Benelux - Shelves

Bookcase Danish bookcase in beautiful rosewood veneer. Designed by Carlo Jensen and made by Hundevad & Co. Marked by 2 stamps! However, a Hundevad bookcase can always be recognized ...

A large early 20th century Italian softwood shelf unit. Probably from a Industrial background this shelf storage unit is artisanally constructed with well patined mountain softwood.

lovely walnut whatnot composed of 3 shelves and a drawer at the bottom walnut whatnuts are the rarest and most sought after. the walnut has a superb flame that we can find on the th...

Oblique 01.1, a room divider that knows how to divide every space, without losing the sense of spaciousness. Inspired by Le Corbusier’s Tower of Shadows, the oblique subdivisions mak...

Simply White Shelf by Mademoiselle Jo Dimensions: L 76 x W 24 cm. Materials: Matte white steel. Available in two versions and two colors. Please conta...

The Front Shelf by Coseincorso Limited Edition Of 24 + 1 prototype + 2 A.P. Dimensions: D 8 x W 75 x H 25 cm. Materials: Stainless steel. Weight: 1 kg. The Front is inspired by the...

The 606 modular system was designed by Dieter Rams for Vitsoe in the early 1960s. Vitsœ was founded in 1959 by Niels Wiese Vitsø and Otto Zapf. Zapf introduced Rams to Vitsø, making ...

Simply Foggy Shelf With Mirror by Mademoiselle Jo Dimensions: L 87 x W 20 cm. Materials: Matte foggy steel and mirror. Available in two versions and two colors. Please contact us. ...

Mid-Century Modern Bookcase " Angelo Necessario" by Paolo Palluco and Mireille Rivier, 1989

"Ibex" Brushed Black Fausto Wall Storage by Ibride - Benoit Convers - France Wall Storage - Ibex - Modern - Decoration Measures : 59cmx90cm H:204cm Material : High pressure laminate...

Vintage Omnia wall system designed by Ernst Dieter Hilker in the 1960s. Looking for an original vintage wall unit from the 1960s? This Omnia cabinet, designed by Ernst Dieter Hilker...

Aluminum rational jigsaw shelf by Studio Julien Manaira Dimensions: 72.5 x 25 x 140 cm Materials: brushed and waxed aluminum The intention behind this project is to highlight the traces from the actions of the maker. In this sense, the choice of the jigsaw is deliberate and allows a strong physical relation between maker and material, that will remain tangible in the final object. Each of these cuts is unique and have their own character emanating from what happened on the very moment of the making. They stand out from the regular and smooth cuts realized digitally in a factory. Digital and manual inputs have equal importance in the objects. They communicate their differences in order to create a strong dynamic between the two methodologies of work. Without suggesting which is better, they create their own narrative and are the reflection of two temporalities: the digital work is continuous when the manual work is the track of a particular moment. The created objects intend to be the presentation of these approaches of the material. The dynamic and anarchic way of cutting by hand respond to the linear and supervised vision of the computer-cut elements. The pieces intend to be functional objects carrying the narrated discussion between the controlled and uncontrolled treatments of the material. Julien Manaira (France,1992) successively studied industrial design (La martinière, Lyon) and fine arts -option product design (Esad, Reims). in 2015 he came to Amsterdam to follow a temporary master program (Materialisation in Art and Design) at the Sandberg Institute where he graduated in 2017 before opening his studio in the same city. His graduation project ‘The once liquid plastic’ was awarded by the RADO Star Prize 2017 and the 3rd prize of the Pure Talent Contest at IMM Cologne 2018. In the last years, he exhibited his works in different established and recognized organizations such as Paris Design Week, IMM Cologne, Design Parade Hyères, and Milan Design Week. He was commissioned by different companies, among which Nilufar Gallery, Nubikk, Van Dijk Store as well as private clients. The main focus in his practice is setting processes that allow the manufacturer or him to be mentally and physically involved in the transformation of material towards an object. He believes that this empowerment is a way to engage deeper the audience or user’s perception, and therefore create a stronger connection with the object. Serendipity, combining industrial and artisanal material, are examples of how he aims to create objects that are able to communicate their undergone transformations. ©Iris Box...

Honeycomb metal wall shelf Wear consistent with age and use. Office furniture - ALBURY designer shelf Measures : 140cmx30cm H:200cm Material : Metal gray Sheet metal with a thi...

Mid-Century Modern Shelve, wood and Glass, 1970s

Polished brass floating shelves signed by Chanel Kapitanj A Minimalist shelving system. Like floating objects on the wall. These thin and aesth...

Founded in Stockholm in 1902, Nordiska Kompaniet manufactured many of 20th century’s now iconic Swedish works. One of NK’s designers was David Rosén who was known for balancing tradi...

