Continental Europe - Color Photography

`Zebra 2` Oslo, 2019- from the series `Residence of Impermanence` 120 x 170 cm Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, ...

"Northern Asian Afternoon", photography by Antoine Gaussin. Antoine Gaussin is a French photographer who studied journalism and photography. As a jour...

"Threshold IV", 3D lenticular print, framed. Lenticular printing is a technology in which lenticular lenses are used to produce printed images with an illusion of depth, or the abil...

Edward BURTYNSKY (*1955, Canada) Chino Mine #5, Silver City, New Mexico, USA, 2012 Pigment inkjet print on Kodak Professional Photo Paper Sheet: 148,5 x 198.2 cm (58 1/2 x 78 in.) Ed...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Finding Rooftops I, 2020 Archival pigment print on Hahnemühle Photo-rag paper 100 x 75 cm (39 3/8 x 29 1/2 in.) Edition of 3 plus 2 art...

Tirage Couleur pigmentaire Papier : Hahnemühle, Photo Rag Bright White 310g/m2 Signé par l’auteur et numéroté à 9 exemplaires American Decorum Le grand rêve de l'Americana, cette c...

"NY Chinatown" , photography of Chinatown (NY) by Didier Fournet. Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes and reveals th...

"Hong Kong Jour #33", photography by Didier Fournet. Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes and reveals the beauty of t...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Finding Rooftops II, 2020 Archival pigment print on Hahnemühle Photo-rag paper 100 x 75 cm (39 3/8 ...

`Shadow Within` Norway/USA 2010-2013 70 cm x 110 cm. (28 in. x 43 in.) Edition 6 + 2 a.p. 110 cm. x 150 cm. (47 in. x 59 in.) Edition 3 + 1 a.p. 100 cm x 150 cm. Edition 3 + 1 a....

Karla HIRALDO VOLEAU (*1992, French-Dominican) Mai, 2022 Inkjet prints on Awagami thick white paper, face-mounted to Diasec 126 x 98 cm (49 5/8 x 38 5/8 in.) Edition of 3 plus 1 arti...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Tus putas ortigas, 2019 Print: Inkjet on Hahnemuhle Photo Rag Baryta 315 gr. Frame: custom made aluminium profile. Mounted on aluminium...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Snatching oranges, 2024 Inkjet on Hahnemuhle Photo Rag Baryta Frame: custom made aluminium profile. Mounted on aluminium. No glass. 44 ...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Nipple, 2024 Inkjet on Hahnemuhle Photo Rag Baryta 44 x 29 cm (17 3/8 x 11 3/8 in.) Edition of 3 plus 2 artist's proofs Signed by the a...

90 x 120 cm Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 2/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 3/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien is a French pho...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 9/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien is a French pho...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 3/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 3/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien is a French pho...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 2/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien is a French pho...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 2/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 2/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien is a French pho...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Samuel, 2018 Archival pigment print on Hahnemühle Photo-rag paper 40 x 30 cm (15 3/4 x 11 3/4 in.) Edition of 2 plus 1 artist's proof P...

Second Hand Flowers Nr. 47 is a unique photo work of German artist Karin Elmers. C-print on photographic paper mounted on alu-dibond under 3mm acrylic. Easy hanging mechanism on bac...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 2/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien is a French pho...

Basile Ducournau is a French young photographer, specialized in bad weathers and storm chasing. This picture was taken near Ogallala, Nebraska, USA. ...

Syoin KAJII (*1976, Japan) NAMI_099, 2004 Lambda Print with Diasec Face Also available as a Diptych (two works) 56 x 84 cm (22 x 33 1/8 in.) Edition of 6; ...

Return to Paradise, making a little reference to this time of the Anthropocene. This series works as a meeting point, to rethink and overcome this separation of humanity with the ...

"Return to Paradise" series, making a little reference to this time of the Anthropocene. This series works as a meeting point, to rethink and overcome this separation of humanity wi...

"Return to Paradise" series, making a little reference to this time of the Anthropocene. This series works as a meeting point, to rethink and overcome this separation of humanity wi...

Return to Paradise, making a little reference to this time of the Anthropocene. This series works as a meeting point, to rethink and overcome this separation of humanity with the en...

Lambda C-print on acrylic glass. Complete with aluminium mounting system. Ready to hang. Outstanding quality. Geert is “VISUAL ART MASTER" OF ACCADEMIA ITALIA IN ARTE NEL MONDO...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Toalla en Macao, 2019 Archival pigment print on Hahnemühle Photo-rag paper 80 x 60 cm (31 1/2 x 23 5/8 in.) Edition of 3 plus 2 artist'...

Born 1959, Geneva, Switzerland Vanna Karamaounas aka Iseult Labote – Lives and works in Geneva and Berlin. Born in Geneva of mixed Greek and Swiss heritage, Labote studied art his...

