Continental US - Figurative Drawings and Watercolors

From the Duchándome Series Watercolor and ink on archival paper Image size: 19.5 in. H x 13.75 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo...

Joseph Glasco (American, 1925-1996) Seated Figure 1970 India ink on paper 16 x 11.5 inches Signed and dated lower right Joseph Glasco was born in Paul’s Valley, Oklahoma and grew up...

John Bowers Draped Hair 1940s Charcoal on Paper 25"x19", unframed Came from a portfolio owned by artist John Bowers John was awarded a Master of Fine Arts degree by the University o...

Family Group Drawing in Chinese white, sepia and bistre ink, c. 1790 Signed lower left: G. Morland (see photo) The present work appears to be a preliminary study for two Morland paintings where the artist uses portions of this preliminary study in finished exhibition paintings. The strongest association is with the painting entitled The Cottage Door (1790), now in the collection of Royal Holloway College, University of London. Morland uses the same small girl (on left side of this sheet) holding a doll on a chair in the exact same pose. The second painting entitled The Tea Garden (Tate Gallery, London, c. 1790) incorporates similar poses and gestures of the three other figure studies on this sheet. Provenance: Colnaghi, London (Stock # D25924, see photo) Maynard Walker Gallery, New York ( see photo of label) Davis Galleries, New York, their Eagle stamp and stock number (see photo) Ms. Gloria Kaplan (1930-2011) New York City Regarding Maynard Walker: Maynard Walker New York Times obit: "Maynard Walker, an art dealer in New York City for nearly 40 years who was among the first to show the works of leading American regionalist painters, died of pneumonia Tuesday at St. Joseph's Hospital in Carbondale, Pa. He was 89 years old and lived in Lake Ariel, Pa. In 1933, while working at the Ferargil Gallery in New York, Mr. Walker organized an exhibition for the Kansas City Art Institute that for the first time brought together the work of the regionalist painters Grant Wood, Thomas Hart Benton and John Steuart Curry. After Mr. Walker opened his own gallery, at 108 East 57th Street, in 1935, these artists joined him and showed regularly there. The gallery was also among the first to show the work of George Grosz, the German painter and caricaturist, who moved to the United States in 1932. The gallery moved to 117 East 57th Street after the war." Condition: Aging to paper Slight fading to ink Tiny spotting in image All consistent with the age of the drawing Image size: 6 3/8 x 9 1/2 inches Frame size: 14 1/4 x 17 1/4 inches George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780. His talents were carefully cultivated by his father, who was accused of stimulating them unduly with a view to his own profit, shutting the child up in a garret to make drawings from pictures and casts for which he found a ready sale. The boy, on the other hand, is said to have soon found a way to make money for himself by hiding some of his drawings, and lowering them at nightfall out of his window to young accomplices, with whom he used to spend the proceeds in frolic and self-indulgence. It has been also asserted that his father, discovering this trick, tried to conciliate him by indulgence, humouring his whims and encouraging his low tastes. He was set by his father to copy pictures of all kinds, but especially of the Dutch and Flemish masters. Among others he copied Fuseli's Nightmare and Reynolds's Garrick between Tragedy and Comedy. He was also introduced to Sir Joshua Reynolds, and obtained permission to copy his pictures, and all accounts agree that before he was seventeen he had obtained considerable reputation not only with his friends and the dealers, but among artists of repute. A convincing proof of the skill in original composition which he had then attained is the fine engraving. It is said that before his apprenticeship to his father came to an end, in 1784, Romney offered to take him into his own house, with a salary of £300, on condition of his signing articles for three years. But Morland, we are told, had had enough of restraint, and after a rupture with his father he set up on his own account in 1784 or 1785 at the house of a picture dealer, and commenced that life which, in its combination of hard work and hard drinking, is almost without a parallel. Morland soon became the mere slave of the dealer with whom he lived. His boon companions were "ostlers, potboys, horse jockeys, moneylenders, pawnbrokers, punks, and pugilists." In this company the handsome young artist swaggered, dressed in a green coat, with large yellow buttons, leather breeches, and top boots. "He was in the very extreme of foppish puppeyism", says Hassell; "his head, when ornamented according to his own taste, resembled a snowball, after the model of Tippey Bob, of dramatic memory, to which was attached a short, thick tail, not unlike a painter's brush." His youth and strong constitution enabled him to recover rapidly from his excesses, and he not only employed the intervals in painting, but at this time, or shortly afterwards, taught himself to play the violin. He made also an effort, and a successful one, to free himself from his task-master, and escaped to Margate, where he painted miniatures for a while. In 1785 he paid a short visit to France, whither his fame had preceded him, and where he had no lack of commissions. Returning to London, he lodged in a house at Kensal Green, on the road to Harrow, near William Ward, intercourse with whose family seems for a time to have had a steadying influence. It resulted in his marriage with Miss Anne Ward...

