17th Century Paintings

A fully restored small northern Italian Baroque painting on canvas that may have been painted as a study, (or what is referred to as a bozzet...

This exquisite oil on canvas, dating to the early 19th century, is a faithful reproduction of The Tempest (La Tempête) by the renowned Dutch master Jacob Isaakszoon van Ruisdael (162...

Late 17th century oil on joined wood panel interpretation of The Vision of Saint Hubertus by Albrecht Durer. It was painted in 1501 and became a very po...

17th century oil on canvas representation of the "Feeding of the 4,000" of Italian school.

Massimo Stanzione (Orta di Atella, 1585 - Naples 1656) - Giovan Battista Recco (Naples, c. 1615 - c. 1660) "Six children play with a Great Dane and a Goldfinch, en plein air" Oil on...

Our oil painting on canvas depicting the Venus at the Forge of Vulcan is attributed to the circle of Jacob van Loo (French, 1614-1670). Literature: Jacob van Loo: 1614-1670; D. ...

A landscape with nymphs and satyrs revelling by a stream , 1628 Daniël Cletcher, Den Haag 1599 Died: Den Haag buried on 1632-11-25 Father: Thomas Cletcher sr. (? - ca. 1655) Mother...

Two Milanese School, Oil on Board Paintings, 17th Century representing the Greek Philosopher Diogenes and Renowned Mathematician Archimedes; in 19th century gilt frames. 18 inches b...

Painter active in Rome (late 17th century) Coastal landscape and ships under repair Oil on canvas, 113 x 143 cm With frame 125 x 159 This fantasy coastal view can be attributed to a foreign painter active in Italy between the 17th and 18th centuries. The Italianizing taste, in our case deduced from the models of Agostino Tassi and especially from the examples of Gaspare Vanvitelli...

1600s Paintings of French Nobility 1600s Portraits of Nobility: Seventeenth-century Paintings Size: 18.5 x 14.6 inches French Artist Featured here are six oval paintings depicting ...

Views of the Veneto Venetian school of the XVll century with original frames. Not relining. Inventory labels on the rack.

Circle of Antonio Amorosi (Comunanza, 1660 - Rome, 1738) Portrait of young people Oil on canvas, 87 x 67 cm The painting depicting this portrait was made by an artist activ...

Painter active in Rome in the 18th-19th century. View of the temple of Minerva Medica Oil on canvas, 65 x 78 cm - with frame 71.5 x 85 cm The painting bears a traditional attribution to François Marius Granet (Aix-en-Provence, 1775 - 1849). The painter was a pupil of David but from 1802 to 1819 he lived in Rome, as evidenced by a series of paintings depicting views of the city and especially of the Roman countryside (Ponte San Rocco in Tivoli, 1810-20, MoMA, New York), and then return there between 1825 and 1830. In the Eternal City Granet devoted himself to landscape painting, inspired by the landscape painting of Gaspard Dughet and Van Lint...

Painting oil on canvas baroque period original black baroque frame. A painting made during the baroque period in its original frame. Subject liones...

A 17th century oil on canvas picture, framed, a scene of travelers / noblemen including horses after Philips Wouwerman ( Dutch, 1619-1668 ), noblemen on horseback are drinking ale / ...

Oil on canvas, mythological painting of Satyr (pan depicted with goat horns) and woman portraying the Classic eternal theme of Eros and the struggle against it. European (Italian ...

A gallant scene portraying a man courting a seated young woman holding a glass in her hand. A young dog in the foreground is watching two characters in the background, one of whom i...

