Berlin - Art

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The tilt of the day, 1948. Woodcut on yellowish wove paper, 14.3 cm x 15 cm (image), 43 cm x 30 cm (sheet size), signed “Rud.[olf] Neh...

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The fruitless tree, 1948. Woodcut on yellowish wove paper, 15 cm x 14.6 cm (image), 45 cm x 30 cm (sheet size), signed “Rud.[olf] Nehm...

a Piece of Berlin - alles ist möglich (Pieces of Berlin) -2010 100x100cm 2/3, Lambda C-Print signed with Certificate unmounted Florian Reischauer's project 'Pieces of Berlin' Ber...

The painting depicts a lavender field in an abstract style, created on canvas with acrylic paints and accented with gold paint. The composition features a dynamic interplay of diagon...

In this still life, autumn invites you in like an old friend, offering warmth and comfort. A simple white cup of hot coffee sits beside a vase filled with vibrant red leaves, and the...

Pilgrim No. 29 is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 30 × 30 cm (11.8 × 11.8 in). The artwork is signed, sold unframed and com...

This painting is made with acrylic on canvas using a special technique. The acrylics are thickly applied to give a three-dimensional effect. The colour scheme is chosen in such a way...

Signed in pencil lower right 'Picasso'. Plate 39 of the 'Suite Vollard'. One of 250 impressions. Paris, Édition Vollard, 1939. On Montval-wove paper watermarked 'Vollard'. One of th...

The majestic presence of a lion, depicted with a vibrant, expressive palette and bold brushstrokes, captures the essence of deep mental and emotional connections. The lion's command...

FPE Edition No. 5 (E) is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 30 × 30 cm (11.8 × 11.8 in). The artwork is signed, sold unframed ...

Georg Tappert (1880 Berlin - 1957 Berlin), Head, 1918 (1964). Wietek 110. Estate print from 1964. Linocut on Japan, 17 cm x 24.5 cm (depiction), 24 cm x 31.5 cm (sheet size), marked ...

Pink Painting (Building n°8) is a unique oil on cotton canvas painting by German contemporary artist Doris Marten, dimensions are 40 × 30 cm (15.7 × 11.8 in). The artwork is signed, ...

Reiner Schwarz (*1940 Hirschberg), The Lady with the Dog, 1971. Lithograph, 33 cm x 26 (image), 59 cm x 42 cm (sheet size), signed in pencil at lower right "R.[ein] Schwarz", dated "...

Reiner Schwarz (*1940 Hirschberg), Under the mask of the Venetian girl, 1968. Lithograph, 30 cm x 24 (image), 59 cm x 42 cm (sheet size), signed “R.[einer] Schwarz” in pencil lower r...

The painting, executed in a mixed technique, depicts a beautiful young woman. Her closed eyes emphasize the overall atmosphere of relaxation. Natural beauty, graceful figure, and the...

Friedrich Wilhelm Karl Kuhnert, around 1900, Majestically striding lion Decorative painting by the well-known artist Wilhelm Kuhnert. Representation of a striding lion in the African savannah...

Bruno Paul (1874 Seifhennersdorf - 1968 Berlin). Self-portrait, c. 1895. Pencil on paper, mounted on cardboard, 53.5 x 35 cm, signed 'Paul' at upper left. - Homo nudus - About the artwork In a mirrored situation, Bruno Paul looks at himself in the picture. While his body, which is the size of the format, is shown in profile parallel to the picture, he turns his head into the picture in order to become aware of himself there, whereby the lighter use...

"Lion" depicts the majestic presence and serene strength of the lion, a symbol of power and dignity. An expressive palette and textural brushstrokes...

Artwork will be shipped rolled in a tube. For other shipping options please contact us. At Escat Gallery we are committed to maintaining the highest standards of trust and professio...

Alfred Rethel after (1816 Diepenbenden - 1859 Düsseldorf), Death as a servant, around 1920. Color woodcut by Oskar Bangemann after a drawing by Rethel created around 1845 on handmade...

This painting embodies the harmony between nature and the inner world of a person. The woman seems to dissolve into a swirl of soft shades of green, pink, and blue. Her pose radiates...

