Early 20th Century Paintings

Oil painting on canvas of fruit with bird nest, butterflies, insects, vegetables and Foliate entangled background. presented in a gilt and parcel black painted wooden frame. After ...

By van Olsen or Von Olsen. Probably, 19th or 20th century 1-11-18-8-5 Condition: Overall condition frames have some ware. Size frame 23 x 23 x 3cm Period: 20th century.

Robert Thegerström "Marine" Painting oil on canvas signed and dated 1906 Robert Thegerström (6 January 1857 – 9 August 1919) was a Swedish painter and graphic artist.. His works is ...

Reverse glass portrait of a child in stained glass and jeweled glass frame, American, circa 1900–1910. This striking object unites the delicate intimacy of reverse glass painting wi...

Early to mid 20th century oil on board landscape painting depicting a church steeple in a little Alpine mountain village. Signed Enzmann in lower right. Beveled wood frame. "Eduard ...

Antique Oil On Canvas Seascape Painting of a Tall Masted Ship by T. Bailey C1900 Measures- 20.25"H x 16"W x .75"D

Emil Orlik was born in Prague in 1870 and attended Heinrich Knirr's private painting school and the Academy of Fine Arts in Munich after graduating from high school. From 1899 to 190...

ABOUT Virgin of Guadalupe, unsigned, oil on canvas, unframed. CREATOR Unsigned. DATE OF MANUFACTURE c.1910-1940. MATERIALS AND TECHNIQUES Oil on Canvas. CONDITION...

Excellent condition, Arts & Crafts handmade solid oakwood picture stand. This beautiful gallery easel is another one of our recent rare finds and it...

Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...

Beautiful, large two-panel byôbu (room divider) with a serene painting of red-leaved bamboo and rocks on an oxidized silver leaf background. Silver leaf continuously undergoes the process of oxidation, which creates a beautiful aged patina. On the left an inscription from a ‘Zekku’ poem by the Chinese poet Yang Zai (1271?1323), titled: Shan shang zhu (bamboo (painted) on a fan). Translated as : Why would people plant a lot of bamboos? The shade of a single culm is also beautiful. In the autumn night it rocks on the wind, And the fresh sound echoes in my dream. Dated: Shôwa, the year kôshin (1938). Signature unknown...

A religious oil painting on canvas, Jesus Heals the Sick, after the original painting by Gabriel Cornelius von Max, British, German, Czech, 1840 to 1915....

1960s pair of sconces made of chrome white a large blown glass globe. Each sconce is compose by a large chrome cylinder extended by a smaller chrome cylinder which contains the bulb...

Greek Orthodox icon painted over gold leaf laid on a wooden board. Byzantine style and painted with egg tempera .

The Vajolet Towers - Italy Artist: A. Thöny Period: Early 1900s Origin: Italy Technique and support: Oil on canvas mounted on cardboard Dimensions: Height – 33 cm Width – 27 cm De...

This is a beautifully painted KPM porcelain plaque after the famous painting of the Madonna of the Chair or Madonna della Sedia by Raphael, which was originally painted 1513-1514. Ma...

In a 1929 article of a french newspaper "L'Homme libre," Serge Chekhonin is described as having a prestige comparable to that of Bakst or Benois. He is praised for his talent as a decorator, his refinement of colors, his technical mastery, and his deeply Russian...

Beautiful Walter E Baum painting from the 1930’s-40’s titled The Delaware in its original frame. The painting came out of a private collection, has never...

The category Antique Paintings Portraits of Dogs features an oil painting on canvas with a portrait of a Pomeranian Breed dog or Dwarf German Spitz, named after the Pomeranian regio...

Konigssee Measures: 30 cm x 40 cm (without frame) - oil on canvas, 1920s 11.8 in x 15.7 in (without frame). Painting depicting the Königssee, probably the most famous German alpine...

Antique Oil Painting With Four Saints, Germany ca. 1920s A great antique painting depicting the saints St. Elisabeth, St. Gregorius, St. Nikolaus and St. Barbara. Handpainted with e...