Photographie tirée du carnet "Eureka USA" de Jean-Christophe Béchet (2018, 48 pages, 36 photos couleur éditions Trans Photographic Press). "Près de mille kilomètres (939 km pour être précis) séparent le village d’Eureka dans le Nevada de la ville d’Eureka en Californie. La route qui les relie recouvre en partie le tracé du fameux Pony Express, ce service de distribution du courrier qui fut en service entre 1860 et 1861. De nombreux westerns racontent l‘épopée de ce voyage à haut risque qui traversait les grandes plaines de l’Ouest, les Rocheuses et les réserves indiennes. Aujourd’hui, on arrive à Eureka (Nevada) par la route US 50, une route de 4800 km appelée « The Loneliest Road in America » (La Route La Plus Solitaire d’Amérique ). Située en altitude (1975 m), Eureka (Nevada) est un village de 600 habitants." J.-C. Béchet. _____ Format image 30x40cm, sous passe-partout 40x50cm. Édition : 3/7 Envoi via Colissimo. Tirage seul, excellent état. Il peut aussi être récupéré directement à la galerie, à Paris...

Born 1959, Geneva, Switzerland Vanna Karamaounas aka Iseult Labote – Lives and works in Geneva and Berlin. Born in Geneva of mixed Greek and Swiss heritage, Labote studied art his...

"Baikonour", photography by Dimitri Bourriau. Print mounted on aluminum with plexiglas, framed. Edition of 15. Dimitri Bourriau is a French photograp...

Ripped, 2020 Archival pigment print Image 75 x 75 cm (29 1/2 x 29 1/2 in.) Sheet 91 x 91 cm (35 7/8 x 35 7/8 in.) Edition of 3 (#2/3) Print only After photographing exclusively in b...

"56th floor", color photograph by Jean Michel Berts. Jean Michel Berts has been a photographer since the age of 16, and has since gone on to gain in...

`Residence of Impermanence` 2017-2019 90x120 cm. Edition 7 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

République de Carélie, Russie. La forêt s'étale à perte de vue, ponctuée de petits lacs gelés. Une belle surprise m'attend après 5 jours de voyage : 9 trains, 7 métros, 5 bus, 3 tram...

British Columbia, Canada, 2012 Ce train, vu près du Kicking Horse Pass, dans les Rocheuses, par -30°C, traverse le Canada d'ouest en est avec ses 120 wa...

This photograph was taken by Philippe Blin, photographer who sails across the world, in hot and cold waters. The picture was shot while sailing across the Antarctic Ocean, leading t...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Epesses, 2022 Inkjet print face-mounted to Diasec 126 x 98 cm (49 5/8 x 38 5/8 in.) Edition of 3 plus 1 artist's proof Print only Signe...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'Utatane', 2001 C–type print 101,6 x 101,6 cm (40 x 40 in.) Edition of 6 Print only This photograph belongs to the series 'Ut...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'Ametsuchi', 2013 Lambda print Sheet 148 x 185 cm (58 1/4 x 72 7/8 in.) Edition of 3; Ed. no. 3/3 (last available edition) Pri...

JOHN Yuyi (*1991, Taiwan) People on the beach 3, 2019 Archival Pigment Print Sheet 120 x 90 cm (48 x 36 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 ...

Albert WATSON (*1942, Scotland) Tree Fairy Glen View from Windshield, 2013 C-print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 Print only Albert Watso...

Photography "NYC Sky Line Full Manhattan Hudson River" by Didier Fournet. Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes and re...

Jung LEE (*1972, South Korea) Truly, Truly, Yours, 2014 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist bor...

Jun AHN (*1981, South Korea) Untitled #3 (from series 'Float'), 2011 HDR Ultra Chrome Archival Pigment Print Sheet 91.4 x 61 cm (36 x 24 in.) Edition of 5...

Giclée Fine Art Print limited edition 4/10 Printed on FOMEI Collection Baryta Mono 290 gsm/ Museum quality fine art paper Each edition is numbered and signed by the artist...

Giclée Fine Art Print Limited edition 3/10 Printed on FOMEI Collection Baryta Mono 290 gsm/ Museum quality fine art paper Each edition is numbered and signed by the artist i...

Miles ALDRIDGE (*1964, Great Britain) Dog Lady #4, 2009 Chromogenic print Image 101 x 152,5 cm (39 3/4 x 60 in.) Sheet 113 x 164.5 cm (44 1/2 x 64 3/4 in.) Ed...

Albert Watson Kylie Bax in Mirror, New York City, 1999 Chromogenic print 183 x 243 cm (72 x 95 5/8 in.) Edition of 5 plus 1 artist's proof Print only Signed by the artist Albert Wat...

RISAKU SUZUKI (*1963, Japan) WHITE 07,H-122 2007 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed ‘Snowflakes are letters sent from heaven.’ ...

Syoin KAJII (*1976, Japan) NAMI_HK05, 2023 Lambda Print with Diasec Face Also available as a Diptych (two works) Sheet 100 x 150 cm (39 3/8 x 59 in.) Edition of 6; Ed. no. 1/6 Abou...