Black chalk and graphite on light weight cream wove paper, 16 1/8 x 11 1/4 inches, (410 x 286 mm), the full sheet. Signed, titled, and dated in sepia ink in the lower-center sheet area. With horizontal folds approximately 1-inch from the sheet edge at each of the four sheets. The drawing appears to have been folded at the sheet edges to fit into a frame. Finn mac Cumail (or mac Umaill), often anglicized Finn McCool or MacCool, is a hero in Irish mythology, as well as in later Scottish and Manx folklore. He is the leader of the Fianna bands of young roving hunter-warriors, as well as being a seer and poet. He is said to have a magic thumb that bestows him with great wisdom. He is often depicted hunting with his hounds Bran and Sceólang, and fighting with his spear and sword. Fionn MacCumhail was transformed into the character "Fingal" in James Macpherson's poem cycle Ossian (1760), which Macpherson claimed was translated out of discovered Ossianic poetry written in the Scottish Gaelic language. Fionn MacCumhail features heavily in modern Irish literature. Most notably he makes several appearances in James Joyce's Finnegans Wake...

Signed lower center, in fabrics bowl, 'Ruth Mae McCrane' (American, 1929-2002) and dated upper center, in calendar, February 1989. Ruth Mae McCrane taught...

Artist/Designer: Karl Lagerfeld (1933-2019) Marking(s); notes: marking(s) Materials: paper Dimensions: approx. 12.75"h, 10"w (159 images) Additional Information: Fashion design sketc...

This artwork "Haitian Village" 1996 is a watercolor on paper by noted Haitian artist Martino Dorce, b.1943. It is signed and dated at the lower right cor...

Bull engaging the muleta (Bull Fight) Signed with the Estate stamp lower left (See photo) Provenance: Estate of the Artist Marbella Gallery Inc., NYC Refer...

Jane Peterson (American, 1876-1965) Parrot Watercolor on paper Signed lower left 25 x 19 inches 31.25 x 25.25 inches, framed Born in 1876 in Illinois, Jane Peterson would grow into ...

Mabel E. Johnston Untitled, c. 1930s Watercolor and pencil on paper Sight: 12 1/2 x 10 1/2 in. Framed: 21 1/8 x 17 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidb...

Graphite on greenish gray wove paper. 15 1/4 x 11 5/8 inches (390 x 295 mm). Initialed "G. B." in pencil on the lower right recto. In generally good condition with some minor scattered surface soiling. Condition is consistent with age. ____ This drawing is closely related to two known mid 18th century oils...

Artist: Raoul Dupoux (1906-1988) Title: Untitled Year: circa 1965 Medium: Watercolor and pastel on wove paper Size: 26 x 27 inches Condition: Good Inscrip...

Edwin Carrillo, 24 de junio, 2016 by Celso Castro Charcoal on cardboard Image size: 40 H in. x 29 in. W (Erase signature with white paint) Unframed ____________ Undefined by medium...

Clinton Hill (1922-2003), created quintessential mid-century images, but figures are unusual in his work. This is from a very early period. From 1949 to 1951 he attended the Brooklyn...

Genre: German Expressionist Subject: Figures Medium: etching, watercolor paint Surface: Paper This is hand signed lower right.. there does not seem to be an edition size although th...

Illustrated for the 1949 Four Seasons Calendar, published by Brown and Bigelow. A young girl holds a freshly-picked bouquet of flowers as she strolls alongside a boy who carries he...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

"Packed With Personality" (2024) by Mo Myra is a watercolor painting on paper that depicts a chicken standing in a grassy field. Mo Myra, born in 1990, is a Connecticut-based artist...

This work on paper features deep hues of pink, orange, yellow and brown. The unframed piece measures 25 by 19 inches. Lizzy Storm is an Atlanta-based Artist and educator creating we...

Serene 1920's watercolor landscape of calm water snaking through a lush marshy wetland, dotted with small birds, wildflowers and swaying grass, by an unknown artist (American, 20th C...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Wire Haired Girl and Cat Pen and ink with watercolor, c. 1930 Signed with the Estate stamp "B" Provenance: Estate of the Artist By descent to his son Edward ...

