California - Prints and Multiples
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Item Ships From: California
Back in 10 - large format photograph of conceptual message sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West
BACK I...
Category
21st Century and Contemporary Conceptual California - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
H2O IV - Homage to David Hockney
By Erik Pawassar
Located in San Francisco, CA
large format photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic ...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Ink, Giclée
CANAL BRIDGE AMSTERDAM
By John Marin
Located in Santa Monica, CA
JOHN MARIN (1872 -1953)
CANAL BRIDGE AMSTERDAM, 1906 (Zigrosser 13 i/ii)
Etching, drypoint and plate tone. A PROOF IMPRESSION of the 1st state, Annotated...
Category
Early 1900s American Impressionist California - Prints and Multiples
Materials
Etching
Billy Bowlegs, Seminole Chief: Original McKenney & Hall Hand-colored Lithograph
By McKenney & Hall
Located in Alamo, CA
This an original 19th century hand-colored McKenney and Hall lithographic portrait of a Native American entitled "Billy Bowlegs, A Seminole Chief", publi...
Category
Mid-19th Century Naturalistic California - Prints and Multiples
Materials
Lithograph
The Card Game: An Early 17th Century Engraving by A. Voet after Cornelis de Vos
By Alexander Voet
Located in Alamo, CA
A 17th century engraving entitled "The Card Game" by old master artist Alexander de Voet after a painting by Cornelis de Vos, created in 1632. The pain...
Category
1630s Old Masters California - Prints and Multiples
Materials
Engraving
"Amicua Melon" Hand Finished Color Engraving by George Brookshaw
By George Brookshaw
Located in Alamo, CA
This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...
Category
Early 19th Century Naturalistic California - Prints and Multiples
Materials
Engraving, Aquatint
Marfa ( Texas ) - large format photograph of dramatic clouds over endless fields
By Frank Schott
Located in San Francisco, CA
Marfa ( Texas ) by Frank Schott
country road view in West Texas, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd
48 x 72 i...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée
Lakeside - Fun and Bright Large Abstracted Cyanotype and Monotype Print
By Katherine Warinner
Located in Morgan Hill, CA
"Lakeside" is a fun and fresh combination print featuring elements of Cyanotype and Monotype featuring a Summertime color scheme. Organic-inspired shapes float against a rich blue-green and yellow background. In her creative process, Katherine scans organic material which she then refines into digital files. The images are then then cut out of wood using a laser cutter. Katherine prints the inked wood shapes in combination with ink washes, in different arrangements making each print unique. For more works by Katherine Warriner...
Category
2010s Contemporary California - Prints and Multiples
Materials
Monotype
Etoile de Mer Rouge (Red Star Fish) from the suite, Si je mourais La-Bas
By George Braque
Located in San Francisco, CA
This artwork titled " Etoile de Mer Rouge (Red Star Fish)" From the suite "Si je Mourais la Bas" is a rare original color woodcut on L.B hand made paper ...
Category
Mid-20th Century Cubist California - Prints and Multiples
Materials
Woodcut
Iron Cross
By Rufino Tamayo
Located in San Francisco, CA
Artist: Rufino Tamayo
Title: Iron Cross
Year: 1988
Medium: Color lithograph
Edition: Numbered CCXLV/CCC in pencil
Paper: Wove
Image size: 22.5 x 30...
Category
1980s Expressionist California - Prints and Multiples
Materials
Lithograph
Seascape IV (Homage to Mark Rothko) - large format abstract seascape photograph
By Frank Schott
Located in San Francisco, CA
From a series of large scale abstract photographs of muted color monochromatic ocean water surface and cloudscapes
SEASCAPE IV by Frank Schott
an homage t...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Why You Can Tell #2
By Robert Rauschenberg
Located in San Francisco, CA
This artwork titled "Why You Can Tell #2" from the suite "Nine Prints" is an original serigraph with offset lithograph and collage on Wove paper by American artist Robert Rauschenberg, 1925-2008. It is hand signed and numbered 36/100 in pencil by the artist. Published by Multiples, New York and Printed by Styria Studio, New York. With the blind stamp of the printer at lower left corner. The sheet size is 22.75 x 30 inches, framed is 43 x 34.25 inches. This particular artwork is held in several museums, including the Museum of Modern Art, New York. It is beautifully framed in a wooden gold frame, with fabric matting and color bevel.
