California - Prints and Multiples

This is an original 18th century hand-colored map entitled "A New & Accurate Map of Europe Drawn from the Best Authorities Assisted by the Most Improved Modern Charts and Maps." by E...

This minimalist patterned collage calls to mind West African indigo textiles, Japanese Shibori fabric or perhaps the work of Ellsworth Kelley. The pattern mounted on wood panel was ...

This artwork titled, El Ultimo Viaje Del Buque Fantasma, 1976, created to honor Gabriel Garcia Marquez writing of the same title, is an original color l...

This is a 16th century original hand-colored copperplate engraved map of Tournai, Belgium, entitled "Tornacum" by Georg Braun & Franz Hogenberg, in volume IV of their famous city atlas "Civitates Orbis Terrarum", published in Cologne or Augsberg, Germany in 1575. The map provides a bird's-eye view of the walled city of Tournai, the second oldest city in Belgium. It lies approximately one hour by car southwest of Brussels or from Ghent. The names of thirty of its streets, prominent buildings, churches and squares are listed in a key within a strap-work cartouche in the lower left. These locations are numbered in the key corresponding to their locations on the map. This colorful map of Tournai (Tornacum or Tournay as it was called in the 16th century) includes the title in Latin in a cartouche in the upper center. Three crests are present across the upper map. A man and two woman are standing on a hill in the foreground in the lower right dressed in the style of 16th century upper class residents of the town. This is an English translation of an excerpt of Braun's description of Tornai: “Tornacum or Turnacum is a city in Gallia Belgica, situated on the Schelde in the territory of the Nervii, called Tournai by its French inhabitants, but Dorneck by the Germans. Tournai has always been a large and powerful city, with an abundance of goods and commercial activities and wonderfully resourceful craftsmen, who invent new articles every day, and although some of these go out of use they constantly conceive of other new things, both useful and delightful, so that they have at all times something that provides work and a means of livelihood for the poor." ReferencesVan der Krogt 4, 4435, State 1; Taschen, Braun and Hogenberg...

Nicolas DE STAEL, Oeuvre gravé, Bibliotheque Nationale Exhibition, 1979 Original print poster, size is framed Excellent condition

This artwork titled "El Esforzado Rendon Picando un Toro, De Cuya Suerte Murio en la Plaza de Madrid" from the suite "La Tauromaquia" engraved between 1815 and 1816, is a photogravur...

This large hand-colored map entitled "Le Royaume De Hongrie et les Estats qui en ont este sujets et qui font presentement La Partie Septentrionale de la Turquie en Europe" was origin...

Signed, titled and numbered by the artist. Abstract image invoking imagery of the Mediterranean ocean and the desert of Morocco. Christian Boz...

**ANNUAL SUPER SALE UNTIL FEB 29tH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** Celebrating the Academy in this original and limited Oscar art series...

**ANNUAL SUPER SALE UNTIL FEB 29tH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** Limited edition of 30 museum quality Giclee prints on CANVAS, signed ...

Medium: Etching Year: 2021 Image Size: 7.9 x 13 Edition Size: 50 Lawlor's early etchings were often landscapes combining elements from old Master paintings. Later he started to in...

This artwork titled "Le Troisieme Oeil" (The Third Eye) is an original color lithograph on Arches paper by French artist Marcel (le Mime) Marceau, 1923-2007. It is signed in pencil b...

"PIERRE-AUGUSTE RENOIR (1841-1919) Le Chapeau Épinglé, 1ère Planche (Delteil; Stella 6) Drypoint, 1894-95, on laid paper, with watermark MBM, an extr...

This is an 18th century etching of the Patriarchal Church or Basilica of S. Pietro di Castello in Venice entitled "Chiesa Patriarcale di S. Pietro di Castello" by Domenico Lovisa, fi...

This large framed 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le ...

This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Female and Young", No. 20, Plate XCVII, 97 from Audubon's "Quadrupeds of North Ameri...

Stephanie Visser, a native of southwestern Michigan, was educated at Kendall College of Art and Design in Grand Rapids Michigan. She continued her education in fine arts and painting...

Artist: Ewa Juszkiewicz Title: Untitled (2021) Year: 2023 Medium: Archival pigment print with screenprinted varnish on Canson Etching Rag Paper 310gsm ...

