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Item Ships From: Berlin
The fruitless tree / - The End of the Grotesque Era -
The fruitless tree / - The End of the Grotesque Era -

The fruitless tree / - The End of the Grotesque Era -

By Rudolf Nehmer

Located in Berlin, DE

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The fruitless tree, 1948. Woodcut on yellowish wove paper, 15 cm x 14.6 cm (image), 45 cm x 30 cm (sheet size), signed “Rud.[olf] Nehm...

Category

1940s Realist Berlin - Art

Materials

Woodcut

Lonely and lively lake / - Calm and Movement -
Lonely and lively lake / - Calm and Movement -

Lonely and lively lake / - Calm and Movement -

Located in Berlin, DE

Reinhard Stangl (*1959 Leipzig), Lonely and lively lake, 1985. White heightened blue colored pencil drawings on brown paper, each 21 cm x 29 cm, signed lower right and once dated 198...

Category

1980s Realist Berlin - Art

Materials

Paper

Golden sand
Golden sand

Golden sand

By Svetlana Saratova

Located in Zofingen, AG

The painting is created with acrylics on canvas, depicting a seascape with golden sand. The upper part of the composition features dynamic, textured brushstrokes in gold and brown, e...

Category

2010s Impressionist Berlin - Art

Materials

Canvas, Acrylic

Genesis of Structure
Genesis of Structure

Genesis of Structure

By Kseniya Rai

Located in Zofingen, AG

In the Zero Thinking series, Genesis of Structure explores the emergence of order beyond conscious thought. Structure appears naturally, not through control or calculation, but as a...

Category

2010s Abstract Expressionist Berlin - Art

Materials

Canvas, Linen, Oil, Spray Paint, Acrylic

Summer Forest Landscape, 1915 / - The Forest Walk -
Summer Forest Landscape, 1915 / - The Forest Walk -

Summer Forest Landscape, 1915 / - The Forest Walk -

Located in Berlin, DE

Stanislas Warnie (1879-1958), Summer Forest Landscape, 1915. Watercolor, 31.5 cm x 45 cm (passepartout), 50.5 cm x 63.5 cm (frame), signed "S. Warnie" at lower left and dated "1915"....

Category

1910s Art Nouveau Berlin - Art

Materials

Watercolor

Bronze Fairy with Butterfly Sculpture, French Art Nouveau, 1893
Bronze Fairy with Butterfly Sculpture, French Art Nouveau, 1893

Bronze Fairy with Butterfly Sculpture, French Art Nouveau, 1893

Located in Berlin, DE

A late 19th-century French bronze sculpture titled "Fairy with Butterfly" by Franz Rosse (1858-1900), signed and dated "Frosse 93" on the base, depicting a semi-dressed woman floatin...

Category

1890s Jugendstil Berlin - Art

Materials

Bronze

Souvenir Bronze Sculpture by Édouard Drouot, Art Nouveau, Signed, 40cm
Souvenir Bronze Sculpture by Édouard Drouot, Art Nouveau, Signed, 40cm

Souvenir Bronze Sculpture by Édouard Drouot, Art Nouveau, Signed, 40cm

By Edouard Drouot

Located in Berlin, DE

Edouard Drouot, 1859 Sommevoire – 1945 Paris Bronze signed 40 cm hoch He studied in Paris under Émile Thomas and the renowned Mathurin Moreau at the École des Beaux-Arts. He exhibit...

Category

Early 20th Century Jugendstil Berlin - Art

Materials

Bronze

Black form surfaces on red painterly ground / - The Double Origin of Painting -
Black form surfaces on red painterly ground / - The Double Origin of Painting -