About the artist.
Born in Port Arthur, Texas in 1925, Robert Rauschenberg imagined himself first as a minister and later as a pharmacist. It wasn't until 1947, while in the U.S. Marines, that he discovered his aptitude for drawing and his interest in the artistic representation of everyday objects and people. After leaving the Marines, he studied art in Paris on the G.I. Bill, but quickly became disenchanted with the European art scene.
Rauschenberg's enthusiasm for popular culture and his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. He found his signature mode by embracing materials traditionally outside of the artist's reach. He would cover a canvas with house paint, or ink the wheel of a car and run it over paper to create a drawing, while demonstrating rigor and concern for formal painting. By 1958, at the time of his first solo exhibition at the Leo Castelli Gallery, his work had moved from abstract painting to drawings like "Erased De Kooning" (1953) (which was exactly as it sounds) to what he termed "combines." These combines (meant to express both the finding and forming of combinations in three-dimensional collage) cemented his place in art history.
As Pop Art emerged in the 1960s, Rauschenberg turned away from three-dimensional combines and began to work in two dimensions, using magazine...
Category
Late 20th Century Pop Art California - Prints and Multiples
Materials
Mixed Media
"Master Arthur" from the suite "Cirque de l'Etoile Filante" Original aquatint.
By Georges Rouault
Located in San Francisco, CA
This artwork titled "Master Arthur" from the suite "Cirque de l'Etoile Filante" created in 1934, printed in 1938 is an original color aquatint, etching and drypoint by renown French ...
Category
Mid-20th Century Expressionist California - Prints and Multiples
Materials
Aquatint
Intérieur à Pressy
By Erik Desmazières
Located in Palm Springs, CA
Signed and numbered from the edition of 90.
While grand architecture and imaginary places feature in the artist’s fantastical prints, his more intimate interior scenes like Intéri...
Category
1990s Contemporary California - Prints and Multiples
Materials
Etching, Aquatint
Orchard III
By David Smith-Harrison
Located in Palm Springs, CA
Signed, numbered and titled from the edition of 200.
Smith-Harrision's work very often features architectural elements, along with trees.
David Smith-Harrison studied at Utah Stat...
Category
Early 2000s Contemporary California - Prints and Multiples
Materials
Aquatint, Etching
La Negra (The Black Woman)
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "La Negra (The Black Woman)" from the suite "The Mujeres File" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 150/150 in pencil by the artist. The image size is 26.85 x 21.25 inches, sheet size is 29.5 x 22.15 inches, framed size is 42 x 35 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #109 page 107. Custom framed in a wooden silver frame, with silver spacer and fabric matting. It is in excellent condition.
About the artist:
A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business.
In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women.
In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States.
After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art).
Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York.
In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
Category
Mid-20th Century Modern California - Prints and Multiples
Materials
Lithograph
Stratosphere I - large format photograph of abstract liquid water cloudscapes
By Christian Stoll
Located in San Francisco, CA
large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the bo...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Carnegie Hall
By Robert Motherwell
Located in San Francisco, CA
This artwork, titled "Carnegie Hall," from the suite New York, New York, 1982, is an original color lithograph with silkscreen and embossing by American ...
Category
Late 20th Century Abstract Expressionist California - Prints and Multiples
Materials
Lithograph, Screen
Abandoned Waterslide, by Jenny Robinson
By Jenny Robinson
Located in Palm Springs, CA
Drypoint and monotype, signed and numbered by the artist.