Beautiful flower painting, oil on canvas, dating from circa 1920. The painting is painted with a quick, somewhat coarse touch and a beautiful palette of contrasting colours. The painting shows a beautiful incidence of light and a sense of liveliness. The painting is signed at the bottom right, but the signature is not clearly legible. The artwork is framed behind glass in a wooden gilded frame...

A few beautiful works of art by the Italian artist Umberto Brunelleschi. They are female nudes, slightly erotic in appearance with a beautiful display of transparent fabrics. Dimensions frame: 25,5 x 20 cm Dimensions paper: 23,5 x 18 cm Umberto Brunelleschi (21 June 1879 - 16 February 1949) was an Italian artist. He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 where he soon established himself as a printer, book illustrator, set and costume designer. He worked for Le Rire as a caricaturist and was a contributor to many of the deluxe French fashion publications including Journal des Dames et Des Modes, La Vie Parisienne...

This is a beautiful, elegant and striking still life oil painting of a Lobster with fruit on an overflowing laid table with silverware, basket or fruit, foliage an upturned crab and ...

print THE FOURTH STATE by Giuseppe Pellizza da Volpedo (1901). Measures: Height 61 cm Width 89 cms Print on paper In good conservative cond...

Ishizaki Koyo (1884-1947) Wagtail & Chrysanthemum Early 20th century Folding screen in two-panels. Ink, pigments and gofun on gold leaf. Sign: Koyo Seal: Koyo This ...

A small French oil on panel kitten painting from the early 20th century, signed by Jules Le Roy. This charming small French oil on panel kitten painting f...

Imao Keisho (1902-1993) Pine Trees Early 20th Century, Circa 1930 Pair of six-panel Japanese screens. Ink on silk and gold leaf. Dimensions: Each screen H. 67.5” x 148” (172 cm x 376 cm) A pair of monumental six-panel Japanese pine screens by the renowned Nihonga artist Imao Keisho. Here Keisho entirely removed the background and brought the pine trees to the surface of the painting. This simplification of the elements makes the scene exceptionally direct and compelling and injects a very modern...

A striking combination of realism and abstraction, this portrait of a nude male youth with his arms behind his neck -- Stanley Christensen -- is beautifully expressed in tones of cha...

Early 20th century Art Deco Period friendly pair of English watercolor studies of dogs, painted by T. Palmer in a stylized manner with toy bal...

Dimensions: (FRAME)-H: 7 3/4in W: 9 1/8in D: 1 3/4in (PAINTING)- H: 4 1/2in W: 5 7/8in D: 1 3/4in This Miniature Antique Neoclassical Grand Tour Style Oil Painting On Board of A ...

Spanish Orientalist school, 20th century. "Audience in the Alhambra". Oil on canvas. Measurements: 31,5 x 23 cm; 47 x 39 x 39 x cm (frame). Orientalism was born in the 19th centu...

A self portrait of Maurice Molarsky (1885-1950) painted in 1925 This very large portrait measures 54 inches high, 52 inches wide, with a period Harer black and giltwood frame. Maur...

A beautiful antique work of art by the Dutch painter Corneille Henri Dee. The painting shows an abundance of floral splendor, wisteria and delphinium. Watercolor on paper. Made aro...

A sweet little painting depicting two dressed up circus dogs. The dogs are painted against a sober background. The painting is oil on panel and dates from...

The category Antique Paintings, Portraits Of A Girl features an Oil Painting On Canvas From The Early 1900s. It is a portrait of a young woman dressed in peasant clothing and holdin...

Beautiful painting by the Polish-Belgian artist Mécislas de Rakowski. The painting shows a flower still life in a Chinese vase. Beautiful display of delicate white flowers against a...

A French oil on canvas painting from the early 20th century depicting a pointer dog in the woods, in giltwood frame. Created in France during the Turn of the Century which saw the tr...

Beautiful and attractive painting in a classic gilded frame. The painting depicts a still life with lobster, cabbage and eggs. It is oil on canvas. The painting is signed at the bot...

