Continental US - Abstract Prints

Lithographon BFK Rives paper , 1955 Limited edition of 125 copies Numbered as: epreuve d'essai ( a proof before the final print run ) Sheet size: 65.5 x 50.5 cm Publisher : L'oeuvre ...

Note: This is from the hand signed and numbered limited edition of only 50 - extremely scarce collectors item; not to be confused with the larger edition signed (but not numbered) wo...

Artist: Eric Newton, British (1893 - 1965) Title: Untitled - Abstract with Red and Yellow Year: circa 1955 Medium: Linocut Print, signed and numbered in pencil Edition: EA Image Size...

This is an offset print, limited edition out of an edition of 300, signed and numbered by Artist. Enjoy video of the unwrapping of this brand new print at our Los Angeles framer! This print is now sold framed, in Los Angeles, CA. "Kansei : The Golden Age" 潤声 ゴールデンエイジ 4c offset w/cold stamp + spot varnishing オフセット印刷4色＋箔＋厚盛ニス Dimensions: Art: 710 mm / 28 in. diameter Edition 300 Signed and numbered: Edition 118 of 300 Made in Japan Pristine condition, brand new Framed: Approx 34 x 34 x 2 in. Seller in Los Angeles...

Pablo Picasso's Cubist rendering of a woman wearing her hair in a ponytail is a classic example of the artist's work. Rendered with high-contrast shading, the head of the woman appea...

Richard Hunt Paper piece V, Terracotta Voyage, 1978 Artwork made exclusively from colored paper pulps, formed, handmade Twinrocker paper made by hand utilizing stencils to apply the wet colored paper pulp to the wet backing layer of pulp for the main image, in order to keep it consistent. The colored washes of pulp vary slightly with each print - similar to ones that are hand colored with watercolor washes. Signed and numbered 12/50 in graphite front; bears Lakeside Studio blind stamp 18 31/50 × 23 1/2 × 1/5 inches Unframed Formed, handmade Twinrocker paper Signed and numbered 12/50 on the front Published and printed by Lakeside studio, Lakeside, Michigan with blind stamp Also accompanied by gallery issued Certificate of Guarantee Richard Howard Hunt...

Artist: Rita Simon, American (1938 - ) Title: Falling in Love Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: AP 30 Image Size...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 148, 1964. Published by Aim...

Vasilios Janopoulos, Greek (1953 - ) - Untitled - Psychedelic Abstract, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 500, AP, Image Size: 20.5 x ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From volume, Derrière le miroir, N° 87-88-89. June-July-August, 1956. Published by ...

Alexander Calder (American, 1898-1976) Signed: Calder (Lower, Right) “Four Great Pyramids”, 1970 Lithograph in Colors on Arches Paper Sheet Size: 30” x 43” Numbered: Hand signed and ...

Renowned artists and designers April Greiman and Jayme Odgers 1984 Olympic Games Print (Hand Signed by both April Greiman and Jayme Odgers), 1982 Offset Lithograph Poster - art in sports - Signed in graphite pencil on the front. Accompanied by a letter of authenticity from the publisher Also accompanied by Certificate of Guarantee issued by Alpha 137 Gallery 36 x 24 inches Unframed Accompanied by a letter of authenticity from the publisher on Olympic letterhead. This is one of 750 hand signed lithographic posters (though fewer than 200 said to be extant), published in 1982 to celebrate the 1984 Los Angeles Olympics . April Greiman is an American designer widely recognized as one of the first designers to embrace computer technology as a design tool. Greiman is also credited, along with early collaborator, the late artist Jayme Odgers, with helping to import the European New Wave design style to the US during the late 70s and early 80s." The Olympic Committee commissioned 15 nationally known artists, including April Greiman and Jayme Odgers to create unique designs to promote the event. The complete list of artists is: Sam Francis, David Hockney, Richard Diebenkorn, Carlos Almaraz, Robert Rauschenberg, Jennifer Bartlett, Jonathon Borofsky, Roy LIchtenstein, April Gornik, Raymond Saunders, Martin Puryear, John Baldessari, Lynda Benglis, Billy Al Bengston and Garry Winogrand. This was Greiman and Odger's contribution to the portfolio. In 2017, the Olympic Museum in Lausanne Switzerland...

Wassily Kandinsky - Improvisation 11 1910 Lithograph in colors on Arches paper, 1990 Paper size 24" x 24" inches Image size 18" x 20" inches Stamped signature Blindstamps of the Russ...

Christo Wrapped Paris Review (Deluxe hand signed edition), 1982 Lithograph and offset lithograph Hand signed and numbered 244/250 by Christo on th...

Joan Miró, Spanish (1893 -1983) - Poem For Diane Bouchard, Year: 1947, Medium: Etching and Aquatint on laid paper, signed in the plate, Image Size: 5.5 x 7 inches, Size: 14.75 x ...

Frank Stella Frank Stella Prints 1980 - 2008 (Hand Signed), 2008 Offset Lithograph Hand signed and dated on the front, in innk with inscription that read...

