Berlin - Art

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Sunny forest landscape, c. 1900. Oil on canvas, marouflaged on wood, 37 cm x 48 cm (inside dimensions), 42.5 cm x 53.5 cm (frame), sig...

SOUND AND VISION – Song for Tamlyn is a unique oil on vinyl installation by German contemporary artist Doris Marten, dimensions are 65 × 65 cm (25.6 × 25.6 in). Every piece is 30 cm ...

The painting is created with acrylic paints on canvas in the style of abstract expressionism, filled with energy and dynamism through the rich interplay of blue and green shades with...

Works from the Blue series have received international recognition, including First Place in the “True Blue” Competition at Blue Koy Gallery (2025) and finalist recognition in the Sc...

Hues of colour, tones of life. Each artwork of the series shows a story, a tone, an element of existence in this world. There are countless shades to it. The images are just a select...

The triptych is created in fluid acrylic technique and consists of three vertical panels, each measuring 24 × 30 cm. Together they form a unified composition connected by a continuou...

Hues of colour, tones of life. Each artwork of the series shows a story, a tone, an element of existence in this world. There are countless shades to it. The images are just a select...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

The painting depicts a stylized silhouette of a rabbit sitting on its hind legs. The work is created with acrylic on canvas and has a strong decorative and graphic character. The bac...

This painting reflects different states of a woman existing at the same time. On the left, a figure напоминает sculpture — composed, strong, grounded. In the center, there is living ...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

The works act as a reflection or gravitational pull from the source and power of the moon. Each work responds to a particular cycle of the Moon in which the energy is translated on c...

Hues of colour, tones of life. Each artwork of the series shows a story, a tone, an element of existence in this world. There are countless shades to it. The images are just a select...

I have always admired these birds, especially when they are in love. These birds are a symbol of love. The picture is made with acrylic on canvas. The piece was photographed with a ...

The works act as a reflection or gravitational pull from the source and power of the moon. Each work responds to a particular cycle of the Moon in which the energy is translated on c...

This is an abstract painting created using the fluid acrylic technique (fluid art), featuring expressive movement and a rich interplay of color. The composition is built on the free...

Hues of colour, tones of life. Each artwork of the series shows a story, a tone, an element of existence in this world. There are countless shades to it. The images are just a select...

The Silk Road (Reflections series) A woman’s hair has been associated with silk throughout time: celebrated in ancient treatises and felt deeply in the rhythm of modern life. This go...

Hues of colour, tones of life. Each artwork of the series shows a story, a tone, an element of existence in this world. There are countless shades to it. The images are just a select...

This charming late 19th-century Munich School oil painting on wood panel depicts a sun-dappled Bavarian country road animated by rural traffic. A farmer guides a team of heavy draft ...

Ever dreamed the dream of flight? That ache, standing in the wind, to expand your wings, to feel the air rush by, to let yourself be carried across the world into a different mode of...

This sumptuous late 19th-century oil painting on canvas presents an exquisitely rendered tabletop still life centered around a woven basket overflowing with ripe, glossy cherries. Ar...

The Birth of Venus (from the Reflections series) "Every morning, as she buttons her shirt, a woman is 'born' anew, becoming a goddess for the day." This artwork is inspired by the my...

This painting depicts an orchid crafted from paste, giving it volume and texture. The orchid is presented in pearlescent hues on canvas. The background canvas is coated with silver a...

The painting presents a dynamic abstract composition built from intersecting geometric shapes and rhythmic graphic elements. Wide diagonal bands and angular lines create a strong sen...

This painting speaks about a simple and rare moment of sincerity — a smile that appears not for performance or display, but because warmth already exists within. The faces are intent...

These works explore our relationship with the incredible biodiversity of our planet Earth. Visual representations of flowing colours, smells, sounds and the feeling of our life sourc...

These works explore our relationship with the incredible biodiversity of our planet Earth. Visual representations of flowing colours, smells, sounds and the feeling of our life sourc...

Jules Moigniez (1835 Senlis - 1894 St-Martin-du-Tertre), Hunting dog on the prowl, around 1880. Dark patinated bronze with naturalistic terrain plinth, 16 cm (height) x 30 cm (length...

An abstract fluid-acrylic painting on canvas that resembles a cross-section of living matter or a cosmic nebula. The main surface is built on deep graphite-black tones, over which a ...

Eugène Laurent (1832-1898), ""The Beachcomber"" Inscribed "E. Laurent" on the base plate in the cast. H ""63"" cm Eugène Laurent (French, 1832–1898) was a 19th-century Academic sculp...

This atmospheric 18th-century pastoral oil painting on canvas depicts two rustic herdesses in classical drapery tending to cattle and goats outside a stone farmstead. Bathed in soft,...

