Berlin - Art

The visual language of the power of the sun is represented through these paintings. Through painting and sculpture, Gregory Robin conveys the feeling of being present in a living, b...

This piece is filled with a sense of movement and crystalline depth. The liquid acrylic forms soft, wave-like layers that flow into one another, reminiscent of ocean currents. Shade...

Tenderness and Power This work reflects on the paradox of strength revealed through vulnerability. The orange blossoms, vivid and luminous against the profound blue background, embod...

The works act as a reflection or gravitational pull from the source and power of the moon. Each work responds to a particular cycle of the Moon in which the energy is translated on c...

shipped in roll In many cultures, blue and cyan colours are associated with water, the source of life and purification. In this context, they symbolise energy flows, the flow of ti...

Patterns 150.0 x 100.0 x 1.0, 1.0 lbs Acrylic Hand signed by artist Artist's Commentary: "Patterns (2010) The collection reveals patterns that we select and follow, either consciously or subconsciously, in our life. patterns which may affect significant aspects of our life." About the Artist: "Leila Rezvani...

Walter Helbig (1878 Falkenstein - 1968 Ascona), Adoration of the Magi, 1918. Hand-colored linocut, 30 cm x 22.5 cm (depiction), 50 cm x 35 cm (sheet size), signed “W.[alter] Helbig” in pencil lower right, inscribed “Adoration of the Magi” lower left and dated “1918”. Below this a handwritten dedication “with heartfelt Christmas greetings”. - Paper somewhat darkened and with slight creases, thumbtack holes in the corners - The Rider of the Sun - The 'apocalypse' of World War I brought about a return to sacred art. Walter Helbig belonged to the circle of the 'Brücke' and the 'Blauer Reiter'. With his reinterpretation of religious themes in an expressionist formal language, Helbig shaped an avant-garde neo-sacred art. This is symbolically expressed in the silhouette of the rider against the sun-like yellow background. It refers to the awakening initiated by the Blue Riding, which is now linked back to the sacred. The rider and horse "look" at Mary and the Christ Child, who occupy the entire field. Opposite them are the three kings, the eldest of whom kneels before Christ and offers him a gold-filled casket. The expressionist lines give rise to a tower that rises into the "sun", so that the gift has become a Gothic church, expressing the hope that the fallen world will be resurrected in the name of Christ. This dimension of meaning is emphasized by the magical effect of the color scheme. About the artist In 1895, Walter Helbig began studying at the Dresden Academy of Art, where he became friends with the future Brücke artist Otto Müller, with whom he lived in Dresden from 1903 to 1905. While studying in Italy from 1897 to 1899, he met Arnold Böcklin and Adolf von Hildebrand. After completing his studies, he first worked for Otto Gussmann, painting churches. From 1905 to 1909 he worked as a freelance painter in Hamburg. In 1909, through the mediation of Otto Müller, Helbig made the acquaintance of artists from the 'Brücke'. In 1910 he exhibited at the founding exhibition of the Berlin 'Neue Sezession'. In the same year, he moved to Switzerland, where, together with Hans Arp and Oscar Lüthy, he founded the 'Moderne Bund' in Weggis, to which Cuno Amiet and Giovanni Giacometti also belonged. At the second exhibition of the 'Moderne Bund' in Zurich in 1911, Henri Matisse and Robert Delaunay were represented alongside artists from the 'Blauer Reiter'. In 1913, Helbig traveled to Paris with Arp and Lüthy. After the dissolution of the 'Moderne Bund', Helbig was represented at the first Dada exhibition in Zurich in 1914. In 1919, he joined the Berlin 'Novembergruppe'. After the devastation of World War I, Helbig turned increasingly to religious themes in his work. In 1924, like many other artists of his time, he moved to Ascona for financial reasons, where he became a naturalized citizen in 1938. There he founded the artists' association "The Great Bear", to which Marianne von Werefkin...

Chromogenic print. Signed, dated and numbered on the verso. Literature: Charles Johnstone. New York Storefront Churches. 2011. Ill. plate 6.

