Continental US - Sculptures

Delightful and fabulous to live with - great to put on tables, shelves, mantles, desks and even better if they can be near natural light coming in. Amazing to turn and see the diffe...

Lubomir Tomaszewski (Polish-American, 1923-2018) Eagle Stone and copper Signed on back 18 x 11 x 7 inches Lubomir Wojciech Tomaszewski was a Polish-American painter, sculptor and designer born in Warsaw, Poland. Son of Lubomir and Lucyna née Bartłomiejczyk. He was an alumnus of the Warsaw Academy of Fine Arts. Student of the Warsaw University of Technology In 1966 he emigrated to New York City in the United States. In the 1970s, he moved to Easton, Connecticut where he lived until his death in 2018. He fought as a soldier of Polish Home Army through all the 63 days of Warsaw Uprising. He was a commander of anti-tank unit. He witnessed the death of his younger brother and many friends. Tomaszewski started his artistic work in the 1950s in Institute of Industrial Design in Warsaw, an innovative institution with an aim to create modern living in post-war Poland. He cooperated with designers like Henryk Jędrasiak, Mieczysław Naruszewicz i Hanna Orthwein. He created popular porcelain figurines and "Ina" and "Dorota" coffee sets, which were exhibited at the International Exhibition of the Board of the Industrial Designers’ Association (ICSID) in Paris in 1963. In 1994, he established an international art movement called Emotionalism, together with a group of painters, sculptors, photographers and even dancers and musicians. He started creating his unique fire and smoke paintings. His sculptures were recognized by The New York Times in 1975: “The most effective among the pieces are the animals or birds that convey the state of tension or movement or brute strength, something that struggles against gravity to maintain its force.” Tomaszewski took part in over 150 individual and group exhibitions around the world. His works are in renowned museum and private art collections of, among others: National Museum in Warsaw, National Museum in Cracow, Warsaw Uprising Museum, Hale Museum in Germany, Robert Marston, Rockefeller Family and Jimmy Carter. Awards: 1955 – First prize for sculpture in surrounding of the Palace of Culture and Science in Warsaw 1964 – Golden Cross for accomplishments in industrial design, Poland 1984 – Award for Achievement in Sculpture, Perspective Magazine, USA 1991 – Best in Show O.A.F., Bruce Museum, USA 2005 – First reward for sculpture ‘Spectrum’, New Canaan Society for the Arts, USA 2006 – People’s Choice Award, National Sculpture Society, New York 2008 – First Award for a sculpture ‘Mythical Giant’, New Canaan Society for the Arts, USA 2010 – American Society of Contemporary Artists, New York, award for sculpture ‘Joy of Dance’ 2011 – Second prize for sculpture ‘Illusion’, New Canaan Society for the Arts, USA 2013 – First prize for the sculpture ‘Flight above the Stage’ od New Canaan Society for the Arts 2014 – First prize for ‘Music of the Forest’ from New Canaan Society for the Arts, USA 2014 – ‘Lifetime Achievement Award’, University of Bridgeport 2014 – Award for ‘Merit in Inventiveness’ 2014 – Gold Medal ‘Gloria Artis’ 2016 – ‘Outstanding Pole’ 2017 – Medal ‘Ignacy Paderewski Arts and Music Award’ USA Exhibitions: 1964 – Sculpture...

In Butterfly, Atelier the gesture has a powerful, yet sensitive, conviction of universality, which places it amongst Richard MacDonald’s most distinctive and original works of art. The Baroque spiral of the body and constant motion rises out of swirling earthy beginnings. The patina adds color and dynamic movement by creating tones, values, and pattern to emphasize the concept, and creatively underscore the message of spiritual release and personal freedom. Dawson Cole...

This dynamic table sized sculpture is created from sheets of steel, welded together in an abstract geometric pattern bright blue, orange, purple and yellow dominate and are balanced ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Walter Sinz (American, 1881-1966) Seated Female, c. 1940 Ceramic 6 x 3.5 x 3.5 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on July 13, 1881. Sinz’s fathe...