Black form surfaces on red painterly ground / - The Double Origin of Painting -

Located in Berlin, DE

Jürgen Möbius (*1939 Großenhain), Black form surfaces on red painterly ground. Oil on hardboard, 50 x 60 cm, 51 x 61 cm (frame), signed "Möbius" and dated "[19]81". - Small paint chip in upper right corner, otherwise good condition. Gallery frame with slight signs of wear. - The Double Origin of Painting - About the artwork In the painting black, optically dominant forms can be seen, which in their arrangement at right angles to each other have a proto-architectural character. They are, so to speak, always already given original forms. At the same time, however, the forms are surfaces of color, and thus genuine painting. In order to make the painterly character of the painting clearly visible, Jürgen Möbius has applied red-toned strokes that have preserved the brushstroke. These are traces of an act of painting. The diagonal layers of red strokes merge into the upper white area, which oscillates between brushwork and homogeneous flatness, while the central white field, into which a black bar protrudes, has a decidedly planar character. The sharp contrast between the autonomous black surface forms, reminiscent of Kasimir Malevich, and the free brushstroke, which is not bound to any motif, creates an enormous pictorial tension, which is conveyed by the white, but at the same time is intensified by the virulent black-and-white contrast. In addition to the tense contrast of form and color, there is also a contrast between the dynamic of the brushstroke and the static of the black surface forms, whereby the diagonal alignment of these forms also gives the static a dynamic, while at the same time the layered brushstrokes have something static about them. Added to this structure of tension is the fact that the painting ground, the unprepared hardboard, is clearly present as such in the picture. In this way, it becomes clear once again that we are not dealing with an autonomous cosmos of form and color, as in Suprematism, but with a painting created by the artist's hand. With this work, Jürgen Möbius explores the possibilities of painting and thematizes painting in terms of its twofold origin, the trace of the guided brush and the painterly form, which gains its independence precisely by absorbing the brushstroke into itself. About the artist From 1959 to 1965 Jürgen Möbius studied painting at the University Institute for Art and Work Education in Mainz. He also studied philosophy and art history at the University of Mainz. Afterwards he worked as a freelance artist in Mainz. At first, Möbius created material reliefs and installations, then, around 1974, he turned increasingly to conceptual art and added cinematic means. During this phase he wrote the manifesto-like essay "Principles of Supranatural Landscape" (1979). From 1981 on, Möbius concentrated on painting and searched for artistic ways to "treat intellectual and sensual perception equally in the fusion of representational and abstract pictorial elements" (Wolfgang Zemter). He found inspiration on his study trips to Thailand and Sri Lanka. "The pure painting of Jürgen Möbius flows through us as a timeless expression of memory and energy, ploughing our perception and bringing us the happiness of seeing authentic, immovable form. - Philippe Büttner Selection of solo exhibitions 1969 Galerie Würzner, Düsseldorf / Galerie Gurlitt, Mainz 1972 Städtische Galerie, Mainz 1973 Galerie Schloss Ringenberg Rathaus, Kleve 1974 Röderhausmuseum, Wuppertal 1976 Galerie Glasing, Osnabrück / Städtische Galerie, Herne 1977, 1997, 2004 Märkisches Museum, Witten 1979 Studio M, Bamberg / Staatstheater, Darmstadt 1980 Galerie Stolànovà, Wiesbaden / Mittelrheinmuseum, Koblenz 1982 Galerie Dornhöfer, Mainz 1984 Galerie Neumühle, Schlangenbad 1985 Landesmuseum, Mainz / Kunstverein, Ludwigshafen / Nassauischer Kunstverein, Wiesbaden 1986 Museum, Bochum / Galerie der Stadt Iserlohn 1987, 1990 Galerie Klaus Kiefer, Essen 1987, 2000 Galerie Ulrike Buschlinger, Wiesbaden 1988 Kunsthalle Darmstadt 1988, 1992, 1996, 1999 Galerie Leonhard, Basel 1992, 2002 Galerie Zulauf, Freisheim 1994 Galerie Remy, Vallendar 1995 Sendezentrum des Zweiten Deutschen Fernsehens, Mainz 2001 Collegium oecumenicum, Bamberg / MVB Forum für Kultur und Wirtschaft, Mainz 2006 Adam Gallery, London Selection of group exhibitions 1969 ‘International Graphic Arts’, Galerie Dalléas Bordeaux, Paris 1975 ‘Deutscher Künstler-Bund’, Dortmund 1979 ‘Man and man’s Images’, Märkisches Museum Witten 1980 ‘Love-Dokuments of our Time’, Art Hall Darmstadt and Art Association Hannover 1982 ‘Work - Progress – Position’, Nassau Art Association Wiesbaden 1983 ‘Principle Hope – Utopic Aspects in Art and Culture of the 20th Century’, Museum Bochum 1986 ‘Selfportraits’, Gallery Klaus Kiefer Essen 1987 ‘The Dying and Death’, Gallery Klaus Kiefer Essen 1989 ‘Where are You, Revolution – Freedom, Liberty, Egality, Fraternity to-day’, Museum Bochum 1990 ‘Flight – a Problem within the Memory of Man’, Kunsthalle Darmstadt ‘Art and War 1939 – 89’, House of Cultures Berlin 1991 ‘Material and Form’, Pillnitz Castle Dresden and Pfalz Gallery Kaiserslautern 1995 20 Years Exhibitions, Chrämerhuus Langenthal, Schweiz 1998 ‘Works on Paper’, Klaus Kiefer Gallery Essen 2000 ‘Acquisitions 1900 – 2000’, Mittelrhein-Museum Koblenz 2001 ‘Strange Pictures’, Klaus Kiefer Gallery Essen 2002 ‘10 Years Buschlinger Gallery’, Buschlinger Gallery Wiesbaden 2004 ‘Eternal Space – Pictures and Sculptures’, Dome of Bamberg 2005 Art Fair Chicago, Adam Gallery, London Selected Bibliography Mittelrheinisches Landesmuseum (Hrsg.): Jürgen Möbius - Neue Bilder, Mainz 1985. Kunstverein Darmstadt (Hrsg.): Jürgen Möbius. Bilder 1985 - 1988. Kunsthalle Darmstadt, 26. Juni - 14. August 1988. Red. Dorit Marhenke, Lyrik Marcus Schiltenwolf, Düsseldorf 1988. Gabriele Prusko (Hrsg.): Jürgen Möbius. Mit Texten von Philippe Büttner und Ralph Mieritz, Basel 1992. Wolfgang Zemter (Hrsg.): Jürgen Möbius - Aktuelle Arbeiten. Märkisches Museum der Stadt Witten, Bönen 1999. Wolfgang Zemter (Hrsg.): Jürgen Möbius. Flieger in meinem Zimmer und Beruhigte Zone, Bönen 2004. Dama Gallery...