Set of 3 Bleached Ash and Orange Leather Waly Shelves by Mademoiselle Jo Dimensions: Round: D 14 x W 15 x H 2 cm. Small: D 17 x W 30 x H 2 cm. Large: D 17 x W 60 x H 2 cm. Materials:...

Disrupt shelves by Arne Desmet Dimensions: D 12.5 x W 40 x H 65 cm Materials: Aluminium The disrupt shelves are machined from aluminium sheets. The jagged edges suggest a natura...

Coil #3 low cabinet by Bram Kerkhofs Dimensions: D80 x W40 x H144.5 cm Materials: Stainless steel, aluminum, elastic rope (natural rubber, polyethylene). Other dimensions are av...

Reflektor rack by Arne Desmet Dimensions: D 40 x W 43 x H 172.4 cm Materials: Brushed aluminium plates, aluminium tubes, stainless steel. Irregular shapes and element placement ...

Modular metal shelving unit. Made in Italy in the 1970s. Is has three sections. Made in the style of Pilastro, Artimeta and Tomado. The shelves can be placed on different heights. By...

Mid-Century Modern Shelves, Wood and Glass

Mid-Century Modern Shelves, Wood and Glass

vintage wall unit standing wall system 60s Swedish 1960s wall unit from Sweden. "Floating" upper cabinet by means of metal uprights. A second system is also available to create a ...

A scarce set of library shelving in well designed geometric forms. The pair can be combined to make one longer unit. France, c1960s. Lacqu...

Collectible design; Contemporary; Johan Viladrich; Functional Art; Polyethylene; Sabine Marcelis; Everyday Gallery; French design; Art; Bookcase; Office furniture; Store furniture...

Coil #1 low cabinet by Bram Kerkhofs. Dimensions: H 63.5 x L 80 x W 40 cm Materials: Stainless steel, aluminium, elastic rope (natural rubber, polyethylene). Othe...

Set of Bleached Ash and Orange Leather WALY Shelves by Mademoiselle Jo Dimensions: Vertical: D 7.5 x W 45 x H 2 cm. Small: D 17 x W 18 x H 2 cm. Large: D 17 x W 90 x H 2 cm. Material...

Coil #5 cabinet by Bram Kerkhofs Dimensions: D80 x W40 x H225.6cm Materials: stainless steel, aluminium, elastic rope (natural rubber, polyethylene). Other dimensions are available. Coil is a modular cabinet system in which the ‘shell’ is formed completely around a base as a semi-transparent curtain from a vertical and parallel woven elastic rope. It forms the middle between a classic open rack and a display cabinet and can be used on all sides. Coil redefines the cabinet as an object in its use. To put something in or to get it out, the elastics have to be pushed aside. Coil is a good example to clarify my dealings with materials and their properties. To be able to attach the elastic rope, the rope must be stretched so that the rope becomes thinner. The top and bottom shelf of the cabinet are provided with a specific cut-out curve at the edge so that the stretched elastic can be inserted, after which it relaxes nicely in the recessed opening. Due to its modular construction, the coil can vary in height by 40 cm each. The inner shelves are slightly smaller. This keeps them away from the screen. Coil has a fixed rounded rectangular format of 40 x 80 cm (W x H) and can be combined with quarter circle modules with a radius of 40 and 80 cm. This makes it possible to build freestanding walls as a composition of curved and straight forms, as functional room dividers. Bram Kerkhofs (° 1977) is a Belgian furniture designer looking for new forms and methods to challenge the functionality and flexibility of a furniture piece. Educated as a goldsmith he is fascinated by connections, hinges, knots and joints, and especially by the functional opportunities they generate. His work is filled with mathematical principles resulting in intelligible algorithms to make them understandable. He draws particular attention to the relationship between construction and material, bringing simplicity into complexity, with a lasting alertness to the final function. This time-intensive design and development process results in innovative construction systems automatically expressing his signature. Many of his designs must be seen in a bigger picture, as parts to a whole, in which he explores the endless possibilities for links, combinations and variations. Bram wants to clarify complex constructions and gives the consumer and the spectator insight into his thinking process. That is why his work partly revolves around people, as the manipulators...

Connections 2.0 unique shelves by Jeremy Descamps Unique piece Dimensions: 200cm/ 50cm/20cm Materials: shelves in Belgian burned elm, Belgian black marble full hand-cut and brass...

System P4 shelves by Part Studio Atelier Dimensions: H148 x W200 x D26 cm Materials: wood chestnut Also available in sonian wood beech. Images by: Valentina Stellino System P4...

Mid-Century Modern Italian Bottle Rack, 1960s -3 available

Biedermeier Shelve, Wood, Austria, 19th Century

Secessionist Austro-Hungary black lacquered wooden shelf.

At the core of the “Branch-Ish Shelf” is one reoccurring element; the branch textured prints. Here, Schimmel and Schwiekle took an image of a natural branch into the 3D modelling sof...

Glass and marble shelf.