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Billy Schenck"Waco" Serigraph by Billy Schenck, 19811981
1981
About the Item
Bill Schenck
Waco
Serigraph 7/58
1981
Hand signed, date and numbered by Schenck in pencil.
25.75 inches H. x 25 inches W.
'Waco' is classic early example of the iconography of the artist Bill Schenck's 'Pop Western' work. This print has been in my private collection since originally purchased directly from the artist in the early 1990s and has never been offered for sale before.
The print is in very good original condition. There is an area of slight discoloration visible in the bottom margin.
One of the originators of the contemporary 'Pop' Western Art movement, Schenck's artwork now appears in the permanent collections of 48 museums and in numerous important private and corporate collections.
- Creator:Billy Schenck (1947, American)
- Creation Year:1981
- Dimensions:Height: 25.75 in (65.41 cm)Width: 25 in (63.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU1573210110942
Billy Schenck
Billy Schenck has been known internationally for 44 years as one of the originators of the contemporary 'Pop' western art movement. He is an American painter who incorporates techniques from Photo-Realism with a Pop Art sensibility to both exalt and poke fun at images of the West. Schenck has had over 100 solo shows. His work is in the permanent collections of 48 museums and important private and corporate collections. Museum collections include the Smithsonian, Mesa Southwest Museum, The Tucson Museum of Art, The Denver Art Museum, Museum of the Southwest, Midland TX, Albuquerque Fine Arts Museum and the New Mexico Museum of Art. Private collections include the estate of Malcolm Forbes, Steve Forbes, Chris Evert, Elaine Horwitch, Louis Meisel, Martina Navratilova, Laurance Rockefeller, Fritz Scholder and Sylvester Stallone. Corporate collections include: American Airlines, I.B.M., Raymond James Financial, Wells Fargo Bank, Hilton Hotels, Sturm Ruger and The National Bank of Switzerland. “What has remained constant throughout Schenck’s career is his individuality in dealing with the subject matter of the west. Using the artistic formula of classic western film direction and the photographically reliant systems of contemporary art, he has bridged two genres that resonate with the American experience. From early depictions of cinematic cowboys to real-life cowboys and cowgirls to poetic reveries about the Native American existence in the Southwest, Schenck melds the real with the imagined, autobiography with fantasy.” -Julie Sasse, Chief Curator and Curator of Modern and Contemporary Art, Tucson Museum of Art.
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