Category

1980s Abstract Berlin - Art

Materials

Oil

Wettersteinkamm - The blue of the mountains -
Wettersteinkamm - The blue of the mountains -

Wettersteinkamm - The blue of the mountains -

Located in Berlin, DE

Adalbert Holzer (1881 Munich - 1966 Munich). Wettersteinkamm. Watercolour, 29 x 34.5 cm (visible size), 37.5 x 43 cm (frame), signed and dated at lower right 'ADALBERT HOLZER [19]23'. Framed behind glass. Frame shows signs of wear. - The blue of the mountains - About the artwork The Wetterstein ridge is revealed to the viewer from a gentle, snow-covered hill. In contrast to conventional depictions of mountains, the painting is composed entirely of shades of blue, which condense into the blue-grey of the rock or fade into the white of the snow. As a complementary colour to the blue, Holzer virtuously activates the ochre ground. The uniform yet exciting polarity of the colours emphasises the massive majesty of the mountains and at the same time underlines the special character of the Wetterstein ridge. Holzer transferred the translucency of glass painting, in which he was originally trained, to watercolour and developed a pictorial language related to the art of Ferdinand Hodler, which earned him the nickname 'Master of Blue' and led to the appreciation of his watercolours in particular. About the artist After an apprenticeship as a stained glass painter at the Kunstgewerbeschule, Adalbert Holzer studied at the Munich Art Academy under Carl von Marr...

Category

1920s Realist Berlin - Art

Materials

Watercolor

Eugene Laurent (French, 1832-1898) Diana the Huntress
Eugene Laurent (French, 1832-1898) Diana the Huntress

Eugene Laurent (French, 1832-1898) Diana the Huntress

Located in Berlin, DE

LAURENT, Eugene, (French, 1832-1898): Diana the Huntress, bronze, 64 cm high, signed, resting on a black marble base, in an antique dress with her hunting dog. Patinated bronze....

