Unknown

Humorous Gentleman's Magazine cartoon

ca. 1955

Beautiful Art Deco era drawing by American artist, Wright Ludington (1900-1992). Graphite on paper measures 7.75 x 9 inches; 14.5 x 16 inches framed. No damage or restoration. Sheet is glued down to cardboard backing. Partial signature in margins under matting identifies artist. Biography: Born in New York on June 10, 1901. By 1940 Ludington had settled in Montecito. He died there on May 13, 1992. Exh: Montecito Country Club, 1940. Noted philanthropist, art collector and founder of the Santa Barbara Museum of Art, Wright Luddington was a friend of Lockwood de Forest...

Amazing fantasy group male nude composition by American artist, Robert Frederick Vorreyer (1924-2016). Graphite pencil on paper, image measures 15 x 27 inches; 27.5 x 40.5 inches framed. signed and dated lower right. Excellent condition with no damage or conservation. VORREYER, Robert Frederick Robert Frederick Vorreyer (August 25, 1924 - January 27, 2016) was truly a master of graphic media. The power and dynamics of Robert's graphics are in the use of negative space in the skillful rendering of the human form. Handled with great sensitivity and dignity, the figures seem to be alive with a sharpness that challenges the eye of the beholder. Robert was born in Downers Grove, a suburb of Chicago, IL and graduated from the Downers Grove High School with and art scholarship to an accredited college. He attended the University of Illinois, the Brooklyn Museum Art School, the Royal Academy in London as well as studying independently with various artists. Robert was a World War II special service artist in Camp Robinson, AR and eventually became the art director for TLVA Infantry/Airborne School in Fort Benning...

Cartoon sketch, ca. 1955. Pencil on paper, sheet measures 8.5 x 11 inches. Unsigned with editor's notations. From a group of sketches meant to be preliminary drafts for editor appro...

Cartoon sketch, ca. 1955. Pencil on paper, sheet measures 8.5 x 11 inches. Unsigned with editor's notations. From a group of sketches meant to be preliminary drafts for editor appro...

Cartoon sketch, ca. 1955. Pencil on paper, sheet measures 8.5 x 11 inches. Unsigned with editor's notations. From a group of sketches meant to be preliminary drafts for editor appro...

Cartoon sketch, ca. 1955. Pencil on paper, sheet measures 8.5 x 11 inches. Unsigned with editor's notations. From a group of sketches meant to be preliminary drafts for editor appro...

“Three Women” is an early work of Artist F. John Sierra whose career spans over four decades. He has produced images of the people, lifestyles and challeng...

Fantastic pair of Peter Max (American b. 1937) V. 3. IX and XII. In the manner of Picasso each color pencil signed lower center and titled low...

Signed and inscribed on a label on the verso: No. 1/ The Argument/ W. Cave Thomas/ 203 Camden Rd/ NW Provenance: Christie’s, London, 6 November 1995, lot 88. Private Collection, London. This powerful watercolor is a mature work by the little-known Victorian painter William Cave Thomas...

Four outrigger proa’s on the beach of Kusambe, Bali, 1937 Signed with initials, dated and described with location bottom left Pencil and ink on paper, 29.7 x 35 cm In ebonized frame with white mount WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen. Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch...

Joseph-Marie Vien (1716-1809) ‘Ambassadeur de Siam’ and ‘La Sultana Reine’ Both titled lower centre, the drawing of the ambassador inscribed with colours intended for the prints, e...

Premises in North Bali, 1906 Signed with initials and titled bottom left and fully signed, bottom right Pencil and ink on paper, 10.5 x 18 cm Black ebonized frame with white mount ...