"Sing" Abstract Sculpture 45" x 28" x 20" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art for our s...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

A very fine museum quality Italian 19th-20th century life-size marble sculpture titled "Searching for Love" by Vito Pardo (Italian, born in Venice in 1872) Depicting a semi-nude life...

Marvin Lipofsky 1938 - 2016 Lipofsky approached glass as an organic, sculptural medium; resulting in his signature amorphic forms. Many of his works are colorful “bubbles” of glass....

Medium: Dyed and Lacquered Basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the vi...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

This is new old stock vintage Jewelry from the legendary Acme Studio collection, which created many revolutionary jewelry items. It was handmade in the 1980s using the intricate cloisonné process, an ancient technique for decorating metal; hence any imperfections within the colors are to be expected and inherent which makes it unique and one-of-a-kind. This piece is worn around the neck, like a bolo tie. The Memphis Designers...

Bark and Reliefs, 2018 By Carla Gimbatti From the Series Reliefs Aquaresin and Pigment Overall Size: 79 H x 33 W in. Individual Size: (Bark) 79 H x 16.5 W in. (Reliefs) 79 H x 8....

"Angel" by Kevin Barrett Unique stainless steel, metal, abstract, outdoor sculpture Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and w...

Bold and dynamic abstract composition titled "The Playful Journey" by Stephen Schulz (American, b. 1948). Schulz has used various types of acrylic paint, mixed with silicon to create a variety of textures. Signed and dated "Schulz 97" on verso, with an inscription that reads "For Leo and his Beautiful Family". Wood support frame on verso. Stephen Schulz (American, b. 1948) is an artist who has lived and worked in Fresno and Santa Cruz, California, and Cedar Grove, New Jersey. He has studied privately with Julie Connell, Jan Daniels, Michele Faia, Elle Fielder, Sal Pecoraro, Susan Stover, and Chris Volpe. Artist’s Statement: “My painting and artistic expression opens the doorway into an unconscious and creative world, where an uninhibited expression can take place, as one becomes immersed without the perception of time. Painting and design started it. From the beginning the process of transforming materials into art has struck me as a magical alchemy and, over the years, that mysterious process has had its hold on me, leading me from hobby to art. The creative process fills me with a sense of wonder and has proven a most amenable vehicle for transforming inner vision to outer reality. I paint from the inside out. Though I work quite deliberately, consciously employing both traditional and innovative techniques, my unconscious is the region of the most fertile of creative soil. I love working with a full complement of colors but often find my design direction working within the narrow spectrum of black and white, shadow and light. Some of my early inspiration comes from the New York School and artists such as Franz Kline and Jackson Pollock. Their ideas and techniques have helped to free my mind to explore areas of the unconscious that aren’t restricted by the world of right and wrong, good and bad. The journey continues and I feel blessed to have the opportunity to explore this exquisite world of the creative process.” Education: University of Oklahoma: 1966-1967 Canada College, AA Degree: 1972-1974 University of California: 1974-1975 Exhibitions: 2014 - Studio show Fresno, CA 2010 - Dubai (UAI) Animal rights show; Gallery 10, Washington, DC 2008, 2009 - Jia Salon & Gallery, Fresno, CA 2007 - Studio Exhibition 2006 - Cabrillo College 2004 - Studio Exhibition 2000, 2001, 2002 - Rollf's Gallery, Fresno, CA 2000 - Studio show; Bridgeport Gallery, CT 1999 - Tercera Gallery, Los Gatos, CA; Matt Miller Design, SF, CA 1998 - Robin Hutchins Gallery, NJ; Teroera Gallery Los Gatos, CA; Verve Gallery Los Angeles, CA; Open Studio Aptos, CA; Brigitte Bohlem, Hamburg, Germany 1997 - Robin Hutchins Gallery, NJ; Teroera Gallery, Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery, Santa Cruz, CA; Hanson Art Source, Tennessee 1996 - Robin Hutchins Gallery, NJ; Teroera Gallery Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery Santa Cruz, CA; Hanson Art Source, Tennessee; Barlett Fine Arts, Pleasant, CA; Birchstone, Gallery, Wisconsin 1995 - Abrahamsen Design; Teroera Gallery Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery Santa Cruz, CA; Hanson Art Source, Tennessee; Barlett Fine Arts, Pleasant, CA; Birchstone, Gallery, Wisconsin; l&I Gallery, NJ; Gillen Design, London Ontario Canada...