This 30 color screen print was created at Brand X Editions to commemorate the terrorist attacks of September 11, 2001 in New York City. This print comes directly from the publisher, Lincoln Center Editions...

Christo and Jeanne-Claude Christo (Hand Signed by Christo), 1971 Offset lithograph Hand signed in pencil by the artist on the lower right front Published by Annely Juda Gallery, Lond...

Artist: Marc Chagall Medium: Original lithograph Title: Frontispiece from the Jerusalem Windows series Year: 1962 Edition: Unnumbered Framed Size: 20...

Lithograph on papier vélin teinté, fait a la main paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Illuminations, 1949. Published by...

"Centre Cross" etching that incorporates religious imagery by Charon Kopriva. Signed, Titled, and dated by the artist at the bottom of the print. Editioned 3/15. Dimensions Without ...

A very good, richly-inked impression of this color screenprint on Japon nacré. The deluxe, Roman numeral edition of 60 on Japon nacré, aside from the regular edition of 100. Signed a...

Robert Motherwell, American, 1915-1991 St. Michel III 1979 Lithograph and Screenprint On handmade paper Hand signed in white pencil and numbered 71/99. Dimensions: Sight 40 3/4 x 32 ...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 65, 1954. Published b...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...

James Rosenquist (1933 - 2017) Swing Screen, 1979 Etching and aquatint (two state) Sight: 17 1/2 x 35 1/2 in. (image) Framed: 30 1/2 x 59 1/2 x 1 1/2 in. Edition 21/78 Inscribed, signed, numbered bottom James Rosenquist was born in 1933 at Grand Forks, North Dakota. His family moved to Minneapolis in 1944. In 1948, he began his studies of art at the Minneapolis Art Institute. In 1953, he continued his studies of painting at the University of Minnesota. In 1955 he had a scholarship to go to the Art Students' League, New York, where he met Robert Indiana. During this period, he painted small format abstract paintings and worked part-time as a driver. In 1957 he met Jasper Johns and Robert Rauschenberg. In 1959 he was at the same drawing class as Claes Oldenburg and was made "head painter" by the Artcraft Strauss Corporation. He married the textile designer Mary Lou Adams. During the election he produced the picture President Elect in which John F. Kennedy's face is combined in a kind of collage with sex and automobile imagery. His first one-man exhibition in the Green Gallery, in 1962, was sold out. In 1963 he worked on several sculptures, had a number of exhibitions at the Galerie Ileana Sonnabend, showed his work at the Dwan Gallery...

**Annual Super Sale By May 15th Only** Celebrating the universe one more time with this unique piece by Mauro Oliveira. **IMPORTANT: This is a Limited edition of 30 museum quality ...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 117, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's ...

Lithograph on vélin d’Arches paper. Paper Size: 19.5 x 14.125 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and ...

Screen print in colors on wove paper. Hand signed, dated and numbered by KAWS. Edition 61/100 (there were also 15 artist's proofs). Published by KAWSONE, Brooklyn. Frame size ap...

Alexander Calder Derriere le Miroir #156 (Plate 1) Artist: Alexander Calder Title: (Plate 1) Derriere le Miroir #156 Portfolio: Derriere le Miroir #156 Medium: Original lithograph Ye...

Solitude Roy Ahlgren, American (1927–2011) Date: 1987 Screenprint, signed, numbered, dated, and titled in pencil Edition of 95 Image Size: 18 x 26 inches Size: 22 x 30 in. (55.88 x 7...

Damien Hirst Pegwell Bay, H13-6, from Where the Land Meets the Sea, 2023 Laminated Giclée print on aluminium composite panel 35 2/5 × 35 2/5 in 89.9 × 89.9 cm Hand-signed on the lab...

"Original Lithograph VI" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts Miro's signature biomorphic abstract s...

A very good impression of this color offset lithograph on white, thick, smooth Louvain Supreme Vellum Bristol 150-pound paper. Signed and numbered 190/300 in pencil. Printed by Color...

Miró Sculptures Exposition (M.755) is a lithograph on paper with an image size of 33.75 x 28.62 inches and framed dimensions of 44.5 x 39 inches. Signe...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

Damien Hirst Doldrums, H13-12, from Where the Land Meets the Sea, 2023 Laminated giclée print on aluminium composite panel 47 3/10 × 35 2/5 × 1/2 in 120.1 × 89.9 × 1.3 cm Hand-signe...

Robert Vale Faro, untitled (African Idol), serigraph, c. 1940, edition 6. Signed in pencil. A fine impression, with fresh colors, on buff wove paper; the full sheet with margins(5/8 to 1 3/8 inches), in excellent condition. Very rare. Matted to museum standards, unframed. Image size 8 3/4 x 6 inches (222 x 152 mm); sheet size 11 x 7 1/2 inches (279 x 192 mm). ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine...