Category

Late 19th Century Jugendstil Berlin - Art

Materials

Bronze

The Raising of Lazarus, Oil on Canvas, Early 18th Century, Framed
The Raising of Lazarus, Oil on Canvas, Early 18th Century, Framed

The Raising of Lazarus, Oil on Canvas, Early 18th Century, Framed

Located in Berlin, DE

J.Strebele oil on canvas signed lower left 110 x 98 cm The raising of Lazarus is one of the best-known and most significant miracle stories in the New Testament. Source: It is...

Category

Early 18th Century Old Masters Berlin - Art

Materials

Oil

Feminine spring. Abstract painting
Feminine spring. Abstract painting

Feminine spring. Abstract painting

By Svetlana Saratova

Located in Zofingen, AG

The painting **"Feminine Spring"** is created in the fluid art technique, conveying a sense of lightness, movement, and renewal inherent in spring. The composition resembles a cross-...

Category

2010s Abstract Berlin - Art

Materials

Canvas, Acrylic

Homage à Kahnweiler / - The Appearance of Genius-
Homage à Kahnweiler / - The Appearance of Genius-

Homage à Kahnweiler / - The Appearance of Genius-

Located in Berlin, DE

Irmgard Biernath (1905 Waldheim in Saxony - 1998 Mainz), Hommage à Kahnweiler, 1984. Terracotta relief, burnished red body, 43.5 x 38 cm, mounted on support plate, in wooden frame 57 x 49.5 cm, monogrammed "IB" at lower right. - Isolated patina losses, but overall good condition, frame slightly bumped. - The Appearance of Genius- This homage to Daniel-Henry Kahnweiler shows the gallerist and art theorist as Pablo Picasso portrayed him in his lithographic portrait of 1957. As an innovative Parisian gallery owner, Kahnweiler had exclusively represented Picasso since 1911, while Picasso had painted his famous portrait of Kahnweiler the previous year as a major work of Cubism. And it is Picasso who appears at the centre of Irmgard Biernath's image. Here, his face echoes the features of the self-portrait he painted in 1907 in the Prague National Gallery. His eyes are wide open as he gazes into the distance, surrounded by the works of his artistic vision that have already taken shape. On the right is the bronze "Man with Sheep...

Category

1980s Contemporary Berlin - Art

Materials

Terracotta

The Lost Trace / - The Holy Night as a real dream -
The Lost Trace / - The Holy Night as a real dream -

The Lost Trace / - The Holy Night as a real dream -

By Ernst Fuchs

Located in Berlin, DE

Ernst Fuchs (1930 Vienna - 2015 ibid), The Lost Trace, 1972. Vernis mou and aquatint etching, 46.8 x 36.4 cm (plate), 66 x 50 cm (sheet), 69.5 x 53.5 cm (frame), WVZ Hartmann no. 185...

Category

1970s Surrealist Berlin - Art

Materials

Etching

Patterns, Original Contemporary Painting
Patterns, Original Contemporary Painting

Patterns, Original Contemporary Painting

Located in Boston, MA

Patterns 150.0 x 100.0 x 1.0, 1.0 lbs Acrylic Hand signed by artist Artist's Commentary: "Patterns (2010) The collection reveals patterns that we select and follow, either consciously or subconsciously, in our life. patterns which may affect significant aspects of our life." About the Artist: "Leila Rezvani...

Category

21st Century and Contemporary Contemporary Berlin - Art

Materials

Acrylic

The Height of June
The Height of June

The Height of June

By Olena Kishkurno

Located in Zofingen, AG

The Height of June Part of the artist’s ongoing Inner Landscapes series, The Height of June explores the emotional resonance of nature and the way landscape becomes intertwined with ...

Category

2010s Abstract Expressionist Berlin - Art

Materials

Canvas, Oil, Acrylic

Antique Painting, 19th Century, European Monogrammist, "The Emigration".
Antique Painting, 19th Century, European Monogrammist, "The Emigration".

Antique Painting, 19th Century, European Monogrammist, "The Emigration".

