco decoration (now illegible) of the church villa in Soella (Vicenza). On October 16, 1703 he married Isabella Carcano. On March 26, 1715 he made a will and died on April 3 of the same year, in Vicenza. The frescoes in the refectory of the sanctuary of Monte Berico in Vicenza are considered authentic works by Aviani, probably made in 1708; the paintings preserved in the Civic Museum of Vicenza: “Landscape with Lazzaro and the rich Epulone”; “Christ among the doctors”; “The miraculous fishing”, works not datable but with attribution corroborated by style. In addition, the frescoes in the east and west corridors of the Villa La Rotonda, near Vicenza; the fresco in the apse basin of the chapel of the church S. Croce, Vicenza, now destroyed; the frescoes of the central hall of Villa Camerini a Montruglio (1714) and a painting of a “Porto Regio”, of which we have a print engraved by Dall'Acqua. From his works emerges the artistic background that animated the Venetian culture in the early eighteenth century. The scenic grandeur with which Aviani treats the architecture also suggests a stay in Emilia of the painter, in which he could have come into contact with the environment of the Bibiena. These contacts would be confirmed by the press of Cristoforo Dall'Acqua (Vicenza 1734-1787), “Il porto regio”, after a painting of Aviani. The press was part of a group of engravings, representing royal buildings, reproducing paintings of the Bibiena. In the eyes of Dall’Acqua, therefore, Aviani’s work was not foreign among those of the Emilians. Inside the sumptuous architectural whims, Aviani often depicts biblical scenes, in which the characters share the space and the narrative rhythm, along with figures drawn from everyday scenes, memories of the Veronese and Bassano heritage. Also in the works covered by this study the author does not seem to want to give up a biblical subject, though the purpose of the paintings appears to be clearly a staging scenography-architectural within which the characters are relegated to the role of extras. From the examination of the architectural Capriccio gathered under the name of Aviani then emerge common elements. The comparison between these works and the works in question highlights the proximity of the compositions. The imposing and scenic architectures are in fact equally characterized by the perspective-scenographic ability diffused in emilian “quadraturisti” and in Bibiena work. In fact, you can see the spectacular slender architecture in the lower part, the loggias that create chiaroscuro games with arches and binate columns placed on massive bases and overhung by projecting cornices. Significant also the comparison with two paintings with architectural whims in a night vision attributed to Francesco Aviani. In Aviani’s works it is possible to find a certain knowledge of the Roman Codazzi paint nd its early development of the eighteenth century, developed with the Locatelli, the Pannini and the less known Domenico Roberti. To Roberti have been recently attributed two works that have some compositional affinity with the canvases in question. The same can be done for a work on the antique market, attributed to Pietro Francesco...

Charles Delporte (1928-2012): 'Van Gogh', oil. Delporte was born in Marcinelle. There are four tendencies in his work: realistic, genetic, geophysi...

Oil painting on canvas in Orientalist style, relined and framed in wood, made in France in the early 20th century. Measurements: 130 cm x H 114 cm x D 3 cm. Price INCLUDES the cost...

A great still life painting from France depicting Classic kitchen elements. The canvas is framed simply in wood trim. Signed by the artist M. Robert in the bottom left corner. Fixed ...

Female Nude Oil Painting, French School Early 20th Century, Paul Sieffert Style Beautiful oil on canvas with a soft and restrained palette. Depicting a reclining nude woman on a so...

A painting by Marcel Delmotte entitled "Le Dialogue du silence". Unique piece. Good conditions. Sold with the original frame, 1979. Dimensions : Without frame / 90 x 120 cm / 3...

Picasso: Challenging the Past Book by Elizabeth Cowling and Pablo Picasso. Picasso: Challenging the Past Paperback – May 3, 2011 From his earliest years Pablo Picasso was a passion...

French Village Scene oil on canvas painting This charming French oil painting captures the essence of everyday life in a picturesque French village. The vibrant scene features bustl...

Superb Painting by Daniel Van der Putten, a view of one of Ireland’s most scenic locations Wicklow mountains in County Wicklow just outside of Dublin. This vintage view depicts a stream with sheep grazing to the left and a Round Tower and a group of cottage ruins with cattle grazing in the distance and a stunning Cherry Blossom Tree to the left. Oil on board complete with its original exceptional giltwood frame. Signed lower right Daniel Van der Putten and titled at back as shown, “Glendalough in Spring” Van der Putten is Dutch born but resides and paints in the UK. Exhibited only in the finest Galleries, it is a great honour to have a Van Der Putten in my Gallery and to have a Painting of St. Stephens...