This painting depicts a woman infused with energy, attuned to her inner voice and the vibrations of the world. She sits atop sand dunes in the desert, as if resting on waves, and aro...

The picture is painted in a vibrant colour combination and carries the positive energy of the birth of the new. Painted with a special acrylic technique that creates volume in each m...

Printed in 2011. Signed in pencil; titled, dated, inscribed and with the photographers black copyright stamp, on the verso. Number 10 from a limited edition of 25.

Arthur Kampf (1864 Aachen - 1950 Castorp-Rauxel), Study to an allegory of victory, around 1900. Pencil on paper, 21 cm x 18 cm, signed lower left "A. Kampf". - slightly darkened, otherwise in good condition - A virtuoso victory - About the artwork The vertical-format sketch illustrates a plateau to which a staircase leads up from the right. Arthur Kampf thus takes up a typical baroque disposition for the depiction of allegories. And indeed, a female figure climbs the steps to hand the palm of victory to a figure that is probably also female. Other persons standing on the plateau pay homage to her, whereby the figure on the left edge of the picture may represent a warrior. The scene is framed by an ornamentally decorated arch field, which additionally emphasizes the allegorical-historical content of the depiction. An arch can also be seen under the staircase, suggesting that this may be a design for a supraport. The sheet could have been created in the wake of Arthur Kampf's appointment in 1899 as head of the studio for history painting at the Berlin Art Academy. The drawing style, which only outlines the idea of the picture and yet is determined by concise lines, corresponds to the sketchiness of the Baroque and testifies to Arthur Kampfs intensive study of this heyday of history painting. About the artist Arthur Kampf was the son of the Aachen painter and imperial court photographer August Kampf. His older brother Eugen and his son Herbert were also painters. Arthur Kampf studied at the Düsseldorf Academy of Art from 1879 under Eduard von Gebhardt and Peter Janssen the Elder, whose master pupil he was from 1883 to 1891. Influenced by the naturalistic paintings of Jules Bastien-Lepage, which Kampf saw on a trip to Paris in 1885, he created the painting "The Last Statement" in 1886, which was based on a personal experience. It shows a man mortally wounded by knife wounds. The oppressive drasticness of the almost life-size depiction caused a sensation and controversial criticism. The first successes were achieved: At the Berlin Jubilee Exhibition of 1886, Kampf received an honorable mention, and at the Munich Annual Exhibition of 1890, he was awarded a gold medal. Between 1886 and 1936, Kampf participated in all the major German exhibitions. In 1887 the artist painted his first fresco, which was the beginning of a series of monumental compositions. With the highly successful painting "The Burial of the Corpse of Kaiser Wilhelm I in the Berlin Cathedral" (1888), Kampf established himself as a painter of contemporary history, following in the footsteps of Adolph von Menzel, whose oeuvre he immediately took up with the painting "Speech by Frederick the Great to His Generals in Koeben" (1893). The pictures of his Liberation War cycle were included in school textbooks and distributed in large editions as postcards. As for his academic career, Kampf became an assistant professor at the Düsseldorf Academy of Art in 1887, and in 1894 he was appointed professor of the class for antiquities and nature, and in 1897 he became head of the painting class. In 1899 Kampf was appointed director of the history painting studio at the Berlin Academy of Art. In 1901 he became a full member of the academy and was its president from 1907 to 1912. As Anton von Werner's successor, Kampf directed the Academy of Fine Arts in Charlottenburg from 1915 to 1925. Among his monumental works is the painting of the assembly hall of the Aachen town hall, done between 1898 and 1902. It focuses on the social welfare of the state and the work of the people. Important subsequent commissions include the painting of the reading room of the new Royal Library in Berlin and the new auditorium of the University of Berlin with "Fichte's Speech to the German Nation". During World War I, at the request of General Ewald von Lochow, Kampf traveled to the Western theaters of war, including Warsaw in 1916. In addition to painting, Kampf was also intensively involved in printmaking and, together with his brother Eugen and artist friends such as Alexander Frenz and Olof Jernberg, was considered an innovator of lithography in Düsseldorf. From 1913 on, he worked continuously as an illustrator of historical works and literary classics such as Shakespeare and Goethe. Kampf remained a recognized artist after 1933. On the occasion of the retrospective of his complete works at the "Great German Art Exhibition", he was awarded the "Eagle Shield of the German Reich". During the final phase of World War II, Kampf was placed on Hitler's "Gottbegnadetenliste," which protected him from military service. After World War II, Kampf, whose work was largely destroyed, fell into obscurity. Arthur Kampf belonged to numerous artists' associations. He was a member of the "Rheinisch-Westfälischer Künstlerbund", the "Society of German Watercolorists", the "Association of German Illustrators", the "Malkasten", the "Künstlerclub St. Lucas", the "Düsseldorfer Künstlerbund", the "Freie Vereinigung Düsseldorfer Künstler" and the "Berliner Künstlerbund". Arthur Kampf's sister was married to the painter Alexander Frenz. "Kampf's public recognition in the German Empire later led to his being one-sidedly labeled as a history painter and representative of the Wilhelmine era. This classification does not do justice to the artist's oeuvre as a whole. His early talent did not experience a rapid development later on, but it reached an ever greater mastery in the sense of an impressively relaxed realism and extended thematically beyond history. Kampf was also an excellent draughtsman, etcher and lithographer. Many of his works have been destroyed or lost, and some lead a shadowy existence in museum storerooms." - Otto Zirk "His importance as a Wilhelminian painter and cultural politician has been forgotten in favor of an exaggerated reception of his work during the Third Reich. - Andreas Schroyen Selection of public collections that own works by Arthur Kampf: Altonaer Museum Hamburg, Berlinische Galerie, Burg Frankenberg Aachen, Busch-Reisinger Museum Cambridge/Mass., Deutsches Historisches Museum Berlin, Government Art Collection London, Kulturhistorisches Museum Magdeburg, Kunsthalle Hamburg, Museum für Kunst- und Kulturgeschichte Dortmund, Museum Kunstpalast Düsseldorf, Neue Nationalgalerie Berlin, Suermondt-Ludwig-Museum Aachen, Van der Heydt-Museum Wuppertal. Selected Bibliography Hans W...

