Pop Art Landscape Prints

Lithograph in colors on paper. Hand signed and numbered by Peter Max. Published by Tsumura Art Association., Tokyo, Japan and printed by Joseph Kleineman, NY. Edition of 150. Ar...

70x70cm, print on canvas Limited edition of 10 pieces

Katrina Revenaugh “Grande Dame” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 18 inches, 24 x 36 inches Color Options: Blue, Coral, Green Edition: 75 + AP Signed and tit...

Artist: Peter Max (1937) Title: Protect Our Planet Ver. II Year: 2002 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 13.81 x 17.12 inches Condition: Excelle...

Christo Wrapped Reichstag: Project for Berlin, 1994 Collage on offset lithograph with raised silver thermal paper used to wrap Reichstag, on thin velincarton 15 3/4 × 11 1/2 inches E...

Artist: Peter Max (1937) Title: Six Liberties Year: 2003 Edition: 424/500, plus proofs Medium: Lithograph on Arches paper Size: 13.5 x 15.5inches Condition: Excellent Inscription: Si...

Artist: Peter Max (1937) Title: Garden Flowers & Vase of Flowers (Two Artworks) Year: 1979 Edition: 347/350, plus proofs; 143/350, plus proofs Medium: Lithograph on Somerset paper Si...

Claes Oldenburg Fagends Carved in Rock, De-Accessioned from the Denver Art Museum (137, Axsom and Platzker), 1975 Offset Lithograph. Hand signed and numbere...

Serigraph in colors on paper. Hand signed and numbered by the artist. From the edition of 150. Frame size approx 28 x 34 inches. Artwork is in excellent condition. Certificate o...

Lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 165. Frame size approx 28 x 33 inches. Artwork is in excellent condition. Certificate ...

Artist: Peter Max (1937) Title: Protect our Home, Version I Year: 2002 Edition: 451/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 5 x 6.25 inches Condition: Excell...

Serigraph in colors on paper. Hand signed and numbered by the artist. Artist Proof (AP) edition of 45. Sheet size 23 x 27.5 inches. Image size 18 x 22.5 inches. Custom framed as ...

THE GARDEN is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 using traditional hand lithography techniques on archival Somerset paper, 100% acid free. THE GARDEN is a dreamy, abstract line drawing...

Lithograph in colors on paper. Hand signed, dated and numbered by the artist. Artist Proof (AP) edition. Sheet size 23 x 30 inches. Custom framed as pictured. Artwork is in excell...

Hand signed and numbered by the artist. Published by AMX Art Ltd., NY and printed by IZMO Productions, NY.. Artwork is in excellent condition. Edition of 175. All reasonable offer...

Hand signed and numbered. Blind stamped in lower left corner. Don't hesitate to ask any questions. Certificate of Authenticity included. Published by AMX Art Ltd., NY and printed by ...

Hand signed, dated and inscribed "PP Study" by the artist. Hand embellished by the artist. A unique variation. Artwork is in excellent condition. Certificate of Authenticity includ...

Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Published by London Arts Inc., Detroit, MI and printed by Peter Baum,...

Artist: Roy Lichtenstein, American (1923 - 1997) Title: This Must Be the Place (C. III.20) Year: 1965 Medium: Offset Lithograph, signed in the plate and in pencil l.r. Edition of unk...

Artist: Romare Bearden (1911-1988) Title: Louisiana Serenade (Gelburd/Rosenberg 77) Year: 1979 Medium: Lithograph on Arches paper Edition: 46/175, plus proofs Size: 24. x 33.75 inche...

3D mixed media silkscreen on paper. Hand signed, titled and numbered on front by Charles Fazzino. Artwork size 11 x 9.5 inches. Framed size approx 14.5 x 14.25 inches. Edition 27...

3D mixed media silkscreen on paper. Hand signed, titled and numbered lower margin by Charles Fazzino. Artwork size 35 x 7.5 inches. Framed size approx 45.5 x 16 inches. Edition 1...

3D mixed media silkscreen on paper. Hand signed, titled and numbered lower margin by Charles Fazzino. Artwork size 32 x 44 inches. Framed size approx 42 x 53 inches. From the edi...

Pink Forest, 2018 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work ...

Artist: Peter Max (1937) Title: Protect Our Planet Ver. II Year: 2002 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 13.81 x 17.12 inches Condition: Excelle...