Fine quality early 20th century oil on board of a Herd of sheep in a landscape pasture. Signed and dated 1916 by D.H. Winder. Daniel H Winder (1870 - c.1920) was active/lived in Uni...

Monumental and quite extraordinary, this utopian scene -- all cast in a lovely, warm glow -- depicts a wide range of nude figures, mostly male, in a grassy river valley between mount...

A Large Continental Oil on Canvas "The Prohibited Reading " after Karel Ooms (Belgium, 1845-1900). This beautiful executed painting depicts a historical scene of an old man and a young woman who are huddled over a bible. The pair is gazing in apparent concern or alarm, over the old man's shoulder, towards something outside of the picture. The scene is likely set in the 16th or 17th century when Protestants were prosecuted, amongst others, for reading the bible in the vernacular, a practice prohibited by the Catholic Church at the time. Signed (l/r) A. Ribas 15-12-913. Within a giltwood carved frame. circa: Probably Belgium, 1913. Karel Ooms was born in Dessel on January 27, 1845 as the youngest son of a large peasant family. At school his extraordinary talent for drawing was discovered. When he was twelve his hometown provided financial support which allowed him to study at the Antwerp Academy of fine Arts. One of his teachers at the Academy was Nicaise de Keyser, one of the key figures in the Belgian Romantic-historical school of painting and a painter of mainly history paintings and portraits. After graduating from the Academy 1865 Karel Ooms was welcomed with pomp in his home town Dessel. He painted two altarpieces for the local church Saint Nicolas, to express his gratitude to his city. Karel Ooms settled as an independent artist in Antwerp around 1871. He quickly established a reputation as a portrait painter. In addition, he received commissions for religious paintings and history paintings. He gained particular recognition with two large paintings...

A British School watercolor of Kandariya Mahadeva Temple at Khajuraho, Located in Central India, Watercolor over pencil on paper, unframed measures 19 3/8"-inches high x 12 3/4"-inches wide, Framed measures 28 1/4"-inches high x 21 1/4"-inches wide, inscribed in pencil on the lower part; "32 Khandaria Mahadev Temple Khajraho". Framed with silk matting.

Antique miniature landscape oil painting on Masonite panel - complete with original ebonized soft wood frame with gilt filigree - signed/initialed by the artist - R.G.H.S. - mid 20th...

A brilliant example of Cubist-influenced Art Deco painting, this view of a young flamenco dancer, with a wide-brimmed hat and roses on her hair, was painted by Jules Schyl, one of Sw...

Antique Englishpainted wood firescreen flower basket dummy board During the 18th and 19th centuries, dummy board fire screens were highly fashionable, esp...

Iwan Albertovich Puni (Russian: Иван Альбертович Пуни; also known as Jean Pougny; April 3, 1890 – December 28, 1956) was a Russian avant-garde artist (Suprematism, Cubo-Futurism) wh...

This framed colorful piece has many different aspects and stages of life in it. If you look closely and pat attention to this artists' myriad of details, you can see people painted t...

The background of this intricate lithograph and watercolor from France depicts a geisha playing a musical instrument, while the foreground depicts a harlequin and two women wearing m...

Edouard Cortes (French 1882-1969) oil on canvas in a fine gilt frame. From a fine Madison CT estate. Turn of the century. Guaranteed as authentic. 13 by 18 1/2" Unframed. Cortès was...

Nakamura Daizaburo Turtledoves in a Peach Tree Taisho period, circa 1920 Framed painting. Mineral pigments, ink and gofun on silk Signed: Daizaburo Dimensions (framed)...

Deer under maples Late Taisho period, circa 1925-1930 Pair of two-panel screens. Ink and pigment on silk. Signature: Goho Seal: Goho A pair of two-fold Japanese silk screens...

Title: Nature Morte A still life composition featuring vibrant flowers in a vase alongside a potted rubber plant. Oil on canvas, signed A.H. (1911-12). Exhibited at Ordrupgaard Museum, Denmark, in the "Astrid Holm...