Located in Berlin, DE

Signed and dated. Dimensions are without frame. Including certificate of authenticity. Frame has slight damage in places.

Category

19th Century Realist Berlin - Art

Materials

Canvas, Oil

Muscular Nude Male Bronze Sculpture, Jugendstil, Circa 1900, Signed
Muscular Nude Male Bronze Sculpture, Jugendstil, Circa 1900, Signed

Muscular Nude Male Bronze Sculpture, Jugendstil, Circa 1900, Signed

By Eugene Marioton

Located in Berlin, DE

Eugène Marioton französisch, 1854 - 1933 Muscular Nude Male Bronze Eugene Marioton - Bronze Statue, um 1900 A handsome and very fit partially draped young nude male with rippling mu...

Category

19th Century Jugendstil Berlin - Art

Materials

Bronze

Ludwig Gschossmann, Summer Beach landscape with riders, horses, people, Seascape
Ludwig Gschossmann, Summer Beach landscape with riders, horses, people, Seascape

Ludwig Gschossmann, Summer Beach landscape with riders, horses, people, Seascape

By Ludwig Gschossmann

Located in Berlin, DE

Ludwig Gschossmann, Summer beach landscape with riders, horses, people. Munich artist. Dimensions WITHOUT frame in cm 50 x 60 Dimensions WITH frame in cm 68 x 78 This picturesque ...

Category

20th Century Modern Berlin - Art

Materials

Canvas, Oil

Ivan Sorokin. 1970 Winter landscape. Russian art Oil Painting.
Ivan Sorokin. 1970 Winter landscape. Russian art Oil Painting.

Ivan Sorokin. 1970 Winter landscape. Russian art Oil Painting.

By Ivan Sorokin

Located in Berlin, DE

Ivan Sorokin. Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

Category

1970s Impressionist Berlin - Art

Materials

Oil, Cardboard

Summerpond, Painting, Acrylic on Canvas
Summerpond, Painting, Acrylic on Canvas

Summerpond, Painting, Acrylic on Canvas

By Karin Goeppert

Located in Yardley, PA

"Summerpond" is a minimalistic landscape painting. Various shades of blue, many layers make it very alive and almost sparkling. The work is ready to hang with hooks attached to th...

Category

2010s Abstract Berlin - Art

Materials

Acrylic

SIMON PETER TILEMANN, Family Portrait, 1658, Old Master. Baroque Rococo Painting
SIMON PETER TILEMANN, Family Portrait, 1658, Old Master. Baroque Rococo Painting

SIMON PETER TILEMANN, Family Portrait, 1658, Old Master. Baroque Rococo Painting

By Simon Peter Tilemann

Located in Berlin, DE

Extremely decorative and large oil painting from the 17th century. Restored in places.   Signed and dated Simon Peter Tileman 1658 fecit 'lower right Dimensions without frame. From Wikipedia, the free encyclopedia: Simon Peter Tilemann (1601, Lemgo – 1668, Vienna), was a German Baroque painter who was active Bremen, Kassel and Italy. According to Houbraken he first learned to paint flowers and he had a daughter who could paint flowers in watercolors. He was a good landscape painter who spent many years in Italy, but later switched to portrait painting and who painted the portrait of Ferdinand...

Category

1650s Old Masters Berlin - Art

Materials

Canvas, Oil

Snake Charmer Bronze Sculpture, Jugendstil, Early 20th Century, Signed
Snake Charmer Bronze Sculpture, Jugendstil, Early 20th Century, Signed

Snake Charmer Bronze Sculpture, Jugendstil, Early 20th Century, Signed

By Rudolf Kaesbach

Located in Berlin, DE

Rudolf KAESBACH (1873-1955), "Snake Charmer" Inscribed 'R. Kaesbach' on the plinth and with the foundry mark, height with base: approx. 30.2 cm Founding mark RM Rosenthal & Mae...