17th century, Emilian school Rural landscape with gallant scenes Oil on canvas, 37 x 47.5 cm With frame 61 x 50.5 cm The bucolic amenity of the present is reflected in the joyful gallant scenes that dot its surface. The locus amoenus described reflects on the more traditional inflection of Arcadia, which in the literary transfiguration was the scenario par excellence of the most carefree pastoral life and out of this world; the painting is therefore a forerunner of what was professed by the actual poetic academy of Arcadia which was established in Rome in 1690, but enthusiastically testifies to the feverish invitations to its acceptance, then widespread in the most avant-garde cultural salons throughout Italy. First Theocritus and Virgil later had awakened with Idilli and Bucoliche that capacity typical of the natural world to allow an escape from reality; the contemplation of perfect natural fruits that followed would have evoked in the spirits of dreaming men back to origins. The bucolic landscape was able to positively give a rhythm to material life, and constituted the concretization of a place devoid of incivility and ugliness, where only dreams, wild music and homages to fruitful nature were allowed. In the present painting widespread figures of shepherd children trace the same intent to the sublimation of earthly life, gathered in pairs, while children on the model of the ancient cherubs cheer the field with flowers and petals. The games of these and the sweet affections of the other characters are rendered through liquid and vibrant brushstrokes, flickering with a white light that opposes the dark shadow of the undergrowth. In the distance, the sky tapers with a silvery and flat brushstroke, while the vertical development of the promoters with architectures helps to introject a bright beam of light into the grassy clearing. The foliage and the turf of the landscape piece are rendered through a digital brushstroke, betraying the Italian brand of the present, influenced at the same time by the seventeenth-century European influences that then conveyed to the capital. The evocative culture of the city attracted many artists from the city of Bologna, from the Italian north but also from the territories beyond the Alps, such as Claude Lorrain and Nicolas Poussin. The historical-artistic heritage of the Italian pastoral scenes was thus able to fill up with the more functional and particular formalisms of the charms coming from elsewhere, such as the expressive tremor of the present, similar to the contemporary French lexicon. The typological restitution from pastoral idyll, in accordance with the intrinsic stylistic qualities of the work, allows us to specify the solid belonging of the present to the Italian hand, similarly to what was then emerging in the pictorial sphere within the Emilian school. In this regard, we should recall the latent influences of two decisive foreign landscape painters who passed through the Emilian belt, such as Claude Lorrain (1600-1682) and Nicolas Poussin (1594-1665); before them, Giovanni Battista Viola...

Painting "Three putti playing with a lion", Italy, late 17th century, oil on canvas, framed Picture size: height 63 cm, width 47.5 cm Frame size: height 78 cm, width 63 cm

Depicting playing putti Southern Netherlands 18th century Oil on canvas.

A copy of the 1636 painting “River Ford” by the French proto-plein-air painter Claude Lorrain (1600-1682). This suivier, or follower, has faithfully reproduced the original but revis...

Antonio Cifrondi (1665 - 1730), Attributed Man with stick - Saint Joseph Measures: Oil on canvas, Cm 115 x 79 - With frame, cm 139 x 103 This canvas is, for stylistic and c...

Dutch painting, after Adrian Ostade (1610-1685). Proveniens: private family collection from Stockholm, Sweden. Measures: H. 51 W. 51 cm H. 20 W. 20 i...

Jan van der Vaart (1647-1727) Portrait of Dorothy, Lady Brownlow (1664-1700) Oil on canvas; held in a period carved wood frame circa 1687 Considered a beauty of the age, Dorothy, Lady Brownlow was painted on a number of occasions by some of the most talented and respected artists of the day; Kneller, Riley, Closterman, Dahl and Wissing, all rendered her features in oil for posterity. The portrait presented here is by Jan van der Vaart who from 1685-1687 was employed by Willem Wissing as a drapery and landscape painter. After Wissing’s death in 1687 he practiced as an independent portraitist much in the style of his master with some influence also of Kneller. This work is in fact the head and shoulders taken from Wissing’s three-quarter length of Lady Brownlow which hangs at Belton House, Lincolnshire and produced as a mezzotint in 1687. Van der Vaart has made some intriguing alterations particularly as the sitter now looks directly at us, appearing rather more provocative and self assured of her beauty. The confident rendering of the dress and pearls and the thickly drawn copious hair are hallmarks of Van der Vaart’s work. It is likely he completed this portrait – shortly after Wissing’s version – as a smaller variant intended for another family member as was often the practice. Dorothy Mason married Sir William Brownlow 4th Bt. in July 1688; she was the daughter and heir of Sir Richard Mason a politician and courtier to Charles II who owned estates at Bishop’s Castle, Salop and Sutton Surrey. She came from, and married into extreme wealth; her dowry upon marriage was £10,000 and on her death her husband inherited the estates that were once her father’s. In June 1697 William Brownlow succeeded his brother to the baronetcy and to most of his landed estates including Belton House. In 1698 he abandoned his Peterborough seat to contest Bishop’s Castle on behalf of his wife and in the interest of his mother-in-law, Lady Anna Mason...