An antique Chinese unusual large hand painted two-sided elm divider depicting Guanyin and Zhong Kui, from the first half of the 20th century. This antique Ch...

Heron & Plovers Ink and silver leaf on paper Maekawa Bunrei (1837-1917) A pair of low six-panel Japanese screens by Maekawa Bunrei, a later master of the Kyoto based Shijo school of painting. On the right screen a solitary white heron stands motionless in a stream. On the left screen plovers play along a shoreline. The elegant forms are executed employing fluid, minimalistic ink brushstrokes. The soft brushstrokes and the sharp light of the silver leaf lend the scenes a sense of translucence. The sophisticated composition superbly exploits the long, horizontal pictorial surface of the pair of folding screens...

Continuing a tradition going back decades, Josef Pieper painted a series of seaside scenes with multiple nude male figures, riding and leading horses along the shore, their strong bodies...

This superbly painted view of the mountains framing a river valley in northern New Mexico is attributed to Frank Guy Applegate, who lived and worked in the state during the 1920s, and is known for his watercolors -- such as this -- that present strong, abstracted views of the local landscapes, all in vivid colors and bold strokes of paint. Applegate was considered one of the New Mexico Modernists, and was accompanied on some of his painting forays by B.J.O. Nordfeldt, Andrew Dasburg and Josef Bakos. Applegate also had enormous respect for the culture and artistry of the native people, and encouraged a revival of the Pueblo style...

A lovely early 20th century French still life oil painting on panel. A nice quality painting of fruit with nice details showing light and colour. Si...

This early 20th-century Japanese byobu screen captures a serene moment in nature, with a large willow tree casting its graceful branches over a secluded cove. Three playful ducks gat...

Signed Oil on Canvas by Jean Hubert Gautier (1872-1930). Nice heavy impasto technique of a classic french riverscape. The composition includes heavy clouds with a basilica in the bac...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Sensitively painted with a rich but subdued palette and dramatic lighting, this large painting of a male youth leaning on a long pole was made by Sigvard Mo...

Beautiful dog portrait by the Dutch painter Jan Essen. The painting shows a Schipperke, which is a breed of dog that used to be more common than it is now. It is a small-sized shepherd, of Belgian origin. The painter has succeeded in portraying the dog in its natural position. Beautiful details are the black fur of the dog and the eyes. The way the dog looks is just very dog like, a dog lover will recognize this faithful, loyal look. Jan Essen is a well-known Dutch animal painter from the second half of the 19th century. Initially he painted landscapes and cityscapes, but under the influence of the English animal painter J. Swan he also started painting animals from 1885 onwards. He has never lacked appreciation, because his work has been awarded at exhibitions in Amsterdam, Germany, France and Australia. He learned the trade from Conrad Greive (1837-1891). Signed and dated top left, Jan van Essen...

A stunning set of four Japanese silk mounted vertical hanging scrolls. Dating from C.1920 Taisho Period. The watercolour and ink on silk depicts a larg...

Watercolor signed in the lower left corner. The piece measures 19.25" x 23.25" including the frame and features a clipper ship at full sail. Provenance: Bradbury Art and Antiques,...

A beautiful oil painting, depicting a pack of hunting dogs in the field, made by the French artist Marie-Didière Calves. The style is somewhat impressionistic. Seen up close, a bit ...

Wonderful original watercolor painting on paper by Austrian listed artist August Lohr. Dated and signed in the lower corner. The painting was painted in 19...

Eugène Galien-Laloue (1854-1941) "Theatre du Chatelet" watercolor and gouache on paper signed 'E Galien Laloue' lower left, within a giltwood and gesso c...

Oswald Grill, a native of Vienna, was a freelance artist active in Dachau since 1906 after studying painting under Karl Karger at the Vienna School of Arts and Crafts, as well as Car...

Pair Framed Watercolor Landscape Paintings, Provence, France, 1926. Charming 'plein air' paintings of the Provencal landscape. Original fra...