Robinson has been honored as the recipient of the Mario Avati Gravure Laureate ...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Drypoint
Mesh/Moire Set I-VI
By Tauba Auerbach
Located in Berkeley, CA
Tauba Auerbach creates art about language and logic through painting, drawing, photography, sculpture and instrument building. Auerbach’s one-person exhibition, “Tetrachromat” was presented at the Bergen Kunsthall, Norway; traveled to Malmo Konsthall, Sweden; and Wiels Contemporary Art Center, Brussels. In 2011 Auerbach was awarded the Smithsonian’s Artist Research Fellowship. Her work was included in the 2010 “Whitney Biennial,” New York; MoMA P.S. 1’s 2010, Greater New York; and the New Museum’s 2009 “Younger Than Jesus,” New York. Her work is included in the permanent collections of The Whitney Museum of American Art and the Museum of Modern Art, New York among others. She is represented by Paula Cooper Gallery...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Etching
MATTA - 10 EROTIC ETCHINGS - New School Portfolio
By Roberto Matta
Located in Santa Monica, CA
ROBERTO MATTA (Chilean 1911- 2002)
NEW SCHOOL PORTFOLIO (1943-5) (Sabatier 1-7, 4 prints not recorded by Sabatier)
Portfolio with complete set of 10 etch...
Category
1940s Surrealist California - Prints and Multiples
Materials
Inkjet, Etching
Topiary I - large format photograph of ornamental shaped urban street tree
By Frank Schott
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism
Topiary I...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Fang Fang -- The Artist's Daughter Portrait
By Zhang Biao
Located in Soquel, CA
Exceptional aquatint etching on paper by master print maker Zhang Biao. His daughter Fang Fang was published on a full page in the official catalog of the exhibition. This print rece...
Category
21st Century and Contemporary Realist California - Prints and Multiples
Materials
Aquatint, Archival Paper
In The Light Of Justice By (First Edition) signed by Alex Ross
By Alex Ross
Located in Los Angeles, CA
IN THE LIGHT OF JUSTICE (FIRST EDITION)
Alex Ross
MEDIUM: Giclée on Canvas
SIZE: 41" x 21"
EDITION SIZE: 100
ARTIST: Alex Ross
SKU: CP1292D
ABOUT THE IMAGE: “In the Light of Justice” was originally created as a triptych, which each of the three panels featured as cover art for Wizard Magazine. Under Ross’s supervision, the three images were digitally united to create the final image. Each piece is hand-numbered and is signed by Alex Ross.
ABOUT THE ARTIST: Alex Ross made his artistic debut at three when, according to his mother, he grabbed a piece of paper and drew the contents of a television commercial he'd seen moments before. By age 13 he was scripting and drawing original comic...
Category
1990s Pop Art California - Prints and Multiples
Materials
Canvas, Giclée
Persephone VI - large format photograph of a timeless environmental still
By Erik Pawassar
Located in San Francisco, CA
large scale original photograph from the body of works 'Persephone', a series of environmental still-life photographs of timeless palimpsest impressions
Persephone VI by Erik Pawassar
40 x 31 inches (102 x 79cm)
signed edition of 25
62 x 48 inches (157 x 122cm)
signed edition of 7
archival fine art pigment print
signed & numbered by artist on label
custom/larger sizes are available on request
____________________________
Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph.
Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Archival Paper, Giclée, Archival Ink, Photographic Paper, Archival Pigment
"Portrait of Phyllis #22" from the suite "41 Etchings and Drypoints"
By Richard Diebenkorn
Located in San Francisco, CA
Richard Diebenkorn (American, April 22, 1922 – March 30, 1993) is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. This piece title...
Category
Late 20th Century Abstract Expressionist California - Prints and Multiples
Materials
Etching
Cloud study II - large format photograph ( Framed ) of cloudscape horizon sky
By Frank Schott
Located in San Francisco, CA
large-scale framed original art photography from a series of mesmerizing cloud atlas observations and abstract skyscapes above the horizon line of the Medi...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Photographic Paper, Archival Pigment, Archival Paper, Black and White, G...
Aspen Study II - large scale photograph of Indian summer autumnal color palette
By Frank Schott
Located in San Francisco, CA
Aspen Study II by Frank Schott
a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada
...
Category
21st Century and Contemporary Abstract California - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Marlene, Blue Green
By Andreas Reimann
Located in San Francisco, CA
This artwork titled "Marlene, Blue Green" is an original color silkscreen by noted Austrian Artist Andreas Reimann, b.1965. It is hand signed and inscribed ...