Salvador Dalí Un entré fracassant aux U.S.A (A shattering entrance to the U.S.A) from After 50 Years of Surrealism Original etching with hand coloring, hand signed in pencil 1974 Im...

Signed and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. He has decided against...

This artwork titled "Madame Butterfly" 1986, is an original color serigraph with gold addition by noted American artist Margaret Keane, 1927-2022. It is hand signed and numbered HH 1...

Ting Shao Kuang (b. 1939) "Peace & Friendship" 1999 color screen print, signed on the lower right side and numbered AP41/50A on the left...

"Insignia" #1 Hand Made Paper Aquatint Abstract Tactile Abstract on handmade paper by David Dodsworth (English, b-1952) David’s work is typified by his...

This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" 60 x 40 Printed on the fines...

Artist: Hans Figura (Austrian, 1898-1978) Title: Marche aux Fleurs, Quai de l'Horloge, Paris Year: Circa 1950 Medium: Color etching with aquatint on silk Edition: Unknown Pl...

"Ypres, Grand Ville Riche & Marchande" is an engraving and etching by Daniel Marot (le Vieux) (1661–1752). It depicts a view of the siege of the city of Ypres and its citadel on the left in the Spanish Netherlands by Louis XIV's troops. This battle took place between March 18 and March 25, 1678, as part of the Franco-Dutch War. Marot illustrated in great detail (best appreciated with magnification) the French attack on the strong pentagonal citadel on the extreme left, which had been built recently in anticipation of a French attack. The trenches built by the French approaching the town are seen on the right. King Louis XIV can be seen in the foreground surveying the battle mounted on his white horse, surrounded by his officers and troops. The print is presented in an attractive ornate black wood frame with a cream-colored double mat with a black inner trim. It is glazed with plexiglas. The frame measures 25.38" x 22.63" x .88". The engraving, frame, mat and glazing are in excellent condition. Artist: Daniel Marot (1661–1752) was also called "Le Vieux". He was the son of the famous architect, Jean Marot. Marot had diverse interests and talents. In addition to his art, he designed garden projects, architectural ornaments, furniture, and even upholstery. Marot as a Huguenot protestant was forced to leave France in 1685 following the revocation of the Edict of Nantes. He emigrated to Holland, where he worked for William of Orange (an arch enemy of his former employer Louis XIV). Marot was largely responsible for the interiors of Williams palace at the Loo. In 1694 he went Britain as William had married Queen Mary and he had become King William III of England. He later returned to Holland in about 1698 and died in the Hague in 1752. He left a lasting legacy on the decorative arts in the Netherlands, where his grand version of the Louis XIV style remained popular into the 1730s. Historical Background: In October 1677, Mary Stuart, niece and possible successor of Charles II of England, married Louis XIV's arch enemy William III of Orange...

Jack Rabbit is a lithograph on paper, 9.5 x 7.5 inches image size. From the edition of 395, numbered 151/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-t...

This artwork titled "Schemerthorn Windmuhle, Holland" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by th...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a ferry sailing across Lake Hamana. Signed in Kanji lower right, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (Japane...

This large 17th century copper plate hand-colored engraved map entitled "Gouvernement D'Orleans et la Generalite divisee en ses Elections Par...

Ass Hole is a lithograph on paper, initialed lower right 'BD', 9.5 x 9" image size. From the edition of 395, numbered LV/C (there were also 275 Arabic and 20 AP), framed in a contemp...

Celebrating the Academy with this Limited Oscar Art Series by Mauro Oliveira. Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. A "...

Limited edition of 30 museum quality Giclee prints on PAPER, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is incl...

"Rainbow-man," an abstracted Mexican figurative woodblock by Pedro Puerta (Mexican, 20th Century), 1974. Titled "Rainbow-Man" lower left and "from a Michoacan Pot" "Reproduced with a...

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is inc...

Living For Kicks (2009) by Prefab77 Screen Print, handfinished 76,5 × 57,5 cm Limited Edition of 30 Signed, Numbered (24/30), and Stamped by the artist The print was stored flat but...

MEDIUM: Hand-Painted Limited Edition Cel EDITION SIZE: 500 SIZE: 10.5” x 12.5” SKU: WB1148 The Dark Knight, Batman strikes a trademark pose that's as rife with attitude as the Cap...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** **This Price Won't Be Repeated Again This Year - Take Advantage** Remember Cecil, the old lion killed in Africa by an Americ...

