Continental Europe - Color Photography

Le grand musicien russe Alexandre Scriabine disait que la musique possède ses propres couleurs. Il cherchait à créer des mélodies qui évoquent des associations de couleurs. Dans ...

JOHN Yuyi (*1991, Taiwan) Wear NIKE 3, 2018 Archival Pigment Print Sheet 90 x 60 cm (36 x 24 in.) Edition of 6, plus 2 AP; Ed. no. 1/6 John Yuyi (*1991, Tai...

Bellec entoure un reflet uni ou des points multicolores d'une nuit noire, d'une densité mystérieuse. C'est un jeu de couleurs avec des reflets qui s'alternent. Rendre abstrait quelq...

Le grand musicien russe Alexandre Scriabine disait que la musique possède ses propres couleurs. Il cherchait à créer des mélodies qui évoquent des associations de couleurs. Dans ses photos, Karina ZAITSEVA a, au contraire, imaginé que chaque couleur possédait son propre son. Karina vit à Saint...

Miles ALDRIDGE (*1964, Great Britain) New Utopias #3, 2018 Screenprint in colours with silver ink printed on 410gsm Somerset Paper Sheet 87 x 150 cm (34 1/...

Impression fine art sur papier baryté, tirage réalisé par l'auteur Taille de l'image : 30 x 40 cm Tirage signé, numéroté et titré au verso Non encadré, sans passe-partout Cette photographie appartient à la série "American Puzzle" et est présente dans le livre « American Puzzle » aux éditions Trans Photographic Press, 2011 « J’ai compté : je suis allé 17 fois aux USA. « Seventeen trips ». Mes référents "culturels" et "politiques" ont évolué. D’autres images sont venus se superposer à celles qui remplissaient mon imaginaire. Mais tous s’est passé comme je le pressentais. Que reste-t- il à photographier aux USA ? Rien ? Ce n’était pas possible… J’ai failli ranger mes boîtiers. Et puis, un soir, j’ai écouté au piano une énième version des « Variations Goldberg » de Jean Sebastien Bach interprétés par un jeune pianiste talentueux. Après tant d’autres, et certains « monstres sacrés », il osait affronter cette partition… Le parallèle s’imposait : et si le territoire américain était justement nos « Variations Goldberg » à nous les photographes du réel, de la société et de la politique ? Et si justement il fallait un jour en passer par là ? Comme une nécessité d’aller se frotter à ce « réel imaginaire ». Pour ensuite aller sinon plus loin, du moins ailleurs. Et être plus libre peut être… Deux ou trois escales en Asie durant ces dernières années et quelques lectures m’ont confirmé ce sentiment : le « nouveau monde...

Impression fine art sur papier baryté, tirage réalisé par l'auteur Taille de l'image : 30 x 40 cm Tirage signé, numéroté et titré au verso Non encadré, sans passe-partout Cette phot...

MILES ALDRIDGE (*1964, Great Britain) The Pure Wonder #1 2005 Chromogenic print Image 101,6 x 76,2 cm (40 x 30 in.) Sheet 111,6 x 86,2 cm (43 7/8 x 33 7/...

RISAKU SUZUKI (*1963, Japan) SAKURA 13,4-152 2013 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed The Sakura (Japanese term for ‘cherry bloss...

Albert WATSON (*1942, Scotland) Waris, Quarzazate, Morocco, 1993 Archival pigment print Sheet 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10, plus 2 AP, Ed. no. 7/10 Print only A...

Thomas Struth (German, b. 1954) Xi Shuang Banna (from Paradies), 2004 Medium: Pigmented inkjet print Dimensions: 32.9 x 48.3 cm (13 x 19 in) Edition size: undisclosed Markings: Hand-...

Pierre Casbas - (title on the photos) Digigraphy Size: A2 - 59.4 x 42 cm Published in 9 numbered and signed copies. Comes with a certificate of authenticity Printed on Hamuhel ...

"Hyperbaroque Impressions: A Collection of Art Prints by Miguel Rodrigues" Step into the surreal world of Miguel Rodrigues, where the boundaries between reality and fantasy blur int...

Stéphane COUTURIER (*1957, France) Alger – Titanic n°1, 2013-2015 C-print in Artist's frame 160 x 160 cm (63 x 63 in.) Edition of 5; Ed. no. 2/5 B...

The photograph is sold unframed, only the art print. Printed on Hahnemuhle Fine Art Baryta 325 gsm paper, the most premium quality fine art paper which delivers the most accurate...

The photograph was taken in the north of Spain. The photograph is sold unframed, only the art print. Printed on Hahnemuhle Fine Art Baryta 325 gsm paper, the most premium quality ...

