Berlin - Art

An abstract composition is presented on the canvas, created using the fluid acrylic technique. The work is filled with a sense of movement and layered flow, where streams of paint fo...

An abstract composition is presented on the canvas, created using the fluid acrylic technique. The work is filled with a sense of movement and layered flow, where streams of paint fo...

“You & Me” tells a story that belongs to someone — perhaps to those who once shared quiet afternoons by the water, where time seemed to pause. These four paintings capture fragments ...

It is very interesting to observe the cells that are formed in this technique. And the combination of white, pink and burgundy looks very noble. Note: This painting is painted on can...

The painting “Spiral of Life” is created on canvas using structural paste. At the heart of the composition lies a powerful spiral leading toward the center of the canvas. Rhythmic l...

This work will be sent rolled in tube Joan Saló is a Spanish contemporary abstract painter whose meticulous, meditative approach creates works that bridge manual gesture with digita...

This vibrant and expressive painting, part of a series dedicated to exotic birds, draws the eye with its rich palette — warm yellows and oranges blend harmoniously with deep blues an...

Hermann Volz (1847 Karlsruhe - 1914 ibid.), Naked warrior with short sword, c. 1935. Partially (?) patinated bronze with cast plinth mounted on a black marble base (6.8 cm high). 32....

Tenderness and Power This work reflects on the paradox of strength revealed through vulnerability. The orange blossoms, vivid and luminous against the profound blue background, embod...

"The Birth of the New Moon" is a story of love, intimacy, and new beginnings. Two bodies embrace in a moment where there is no clear boundary — only warmth, reciprocity, and a quiet ...

This artwork is created with acrylic on canvas and enriched with gold leaf. On a deep burgundy background, stylized floral shapes resembling peonies unfold. Painted in warm copper-r...

"Leave Me Alone" is a manifesto of inner freedom and the beauty of personal emotions. Painted in vivid, lively colors, the work captures the richness of feelings that arise when one ...

shipped in roll “Dreamline” captures the moment a woman steps into a journey driven not by directions, but by desire. She’s not following a map — she’s drawing her own invisible lin...

Anonymous, Bust of a young woman, c. 1900, artificial marble and gray onyx marble. 37 cm (height) x 37 cm (width) x 22 cm (depth), weight 17.2 kg. Signed “GURRINI” on the reverse. -...

Chromogenic print. Signed, dated and numbered on the verso. Literature: Charles Johnstone. New York Storefront Churches. 2011. Ill. plate 6.

This work is created on canvas using fluid acrylic (fluid art) with the addition of gold pigment. The composition is built around a central golden square that acts as a point of visu...

A portrait of a woman who holds your gaze with quiet intensity. Her eyes suggest a secret knowledge, something unspoken yet deeply felt. Through bold color contrasts, abstract forms,...

"One More Day to Go" is a painting about the quiet moment before an inner journey begins. In stillness, movement is already forming. The woman in the frame stands as a symbol of some...

Josef Scharl (1896 Munich - 1954 New York), Mockery, 1935 (1964), Bronner 30 A. Woodcut on Japanese paper, 51.8 x 25.7 cm (image), 65 cm x 37 cm (sheet size), signed lower right in t...

Delightful oil on cardboard by Fritz Schulze-Blank, signed lower left. The painting captures a tender barnyard scene with a hen surrounded by her colorful brood of chicks, rendered w...

Judith with the head of Holofernes, antique oil painting after Cristofano Allori. Painting has been restored. Dimensions without f...

Ary Bitter (1883 Marseille - 1973 Paris), Girl with Kid, around 1930. Green patinated bronze with cast plinth loosely mounted on a white-veined dark green marble base. Dimensions of the plinth: 5 cm (height) x 80 cm (length) x 24 (width), dimensions of the bronze 28 cm (height) x 72 cm (length) x 18 cm (width). Weight of the bronze 18.2 kg, total weight 39.2 kg. Signed “Ary Bitter.” on the plinth and stamped “L N Paris J L” by the foundry Les Neveux de Jacques Lehmann...