Category

Early 20th Century Berlin - Art

Materials

Bronze

The Dirndl Model / - The strangeness of the homeland -
The Dirndl Model / - The strangeness of the homeland -

The Dirndl Model / - The strangeness of the homeland -

By Reiner Schwarz

Located in Berlin, DE

Reiner Schwarz (*1940 Hirschberg), The Dirndl Model, 1969. Lithograph, 33 cm x 26 (depiction), 59 cm x 42 cm (sheet size), signed “R.[einer] Schwarz” in pencil lower right, dated “[1...

Category

1960s Surrealist Berlin - Art

Materials

Paper

Portrait of a Lady, Baroque Oil on Canvas, 18th Century, Framed
Portrait of a Lady, Baroque Oil on Canvas, 18th Century, Framed

Portrait of a Lady, Baroque Oil on Canvas, 18th Century, Framed

Located in Berlin, DE

Attributed to MILLOT, Henri. Portrait of a Lady. Oil on canvas. Unsigned, inscribed Millot on the reverse. 18th century. 85 x 69 cm. Framed. 85 x 69 cm. Portrait of a young woman in ...

Category

1720s Baroque Berlin - Art

Materials

Oil

Antique painting, fisherman on the coast, oil on canvas.
Antique painting, fisherman on the coast, oil on canvas.

Antique painting, fisherman on the coast, oil on canvas.

Located in Berlin, DE

Antique painting, fisherman on the coast, oil on canvas. Frame damaged in places. Dimensions with frame.

Category

19th Century Romantic Berlin - Art

Materials

Canvas, Oil

17th Century, Old Master, "King Basileus Alexander of Macedon Magnus, the Great"
17th Century, Old Master, "King Basileus Alexander of Macedon Magnus, the Great"

17th Century, Old Master, "King Basileus Alexander of Macedon Magnus, the Great"

Located in Berlin, DE

Very decorative, 17th century, old master painting, oil on canvas, King Alexander Magnus, the great. Illustration of two children, putti, with wreaths of flowers on a board (or maus...

Category

17th Century Old Masters Berlin - Art

Materials

Canvas, Oil

Yellow Edition No. 02m by Doris Marten - Oil on vinyl, music, circle, vivid
Yellow Edition No. 02m by Doris Marten - Oil on vinyl, music, circle, vivid

Yellow Edition No. 02m by Doris Marten - Oil on vinyl, music, circle, vivid

By Doris Marten

Located in Paris, FR

Yellow Edition No. 02m is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 25 × 25 cm (9.8 × 9.8 in). The artwork is signed, sold unframed a...

Category

2010s Contemporary Berlin - Art

Materials

Mixed Media, Oil

1760 Flemish Baroque oil painting. Romantic scene. Signed and dated.
1760 Flemish Baroque oil painting. Romantic scene. Signed and dated.

1760 Flemish Baroque oil painting. Romantic scene. Signed and dated.

By Jan Josef Horemans the Younger

Located in Berlin, DE

Flemish Baroque painting. Romantic scene. Signed and dated. J. HOREMANS 1760. This 100% authentic painting captivates with its powerful colors. A real eye-catcher. Dimensions witho...

Category

Mid-18th Century Baroque Berlin - Art

Materials

Canvas, Oil

Layer No.14 by Doris Marten - Abstract Minimalism, Colorful Painting
Layer No.14 by Doris Marten - Abstract Minimalism, Colorful Painting

Layer No.14 by Doris Marten - Abstract Minimalism, Colorful Painting

By Doris Marten

Located in Paris, FR

Layer No.14 is an abstract painting by contemporary German artist Doris Marten. It is made with Indian ink on Alu-Dibond and measures 45 × 45 cm (17.7 × 17.7 in). The Layers series ...

Category

2010s Contemporary Berlin - Art

Materials

India Ink

Death as a servant / - Concise congeniality -
Death as a servant / - Concise congeniality -

Death as a servant / - Concise congeniality -

Located in Berlin, DE

Alfred Rethel after (1816 Diepenbenden - 1859 Düsseldorf), Death as a servant, around 1920. Color woodcut by Oskar Bangemann after a drawing by Rethel created around 1845 on handmade...