Category
21st Century and Contemporary Pop Art California - Prints and Multiples
Materials
Screen
Cacti - large format photograph of iconic desert cactus landscape 48" x 72"
By Erik Pawassar
Located in San Francisco, CA
large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations,
an homage to the photo realistic ...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Ink, Giclée, Archival Pigment
Fly
By James Rosenquist
Located in San Francisco, CA
This artwork titled "Fly" 1981 is an original color lithograph on Arches paper by renown American artist James Rosenquist, 1933-2017. It is hand signed, dated, titled and numbered P....
Category
Late 20th Century Pop Art California - Prints and Multiples
Materials
Lithograph
Burst III - large scale abstract photograph of caleidoscopic color explosion
By Christian Stoll
Located in San Francisco, CA
From Christian Stoll's body of works BURST (2015), an abstract exploration of high speed photographs capturing mesmerizing explosions of caleidoscopic color
48 x 72 inches (122 x 18...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment
Side (Beijing)
By Martin Puryear
Located in Berkeley, CA
COLOR HARDGROUND ETCHING WITH AQUATINT AND DRYPOINT. RIVES BFK PAPER
IMAGE SIZE: 24” x 24”; PAPER SIZE: 35” x 34”
EDITION OF 40
Category
2010s California - Prints and Multiples
Materials
Etching
Breeze #16
By G.K. Austin
Located in Santa Monica, CA
Digital art.
Category
21st Century and Contemporary Abstract California - Prints and Multiples
Materials
Digital
Portrait of William Pitt, Earl of Chatham: Rare Framed Mezzotint after Brompton
By Edward Fisher
Located in Alamo, CA
This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust.
This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition.
William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782.
The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister.
Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...
Category
Late 18th Century Old Masters California - Prints and Multiples
Materials
Mezzotint
Wave II - large scale abstract photograph of water surface reflections
By Christian Stoll
Located in San Francisco, CA
mesmerizing large scale capture of a strikingly abstract water surface
WAVE II by Christian Stoll
48 x 48 inches (122 x 122cm)
signed edition of 7
5...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Photographic Paper, Archival Pigment, Archival Paper
Donald Judd 'Unititled, 1978-79' Signed, Limited Edition Aquatint Print
By Donald Judd
Located in San Rafael, CA
Donald Judd (American 1928-1994)
Untitled, 1978-79.
Aquatint on etching paper
Signed and numbered 8/175 in pencil (there were also 15 artist's proofs)
Published by the artist, with t...
Category
1970s Minimalist California - Prints and Multiples
Materials
Aquatint
"Allegory of Justice": A 17th Century Old Master Engraving by van Swanenburg
By Willem van Swanenburg
Located in Alamo, CA
This old master engraving entitled "Allegorie op de Rechtspraak" is by Willem van Swaanenburg after a painting by Joachim Wtewael, published by Ch...
Category
Early 1600s Old Masters California - Prints and Multiples
Materials
Engraving
(On) Series
By Ross Bleckner
Located in Berkeley, CA
Color aquatints.
Edition of 40
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Etching
Topiary II - large format photograph of ornamental shaped sidewalk trees
By Frank Schott
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism
TOPIARY II by Fran...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Archival Ink, Photographic Paper, Archival Pigment, Archival Paper, Giclée
Tondo Portfolio
By Jenny Robinson
Located in Palm Springs, CA
Please note that these are six individual prints, Drypoint on Okawara paper. The main image is meant to show how them might look grouped together. Each is signed and numbered by the ...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Drypoint
Bloody Oscar II (Limited Edition Print)
By Mauro Oliveira
Located in LOS ANGELES, CA
Celebrating the Academy in this original and limited Oscar art series by Mauro Oliveira.
Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the ar...
Category
21st Century and Contemporary Pop Art California - Prints and Multiples
Materials
Giclée
Untitled (S. 105)
By Donald Judd
Located in Calabasas, CA
Artist: Donald Judd
Title: Untitled (S. 105)
Year: 1977-78
Medium: Etching on wove paper
Sheet: 30 x 35 in. (76.2 x 88.9 cm.)
Edition: 75 plus proofs; signed, numbered and dated in p...