Antique Bronze Dog Portrait of a Terrier Pierre-Albert Laplanche (French, 1826-1873) Signed in script to base "Laplanche" Stamped "E.V 3753" 8 x 2.75 x 8 1/4 inches This is a super...

Pretty Peach Excess from Chloe Hedden’s Excess series captures the interplay between material abundance and emotional depth through thick, sculptur...

George Wayne Lundeen (American, born 1948) NSS “Promise of the Prairie” Museum Quality Cast Bronze, Limited edition of 21, signed and marked, G.W. Lundeen ©1983 20/21 on the top/back...

Abstract geometric, minimalist three-dimensional wood wall sculpture in grey and dark taupe with paper collage "Stelae", hand-carved wooden wall sculpture by Hudson Valley artist, St...

a very fine Model Sculpture of a standing horse , finely rendered in patinated plaster, signed ‘MMM’ and dated 30 , w. rich burnished patina. Its quality and elegance are reminiscent...

Keith Haring 1000% Bearbrick Vinyl Sculpture: A nicely sized (27 inch), highly collectible Keith haring Bearbrick statue piece. The partnered co...

Richard MacDonald has always been intrigued by opposites and he has the range to be able to create both sculptures of delicate, archetypal femininity and powerful, athletic masculini...

Nude Man Holding Crystal Ball White Sculpture Modern cement, plaster, clay sculpture of a man holding crystal ball painted white, Signature not found. Ab...

Takashi Murakami DOB Skateboard Deck Triptych 2018: A highly decorative Takashi Murakami skateboard set/triptych that makes for vibrant one of a kind wall-art that hangs with ease. T...

French Faience Tuilerie Normande Mesnil de Bavent Figure of a Lion, 19th Century Ceramic on a rectangular plinth Impressed 'TN Bavent' to underside 8 x 8 x 14 inches Tuilerie Normande Mesnil de Bavent is a French pottery factory. The first pottery factory here was set up in 1842 by industrialist Maurice Comptet. He bought a bit of production organization to an artisanal craft, enabling mass production of tiles, pots and architectural ornaments. The Tuilerie du Mesnil de Bavent (tuilerie means tile) business flourished and his sons inherited. One stayed in Bavent to make pots, the other developed a factory mainly producing pots, in Caen. Bavent pottery...

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - A very Fine and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble genre scenes and allegorical figures as well as copies of antique and Renaissance sculpture catered to a prominent international clientele which included European and Russian aristocracy, and the Industrial fortunes being made in England and Americas drove considerable export demand. In 1861 the studio was awarded the medal for 'Ercole con cinghiale sulla spalla' (Hercules with boar on shoulder), 'Due Cani' (Two dogs) and 'Cinghiale' (Boar) sculptures at the National Exposition in Florence. In 1874 he exhibits his works in London and in 1876 in Philadelphia. Bazzanti frequently returned to the subject of 'After the Bath' or 'The Bather' in his works, having carved examples of the bathing Venus after the Antique and in dynamic and dramatic compositions such as the present sculpture. The finely-detailed work relates closely to popular figures produced by Bazzanti’s contemporary, Cesar Lapini, whose La Sopresa depicts a young woman stepping back from approaching waves. The sculptor’s penchant for realism is on full display with the contrasting matte and highly-polished finishes of the gently lapping waves at the figure’s feet, to the jutting rocks and soft skin. Elegant handling of textures is further exemplified in the draped fringe of the cloth. This monumental and Fine work is illustrated in situ at Bazzanti’s studio circa 1900 among other fashionable works of the period. Notes: Pietro Bazzanti was also known as Pietro Barzanti. There are conflicting dates of Pietro Bazzanti/Barzanti's birth/death year. Some auction houses and art galleries have described 'Pietro Barzanti' as Italian, 1842–1881 and Pietro Bazzanti as Italian, 1825-1895. However, according to Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78, 'Pietro Barzanti' was in fact 'Pietro Bazzanti' one and the same, and it questions his year of his birth/death as "Firenze (?), ?, ?." thus we believe that the Italian, 1825-1895 description is the most plausible. Literature: Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78. Auctions: Another example of this sculpture, probably also Pietro Bazzanti but almost a foot shorter (Height 44¾ in. (113.5 cm), unsigned and without its pedestal, was sold at Christie's New York, 19th Century Furniture, Sculpture, Works of Art and Ceramics Sale...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