"On the Wave of My Soul" is a painting about memories and faith in dreams. While creating it, I revisited my childhood — those moments when the future seemed endlessly bright, filled...

Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS". - Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition. - The renaissance of the Renaissance - The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles. Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life. The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art. Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing. Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music. He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art. About the artist Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist. Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil. From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts. In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896. Selected Bibliography Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678. GERMAN VERSION Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen. - Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten. - Die Renaissance...

Gertrude Degenhardt (1940 New York - 2025 Greifswald), Two Fantastic Scenes, 1970. Oil on hardboard, each 27.5 cm x 22.5 cm (pictures), 38 cm x 33 cm (frame), each signed “G. Degenha...

This work will be sent rolled in tube Joan Saló is a Spanish contemporary abstract painter whose meticulous, meditative approach creates works that bridge manual gesture with digita...

Bronze 28 cm signed Andrea Carlo Lucchesi (1859–1925) was an Anglo-Italian sculptor, associated with the “New Sculpture” movement, known for naturalistic and symbolist works.

Eutrope Bouret Bronze Spyche Eutrope Bouret (French, 1833-1906) Late 19th century. Signed on the base Bouret (French, 1833–1906) was an important 19...

Antique autumn landscape, 1920. Oil painting by August Westphalen. Dimensions without frame. Frame may have minor damage in places.

Pair of antique paintings, oil on canvas, portraits. Around 1850. Portrait of a well-known artist and his wife. Dimensions are per painting...

Hans Harders (1875 Mörel - 1955 Berlin), Boy playing the shawm, around 1930. Dark patinated bronze with round plinth on a black marble base (2 cm high), t...

Huge and very decorative castle painting. Antique oil painting. Probably 18th century. "Kings from all over the world in Bethlehem". Christian scene. Canvas relined. Big, heavy fr...

Printed in 2011. Signed in pencil, titled, dated, inscribed and with the photographer's black copyright stamp, on the verso. Number 7 from a limited edition of 25.

Marc Chagall (1887 Peskowatik - 1985 Saint-Paul-de-Vence), Bible Verve, 1956. Color lithograph from Verve ‘Bilder zur Bibel’, Editions de la Revue Verve, No. 33-34, Teriade Paris, 19...

I create my paintings by applying many translucent layers, just as people are made up of different layers, among them layers of other people's opinions, influences as well as memorie...

This artwork combines the fluid movement of liquid acrylic with precise geometric accents. Soft flowing lines and cell-like structures create a sense of organic breath, reminiscent o...

Antique still life, oil painting, with fruits, tobacco, pipe and sculpture. Very decorative painting. Monogrammed and dated lower left. RB 07 (1907...

Anton Nelson (i.e. Antoine Joseph van den Kerckhoven) (1849 Brussels - after 1910 ibid.), Bust of a young woman, c. 1890. Patinated bronze on cast base, 30 cm (total height) x 20 cm ...

Antique Flemish Baroque painting, 17th century, portrait, Medici. Oil on canvas. The painting is probably attributed to the Flemish painter Justus Sustermns. Pictured is most likel...

Ornate, decorative oil painting. Illustration of Marie Potonie (born Sievers). Marie was the daughter of the royal Prussian court painter Johannes Sievers. Extremely fine painting....

Dubucand Alfred 1828-1894 Two Hunting Dogs, Bronze on a Marble Base The Bronze with the monogram 'E.V.' and the number '2958' Two Hunting Dogs, Group Signed Alfred Dubucand, Fren...

Alexander Frenz (1861 Rheydt - 1941 Düsseldorf). Plant impression in Locarno. Gouache and watercolour. 35 x 23,5 cm (visible size), 49,5 x 38,5 cm (fra...