This large original hand-colored copperplate engraved map of southern Greece and the Pelopponese Peninsula entitled "La Moree Et Les Isles De Zante, Cefalonie, Ste. Marie, Cerigo & C...

This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Theoria Planetarum Primariorum In qua ipsorum motus in Copernican...

Mid-century portrait of a young girl by a window by acclaimed California artist Ben Messick (American, 1891-1981). Signed "Ben Messick" in plate, and in pencil in the lower right corner, by the estate. Presented in an off-white mat. Unframed. Paper size: 12"H x 12"W The following is submitted by Jim Lafferty whose sources include the autobiography of the artist: William Washington Messick married Sarah A. Bristow January 2,1889 and from this marriage a son, Benjamin Newton Messick was born on January 9, 1891 on a farm near Strafford, Missouri. His art talent was apparent from the time he was a child and later recognized by his commanding officer in World War I. He completed his training in Los Angeles at Chouinard in the late-1920s and is well-known for his Regionalist scenes and Modernist paintings. He was an instructor at Chouinard through the 1950s & influenced a generation of LA Modernists. Little is recorded in his autobiography about Messick's life from his teen years and service during the War. He enrolled at Chouinard Institute in the Fall of 1925, and was given a three-year scholarship by Mrs. Chouinard. In 1925 he won a cash award at the Los Angeles County Fair for a group of pen and charcoal drawings done in the parks and streets of Los Angeles. These works give the appearance of being spontaneous and fluid. In 1930 Messick left Chouinard as a full-time student and rented an apartment on West Eighth Street to use as a studio and living quarters. He had his own ideas on what he was trying to accomplish in art. "If you should ask what is the message of my drawings, I should say that they may explain themselves or may be just a technical exercise." By the mid 1940s, Messick's position in the art world had been well established as a teacher, painter, printmaker, writer and critic. Over his life time he had over 400 shows and exhibitions. Starting in 1939 he produced a number of stone lithographs that appear to the untrained eye as original drawings. To Messick the image was the most important aspect of his lithographs, and his signature in the plate was sufficient. Hand signing each lithograph did not seem necessary to him. He exhibited prints widely including the Albany Print Club and the Metropolitian Museum. To further substantiate the authenticity of Messick's prints the Eclectic Gallery under the authority of the Messick family posthumously pencil signed each estate-acquired stone lithograph. Messick had a childhood fascination with the circus and started drawing and painting the circus in 1935. His circus work, especially his clown studies, and his lithographs became his trademark work for in the 1940s and 1950s. A critic for ART REVIEW described his Big Top work this way: "His circus canvases...

"Parts of a Kimono" Multi-Layer Collagraph in Ink on Paper Gorgeous purple mesh and rods collagraph by Patricia A. Pearce (American, b. 1948). Strips of fabric are draped over horiz...

Gorgeous teal mesh and rods collagraph by Patricia A. Pearce (American, b. 1948). Unsigned. Purchased as part of larger collection. No frame. Image size: 23.75"H x 35.75"W Patricia ...

Delicate embossed composition by Patricia A. Pearce (American, b. 1948). This piece has been painted in a bronze tone that shimmers and morphs depending on the light source and angle...