The painting is created on a round canvas using the acrylic pouring technique. The composition is built on a combination of deep crimson, burgundy, and delicate pink shades. The pai...

shipped in roll “Bouquet in Orange” is a warm still life about memory living in simple things. The cloth under the vases once belonged to the artist’s grandmother — it stayed folded ...

An exotic bird is depicted on a 40×40 cm canvas, painted with acrylics. Its plumage shimmers with vibrant shades of green, blue, turquoise, and yellow, creating a sense of living ra...

The visual language of the power of the sun is represented through these paintings. Through painting and sculpture, Gregory Robin conveys the feeling of being present in a living, b...

Male Nude VI (29 Palms, CA) - 1999, 20x20cm, Edition of 10. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory # 23700. Not mounted. ...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Eugène Laurent (1832-1898), The Beachcomber Inscribed "E. Laurent" on the base plate in the cast. H 63 cm Eugène Laurent studied at the École des Beaux-Arts in Paris and was awa...

The works act as a reflection or gravitational pull from the source and power of the moon. Each work responds to a particular cycle of the Moon in which the energy is translated on c...

acrylic on canvas shipped in roll Two bouquets left after the evening. They carry traces of conversation, the breath of night, the freshness of air that still remembers warmth. A few...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

Bronze 72 cm signed Height: 72 cm. Base diameter: approx. 22 cm. Signed "E. Drouot". Stamped "BD Fondeur, Paris". Plaque engraved "Hebe Par Drouot (Hors Concours)". Bronze, cast, ...

Claire Jeanne Robertine Colinet (1880 Brussels - 1950 Asnières-sur-Seine), Juggler, around 1920. Brownish patinated bronze with gilded balls on a round, multi-profiled stone base (10...

Emil Orlik (1870 Prague - 1932 Berlin), Love Scene Under a Tree, 1912. Mixed media on paper, 14.5 cm x 25 cm (sheet size), 35.5 cm x 46 cm (frame), signed “ORLIK.” lower right and da...

This is an abstract work on canvas, created in mixed media using paper, modeling paste, acrylic, and spray paint. The composition is built on an expressive combination of rich gold, ...

The painting “Spiral of Life” is created on canvas using structural paste. At the heart of the composition lies a powerful spiral leading toward the center of the canvas. Rhythmic l...

"Day Dream" is a world where fantasies and dreams shape reality. Within a flow of soft lines and translucent ornaments, a space of solitude emerges — a place where one can simply be....

On a dark brown background, crossed by rhythmic vertical textures resembling streams of rain, an elegant relief ornament emerges. A bronze branch with graceful curls and leaf-like fo...

"Leave Me Alone" is a manifesto of inner freedom and the beauty of personal emotions. Painted in vivid, lively colors, the work captures the richness of feelings that arise when one ...

This minimalist and elegant painting features three white calla lilies, rendered in acrylic on a canvas covered with natural jute fabric with a density of approximately 380 g/m². The...

This vibrant and expressive painting features a small exotic bird perched on a moss-covered branch. Its plumage delights the eye with a rich palette: bold red accents blend harmoniou...

shipped in roll Sunset Wind is a work from the Inner Landscapes series, filled with motion, light, and uplift. It conveys a state where youthful energy and the joy of accomplishment...

Antique painting, fisherman on the coast, oil on canvas. Frame damaged in places. Dimensions with frame.

Decorative, antique oil painting, dog portrait, 19th century, signed and dated. Dimensions including frame.

In this painting, a girl is portrayed deep in thought, contemplating the nature of love, creating an atmosphere of tenderness and gentle introspection. Her dreamy gaze reflects her i...

In this work, naive playfulness meets quiet resilience. The heroine, dressed in polka dots, seems to have stepped out of an old film — part actress, part observer of her own life. "P...

This is an outstanding bronze statue of Eutrope Bouret, signed on the base, by the very well-known French artist Eutrope Bouret (1833-1906). French antique bronze sculpture by Eutro...

This painting is created on canvas using acrylic paints and depicts a lively and vibrant composition with numerous colorful butterflies filling the entire space, as if they are flutt...