Tracey Emin I Can Still Love, 2012 Home made Inkjet Print 11 7/10 × 16 1/2 inches Limited Edition Rare Edition of approx. 150 (unnumbered) Hand signed and dated 2012 with the red Em...

Jim Dine Kenneth Koch Homage (Oh Scarf of Paradise, Blue Sky is Bread to the Scarf), 1966 Color lithograph on blue grey wove paper with deckled edges 37 × 24 1/2 inches Pencil signed...

ABOUT THIS ARTIST: Kimmie B is a designer and artist based in New York City. She creates bold and graphic shapes with organic lines and inspirational colors. Kimmie makes each form f...

"Personaje en un Cueva" (Personage in a Cave) Surrealist Lithograph by Rufino Tamayo (b. 1899 d. 1991.) Abstract figurative lithograph featuring a textured background and bold figur...

Untitled (Martha Jackson Gallery Poster) Lithograph, 1960 Signed and dated in red crayon by the artist Edition 90 (63/90) 1st state before letters for the poster created for the Martha Jackson Gallery, Ting Exhibition, April 23-May 31, 1960 Printed on wove paper with a ”JAPAN' watermark Edition: 90 Provenance: Martha Jackson Gallery, New York Anderson Gallery David K. Anderson Collection (label) Walasse Ting (Chinese: 丁雄泉, 13 October 1929 – May 17, 2010)[1] was a Chinese-American visual artist and poet. His colorful paintings have attracted critical admiration and a popular following. Common subjects include nude women and cats, birds and other animals. He was born on 13 October 1929 in Shanghai, left China in 1946 and lived for a while in Hong Kong, then settled in Paris in 1952.[2] There, he associated with artists such as Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group CoBrA. Ting started his career as an artist in Paris in the 1950s, where he became friends with artists such as Sam Francis and Pierre Alechinsky. His early works were influenced by the CoBrA group, a European art movement known for its use of expressive, childlike imagery. In the 1960s, Ting moved to New York City and became associated with the Pop Art movement. Ting is perhaps best known for his series of paintings featuring women, which he called "Cat Women...

Martel Wiegand Untitled (Architectural Abstract, Modern, Beige, Brown, Linocut) Color Linoleum Cut on light Japanese Washi Paper with Centerfold 1990 24.01 x 35.43 inches (61 x 90 cm...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

James Houston McConnell, 'Sister Kate', color serigraph, 1947, edition 24. Signed, dated, titled, and numbered '24' in pencil. Annotated '10.00 - 19 colors - 24 copies - #24' in pencil. A fine impression, with vibrant, fresh colors, on heavy tan wove paper, with full margins (11/16 to 1 1/2 inches). Tack holes in the four margin corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Scarce. Another of McConnell's mid-century modernist, jazz-inspired serigraphs, 'Combo', is featured in the British Museum's 2008 publication (and traveling exhibition) 'The American Scene: Prints from Hopper to Pollock'. ABOUT THE IMAGE "I Wish I Could Shimmy Like My Sister Kate", often simply "Sister Kate", is an up-tempo jazz dance song, written by Armand J. Piron and published in 1922. The lyrics of the song are narrated in the first person by Kate's sister, who sings about Kate's impressive dancing skill and her wish to be able to emulate it. She laments that she's not quite "up to date", but believes that dancing like "Sister Kate" will rectify this, and she will be able to impress "all the boys in the neighborhood" like her sister. Over the years this song has been performed and recorded by many artists, including Frances Faye and Rusty Warren, a 1959 version by Shel Silverstein...

Original Absolut Vodka Absolument vintage exhibition poster. Archival linen backed invery good condition, ready to frame. Like most Warhol artwork, this is very vibrant and colorful. This 1994 poster was used for the exposition of contemporary artists at Galerie Lauvigne in Paris. Andy Warhol...

Pink and purple abstract modern lithograph edition 16 / 100. The work features colorful geometric shapes that have been detailed with a hatch texture. Signed, titled, and editioned b...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 13 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (2018)...

Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...

Artist: Jules Engel, Hungarian/American (1909 - 2003) Title: Untitled 3 Year: circa 1970 Medium: Acrylic on Paper Size: 21 x 21 inches

Angelo Ponce de Leon, Spanish (1925 - ) - Reverberations, Year: circa 1965, Medium: Hand colored Lithograph on BFK Rives, signed, titled and numbered in pencil, Edition: 9/20, Ima...

This lithograph is part of my private collection. It is limited in edition ,artist signed lower right and is in very good condition. Walter Becker was a German artist. Another impres...

Tom Wesselmann Shiny Nude (Stealingworth, 33), 1977 Silkscreen on glossy cast-coated Kromekote paper 8 × 8 inches Edition of 1000 Pencil numbered from the l...

Lucas Samaras Samaras at Whitney Museum of American Art Exhibition Poster, 1973 Offset lithograph poster 32 × 24 inches Unframed This early vintage poster was published for the Samar...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacre a Pierr...