This artwork "Personages with Lambs" 1924 is an original colors aquatint by noted French artist Felix Roy A.K.A Sylvain Sauvage, 1888-1948. It is hand signed and numbered 88/350 in pencil by the artist. The image size is 13 x 9.5 inches, framed is 20 16 inches. Published and printed by La Societe Des Graveurs Modernes, Paris. Custom framed in a wooden gold frame. It is in excellent condition, especially considering the age of this artwork About the artist. Félix Roy, said Sylvain Sauvage (born in Baume-les-Messieurs ( Jura ) on May 8 , 1888 and died in Paris in January 1948 ) is an illustrator and technician of the French book. He was an exhibitor at the Salon des Artistes Décorateurs and Director of École Estienne . He illustrated many books of the French classic literature. The work of Sylvain Sauvage is held in numerous private collections in France and Europe. Selected books illustrated by the artist. L'Ingénue de Voltaire, Kieffer, 1922 La fille aux yeux d'or de Balzac, G. Crès, 1923 Monsieur Nicolas ou le cœur humain dévoilé. Mémoires intimes de Restif de la Bretonne, illustrés par Sylvain Sauvage de Restif de la Bretonne, Henri Jonquières, 1924 Les Belles Dames de Paris, historiettes de Tallemant de Réaux, coll. « Le livre du lettré », 1924 (avec une préface de Gérard Bauër) Anatole France, Les sept femmes de la Barbe Bleue et autres contes merveilleux, A.&G. Mornay, Paris, 1925 Marquis de Sade, Ernestine, Cabinet du Livre / Jean Fort Éditeur, Paris, 1926 : 10 eaux-fortes Casanova (J. de, Seigneur de Seingalt.), Une aventure de Casanova, Histoire complète de ses amours avec la belle C. C. et la religieuse de Muran. Compositions de Sylvain Sauvage gravées avec la collaboration de E. Feltesse. Paris, [chez l'artiste], 1926. Candide de Voltaire, chez l'Artiste (imprimé chez Frazier-Soye et Haasen), 1928 Les Dieux ont soif de Anatole France, Éditions du Nord, 1928 Le Bon Plaisir d’Henri de Régnier, La Roseraie, 1929 : 20 eaux-fortes en couleurs et vingt bois gravés La Troisième Jeunesse de madame Prune de Pierre Loti, Calmann-Levy, 1936 Les Romanesques ; Les Deux Pierrots ; La Dernière Nuit de Don Juan d’Edmond Rostand, éditions Pierre Laffitte, 1939 ; illustrations de Auguste Leroux...

This artwork "Still Life with Silver Vase" 1991 is a large original color serigraph by artist Audean Johnson. It is hand signed and numbered 195/275 in ...

One of seven images from the Origin-Beginning series. Signed, titled and numbered by the artist. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe...

**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* GRAVITY is a unique piece of artwork. Those dots are o...

Signed, titled and numbered by the artist. This print was made to accompany the deluxe version of the Catalogue Raisonne covering the years 1993-2002. One of his imaginary garden hut...

Bill Schenck Waco Serigraph 7/58 1981 Hand signed, date and numbered by Schenck in pencil. 25.75 inches H. x 25 inches W. 'Waco' is classic early example...

**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** **IMPORTANT: This is a limited edition print on CANVAS. IT ...

"America" is a unique eagle design by Mauro Oliveira. This exquisite piece is for the patriotic at heart. The colorful stripes symbolize the diversity of the USA. Limited edition o...

Unframed print.

Celebrating President Barack Obama with this unique series by Mauro Oliveira. Limited edition of 30 museum quality Giclee prints on PAPER, signed and numbered by the artist. Print ...

Artist: Andy Warhol (1928-1987) Title: Blackglama, from the Ads Portfolio, 1985 Reference: FS IIB.351 Series: Ads Series, 1985 Medium: Color Screenprint on Lenox Museum Board Image S...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year -Take Advantage Of It* Colorful, sophisticated, mesmerizing and highly labor...