The photographs of “Wall of Natureâ€

Syoin KAJII (*1976, Japan) KAWA 051-052, 2010 Lambda Print with Diasec Face, Diptych 100 x 300 cm (39 3/8 x 118 1/8 in.) Edition of 6; Ed. no. 1/6 About KAWA: Buddhist monk Kajii ...

Through his art, Canadian photographer Patrick Lajoie explores the themes of color and light while focusing on the emotions born of nostalgia and memory. Previously known for his woo...

Basile Ducournau is a French young photographer, specialized in bad weathers and storm chasing. "L'orage Parfait" (The perfect thunderstorm) was taken in New Mexico at the very end of a one month trip, followed by french main TV channel (TF1), around storm and tornado chasing. This last day, the team decided to go west, i.a at the opposite of the airport to go back to Europe and France. So they travelled from Oklohamo to Texas and then New Mexico, to take this last shot...

I build up this triptych colecting 3 pictures taken in an orange mood.

Miles ALDRIDGE (*1964, Great Britain) Mystique #2, 2018 Chromogenic print Image 101 x 152,5 cm (39 3/4 x 60 in.) Sheet 113 x 164.5 cm (44 1/2 x 64 3/4 in.) Edition of 3, plus 2 AP; E...

MILES ALDRIDGE (*1964, Great Britain) Doors #5, 2023 Screenprint in colours Sheet 73 x 100 cm (28 3/4 x 39 3/8 in.) Edition of 15, plus 3 AP; Ed. no. 1/15 Print only A fiercely or...

"Hyperbaroque Impressions: A Collection of Art Prints by Miguel Rodrigues" Step into the surreal world of Miguel Rodrigues, where the boundaries between reality and fantasy blur int...

Five minutes after Suicide Pigment ink on hahnemühle fine art paper 42x59,4 cm Limited edition of 30 + 3 A.P. - signed - numbered with certificate of authenticity numbers follo...

Pigment ink on hahnemühle fine art paper 42*59,4 cm - Limited edition of 30 + 3 A.P. - signed - numered with certificate of authenticity numbers follow with the sales :: Photogra...

When flowers die - Pigment ink on fine art paper 50*50 cm Limited edition of 30 + 3 artist proof in this size and 3 on size 100x70 cm You are purshasing the 50x50 cm version. ...

Tehos art - limited edition, pigment ink on fine art paper 300 gsm - 100x100 cm It was that perfect day - limited edition of 30 + 3 Artist proof Please note : shipment will start...

The painting "Summer storm over the beautiful Danube" is a combination of the author's photograph of the statue of Johan Strauss' son, taken in Vienna, c...

Medium: Digital pigment print on matte paper Size: 113.5 x 64 cm Edition of 35 + 5 AP + 2 PP Signed and numbered by the artist on a certificate

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition AP 1 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award twice before with my previous series for both Earth and Power themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Yoshinori MIZUTANI (*1987, Japan) sakura 020, 2015 Archival pigment print on Hahnemuhle Fine Art Baryta paper 145.6 x 97 cm (57 3/8 x 38 1/4 in.) Edition of 3, plus 2 AP; Ed. no. 1/3...

Syoin KAJII (*1976, Japan) NAMI_043, 2004 Lambda Print with Diasec Face 56 x 84 cm (22 x 33 1/8 in.) Edition of 6; Ed. no. 2/6 About NAMI: NAMI is a series of photos of waves around the shores of Sado Island in Japan. The photographer, a young Buddhist monk named Syoin Kajii, watches the water patiently, waiting for a moment of surprise. The photographs are truly stunning. The artist captures the power and dynamism of the ocean and waves, a stark contrast to the tranquil seascapes by Sugimoto. By carefully gauging the speed of the wind and level of the wave, he waits for nature to create the image. These works are close ups, the artist is practically in the water. Syoin Kajil is the winner of the first Foil Award, for which the prize is the publication of NAMI. About Syoin Kajii: Born in Niigata, Japan, Kajii currently lives and works as a artist and Buddhist monk on Sado Island. Syion Kajii, graduated from Koyasan University in Mikkyo, in esoteric Buddhism, in 1999. He has been taking photographs since the age of 16, and after having served his Buddhist apprenticeship at Koyasan (Mt. Koya) from 1995 to 1999, Kajii travelled around the world, to places such as Vietnam, Cambodia, Thailand, Papua New Guinea, and the U.K. taking pictures. While working as a monk of the Singon sect in Sado Island, he has been actively working as a photographer. In 2004 he was awarded the 1st FOIL Award for his series of pictures in which he took a succession of waves on a shore in Sado. Following the FOIL Award, he published his first photo book NAMI and was awarded the Rookie of the Year 2005 by The Photographic Society of Japan for this overwhelmingly energetic and spiritual book...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Torso de Dimas, 2019 Archival pigment print on Hahnemühle Photo-rag paper 52 x 39 cm (20 1/2 x 15 3/8 in.) Edition of 3 plus 2 artist's...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series 'Illuminance' 2011 C–type print Sheet 101,6 x 101,6 cm (40 x 40 in.) Edition of 6; Ed. no. 6/6 print only Reminiscent of Jap...