Rembrandt van Rijn 1606-1669 Dutch Woman Bathing Her Feet in a Brook Etching on paper New Hollstein's 309, second state of II Signed and dated "Rembrandt f. 1658" (upper left) Created from observations of a live model, this work started as a figure study before evolving into a more imaginative setting. It remains ambiguous whether the scene is set indoors, as suggested by the cushion the figure is seated on, or outdoors, indicated by the foliage in the background. The omission of her feet, suggesting they may be dangling in a brook, adds a charming touch to Rembrandt’s imaginative scene. The figure seems unaware of the viewer, presenting a dignified yet sensual demeanor. The son of a miller, Rembrandt van Rijn is believed to have been born in Leiden on July 15, 1606. He studied first at the Latin School and then was enrolled at the University of Leiden at the age of 14. He soon left to study art—first with a local master, Jacob van Swanenburch, and then, in Amsterdam, with Pieter Lastman...

About the Series: “Sensitive Material” In this Work on Paper Series, started in 2020, Claire Gilliam continues her exploration of Visual Language. She uses a common motif, the Latin ...

"Men in Barracks" WPA Mid 20th Century American Scene Realism Gay Modernism WWII. 18 x 24 inches Watercolor on paper. c. 1940s. Signed lower right. BIO ...

Daniel Johnston was a prolific visual artist and musician. He gained a cult following in the 1990s when Kurt Cobain wore a T-shirt with the artist’s frog illustration from his Hi, Ho...

Melissa Chalhoub, a 2014 graduate of Saint Joseph University in Beirut, seamlessly navigates the realms of cinema and visual art. With a background in directing and sound design for ...

Bright and colorful abstract geometric watercolor with multicolor connected forms cascading in a dynamic vertical composition by Ellwood Graham (American, 1911-2007). Signed "GRAHAM" in the upper right corner, and "Ellwood Graham" on verso. Circa 1961-1966. The title "Indian Dance...

Set of 4 by Celso Castro-Daza From the Duchándome Series Watercolor and ink on archival paper 1. Duchándome May 22nd 2. Duchándose, May 27th 3. Duchándome May 28th 4. Duchándose, May 27th Overall Size: 39 in. H x 27.5 in. W Individual size: 19.5 in. H x 13.75 in. W Unframed 2018 Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo...

graphite, conte crayon and charcoal on Arches paper 30 x 19.5 inches unframed Signed 'Beard 1999' lower left corner Atelier stamp in lower right corner Unique figurative life study drawing of a seated male nude in graphite and conte crayon on Arches paper in a style that is at once traditional yet contemporary. Strong facial features and upper body muscles are evidence of the artist's excellent drafting skills. The handsome nude...

Original ink drawing on arches paper. Hand signed D.S, titled and dated in pencil by Donald Sultan. Sheet size 15 x 15 inches. Frame size approx 18 x 18 inches. Provenance labels ...

"Melody of the River" (2024) by Mo Myra is a watercolor painting on paper that depicts a landscape on a grey and cloudy day. Mo Myra, born in 1990, is a Connecticut-based artist cel...

Michallet (attributed). ACADEMIC MALE NUDE FIGURE STUDIES. Four Charcoal drawings, each on heavy wove paper, 19th Century. 24 1/2 x 19 1/8 inches (s...

Adolf Arthur Dehn Haitian Scene A, ca. 1951 Watercolor gouache on board Signed on the front Frame included: held in vintage modern frame Measurements: Framed: 11 inches vertical by 13 inches horizontal by .75 Painting 4.5 inches by 6 inches Watercolor gouache, hand signed; framed with AAA Gallery label verso Signed on the front bearing the original label on the verso of Dehn's longtime gallery, the prestigious Associated American Artists Gallery, New York City. Provenance Associated American Artists Frame included: held in vintage frame with original label as provenance Dehn, an influential artist and teacher (and author of the definitive textbook of his era on watercolor painting) joined Associated American Artists gallery in 1941. Although this painting is undated, it is likely circa early 1950s, as in 1951 Dehn won a Guggenheim Fellowship, which enabled him to travel to Haiti -- the subject of this work. It was part of a series inspired by Dehn's visit to Haiti. Dehn, an influential artist and teacher (and author of the definitive textbook of his era on watercolor painting) joined Associated American Artists gallery in 1941. Although this painting is undated, it is likely circa early 1950s, as in 1951 Dehn won a Guggenheim Fellowship, which enabled him to travel to Haiti. ADLOF DEHN Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere - not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic "little magazines" such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895 - 1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...

NYC Subway Riders Mid 20th Century American Scene Social Realism WPA Modern 1930s Daniel Celentano (1902 - 1980) Subway Scene, 1930s 8 x 9 inches Ink and wash on paper Singed lower ...