Hockney returned to his native Yorkshire in the 1990s and was inspired by the countryside he found there. Interpreting it through the lens of early 20th century artists such as Matis...

Villa Rosa Thomas McKnight, American (1941) Screenprint, signed and numbered in pencil Edition of 165/200 Image Size: 16 x 18 inches Frame Size: 32 x 34 inches

Serigraph in colors on paper. Hand signed, dated and numbered by Peter Max. Published by London Arts Inc., Detroit, MI and printed by Peter Baum, NY. Edition of 100. Artwork is ...

Serigraph in colors on paper. Hand signed, dated and numbered by Peter Max. Published by London Arts Inc., Detroit, MI and printed by Peter Baum, NY. Edition of 300. Frame size ...

Artist: Robert Rauschenberg (1925-2008) Title: Charms against harms Year: 1993 Medium: Lithograph on wove paper Edition: H.C. 8/15, 100, plus proofs Size: 40.5 x 28 inches Condition:...

Artist: Robert Rauschenberg (1925-2008) Title: Tribute 21 (Human Rights) Year: 1994 Medium: Lithograph on Arches paper Edition: 20/50, plus proofs Size: 40.75 x 27 inches Condition: ...

Artist: James Rosenquist (1933-2017) Title: My Mind Is a Glass of Water, from Prints for Phoenix House (Glenn 58) Year: 1972 Medium: Color lithograph on Arches paper Edition: A.P. XX...

Jon D'Orazio, American (1942 - ) - Sky Over Mountain. Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 19 x 23 inches, Size: 23 in. x 3...

Flowers at the forest, 2018 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) ...

Ski Free in Siberia. Circa 1969. Poster satirizing ski culture in Soviet-era Siberia: A skier wears a prisoner’s outfit and carries a hammer and sickle; “Gone-Dola” prison trucks are...

LADY WITH FEATHERS is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 in an edition of 165, using traditional hand lithography techn...

Christo, Christo and Jeanne-Claude, Javacheff Christo The Gates, New York City (two separate cards, each hand signed in ink), 2005 Two offset lithograph postcards, each hand signed i...

Ski Poland! Circa 1960s. Artist: Irv Isaacson. Poster satirizing ski culture in Poland showing an unkept ski instructor skiing down a pass with a toilet plunger and nails throug...

Seven Statues Thomas McKnight, American (1941) Screenprint, signed and numbered in pencil Edition of LVII/LXXV Image Size: 34 x 23 inches Size: 42 x 30.5 in. (106.68 x 77.47 cm) Fram...

Nubian Fisherman Thomas McKnight, American (1941) Screenprint, signed and numbered in pencil Edition of 64/200 Image Size: 16 x 18 inches Frame Size: 30 x 31 inches

a, 2018 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work has been s...

Troulos Bay, Mykonos Thomas McKnight, American (1941) Screenprint, signed and numbered in pencil Edition of 162/200 Image Size: 18 x 35.5 inches Frame Size: 35 x 53 inches

Mykonos Horizon Thomas McKnight, American (1941) Screenprint, signed and numbered in pencil Edition of 147/200 Image Size: 36 x 18 inches Frame Size: 52 x 34 inches

“Ponds and Streams” features a serene and idyllic landscape, characterized by a series of tranquil water bodies intertwined with lush, rolling terrain. Thiebaud’s distinctive use of ...

Artist: Andy Warhol Title: Kiku Medium: Screenprint on Rives BFK paper Date: 1983 Edition: 214/300 Frame Size: 28 1/2" x 34 1/2" Sheet Size: 19 5/8" x 26" Signature: Hand signed and ...

Andy Warhol Bodley Gallery 1957: A rare, 1950s gallery announcement offset illustrated by Andy Warhol on the occasion of: Andy Warhol Golden Pictures: December 2 - December 24, 1957: The Bodley Gallery 223 East 60th St., New York, NY. A scarce, historical Andy Warhol Pre-Pop illustration; highly collectible. Medium: Double-sided offset lithograph in colors, on wove paper, with full margins, before folding. Dimensions: 12 3/4 x 19 1/2 in. (32.4 x 49.5 cm) Good overall vintage condition. Minor signs of aging & handling. Well-preserved. Unsigned from an edition of unknown. Warhol Foundation annotations in pencil on one side. Provenance: The Andy Warhol Foundation for the Visual Arts, New York. Susan Sheehan Gallery, New York. Private Collection, New York. Literature: Kornbluth: Pre-Pop Warhol, no. 66, pp. 164-165. Further background: Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre. Several of Andy Warhol's earliest exhibitions in New York were at the Bodley during the 1950s, starting with two in 1956. _ Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories 1950s Andy Warhol. Vintage Andy Warhol. Mid century modern. Pop Art. Andy Warhol advertising...