The artwork will be shipped rolled in a tube to your address. For other shipping options please contact with us. At Escat Gallery we are committed to maintaining the highest stand...

I have always admired these birds, especially when they are in love. These birds are a symbol of love. The picture is made with acrylic on canvas. The piece was photographed with a ...

The picture is painted with acrylic and gold paint. The picture is made in a special technique, so the strokes look volumetric.The image of fire is always expression, movement, life,...

Acrylic ink on canvas, 2016. Signed, titled and dated on the back. Framed. The artwork comes directly from the artist's studio. Height: 29.13 in ( 74 cm ), Width: 21.26 in ( 54 cm ),...

Hans Bohlmann Mantel 1998 Acryl auf Leinwand 150 x 100 cm Hans Bohlmann studierte von 1991 bis 1996 Malerei- und Grafik an der Hochschule für Grafik und Buchkunst in Leipzig bei Pro...

"Nothing superfluous." The painting is inspired by spring, when everything is just beginning to awaken, like man and his awakening, when everything superfluous is cut off.

Hans Bohlmann Plantage 2015 Acryl auf Leinwand 50 x 60 cm Hans Bohlmann studierte von 1991 bis 1996 Malerei- und Grafik an der Hochschule für Grafik und Buchkunst in Leipzig bei Pro...

Hans Bohlmann Alpines Vorland 2015 Acryl auf Leinwand 50 x 60 cm Hans Bohlmann studierte von 1991 bis 1996 Malerei- und Grafik an der Hochschule für Grafik und Buchkunst in Leipzig ...

Hans Bohlmann Der Ofen (aus Siedlung 1) 2015 Acryl auf Leinwand 80 x 100 cm Hans Bohlmann studierte von 1991 bis 1996 Malerei- und Grafik an der Hochschule für Grafik und Buchkunst ...