This artwork "Untitled #1" c. 1980I is an original color silkscreen with embossing by noted artist Charles Hinman, b.1932. It is hand signed and numbered 52/100 in pencil by the artist. The artwork size is 20.5 x 22 inches, sheet size is 25.15 x 25.15 inches, framed size is 25.5 x 25.5 inches. Custom framed in a silver metal frame. The artwork is in excellent condition, the frame is in fair condition, it have some scratches. It can be shipped framed, or without the frame if requested. About the artist: Charles Hinman is a New York Minimal painter who pioneered shaped canvas paintings through his innovative use of shadow, light, and shape with complex mathematical formulae. Born and raised in Syracuse, New York, Hinman holds his BFA from Syracuse University and later moved to New York City to study at the Arts Student League of New York. His first studio in the early 1960s was shared with James Rosenquist in an old sail factory in the Coenties Slip in Lower Manhattan, and he later shared a studio with Robert Indiana on Spring Street. In 1965, he moved into his own studio and living space at 231A Bowery in the same building with artists Will Insley and Max Gimblett, where he resided for over fifty years. Hinman’s work has been included in era defining exhibitions alongside many of his Minimalist and Conceptual contemporaries. His art career began with a seminal exhibition at Sidney Janis Gallery, titled '7 New Artists', and thereafter a solo exhibition at Richard Feigen Gallery in 1964. This was followed by an historic exhibition at Tibor de Nagy Gallery in 1965, "Shape and Structure", curated by Frank Stella and MET Curator, Henry Geldzahler, which included artists, Donald Judd, Carl Andre and Will Insley. Charles Hinman’s artwork is exhibited internationally and collected by major institutions and private collectors across the world. His work is included in the permanent collections of the Whitney Museum of American Art, the Museum of Modern Art, the Los Angeles County Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Denver Art Museum, the Nagaoka Museum in Japan, and the Tel Aviv Museum in Israel, among others. He is the recipient of a Guggenheim Fellowship and four Pollock-Krasner Foundation grants. SOLO EXHIBTIONS 2019 - Kreeger Museum, Washington, D.C. 2019 - Chromatic Eclipse, WESTWOOD GALLERY NYC, New York 2017 - Shaped Paintings, WESTWOOD GALLERY NYC, New York 2016 - Two Points on a Plane: The Paintings of Charles Hinman, Museum of Art, DeLand, FL 2013 - Charles Hinman - 6 Decades, Marc Straus, New York 2012 - Marc Straus, New York 2011 - Gems. Butler Institute of American Art, Youngstown, OH 2008 - Butler Institute of American Art, Youngstown, OH 2006 - Butler Institute of American Art, Youngstown, OH 2005 - Wooster Art Space, NYC 2004 - Margot Stein Gallery, Lake Worth, FL 2004 - Boca Raton Museum of Art, Boca Raton, FL 2001 - Landing Gallery, Boca Raton Museum of Art, Boca Raton, FL 1999 - Fairfield University Museum, Fairfield, CT 1999 - Gallery Camino Real, Boca Raton, FL 1998 - Bergen County Museum of Art, Paramus, NJ 1995 - Ewing Gallery, University of Tennessee, Knoxville, TN 1994 - Georgia Museum of Art, Athens, GA 1993 - Chassie Post Gallery, Atlanta, GA 1990 - North Carolina State University Museum, Raleigh, NC 1990 - Douglas Drake Gallery, NYC 1989 - Virginia Lust Gallery, NYC 1987 - Irving Feldman Galleries, West Bloomfield, MI 1985 - Gallery 99, Bay Harbor Island, FL 1984 - I. Irving Feldman Galleries, Southfield, MI 1983 - Galleri Bellman, NYC 1982 - Irving Feldman Galleries, Sarasota, FL 1981 - Medici-Berenson Gallery, Bay Harbor Island, FL 1981 - Laguna Gloria Art Museum, Austin, TX 1981 - Museum of Art, Fort Lauderdale, FL 1980 - Everson Museum of Art, Syracuse, NY 1979 - Grace Hokin Gallery, Chicago, IL 1979 - Donald Morris Gallery, Detroit, MI 1977 - Grace Hokin Gallery, Palm Beach, FL 1976 - Irving Galleries, Milwaukee, WI 1975 - Grace Hokin Gallery, Chicago, IL 1971 - Galerie Denise Rene', NYC 1970 - Donald Morris Gallery, Detroit, MI 1970 - Galerie Denise Rene'/Hans Mayer, Krefeld, West Germany 1969 - Lincoln Center Retrospective, NYC 1968 - Donald Morris Gallery, Detroit, MI 1967 - Richard Feigen Gallery, NYC 1967 - Biennale, San Marino, Italy 1966 - Tokyo Gallery, Tokyo, Japan 1966 - Richard Feigen Gallery, NYC and Chicago, IL 1966 - Contemporary Art, Museum of Contemporary Art, Nagoaka, Japan 1964 - Richard Feigen Gallery, NYC GROUP EXHIBITIONS 2014 - Xigue-Xigue, MARC STRAUS, NYC 2014 - The Shaped Canvas, Revisited., Luxembourg & Dayan, NYC 2014 - Shaped, Galleri Tom Christoffersen, Copenhagen, Denmark 2013 - On Deck, Marc Straus, NYC 2013 - Going Into the Dark, curated by Amalia Piccinini, The Painting Center, NYC 2011 - American Abstract Artists 75th Anniversary Exhibition, OK Harris Gallery, NYC 2011 - Structured Color, D. Wigmore Fine Art, Inc, NYC 2011 - Armory Show, NYC 2009 - Exploring Black and White: the 1930s through the 1960s, D. Wigmore Fine Art, Inc, NYC 2005 - Geometric Abstraction 1930-1980, Margot Stein Gallery, Lake Worth, FL 2004 - Blast from the Past, Pace Editions, NYC 2004 - Abstractions, Lee Hansley Gallery, Raleigh, NC 2004 - Current Work, Two-person Exhibition, Elaine Baker Gallery, Boca Raton, FL 2003 - Gallery Artists, Margot Stein Gallery, Lake Worth, FL,USA 2002 - Light and Shadow, curated by Corinne Robbins, Delaware Valley Arts Alliance, Narrowsburg, NY 2001 - XXXIII Festival International de la Peinture, Castle Museum, Cagnes-sur-Mer, France 2001 - Painted in New York City, curated by James Little, Hofstra University, Hempstead, NY 2000 - Foundation of a Century, Nassau County Museum of Art, Roslyn Harbor, NY 2000 - The Art of Absolute Desire, curated by James Little, 450 Broadway, NYC 1999 - Red, Mitchell Algus Gallery, NYC 1999 - The Armory Show, Mitchell Algus Gallery, The International Fair of New Art, NYC 1999 - Red, Black, White: Bolotowsky, Nevelson, Hinman, Weber Fine Art, Scarsdale, NY 1999 - Absolut Secret, curated by David McKee, D'Allenburg Fine Arts International, David McKee Gallery, New York Studio School, New York; Royal College of Art, London 1999 - Abstraction: New Directions for a New Millennium, Robert Kidd Gallery, Birmingham, MI 1998 - Recent Acquisitions , Boca Raton Museum of Art, Boca Raton, FL 1998 - Art Students League of New York: Instructors' Work, Gremillion Fine Art, Houston, TX 1998 - Gallery Artists, Lipworth International, Boca Raton, FL 1998 - Summer 1998 Exhibition, Space 504 Gallery, NYC 1997 - Abstractions: Charles Hinman and Manfred Mohr...