Important English school painting by the great artist Thomas Hudson (Devonshire 1701 - Twickenham 1779) It depicts the portrait of Harry Gray (1715-1768), 4th Earl of Stamford, a sub...

Decorate a study, living room or den with this beautiful and colorful antique painting! Painted in France circa 1890, the artwork on canvas is set in an ornate, giltwood frame with r...

Invite color into your home with this large pair of antique, floral paintings. The artworks were crafted in France circa 1870, and are set in carved gilt frames. Each canvas features...

Hugues Claude Pissarro (b. 1935) oil on canvas painting Le Bouquet Au Vase Bleu. Very fine impressionist oil on canvas by this highly sought aft...

Capture the Bustle of Paris: Jean Ribout's Oil on Canvas Painting This vibrant oil painting by Jean Ribout immerses you in the heart of Paris, France capturing the bustling energy a...

A charming antique 1920s oil on canvas painting of a mountain scene in a period frame. While the work is well executed it is unsigned. The painting was collected in France so presuma...

Helge Ernst (1916-1991), listed Danish artist. Large painting. Oil on canvas. Abstract composition. 1970s. The canvas measures: 115 x 72 cm. The fram...

Monumental oil on canvas from 1927 by french artist Georges Conrad in its wooden frame with gold leaf. Georges Conrad (24 February 1874, Aubervilliers - 7 December 1936, Rouen) was ...

Antique Original Watercolour Painting Depicting a Classical Scene A woman is seated in an Arcadian landscape and is being atten...

Charming early 19th century fine quality British oil on board; small painting with a lot going on; subject matter. rural scene of two young boys frolicking on white horseback down by...

Italian painting from the second half of the 20th century. Artwork oil on canvas depicting landscape, countryside view in impressionist style of good pictorial quality. Painting of g...

Enamel on canvas "Untitled" signature on the back. Certification by the artist is present. Archived in 1997 Monte Titano Arte General Archive of Mario Schifano's paintings n. 713/9...

A French Barbizon school painting of a herd of sheep with shepherd and dog by French artist Pablo Martinez Del Rio from the late 19th century in giltwood frame. This French Barbizon ...

Experience the elegance of the 18th century with this Belgian painted oil on canvas 3-panel screen. Each panel connects the intricate scenes of pastoral life, delicately hand-painted...

A large French 19th century oil on canvas laid on board painting in the manner of François Boucher (French, 1703-1770). The oval framed canvas depicting a version of Boucher's "Venus...

20th century oil on copper painting by the Dutch/American painter A. de Nottbeck. Pictured a landscape with sawmill and farmers. Dated 1972. ...

Carl-Henning Pedersen (Danish, 1913 - 2007) Colour lithograph “Skabelsen 5. dag - nat” ("The 5th day of creation - Night") Signed and numbered by the artist: Carl-Henning Pedersen, Paris 1983...

In this captivating early 20th-century English oil on canvas painting, the essence of rural life is vividly captured as a majestic hound sits regally amidst the rustic charm of a hay loft, ready for the morning hunt...

Painting by Rune Hagberg, Sweden, 1960s Signed. Artwork dimensions: H: 44 cm W: 60 cm Frame dimensions: H: 63 cm W: 72.5 cm D: 6 cm Rune Fredrik Hagberg was a renowned Swedis...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also a...

Painting in charcoal on paper made by Enrico Della Torre. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Material: Charcoal...

Modern Oil Painting, Urban Landscape, "Crépuscule" by Miloje Todorovitch, 1960 Wonderful and unique oil painting on canvas by the well known Serbian painter (biography at the end of...

An original painting on silk by Winifred Jagger. Upon spending time in Burma, Jagger was inspired by the techniques and vivid colours of local artists which she has developed into her own unique style. Peacock is painted with ink on silk...

An Impressive 18th Century Painted Parchment Armorial Height: 260cm Width: 185cm Provenance: Private Melbourne collection.

Lady with her Puppy in a Garden Oliver Rhys (England, 1876-1898) oil on canvas, signed Measures: H 24 in. x 12 in.

Charming pair of Dutch Victorian delft tile panels in blue and white glazed earthenware depicting a cat and a dog. The tiles are mounted to a wood pan...

A pair early 19th century French oil on canvas paintings of a man and woman, probably husband and wife. Neoclassical and Napoleonic in style, these paintings are very well executed a...

Small oil on canvas by Henri Hecht MAÏK (1922-1993) “Bird in nature” sign and date lower left “MAÏK 66” Painted wood and canvas from the 60s frame. Ca...

An imposing religious-themed painting depicts the scene of the "Assumption of the Virgin". The iconography in this 19th-century painting follows the tendencies of Baroqueization and ...