Category
1970s Contemporary California - Prints and Multiples
Materials
Etching
Persephone III - large format photograph of a timeless environmental still
By Erik Pawassar
Located in San Francisco, CA
large scale original photograph from the body of works 'Persephone', a series of environmental still-life photographs of timeless palimpsest impressions
Persephone III by Erik Pawassar
40 x 31 inches (102 x 79cm)
signed edition of 25
62 x 48 inches (157 x 122cm)
signed edition of 7
archival fine art pigment print
signed & numbered by artist on label
custom/larger sizes are available on request
____________________________
Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph.
Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Archival Pigment, Photographic Paper
Wallscape IV (New York) - abstraction of urban textures and palimpsest colors
By Frank Schott
Located in San Francisco, CA
WALLSCAPE IV by Frank Schott
from a series of photographic observances capturing urban textures and wallscape color palettes
48 x 72 inches / 122cm x 182...
Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Untitled, Two Horsemen
By Tomikichiro Tokuriki
Located in San Francisco, CA
This artwork "Two Horsemen" c.1960 is an original woodcut by noted Japanese artist, Tomikichiro Tokuriki, 1902-1999. It is hand signed and numbered 38/100 in pencil by the artist. The image (Block mark) size is 15.25 x 20.5 inches, sheet size is 16.5 x 21.15 inches. It is in very good condition, hanging tape remaining on the back.
About the artist:
Print artist. Tokuriki was born in Kyoto, where he has always worked. The last of a long line of traditional-style painters, he turned early to woodblock prints and became a leader of the Kyoto 'Sosaku Hanga'. He graduated from the Kyoto City School of Fine Arts and Crafts and then from the Kyoto City Specialist School of Painting in 1924. In 1928 he studied 'Nihonga' painting under Tsuchida Bakusen (1887-1936) and Yamamoto Shunkyo (1871-1933) and exhibited with Kokuga Sosaku Kyokai, but about the same time in 1929 he changed to woodblock printing under the influence of Hiratsuka Un'ichi and began to contribute to the early print magazine 'Han'. He was a member of Nihon Hanga Kyokai from 1932, and active in promoting 'Sosaku Hanga' in Kyoto. He was a co-founder of the Kyoto magazine 'Taishu hanga' in 1932, which helped create the sense of a local school of the Creative Print Movement much encouraged by Hiratsuka. He produced many sets of prints before and during the Pacific War based on traditional subjects, such as 'Shin Kyoto fukei' ('New View of Kyoto', 1933-4), which also included designs by Asada Benji (q.v.) and Asano Takeji (b.1900), and 'Tokyo hakkei' ('Eight Views of Tokyo', 1942). Most of these were published by Uchida of Kyoto, but after the war Tokuriki set up his own publishing company called Matsukyu, which also began to teach block-carving to artisans and artists, in later years many of them foreigners. In 1948 he also set up a sub-company called Koryokusha consisting of artists who would produce their prints under the financial umbrella of Matsukyu. Later sets include 'Hanga Kyoto hyakkei' ('One Hundred Print Views of Kyoto', 1975). Tokuriki has continued to be active in teaching and writing, producing a long series of articles on print techniques in 'Hanga geijutsu' magazine during the 1970s.
Bibliography
Smith, Lawrence, 'Modern Japanese Prints 1912-1989: Woodblocks and Stencils', BMP, London, 1994, p. 36 and no. 50.Statler, Oliver, 'Modern Japanese Prints: An Art Reborn', Turtle, Rutland, Vermont, and Tokyo, 1956, pp. 118-22.Tokuriki, Tomikichiro (trans. Arimatsu, Teruko), 'Woodblock Printing', Arimatsu Color Book Series no. 14, 8th English edn, Hoikusha, Osaka, 1977.Kanagawa Prefectural Museum of Modern Art, 'Kindai Nihon no mokuhanga-ten', exh. cat., 1990.Merritt, Helen, 'Modern Japanese Woodblock...
Category
Mid-20th Century Other Art Style California - Prints and Multiples
Materials
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Category
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By (after) Sonia Delaunay
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Category
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Category
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Materials
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Not framed. Ships in a tube.
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Category
21st Century and Contemporary Contemporary California - Prints and Multiples
Materials
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Title: Kiss, Hair, Hands
Year: 1986
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Sheet: 29 x 19 3/4 inches (73.7 x 50.2 cm)
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Category
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Materials
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