Category

1910s Realist Berlin - Art

Materials

Paper

Crusader with shield and mace / - Ready to strike -
Crusader with shield and mace / - Ready to strike -

Crusader with shield and mace / - Ready to strike -

Located in Berlin, DE

Josef Moest (1873 Cologne - 1914 Rath), Crusader with shield and mace, around 1910. Bronze on a black marble pedestal (19 cm high). 57.5 cm (total height) x 21 cm (width) x 12 cm (de...

Category

1910s Realist Berlin - Art

Materials

Bronze

Baltic beach, Painting, Oil on Canvas

Baltic beach, Painting, Oil on Canvas

By Nikolai Kraneis

Located in Yardley, PA

A beach from the german baltic sea, around Prerow. Oil on linen. Painted with a lot of paint, applied with brush and palette knife. The edges of canvas are colored in a brownish oc...

Category

2010s Contemporary Berlin - Art

Materials

Oil

Antique Flemish Baroque painting, 17th Century Portrait "Medici" Oil on canvas.
Antique Flemish Baroque painting, 17th Century Portrait "Medici" Oil on canvas.

Antique Flemish Baroque painting, 17th Century Portrait "Medici" Oil on canvas.

By Justus Sustermans

Located in Berlin, DE

Antique Flemish Baroque painting, 17th century, portrait, Medici. Oil on canvas. The painting is probably attributed to the Flemish painter Justus Sustermns. Pictured is most likel...

Category

17th Century Baroque Berlin - Art

Materials

Canvas, Oil

Light'n'Lines No.28 by Doris Marten, Abstract Painting, Optical Effect
Light'n'Lines No.28 by Doris Marten, Abstract Painting, Optical Effect

Light'n'Lines No.28 by Doris Marten, Abstract Painting, Optical Effect

By Doris Marten

Located in Paris, FR

Light'n'Lines No.28 is a unique oil on Alu-Dibond painting by contemporary artist Doris Marten, dimensions are 60 × 120 cm (23.6 × 47.2 in). The artwork is signed, sold unframed and ...

Category

2010s Contemporary Berlin - Art

Materials

Oil

Antique oil Painting, atmospheric Seascape. 19th Century. Oil on canvas.
Antique oil Painting, atmospheric Seascape. 19th Century. Oil on canvas.

Antique oil Painting, atmospheric Seascape. 19th Century. Oil on canvas.

Located in Berlin, DE

Antique oil painting, atmospheric seascape. 19th century. Oil on canvas. Unsigned. Dimensions without frame 80 cm x 122 cm. The painting and the frame are in an age-appropriate co...

Category

19th Century Romantic Berlin - Art

Materials

Canvas, Oil

Marine Painting by Karl Schön, Oil on Canvas, Early 20th Century
Marine Painting by Karl Schön, Oil on Canvas, Early 20th Century

Marine Painting by Karl Schön, Oil on Canvas, Early 20th Century

Located in Berlin, DE

signed oil on canvas Full name Karl Adolph Schön, sometimes Carl Schön. • Born 7 September 1868 in Berlin, died 10 December 1945 in Berlin. • He was a German marine painte...

Category

Early 20th Century Jugendstil Berlin - Art

Materials

Oil

Art Déco Painting, ca. 1910, oil on cardboard. Romantic love scene in the forest
Art Déco Painting, ca. 1910, oil on cardboard. Romantic love scene in the forest

Art Déco Painting, ca. 1910, oil on cardboard. Romantic love scene in the forest

By Gaston Bussiere

Located in Berlin, DE

Painting, around 1910, oil on cardboard. Romantic love scene in the forest. Signed, Gaston Bussiere. With beautiful (original) Art Deco frame. Frame has minimal damage in places. Dimensions with frame 67cm x 86cm This painting is offered here for the first time exclusively on 1stdibs! From private, German estate. Gaston Bussière (April 24, 1862 in Cuisery – October 29, 1928 or 1929 in Saulieu) was a French Symbolist painter and illustrator. Bussière studied at l'Académie des Beaux-Arts in Lyon before entering the école des beaux-arts de Paris where he studied under Alexandre Cabanel and Pierre Puvis de Chavannes. In 1884, he won the Marie Bashkirtseff...

Category

1910s Symbolist Berlin - Art

Materials

Oil, Panel, Cardboard