Eliseo Tuderte Fattorini (Italian, 1830-1887). A very fine and life-size Italian, 19th century marble Life-size Orientalist Marble Sculpture of an Assyrian Princess (Previously descr...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Rigoletto Year: 1988 Medium: Bronze Edition: 345/375 Numbered, 37 AP Size: 8 x 7 inches Condition: Excellent Inscription: Incised w...

Abstract Geometric, small abstract bronze, dark brown patina, life cast, marble limited edition Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selec...

Keith Haring, Andy Warhol, Basquiat Bearbrick 400%: set of 3 works (c. 2019-2021): Unique, timeless Keith Haring, Andy Warhol, and Jean-Michel Basquiat collectibles, each trademarked...

Jeremy R. Brooks was born in Detroit, MI in 1979. He received his BFA from Grand Valley State University & MFA from Alfred University. Jeremy has balanced his career between working ...

"I work with a simple elemental form, a curve made from the most basic natural material, clay. I make and build with hundreds or thousands of these forms. The clay curve connects me ...

Over the past few years, Jesse Hickman has been making minimal abstract paintings on wood with few constraints. He calls this series Notes, thinking of these pieces as drawn sketches...

The First rock- original sculpture bronze iron. by the Spanish artist AMANCIO GONZALEZ bronze. Fantastic piece of art representing Spanish sculpture AMANCIO Gonzalez ( Leon 1965 ) ...

This amazing Triangular sculpture by Vasa Mihich can completely transform any spot and be future forward as well in the vision of what sculpture and 3 dimensional form can do in spac...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Bronze with patina sculpture. Incised signature by the artist and stamp numbered with foundry and date. From the edition of 350. Size including marble plinth approx. 15 x 8.5 x 3.5 ...

Mid sized. Absinthe Green Metallic keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract ...

A 19th century, hand carved marble bust of Marcus Aurelius Antoninus "Caracalla" (198-217 AD). Beautifully carved with intricate detail, the bust features elaborate robe of Siena mar...

This LED light box by Mads Christensen creates mood oriented and color changing variations that brings a subtle and enhancing sensory experience to a room. Easily installed as it ha...

After devoting more than twenty years to the perfection of the human form in bronze, Richard MacDonald focused on a series of sculptures based on his work with dancers from the Royal...

French artist Jacques Potage (1931-) designed this striking Brutalist wall art sculpture. The art piece was crafted circa 1970. Mounted on a wood plank covered with textured pewter, ...

"Record Player" by Jerome Ferretti, Detroit muralist, painter and sculptor, is a genuine Symphonic Record Player with built-in speakers that Je...

Considered to be one of Richard MacDonald’s greatest achievements, “Nureyev” draws on the artist's highly developed sensitivity for the experience of the dancer, and displays all the...

FUTURA Bearbrick Vinyl Figures: Set of two (400% & 100%), 2017: A rare & beautifully composed vinyl sculpture by the legendary New York graffiti-artist, Futura 2000. The partnered co...

This sculpture is part of our exhibition America Coast to Coast: Artists of the 1940s. Two Figures, 1949, ebony wood, 24 x 7 x 5 inches, unsigned, but comes from Thomas' daughters and includes a copy of a 1949 photo of this work listing the artist's name, title of work and date Robert Chester Thomas was a California sculptor. A native of Wichita, Kansas, Thomas moved with his family to Southern California as a child. During World War II, he joined the army and served for a time in the European theater. When he returned to California, he studied sculpture with David Green in Pasadena in 1946 and 1947, before taking advantage of the GI Bill in 1948 to study with Ossip Zadkine in Paris. He first exhibited at Galerie St. Placide as part of an exhibition of American artists working in late 1940s Paris...