Hotter Than Desire In Hotter Than Desire, blooming is interpreted as an allegory of the female temperament — intense, ironic, striving for love and existential experience. Flowers lo...

The painting presents a bold geometric abstract composition built on the contrast between yellow and black. Wide diagonal bands form sharp angular shapes that intersect across the ca...

The work is created in the fluid art technique on canvas, where the primary expressive element is the movement of paint. The composition is structured around a dynamic diagonal flow ...

This painting won First Place at the Blue Koi Gallery “True Blue” competition (December 2025) for Artistic Excellence. The work explores themes of inner strength and collective ident...

shipped in roll Sunset Wind is a work from the Inner Landscapes series, filled with motion, light, and uplift. It conveys a state where youthful energy and the joy of accomplishment...

The work is created using the fluid acrylic technique and is built on the contrast of deep black, rich green, and bright yellow-gold accents. The composition evokes a powerful natura...

An abstract composition is presented on the canvas, created using the fluid acrylic technique. The work is filled with a sense of movement and layered flow, where streams of paint fo...

An abstract work measuring 50 × 70 cm., created with a strongly pronounced textured surface. The composition is built on the contrast between the golden upper section and the deep bl...

The work is created using the fluid acrylic technique and is built on the contrast of deep black, rich green, and bright yellow-gold accents. The composition evokes a powerful natura...

A warmly atmospheric oil painting dated 1837, depicting an Italian shepherd family gathered around a musician in a peaceful countryside setting. The seated man plays a slender pipe w...

Layer No.16 is a unique Indian ink on Alu-Dibond painting by contemporary artist Doris Marten, dimensions are 45 × 45 cm (17.7 × 17.7 in). The artwork is signed, sold unframed and co...

Karl Josef Dierkes (1924 Dalhausen - 2008 ibid.), Reclining Female Nude, circa 1960. Bronze 26.5 cm (length), x 11 cm (height) x 7 cm (depth), signed “K.[arl] J.[osef] Dierkes” on th...

Henri Honoré Plé (1853 Paris - 1922 Paris), The Victorious David, around 1890. Red-brown and brown patinated bronze with terrain plinth mounted on a round base. 62 cm (total height) ...

Blue Hour Waiting Oil on linen canvas, 2026 Blue Hour Waiting captures a suspended moment between presence and absence. A solitary sun lounger rests beside a still pool, illuminated ...

This painting is created with acrylic on canvas in a mixed technique using silver foil. At the center of the composition is the image of a butterfly, interpreted abstractly through f...

“Square in a Square” explores the contrast between fluid motion and geometric order. The background consists of dynamic streams of violet, gold, white, and emerald tones that flow ou...

This artwork is created with acrylic on canvas and enriched with gold leaf. On a deep burgundy background, stylized floral shapes resembling peonies unfold. Painted in warm copper-r...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

The painting is created using fluid acrylic (acrylic pouring): layers of paint flow freely and form natural gradients, veins, and “cells,” giving a sense of depth and movement. In th...

Delulu Blooms 3 "Delulu is the solulu" — a phrase born in the digital era, both humorous and daring, becomes the conceptual root of this painting. Beneath its playful surface lies a ...

An atmospheric musical still life, signed “D. Holbein” and dated 1910, capturing the quiet intimacy of a music room. A cello dominates the composition, its luminous amber body standi...

This finely detailed 1881 oil painting on board captures a sunlit Alpine village nestled against dramatic mountain slopes. The artwork displays remarkable topographical precision, po...

This artwork is created using the fluid acrylic technique, which allows for smooth, flowing lines and intricate color transitions. Wave-like layers of black, white, and gold unfold a...

An abstract work created in a fluid acrylic technique, built on a contrast of depth and light. Around a central sand-gold rectangle, a dynamic flow of blue-turquoise, graphite, and w...

Josef Moest (1873 Cologne - 1914 Rath), Crusader with shield and mace, around 1910. Bronze on a black marble pedestal (19 cm high). 57.5 cm (total height) x 21 cm (width) x 12 cm (de...

Light'n'Lines No.28 is a unique oil on Alu-Dibond painting by contemporary artist Doris Marten, dimensions are 60 × 120 cm (23.6 × 47.2 in). The artwork is signed, sold unframed and ...

The painting, executed in a mixed technique, depicts a beautiful young woman. Her closed eyes emphasize the overall atmosphere of relaxation. Natural beauty, graceful figure, and the...

The picture is made on canvas, in three-dimensional style. I used light green acrylic, in different shades, which symbolizes the birth of a new life. I also added a golden color as a...