Photograph, 2016. Ultra HD, printed on Fuji Crystal DP I II. 1 of 30 prints behind acrylic glass. Framed. Signed, titled, dated and numbered on the back. It comes directly from the s...

"Venise", Bellec, 20x30 cm tirage seul. Tirage pigmentaire sur papier baryté, édition 2/20. Photographie de paysage prise lors d'un des nombreux voyages du photographe ; vue de Veni...

Superposition de deux photos prises à Paris « A partir d’une photo d’une affiche du début du 20 ° siècle de la Tour Eiffel, superposition avec une image nocturne prise des Champs Ely...

Dominique TEUFEN (*1975, Switzerland) Dawn, from the series 'Rays of Light', 2020 Hahnemühle Fine Art Baryta Sheet 80 x 120 cm ( 70 7/8 x 47 1/4 in.) Edition of 5, plus 2 AP, 1/5 Fra...

Photograph, 2016. Ultra HD, printed on Fuji Crystal DP I II. 1 of 30 prints behind acrylic glass. Framed. Signed, titled, dated and numbered on the back. It comes directly from the s...

RISAKU SUZUKI (*1963, Japan) SAKURA 16, 4-25, 2016 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Frame 124 x 158.8 x 5.7 cm (48 7/8 x 62 1/2 x ...

Photographie disponible en deux formats : 45x90cm et 65x120cm Veuillez nous contacter si intéressé. Ce tirage fait partie de la série "Sacré Profane" C’est le cas de sa première émo...

Charisma II pop, 2018 Color print on paper Photo Baryté 315 gr Image Format 400 x 500 mm Paper size 500 x 600 mm Limited edition of 30 copies Signed and numbered print on both sides...

Brigitte LUSTENBERGER (*1969, Switzerland) Are you here or just a memory, 2023 From the series 'An Apparition Of Memory' C-print 100 x 72 cm (39 3/8 x 28 1/4 in.) Edition of 5, plus ...

From the Avenue Montaigne to the Faubourg Saint Honoré, from trunk shows to haute couture, from collections to fundraisers, from podiums to podcasts, ...

Michael WOLF (1954 – 2019, Germany) Night #3, 2004 C–print Sheet 177.8 x 228.6 cm (70 x 90 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 Print only – Michae...

Stéphane COUTURIER (*1957, France) E1027/123 – Villa Eileen Gray – Photo #24, 2021-2022 C-Print 140 x 116 cm (55 1/8 x 45 5/8 in.) Edition of 5 Signed In 1994, Stéphane Couturier sh...

Le grand musicien russe Alexandre Scriabine disait que la musique possède ses propres couleurs. Il cherchait à créer des mélodies qui évoquent des associations de couleurs. Dans ...

Le grand musicien russe Alexandre Scriabine disait que la musique possède ses propres couleurs. Il cherchait à créer des mélodies qui évoquent des associations de couleurs. Dans ...

Ola KOLEHMAINEN (*1964, Finland) Reliquary with Holy Spirit Dove c.1300, 2019 Archive Ink Jet Print in Artist Frame 63 x 55 cm (24 3/4 x 21 5/8 in.) Editio...

Pierre Casbas - (title on the photos) Digigraphy Size: A2 - 59.4 x 42 cm Published in 9 numbered and signed copies. Comes with a certificate of authenticity Printed on Hamuhel ...

`Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the element of fire, I hav...

Nick Veasey - The Bird in Colour No 3 TR Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

Nick Veasey - The Bird in Colour No 6 MR Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

Nick Veasey - The Bird in Colour No 7 BL Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

Nick Veasey - The Bird in Colour No 9 BR Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

Archival photo print under acrylic glass. Dimensions: 2x 24 in. x 59 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge ...

Stéphane COUTURIER (*1957, France) E1027/123 – Villa Eileen Gray – Photo #23, 2021-2022 C-Print 110 x 140 cm (43 1/4 x 55 1/8 in.) Edition of 5 Signed In 1994, Stéphane Couturier sh...