Synthetic polymer drawing on paper. Unsigned. Warhol Foundation stamp on verso. Sheet size 31.5 x 23.5 inches. Custom framed as pictured. Artwork is in excellent condition. Cert...

Graphite on paper Dated, l.r. This artwork is offered by ClampArt, located in New York City. John Button (1929-1982) was a fine draftsman and drew from life models throughout his c...

Impressive 19th century Italian hand fan, remarkably preserved with silvered metal sticks and guards depicting ancient gods, palm trees and classical emblemes. The paper leaves are h...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Leon Dolice Empire State Building Signed lower right Watercolor on paper 19 x 12 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon th...

This architectural wall-hanging artwork titled "In Isolation Series VI" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This pi...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Waterline Fine Art, Austin, TX is pleased to present the following work: Chinese ink and acrylic on rice paper, stretched on canvas. Artist's stamp upper left. 71 x 38.25 in. 72.25...

"At Home Abroad" 1935 Broadway Play NY Times Published Illustration 20th Century Al Hirschfeld (1903 - 2003) At Home Abroad 9 1/2 x 17 inches (sight) Ink on board Signed upper right...

Black and white pencil drawing sketch of an abstract male figure by Cuba-born artist Alberto Godoy. The work features Godoy's iconic robust figure. The d...

Wifredo Lam “Femme Cheval” 1971 Pastel on paper 24 x 18 in Signed and dated at the bottom left corner Provenance: Gallerry Dobbelhoef, Kessel. Private Collection, Brussel. Campo and...

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with certification of authenticity. An atmospheric and psychologically penetrating figural drawing, sho...

Portrait of a resting young lady (Marjorie Organ) Black chalk on paper. c. 1907 signed in ink by Henri's nephew, John C. LeClair, the executor of the Henri estate "Robert Henri JLC" Note: The sitter for this portrait is depicted in two drawings of similar size, illustrated in Chapellier Galleries Inc., Robert Henri 1865-1929, 1976, nos. 15 & 16. Please see the attached photo of Marjorie Organ, Henri's second wife Condition: Excellent Image/Sheet size: 10 3/8 x 7 1/2 inches Provenance: Estate of the Artist John C. LeClair, Estate Adminitrator Private Collection, Pawling, New York Biography Robert Henri was born Robert Henry Cozad in Cincinnati, Ohio, on June 24, 1865, the son of a professional gambler and real estate developer. The family lived in Nebraska and Colorado, but fled east when the father shot and killed a rancher over a land dispute and was indicted for manslaughter. They changed their last name because of the ensuing scandal and eventually settled in Atlantic City, New Jersey, during the early 1880s. In 1886 Henri enrolled at the Pennsylvania Academy of the Fine Arts in Philadelphia, where he studied under Thomas Anshutz, Thomas Hovenden...

Cartoon sketch, ca. 1955. Pencil on paper, sheet measures 8.5 x 11 inches. Unsigned with editor's notations. From a group of sketches meant to be preliminary drafts for editor appro...

Leonard Nowak, 'Tourists', conté crayon and India ink, c. 1940s. Signed in ink, lower left. Original cartoon drawing, on textured, off-white wove drawing...

This layered paper and drawing collage titled "Mass Study II" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood panel. Using found ...

American Impressionist

The Torrent Part of my Blue Nude series, inspired by Matisse. Ultramarine tempera on paper. Shipped rolled in a tube, directly from the artist's st...

Complete book comprising of 20 offset lithographs and cardboard cover, all hand-colored with watercolor. From the edition of unknown size. All 20 sheets bound (as issued). Minor ti...

Born in New York, Julian Levi spent his early years in Philadelphia. He began his art studies art at the Pennsylvania Academy of the Fine Arts under Arthur B. Carles, Daniel Garber, and Henry McCarter. On graduation, Levi was awarded a scholarship which he used to travel to Italy and Paris. During his stay in Europe, which lasted five years, from 1920 to 1925, Levi was influenced by Cubism. He was especially drawn to the art of Juan Gris, adopting the gentle color harmonies and precise linear treatments of forms found in Gris's works. In 1924, Levi participated in an important show of Philadelphia modern artists which included works by Charles Demuth, Hugh Breckinridge, Franklin Watkins...

A beautiful 17th century design for a confessional from the most important woodshop in Bergamo. Pen and grayish black ink on cream laid paper, 11 1/8 x 7 1/4 inches (283 x 185 mm), ...

Maritime watercolor, an accurately detailed depiction of steamship "Nellie" en route on the water, complete with tiny silhouetted passenger figur...