Continental US - Black and White Photography

This is a contemporary black and white photograph of Wild Mustangs. "They represent the ultimate expression of American freedom" Edition of 50. Signed by Shane. Framing available....

Erasure - 2020 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signature label with certificate. Artist inventory PL2020-939. Not mounted. Ki...

The Grateful Dead on the corner of Haight and Ashbury St, San Francisco, CA. 1967. Signed and numbered by photographer Herb Greene

Gelatin silver print Signed in pencil, verso 11 x 14 inches, sheet size 9.75 x 12.5 inches, image size This artwork is offered by ClampArt, located in New York City. Lillian Bassm...

Capturing the Jewish diaspora and the Hasidic community in Brooklyn, New York in the 1950s, this is subject matter which American photographer Leonard Freed from Brooklyn widely cov...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...

"Repairing the hull of the Graf Zeppelin during the flight over the Atlantic, 1934 by Alfred Eisenstaedt" The Graf Zeppelin Alfred Eisenstaedt, German (1898–1995) Date: 1934 (Printe...

All my most Beautiful - 2016, 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL...

This is a contemporary black and white photograph of North American Wild Horses Photography by Shane Russeck Printed on archival photographic paper Edition of 10 Signed and numbere...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Mitchell dry mounted this photograph on archival board for exhibition. Comes directly from the Jack Mitchell Arc...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

Channeling the energy of “water-signs” in astrology, he captures these mysterious men thru a romantic lens. The embrace of the shadows and the light mixed with the gaze of their bodi...

Many of the depicted scenes were inspired by moments where Fahnestock was astonished by something that was equal parts mesmerizing and distressing. “Seeing my first wildfire in person, or the images of San Francisco covered in an orange haze, all the while recognizing that these things were in fact terrible. They signified disasters and ecological shifts. The increase in wildfire events is due in part to the encroachment of larger, developed communities onto lands that were previously maintained for fire season by natural means or by the Forest Service...

This black and white capture features James Dean and Elizabeth Taylor driving car from the movie scene "Giant", circa 1956. Giant is a 1956 American epic Western drama film, directe...

Young and beautiful Marilyn Monroe flashing that beautiful smile that lit up the silver screens during the 50's. The offered photo is a second-generation example and was issued in th...

This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017. Pentti Sammallahti is a benchmark figure in co...

This vintage silver gelatin photograph, printed in the late 1920s on Kodak Vitava Athena paper, is signed in pencil beneath the image with a typeset title centered in the lower margi...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...

Image title: "Locals Only" This is a contemporary photograph of 2 North American Mountain Lions. 40x60 Printed on archival paper using archival ink Framing available. Inquire for...

Rare 1940s Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of bodybuilder and Mr. America contender MIKE DUBEL. Dubel competed in the 1...

Gelatin silver print, printed 2005; Printed and signed 'Don Worth' in pencil lower right, dry stamped 'Don Worth...Archival Print by Don Worth' in the lower margin, annotated in penc...

Leaving (Strange Love) - 2005 20x30cm, Edition of 10 plus 2 artist Proofs. Archival C-Print, based on a 35mm film. Signature label and certificate. Not mounted. Stefanie Schnei...

This is a contemporary photograph of a Tiger by Shane Russeck. 60x40 edition of 10 Printed on archival paper using archival inks Singed and numbered Shane Russeck is a modern day...

Edition 25 A nude male model is standing in in the shade of a blind. From personality portraits and advertising campaigns to magazine layouts and fine art work, Greg Gorman has dev...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

Signed limited edition print of Miles Davis boxing at Gleason’s Gym in 1970 by photographer Glen Craig. Miles Davis works out with a speed bag at Gleason’s Gym in the Bronx. “He was...

Black and white candid capture of starlet Marilyn Monroe smiling for gathering paparazzi. -- One-of-a-kind original vintage press print from the Celebrity Vault archives. Own a piece of history and kick-start your collection with our one-of-a-kind pieces of your favorite celebrities. -- "The Marilyn Monroe community was shocked and stunned at the untimely passing of truly one of the greatest Monroe sculptors of all time, Kim Goodwin...

