Berlin - Art

shipped in roll „Lilies Pond” belongs to the Inner Landscapes series — contemplative landscapes in which nature appears as a memory and functions as an autonomous decorative object. ...

"Day Dream" is a world where fantasies and dreams shape reality. Within a flow of soft lines and translucent ornaments, a space of solitude emerges — a place where one can simply be....

acrylic on canvas shipped in roll Two bouquets left after the evening. They carry traces of conversation, the breath of night, the freshness of air that still remembers warmth. A few...

Simply Precious from the series Reflections Simply Precious is the emotional heart of the series — a clear and intimate hymn to feminine value. It speaks of a woman as precious not t...

SOUND AND VISION – Budgies is a unique oil on vinyl installation by German contemporary artist Doris Marten, dimensions are 100 × 100 cm (39.4 × 39.4 in). Every piece is 30 cm in dia...

Portrait of a young boy, impressionist painting. Dimensions WITHOUT frame in cm 32 x 42

This painting is created with acrylic on canvas in a mixed technique using silver foil. At the center of the composition is the image of a butterfly, interpreted abstractly through f...

shipped in roll "Where Birdsong Smells Like Strawberries" In this piece from the Inner Landscapes series, the aesthetics of modern impressionism merge with expressive line dynamics, ...

An abstract work created in a fluid acrylic technique, built on a contrast of depth and light. Around a central sand-gold rectangle, a dynamic flow of blue-turquoise, graphite, and w...

This piece is created using the fluid acrylic technique, which produces elongated vertical streams of color that flow smoothly into one another. Against a light turquoise background,...

shipped in roll Spring Picnic is a contemporary painting portraying a quiet moment of closeness between two women resting together in a spring garden. Rendered in soft pastel tones, ...

“Astra” is created on a round canvas using the acrylic pouring technique. The composition is built on the interplay of deep black, white, blue, and brown tones, enriched by two shad...

Claire Jeanne Robertine Colinet (1880 Brussels - 1950 Asnières-sur-Seine), Juggler, around 1920. Brownish patinated bronze with gilded balls on a round, multi-profiled stone base (10...

Just Be Happy This painting is a warm and sincere wish from the artist — a visual expression of joy, lightness, and inner freedom. It is created not for analysis, but for feeling: a...

SOUND AND VISION – You called me mellow yellow is a unique oil on vinyl installation by German contemporary artist Doris Marten, dimensions are 135 × 135 cm (53.1 × 53.1 in). Every p...

An abstract fluid-acrylic painting on canvas that resembles a cross-section of living matter or a cosmic nebula. The main surface is built on deep graphite-black tones, over which a ...

shipped in roll Secret Spot explores the theme of hidden desires and memories that often remain in the shadows of consciousness, waiting for the moment to be revealed. The artistic f...

From the smallest of seeds the tree grows, striving for the skies. Branches form, ramify and blossom in the rhythm of time. The human figure transforms. The elements depend on each o...

Quiet Elegance from the series Reflections Quiet Elegance is a visual hymn to womanhood — to feminine beauty understood as inner balance, dignity, and calm self-confidence. As part o...

A vivid, almost tropical-feeling bird is captured in a moment of quiet contemplation. Its plumage is a painterly symphony of warm ochres, golden yellows, turquoise, and deep blues. T...

An abstract canvas created with fluid acrylics, built around the rhythm of spirals and circular currents. Against a warm sand-gold ground, large swirling forms unfold in layers of tu...

"Peonies" is a vibrant and expressive painting that captures the beauty and delicacy of blooming peonies. Created with bold, sweeping brushstrokes and a vivid palette, this artwork b...

Layer No.14 is an abstract painting by contemporary German artist Doris Marten. It is made with Indian ink on Alu-Dibond and measures 45 × 45 cm (17.7 × 17.7 in). The Layers series ...

The painting is created using fluid acrylic (acrylic pouring): layers of paint flow freely and form natural gradients, veins, and “cells,” giving a sense of depth and movement. In th...

An abstract fluid-acrylic painting on canvas that resembles a cross-section of living matter or a cosmic nebula. The main surface is built on deep graphite-black tones, over which a ...

shipped in roll “Spring Flowers” is built around a memory of early spring days, when the grass turns vivid and saturated, full of life. It captures that moment when everything begins...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

shipped in roll We Were Happy That Day This painting is not a statement, but a memory. It speaks not about constant happiness, but about a moment when happiness already existed — qu...

Eugène Laurent (1832-1898), The Beachcomber Inscribed "E. Laurent" on the base plate in the cast. H 63 cm Eugène Laurent studied at the École des Beaux-Arts in Paris and was awa...

Works from the Blue series have received international recognition, including First Place in the “True Blue” Competition at Blue Koy Gallery (2025) and finalist recognition in the Sc...