Hans Bohlmann Magnetfeldarbeit 2016 Acryl auf Leinwand 90 x 70 cm Hans Bohlmann studierte von 1991 bis 1996 Malerei- und Grafik an der Hochschule für Grafik und Buchkunst in Leipzig...

Acrylic painting on canvas, 2020. Titled, dated and signed on the back. Framed. The artwork comes directly from the artist's studio. Dimensions: Height 20.98 in ( 53,3 cm ), Width 16...

On a small canvas painted with acrylics, delicate fuchsia flowers bloom gracefully. They seem to come to life against the sky-blue background, playing w...

Willard Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Modern Art (SFMoMA), the Metropolitan Museum of Art in New York, and the Oakland Museum of California. Dixon's work is collected worldwide. 'The Track no. 6' is 32 x 48 inches. Oil on canvas. It is traditionally framed in thin, minimal natural oak with an outer dimension of 32.5 x 48.5 inches. Artist signed and dated. Condition is excellent. Painted in 1989. From Andra Norris Gallery in California. Born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), Boy at the source, 1897. Algraph on strong wove paper after a drawing from 1897, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenös...

At the center of the composition is a graceful nymph surrounded by peacocks, symbols of grandeur and elegance. Their vibrant feathers, shimmering with shades of turquoise and green,...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), Muse, 1893. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 174’, 43.5 cm x ...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), Southern German summer landscape, around 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisc...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), S. Anton Patenkirchen, 1895. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr....

Hans Thoma (1839 Bernau - 1924 Karlsruhe), At the pond, 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 148’, 23....

Reiner Schwarz (*1940 Hirschberg), The Hut, 1967. Lithograph, 32.5 cm x 32.5 (depiction), 59 cm x 42 cm (sheet size), signed “R.[einer] Schwarz” in pencil lower right, dated “[19]67”...

This vibrant painting features a dynamic combination of colors and textures, creating a striking visual contrast. The central focus appears to be a large, stylized yellow flower with...

Willibrord Haas (*1936 Schramberg), Kufi poses, 2012. Etching, 44 cm x 32 cm (plate size), 54 cm x 37.5 cm (sheet size). Signed “Willibrord Haas” in lead by the artist, dated “2012”,...

A blue-purple acrylic wash was layered over the cotton canvas, followed by a strong blue-purple painted in horizontal lines. A few days later whilst on antibiotics, “My body felt ...

In "Nymph of Eden" the artist continues her exploration of human sexuality and identity through mythological images. Inspired by ancient Greek mythology, where nymphs symbolized nat...

Light’n’Lines No.32 is a unique oil on Alu-Dibond painting by contemporary artist Doris Marten, dimensions are 80 × 200 cm (31.5 × 78.7 in). The artwork is signed, sold unframed and ...

Light’n’Lines No.36 is a unique oil on Alu-Dibond painting by contemporary artist Doris Marten, dimensions are 80 × 200 cm (31.5 × 78.7 in). The artwork is signed, sold unframed and ...

The painting "I Dreamed of You" offers a refined exploration of human sensuality and emotional experiences. At the center of the composition is an elegant woman with a confident gaz...

“Whisper of a Blooming Dream” is a work of art that reveals the subtle facets of sensuality, where passion is combined with tenderness. In the center of the picture is a woman gracef...

"Singing Disintegration" is a mesmerizing painting that explores the interplay between botanical elements and abstract forms in a captivating blend of blue, black, and white hues. Th...

Layer No.51 is a unique Indian ink on Alu-Dibond painting by contemporary artist Doris Marten, dimensions are 80 × 200 cm (31.5 × 78.7 in). The artwork is signed, sold unframed and c...

Evening Temptation" is a painting that captures the sensual notes of a cozy evening. At the heart of the composition lies a vase with flowers, sculpted in the form of a woman's body...

This panting dances on the edge of a female figure, but can also be turned around and was intended to be entirely abstract. Extra large prints are available of this, as well. The ori...

Yellow Edition No. 02m is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 25 × 25 cm (9.8 × 9.8 in). The artwork is signed, sold unframed a...