A sensational Dutch 17th century Oil on Wood painting in the manner of Frans Francken. The painting depicts the scene of a feast with a young male and female enjoying a feast while musicians are playing music in the background. To the left of the table that are spectators who are turning their heads away from two guards killing a traitor seated at the table. In the background you have architectural buildings and additional figures. At the bottom center is a pet monkey...

Portrait of a Gentleman from Della Ruota family Lombardy, dated 1624 Oil on canvas Measures: 105 x 81 cm (without the frame) The coat of arms at the top left of the portrait identifies the effigy as an aristocrat belonging to the Lombard family Della Ruota, represented at the age of 61 in 1624. The presence of vanity at the bottom right is a clear reference to the passage of time, to the aging and dying body...

Oil on canvas, (attribuito Giacinto Brandi , Roma 1621 – 19 January 1691 ) L'educazione di Bacco ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND QUOTE FOR SHIPPING COST CAN BE REQUEST ...

Sienese school of the 17th century The rat of Proserpina Oil on canvas, 188 x 123 cm Depicted at the climax of the action, at the height of drama, is the scene of the Rape of Pros...

Emilian school, 17th century Putto with rose Oil on canvas, 43.5 x 32 cm - with frame 45 x 32.5 cm The figure of the putto, when equipped with specific attributes, lends it...

Engraving with black Biedermeier frame

Scuola emiliana, XVII secolo Rebecca al pozzo Olio su tela, cm 76 x 58 Giunta la morte della consorte Sara, Abramo decide di cercare moglie al figlio Isacco. Pertanto, manda il suo ...

Circle of Nicolaes Berchem (1620, Haarlem - 1683, Amsterdam) Architectural capriccio with herds Oil on canvas, 57.5 x 74 cm With frame 76 x 93 cm The examined canvas is...

Louis XIV on horseback. Engraved by Gerard Edelink after Charles Lebrun, circa 1680. Engraving on two sheets pasted together and glued on canvas. With frame and glass of the time.

Francesco Zucco (circa 1575-1627) Gentleman’s portrait Measures: Oil on canvas, cm 120 x 140 The painting analyzed here belongs to the pictorial production of Francesco Zucc...

Fantastic old master painting of nude woman with pearls, probably Italian, circa 1680 - 1710. Measures: H. 90 W. 74 cm H. 35.4 W. 29.1 in.

17th century, Emilian school Rest on the flight to Egypt Oil on canvas, 42 x 33 cm Frame 65 x 55 cm The present Holy Family, ...

pastorial landscape picture with cattle in the Manner of Paulus Potter, (Dutch, 1625-1654), oil on canvas, picture has been relined, some overpainting, signed front lower left POTTER...

A striking Italian 17th century Venetian st. oil on canvas painting of Joseph fleeing Potiphar's Wife. The painting depicts the classical scene of Potiphar's wife seducing Joseph. As...

17th century Mystical marriage of Saint Catherine Measures: Oil on canvas, 98 x 81 cm - with frame 119 x 102 cm The scene represents the mystical marriage between Catherine of A...

Follower of Simon Vouet (Paris, 1590 - 1649) The Holy Family with bird Oil on glass, cm 20.5 x 23.5; with frame cm 27.5 x 29.5 The small painting examined, made on glass and...

Florentine school, 17th century St. John Baptist Oil on canvas, diameter cm 20 - with frame diameter 30 In this small round-format canvas, St. J...

Royal House Antiques is delighted to offer for sale this stunning pair of 16th to 17th century, miniature oil paintings which are after the originals by James Northcote (1480-1517) t...

This beautifully composed painting of "Madonna and Child" by Carlo Garofalo embodies a timeless reverence and serene beauty. Garofalo, a prominent voice in Italy during the late 17th...

A beautiful pair of Italian 17th century oil painted on wood still life paintings. Each painting is set within their original mottled rectangular giltwood frames with a fine decorati...

ENTOURAGE OF FRANCOIS DE TROY (TOULOUSE 1645-1730 PARIS) Portrait of a young mulatto aristocrat Oil on canvas Measures: 80 x 63 cm.

Very early painting of a gold arbor with morning glories, the mulberry paper almost appears polished. Please see close-up photos to show staining from use over the many years (on the...