Extremely decorative and large oil painting from the 17th century. Restored in places.   Signed and dated Simon Peter Tileman 1658 fecit 'lower right Dimensions without frame. From Wikipedia, the free encyclopedia: Simon Peter Tilemann (1601, Lemgo – 1668, Vienna), was a German Baroque painter who was active Bremen, Kassel and Italy. According to Houbraken he first learned to paint flowers and he had a daughter who could paint flowers in watercolors. He was a good landscape painter who spent many years in Italy, but later switched to portrait painting and who painted the portrait of Ferdinand...

Decorative antique oil painting. Sailing ship in a stormy sea. Dimensions with frame in cm 71 x 90.5

This circular abstract composition is created using fluid acrylic techniques combined with texture paste. The left and central parts of the artwork unfold as a vibrant flow of color ...

OTTO PIPPEL, Painting, Oil on canvas, Winter Morning in the Wetterstein Mountains, Zugspitze (Alps) Beautiful, large painting by the internationally known artist Otto Pippel. Snow...

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Sunny forest landscape, c. 1900. Oil on canvas, marouflaged on wood, 37 cm x 48 cm (inside dimensions), 42.5 cm x 53.5 cm (frame), sig...

This work was exhibited on Algarve Art Fair 2025 shipped in roll The artist's most authentic responses, his own works. In them, as in an open book, you c...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Karl Josef Dierkes (1924 Dalhausen - 2008 ibid.), Reclining Female Nude, circa 1960. Bronze 26.5 cm (length), x 11 cm (height) x 7 cm (depth), signed “K.[arl] J.[osef] Dierkes” on th...

The painting is created on a round canvas using the acrylic pouring technique. At the center, vibrant shades of green and gold flow into orange and red tones. Surrounding them are f...

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Impressionist autumn landscape with lake, around 1905. Pastel on cardboard, 46 cm x 31 cm (inside dimension), 52 cm x 37 cm (frame), s...

The work is created in the fluid art technique using acrylic on canvas. The composition is built on a harmonious combination of pink, fuchsia, and powdery tones, softly transitioning...

The work is created in the fluid art technique using acrylic on canvas. The composition is built on smooth, flowing movements of paint, forming multilayered transitions of pink, mage...

This captivating diptych celebrates the energy and fluidity of water. Flowing layers of blue and green interact in organic movement, creating depth, lightness, and a sense of natural...

shipped in roll “Where the Light Stays” captures the warmth of late summer — that moment when the sun grows softer, yet its radiance continues to live in everything it touches. The s...

The visual language of the power of the sun is represented through these paintings. Through painting and sculpture, Gregory Robin conveys the feeling of being present in a living, b...

Decorative, antique oil painting, dog portrait, 19th century, signed and dated. Dimensions including frame.

This piece is filled with a sense of movement and crystalline depth. The liquid acrylic forms soft, wave-like layers that flow into one another, reminiscent of ocean currents. Shade...

Delulu Blooms 3 "Delulu is the solulu" — a phrase born in the digital era, both humorous and daring, becomes the conceptual root of this painting. Beneath its playful surface lies a ...

An abstract work measuring 50 × 70 cm., created with a strongly pronounced textured surface. The composition is built on the contrast between the golden upper section and the deep bl...

Delulu Blooms "Delulu is the solulu" — a phrase born in the digital era, both humorous and daring, becomes the conceptual root of this painting. Beneath its playful surface lies a de...

This emotionally rich painting portrays the quiet presence of a beloved dog beside a woman, capturing a moment of stillness, trust, and unspoken connection. The work reflects the dee...

Alla Victorovna Kraschina-Shadov (*1958), Small Box, 1999. Oil on canvas, 59 cm x 59 cm (image size), 63 cm x 63 cm (frame), monogrammed and dated 1999 on the lower right, also signe...

This is an abstract work on canvas, created in mixed media using paper, modeling paste, acrylic, and spray paint. The composition is built on an expressive combination of rich gold, ...

shipped in roll This work speaks about the state when love lifts us above the ordinary and fills life with lightness. When love inspires, it gives us wings even across the miles. It ...

The painting is created on a round canvas using the acrylic pouring technique. The composition is built on a combination of deep crimson, burgundy, and delicate pink shades. The pai...

This is an abstract work on canvas, created in mixed media using paper, modeling paste, acrylic, and spray paint. The composition is built on an expressive combination of rich gold, ...

An abstract painting created using the fluid acrylic technique (fluid art). The composition is built around a strong diagonal movement that runs across the canvas. A light turquoise...

An abstract composition is presented on the canvas, created using the fluid acrylic technique. The work is filled with a sense of movement and layered flow, where streams of paint fo...

An abstract composition is presented on the canvas, created using the fluid acrylic technique. The work is filled with a sense of movement and layered flow, where streams of paint fo...

This work will be sent rolled in tube Joan Saló is a Spanish contemporary abstract painter whose meticulous, meditative approach creates works that bridge manual gesture with digita...