This artwork titled "Sea Spirit" 1965 is an original stonecut on thin paper by Eskimo artist Egevadluq (Eegyvudluk) Ragee, 1920-1983. It is hand signed, titled, dated, described and numbered 20/50 in pencil by the artist. With the blind stamp of the artist at the lower right corner. It is in excellent condition. it has a minor thin crease at the middle center, at the edge of the sheet, barely visible, see picture #4 About the artist: Eegyvudluk Ragee was the oldest child born to Pamiaktok and Sorisolutu at the small campsite of Ikarasak, on the southern tip of Baffin Island in 1920. When Egevadluq travelled to Cape Dorset (Kinngait) to trade for supplies, she would buy graphite pencil and paper from the West Baffin Eskimo Co-operative. Her early works filled entire sheets of paper, mythical creatures, bird-animal-human transformations, and images from reality - all randomly intermingled . By the mid-1960s, Eegyvudluk was using wax crayons, or coloured felt pens on paper. In 1967, improved housing in Cape Dorset resulted in the Inuit abandoning most of the campsites. Eegyvudluk moved into the settlement, and by the early 1970s, explored the use of arcrylic washes, on which she drew her well-known figures and birds. "I started drawing because I was 'tususkuk' (when I saw other people doing it, I wanted to do the same things)...When I start to make a drawing, I have a picture in my mind, but when I try to put that picture on paper, my hands won't do what my mind wants. When I have the picture in my head, I can't get it out by my hands. Sometimes I find it hard to draw when my children are in the house; I find it hard to think with so much noise around me. I make the kids go outside." Eegyvudluk, Cape Dorset Print Catalogue, 1978. Exhibitions Alaska Eskimo Dolls/Inuit Prints, Provincial Museum of Alberta, sponsored by the Alaska State Council on the Arts ART ESKIMO, Galerie de France Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Galerie Akenaton Art Inuit: Autour de la Collection de Cape Dorset 1991, Presented by l'Iglou Art Esquimau, Douai at Le Colombier Art/Facts, McMaster Art Gallery Art/Facts, McMaster Art Gallery Canadian Eskimo Art...

This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...

Mask Collotype on Paper Bold lithograph of an abstracted mask by Patricia A. Pearce (American, b. 1948). Signed in the bottom right corner, "Patricia A. Pearce." Presented in a new ...