Andy Warhol Flowers and Holly (Christmas Card) c. 1955: A rare, well-sized 1950s designed Andy Warhol flowers Christmas print, produced by Warhol circa 1955. Featuring Warhol's printed signature on the lower right, with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts Authorization ink-stamps on the reverse, initialed 'T.J.H.' by Timothy J. Hunt of the Andy Warhol Foundation & annotated 'XA-03.54' and 'PM17-0028' in pencil on the reverse. Offset lithograph on gold paper. 13 x 10 inches (33 x 25.4 cm). Good overall vintage condition. Minor indentations & signs of handling. Well-preserved. Printed signature from an edition of unknown. Stamped & notated on the reverse by the Andy Warhol Foundation for the Visual Arts. Rare. Provenance: The Andy Warhol Foundation for the Visual Arts, New York Susan Sheehan Gallery, New York Private Collection, New York Further background: Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre, dominated by charming and light-handed ink drawings. As a master of line and contour, Warhol’s consistent and unique drawings and designs piqued the interest of his clients, earning him commissions and collaborations with some of the biggest brands of the day: Tiffany & Co., Columbia Records, and Vogue, to name a few. Though stylistically different from the Pop, these early drawings offer a glimpse at an artist well on his way to establishing an art movement that would change the way the world conceived of contemporary art and its connection to pop culture, morphing from his early successes in the commercial art scene. The simple yet sophisticated line drawings contain... his favorite things: cherubs, shoes, cats, and often young men. Across these drawings and hand-colored prints, we see Warhol as a compulsive creator, documenting life and fantasy with the stark clarity of ink on paper." (source: Phillips) _ Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories 1950s Andy Warhol. Vintage Andy Warhol. Mid century modern. Pop Art. Andy Warhol advertising...

Artist/Designer; Manufacturer: Tom Wesselmann (American, 1931-2004) Marking(s); notes: signed, Museo de Arte Contemporanea stamp; ed. 5/30; 1993 Materials: lithograph Dimensions (H, ...

Red Grooms Grand Central Terminal (signed and inscribed to renowned attorney), 1993 Offset lithograph poster (signed and inscribed in marker to Herbert Nass) Signed, inscribed to Her...

Pink Forest, 2018 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work ...

Artist: (after) Keith Haring (American, 1958-1990) Title: "Galerie Littmann (Keith Haring: Retrospective Editions on Paper)" Year: 1993 Medium: Original Offset-Lithograph, Exhibition...

Super rare original signed The Gates proposal book for famous art critic: Christo: The Gates Project for Central Park New York City (Hand Signed and Inscribed to art critic Anthony ...

Artist: Billy Al Bengston – American (1934-2022) Title: Untitled Year: 1990 Medium: Lithograph, silkscreen on Arches paper Sight size: 19.5 x 25.5 inches. Sheet size: 24 x 30 inches. Signature: Signed lower right Publisher: Cirrus Editions, Ltd., Los Angeles, CA Edition: 250 This one: 120/250 Condition: Excellent This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches. Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene." Early life and education Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956. Career Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang". After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface." Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...

Camping, 2009 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 30 (Unframed) His work has ...

Donald Baechler 2005: a set of 2 works: A set of two highly decorative signed limited edition Donald Baechler prints sure to standout in any setting. Included in the set: Donald Bae...

Allan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Press, New York, NY" 32 in. x 24 in. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery...

THE BIG APPLE, NEW YORK CITY is a handmade limited edition color lithograph with metallic gold silkcreen by the American artist Alex Echo. THE BIG APPLE, NEW YORK CITY was printed us...

Vintage gallery exhibition poster. Navy blue and bold yellow stars with vibrant orange. Surrealist man in hat with scythe or fishing rod. The Galerie Maeght is a gallery of modern ar...