The painting is created with acrylics on canvas, depicting a seascape with golden sand. The upper part of the composition features dynamic, textured brushstrokes in gold and brown, e...

This delicate freesia, painted in acrylic, blooms gently against the natural texture of jute-covered canvas. The artist intentionally leaves the background untouched, allowing the ra...

The painting, created using the fluid acrylic on canvas technique, conveys the dynamic and natural harmony of nature, reminiscent of the play of waves on the seashore and the pattern...

This captivating diptych celebrates the energy and fluidity of water. Flowing layers of blue and green interact in organic movement, creating depth, lightness, and a sense of natural...

This artwork combines the fluid movement of liquid acrylic with precise geometric accents. Soft flowing lines and cell-like structures create a sense of organic breath, reminiscent o...

Johann Heinrich Meil (1730 Gotha - 1820 Berlin), Male Nude, 1807. White heightened, occasionally wiped charcoal drawing on brownish paper, 51 cm x 39.5 cm, signed “J.[ohann] H.[einri...

OTTO PIPPEL, Painting, Oil on canvas, Winter Morning in the Wetterstein Mountains, Zugspitze (Alps) Beautiful, large painting by the internationally known artist Otto Pippel. Snow...

I have always admired these birds, especially when they are in love. These birds are a symbol of love. The picture is made with acrylic on canvas. The piece was photographed with a ...

It is very interesting to observe the cells that are formed in this technique. And the combination of white, pink and burgundy looks very noble. Note: This painting is painted on can...

Secret Desires is a piece that conveys the depth of the inner world of a young woman lost in dreams and contemplation. The central figure is an attractive woman with a thoughtful exp...

A bright, exotic bird is depicted on a 40×40 cm square canvas, painted with acrylics. Its plumage captivates the viewer with vivid shades of yellow, black, and burgundy. The most str...

This painting captures the fleeting beauty of tulips. The delicate flowers, embraced by the young woman, symbolize the transient nature of life’s most exquisite moments. Their soft p...

"One More Day to Go" is a painting about the quiet moment before an inner journey begins. In stillness, movement is already forming. The woman in the frame stands as a symbol of some...

In this delicate composition, the ethereal elegance of ballet is conveyed through the image of pointe shoes against a soft pink background. Pointe shoes, symbols of grace and dedica...

Impressive and monumental maritime oil painting on canvas by Franz Müller-Gossen (German, 1871–1946), signed and dated ’08 lower right. Depicted is a dramatic scene of sailing vesse...

Painting, 19th Century, Portrait of an African Boy, signed, oil on canvas. Dimensions with frame 65cm x 73cm

A portrait of a woman who holds your gaze with quiet intensity. Her eyes suggest a secret knowledge, something unspoken yet deeply felt. Through bold color contrasts, abstract forms,...

Printed in 2011. Signed in pencil, titled, dated, inscribed and with the photographer's black copyright stamp, on the verso. Number 7 from a limited edition of 25.

"On the Wave of My Soul" is a painting about memories and faith in dreams. While creating it, I revisited my childhood — those moments when the future seemed endlessly bright, filled...

This work will be sent rolled in tube Joan Saló is a Spanish contemporary abstract painter whose meticulous, meditative approach creates works that bridge manual gesture with digita...

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Sunny forest landscape, c. 1900. Oil on canvas, marouflaged on wood, 37 cm x 48 cm (inside dimensions), 42.5 cm x 53.5 cm (frame), sig...

Signed in pencil lower right 'Edv. Munch'. Numbered by a different hand '79'. State II, with a chip off the edge just below the light woman. On firm blueish paper. Munch experimented...

shipped in roll “Spring. Awakening” reflects the first quiet shift of the season — a moment when light, color, and space begin to open. Soft layers of pale tones, subtle pinks, and g...

This work will be sent rolled in tube Joan Saló is a Spanish contemporary abstract painter whose meticulous, meditative approach creates works that bridge manual gesture with digita...

Anton Nelson (i.e. Antoine Joseph van den Kerckhoven) (1849 Brussels - after 1910 ibid.), Bust of a young woman, c. 1890. Patinated bronze on cast base, 30 cm (total height) x 20 cm ...