Rudolf Hayder (active in the 1st half of the 20th century), Heron. Color woodcut on thin Japanese paper, 24 x 29 cm (image), 29 x 36 cm (sheet size), signed by hand at lower right "R. Hayder" and titled by hand as "Reiher". Lower left inscribed by hand "Orig.[inal] woodcut, hand print". - A little bit stained in the margins and very occasionally in the image, minimal hole above the signature, traces of creasing. At the back side's margins with remnants of an old mounting. About the artwork In the context of French Japonism, the color woodblock print, which was widespread in the Asian region, was rediscovered for Western art. The artists of the time, such as Édouard Manet, Claude Monet, Edgar Degas, Paul Gauguin and Vincent van Gogh, were inspired not only by the cultural influence, but also by the two-dimensionality of the pictorial spaces. Thus, color woodcuts became an important moment in the development of the modern pictorial concept founded by Impressionism. In Rudolf Hayder's "Herons", too, the two-dimensionality of the pictorial space is decisive for the pictorial effect. The herons, surrounded by reeds, are framed by the yellow background of the lake, followed by the dark blue-greenish stripe of the opposite shore and, above it, the sky in a lighter blue-green. Formally, it is a sequence of planes, but the two-dimensionality of the motif creates a spatial effect. This spatiality in the surface creates an intense pictorial effect. Hayder intensifies this effect with the blazing lake. In terms of color, the water becomes a sunset. The yellow turns reddish brown toward the shore, then fades to brownish red, while the shore is a watery turquoise...

Flemish Baroque painting. Romantic scene. Signed and dated. J. HOREMANS 1760. This 100% authentic painting captivates with its powerful colors. A real eye-catcher. Dimensions witho...

Joan Saló is a Spanish contemporary abstract painter whose meticulous, meditative approach creates works that bridge manual gesture with digital-age precision. He lives and works in ...

Antique, decorative oil painting, 18th century. Christian scene. Canvas relined. With a beautiful wooden frame. Dimensions without frame.

Karin Hauke, Desert Goddess, 1976. Oil on wood, 70 x 50 cm (image size), 73 cm x 53 cm (frame), signed “K. HAUKE” lower right and dated “[19]76.” - Small flaking in the lower area, o...

Attributed to MILLOT, Henri. Portrait of a Lady. Oil on canvas. Unsigned, inscribed Millot on the reverse. 18th century. 85 x 69 cm. Framed. 85 x 69 cm. Portrait of a young woman in ...

This is an outstanding bronze statue of Eutrope Bouret, signed on the base, by the very well-known French artist Eutrope Bouret (1833-1906). French antique bronze sculpture by Eutro...

Patterns 150.0 x 100.0 x 1.0, 1.0 lbs Acrylic Hand signed by artist Artist's Commentary: "Patterns (2010) The collection reveals patterns that we select and follow, either consciously or subconsciously, in our life. patterns which may affect significant aspects of our life." About the Artist: "Leila Rezvani...

Ivan Sorokin. Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

Rudolf Hellwag (* 14. September 1867 in Innsbruck; † 24. Februar 1942 in Berlin Oil on cardboard, signed lower right R. Hellwag A warmly coloured Venice street scene with strollers...

SOUND AND VISION – You called me mellow yellow (9 pieces, A) is a unique oil on vinyl installation by German contemporary artist Doris Marten, dimensions are 100 × 100 cm (39.4 × 39....

Flowers Still Life by Otto Beyer. Painting, oil on canvas. Dimensions without frame. Frame has minor damage in places.

Albert Dumoulin, around 1900, "La Curieuse", interior scene with a young lady Enchanting interior oil painting. Portrayal of an inquisitive young lady...

Painting, 19th century, oil on canvas, "Young woman with flower basket" Signed, F.Bach. Dimensions with frame 52cm x 72.5cm

ALBERT-ERNEST CARRIER-BELLEUSE French 1824 - 1887 signed: A. CARRIER Bronze Marmor Albert-Ernest Carrier-Belleuse (1824–1887) was a prominent French sculptor of the 19th centur...

Very decorative, 17th century, old master painting, oil on canvas, King Alexander Magnus, the great. Illustration of two children, putti, with wreaths of flowers on a board (or maus...

18th century, antique painting, oil on canvas, old master. Mother with child. Relined canvas. Stretcher frame also renewed. Artist unknown.

17th century, old master painting, oil on canvas, "The rest with the horses". Relined canvas. The stretcher was also renewed once. The painting is rather dark, like i.a. on photo n...