An underwater black and white nude photograph of young woman and her reflection in the water surface. Original digital archival pigment print signed by the artist. Limited edition o...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...

The Kate Series, 2002 by Leonard Freed came as a welcome reprieve near the end of Freed's life before which time the photographer tackled social-documentary subjects for which he bec...

Sleeping with Ghosts (Bombay Beach) - 2023 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist inventory...

Flat - 2020 48x60cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2020-964. Not mount...

Image size is 10 x 6.5 inches. Signed, titled and dated by the artist on verso.

Rare Photographic series of five photographs by Betty Hahn titled, "Arrival or Departure (After Hitchcock), 1987, a series of five gelatin silver photographs" 17" by 24 each". A copy...

This silver gelatin print of one of Ansel Adams' most iconic images was printed by an assistant under Adams' supervision in the 1960s. It is signed in full by the artist in ink mount...

This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Last Thing on my Mind - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2020-...

Purchased from Peter Fetterman Gallery - Authorized dealer of Salgado's work. No damage issues. Look print moutned on corners. Over Mat included.

This is a contemporary photograph on archival paper. Shane Russeck is know worldwide for his wild horse imagery. This is one of only 3 color images he created in this series. Edi...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

Archival pigment print on Hahnemühle Ultra Smooth, signed, dated and editioned by artist verso; studio stamped verso, 14 x 17 in.. Hardcover in slipcase, 11 x 14 in., 3,69 kg (8.12 l...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cecil Beaton, Electa Editrice Portfolios, 1981. Published and pri...

Cream - 2021 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2021-1012. Not...

American photographer Julius Shulman’s images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is...

Shot on a dramatic plateau high above the Atlantic Ocean north of Lisbon, Portugal. Available in a wide variety of size, mount, print and framing options.

David Ogburn, American (1942 - ) - Whitney Houston, Medium: Gelatin Silver Print, Image Size: 9.5 x 7.5 inches, Size: 10 x 8 in. (25.4 x 20.32 cm)

Brigitte Bardot with cigarette in hand by photographer Michael Ochs, originally taken in 1962. (Michael Ochs Archives/Getty Images) As an authorized Getty Images Gallery partner, we...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Hand printed Silver Gelatin photograph by the artist. From film photography. Taken Big Sur, California Available in different sizes Matted to archival rag board Signed in edition of 15

This is a contemporary photograph of an American Bison. Printed on archival paper and using archival inks Framing available. Inquire for rates. This print is a signed A/P (Artist ...

Rare, signed silver gelatin print, an early portrait of the Rolling Stones outside the Donmar rehearsal theatre, London, 1964 12x16" silver gelatin darkroom print, signed and number...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston from the original ne...

Vignette of a dancer creating shapes and folds in the sunlight. Rocket's favorite lighting source. The harsh lights and shadows in the warm Florida weather led Ricky Rocket to explo...

Muscle Boy is an iconic image by Leonard Freed who was a pioneer in socially conscious photojournalism. In this photo a boy flexes his muscles for the camera perhaps making a state...

Mauricio Velez's photographs seeks to refine the viewer's sensitivity and perception of art and the human body, elevating these elements to an aesthetic realm that can inspire, distu...

In this series the artist documents how in the roar of the hills, these two bodies intertwine and connect with each other, forming mountains of desire. The harsh lights and shadows ...

Mauricio Velez's photographs seeks to refine the viewer's sensitivity and perception of art and the human body, elevating these elements to an aesthetic realm that can inspire, distu...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

11 x 14" vintage silver gelatin photograph of Father Duffy Square, the northern triangle of Times Square on Christmas Night 1965, part of a series he took that evening. Signed by Jac...

Empire, 2014 by Hank Gans, is a 19” x 13” black-and-white landscape photograph of New York City captured while Gans was on assignment as a still photographer...