Blue Scream Aluminum, and urethane car paint, artist signed and dated. The sculpture is in three seperate parts dismounted for shipping. Based in South Florida, Joseph Meerbott has...

PABLO PICASSO (1881-1973) Chouette femme (A. R. 119) Terre de faïence vase, 1951, from the edition of 500, partially glazed and painted, with the Edition Picasso and Madoura stamps.

"Lucifers Limit" 18K Gold Sculpture 8' x 2' in Edition of 10 by Colin Burn Rose Gold, Diamond & Gem Sculpture NOTE: preparation time may take up to 8 weeks. The Lucifer devil olisbos sculpture is formed with pure 24k gold and finished in 18k rose gold featuring 18k white gold collar with 5 carats of reverse set flawless diamonds. The devils horns are 18k white gold pave' set with sparkling white diamonds and the 18k white gold eyes and tongue set with rich red garnets. The piece embodies sinful self lust and passion. Sculpture comes with Limited Edition Artist Certificate of Authenticity and Jewelry Certificate of Materials. Limited Edition - 10 Only Artists Inspiration: “My motivation to create this sculpture was to highlight how some in society view masturbation as a devils act. The piece portrays the view by embracing our inner demons, we remove any power others may hold over us in ones pursuit of so called sinful pleasure. In addition I wanted the work to be reflective of boundaries by creating a reverse set diamond collar, drawing the line on how far you are willing to go in pursuit of self pleasure. The rose gold represents warmth and the rich red garnet set tongue portrays the devils fiery entrance or his gateway to hell for those who have exceeded the boundaries.” The sculpture embodies sinful lust and passion and is electroformed from pure 24k gold, finished in 18k rose gold, featuring 18k white gold collar reverse set with 5 carats of flawless diamonds. The horns are 18k white gold, pave' set with flawless diamonds and the eyes and tongue set with rich red garnets. ABOUT COLIN BURN: Australian artist Colin Burn is a bold provocateur in the world of conceptual art, using his work to disrupt societal norms and spark critical dialogue often around uncomfortable truths. His art pushes boundaries, urging viewers to rethink their assumptions on value, power, and meaning, especially in contexts often deemed taboo or overlooked. Known for his masterful fusion of symbolism and opulence, Burn transforms ordinary objects into potent allegories, frequently employing their high monetary value to amplify the emotional and intellectual resonance of his themes. He understands that society frequently ties value to price, and this awareness is central to his approach. With an attention-grabbing allure, Burn’s work invites viewers to look beyond the surface, encouraging them to explore the deeper, often concealed meanings behind what they see—reminding them that true value lies not only in the material cost, but in the idea or theme that it represents. A compelling example of this is his Pearl Royale chess set...

Jean Didier Debut: 1824-1893. Well listed 19th century French sculptor. He has had auction results over $17,000. We believe this fabulous bronze gladiator to be very rare as we could...

Medium: Sapele Wood Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Center ...

Thelma Frazier Winter (American, 1903-1977) Woman and Child, c. 1935 Glazed stoneware, painted plaster 14 x 7 x 5.875 inches Thelma Frazier Wint...

Levesque Isabelle was born in 1954 in Antananarivo. She attended the school of fine arts of Brest (France) and practiced sculpture since 1997. She made her first official exhibition ...

Steve Bickley creates beautiful metal sculpture and wall reliefs, as well as color prints. In addition, he makes large outdoor sculpture in stainless steel and aluminum. He has bee...

William Morris (American, b. 1957) Petroglyph Vessel Blown glass Signed on bottom 26 x 20 x 7 inches William Morris was born in Carmel, California in 1957. He is an American glass a...

It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin B...

"Willow Sculpture" is an abstract Post War stainless steel sculpture by Harry Bertoia in c. 1970-79. The artwork is 61 1/2 x 39 x 39 in. Betroia's work creates a dynamic, flowing c...

A very fine Italian 19th century Carrara marble sculpture depicting a young beauty going for a Swim standing on the steps of a dock, raised on its original carved green marble pedest...