Continental US - Sculptures

Bronze sculpture Polished and patinated bronze sculpture. "Furnace Flowers" by mid century modern Italian sculptor Francesco Somaini (Italy 1926-...

Artist Mark Knoerzer is best known for his abstract paintings, light installations and hand painted wooden sculptures. Using color and extensive layering to create geometric images and emergent symbols, Knoerzer has developed a unique visual language that, while often highly formal and even symmetrical, nevertheless reflects an intense commitment to beauty and the sheer pleasure of seeing. Knoerzer’s 2019 solo show Half-Life was reviewed by Cate McQuaid in The Boston Globe. His work has also appeared in documentaries as diverse as Evocateur: The Morton Downey Jr. Movie, which was selected for the Tribeca Film...

BETH LIPMAN CLUSTER #21, 2021 black glass, adhesive 6 x 12 x 10 in. 15.2 x 30.5 x 25.4 cm.

Sandblasted carved glass, wood and bronze. Steve Linn describes himself as a documentary sculptor, conducting meticulous research on each of his selected subjects and choosing whi...

This cast bronze twig NEST with a bright blue patina (with some of the bronze left raw) holds three highly polished bronze eggs. "The bronze NESTS are ano...

19th Century Indonesian mask made from wood.

Mercury, circa 1700s. Bronze with green patina. Height with base: 58 cm (22 7/8 in.)

Jesús Curiá Perez Horse II bronze and artificial stone 27.50h x 22w x 9.50d in 69.85h x 55.88w x 24.13d cm JCP062 Jesús Curiá's sculptures arouse something more than purely aestheti...

Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Artist: Mr. Imagination (aka Gregory Warmack), American (1948 - 2012) Title: Fish Year: circa 1985 Medium: Aluminum Collage with Bottle Caps Sculpture Size: 19.5 x 37.5 x 2 in. (49.5...

"Flare" by Kevin Barrett Unique bronze, abstract tabletop sculpture Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Bronze M...

Wax lost bronze. 3/8. Founder CHAPON. Michel SERRAZ was born on August 2, 1925 in Paris he knows the price and importance of work and is constantly in a harmonious relationship wi...

Guardians of temples or shrines placed on each side of entrance, believed to ward off Evil Spirit’s. They look Angry, but not at You. They are Protecting you from Bad Spirits! The m...

Takashi Murakami Flowers Skateboard Deck: A vibrant piece of Takashi Murakami wall art produced as a limited series in conjunction with the 201...

Pair of large and black heron glass sculptures, original handmade in Venice Murano Italy.

Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...

La Perla; The Pearl  A mesmerizing alabaster table lamp depicting the birth of venus by Umberto Stiaccini. Three winged putti stand on a piece of coral as they carry a scallop shell...

Patrick Bergsma (b. 1965) is a Dutch sculptor and ceramicist currently working in Heerhugowaard, Netherlands, known for constructing verdant growth emerging from antique pottery. The...

Margaret Koscielny (b.1940). Floating Images, 1974. Plexiglass sculpture. !0 x 10 x 10 images. Light base is new. Margaret Koscielny's work has been recognized in Who's Who in American Art; International Who's Who; Contemporary American Sculptors: An Illustrated Bio-Bibliographical Dictionary; Dictionary of American Women Sculptors; with articles in Kalliope (interview, photographs), The Florida Times-Union, Jacksonville Journal, Jacksonville Magazine; St. Petersburg Times; Atlanta Constitution and Journal; essays, by Joseph Jeffers Dodge, Drawings in Light and Space ; and Elihu Edelson, Arts Assembler; and reviewed in various newspapers, including a general review by John Canady, for The New York Times, of the American Drawing Competition, Moore College of Art, Philadelphia, (in which Koscielny was a participant). Influences and Early Background A native of Florida, Margaret Koscielny grew up in a family of classical musicians. Her mother, a violinist, was a descendent of an American Revolutionary war hero who, according to family legend, was related to William Pitt, the Elder, Prime Minister of Great Britain. Her father, a violist, was a graduate of the Leipzig Conservatory, emigrating to the US in 1929, where he became a music pioneer in Florida, teaching, directing bands and orchestras, and developing music education for string ensembles in the public schools. Her sister, Anne Koscielny, a concert pianist, was also a professor of piano for over 4 decades. Her step-brother, Gordon Epperson, was a prominent cellist, writer and college professor. Her niece, Cécile Audette, is a singer and choral conductor, and her grandniece, Renée, a violinist. Both sets of grandparents were musical, as well. This has influenced Koscielny's work the most, as it has provided inspiration and a sense of layers and the element of time in the construction and architecture of her work. Early Education and Career, 1960's Margaret Koscielny began her art studies at Texas Woman's University with Toni La Salle, (a student of Hans Hoffman). La Salle was the first, and most important influence on Koscielny's approach to drawing and art. Ms. La Salle's paintings reflected the ideas she developed under Hoffman's instruction, and she was Koscielny's first encounter with an Abstract Expressionist painter. Koscielny then attended the University of Georgia, where she earned the degrees of Bachelor of Arts in Art History and Master of Fine Arts in Art. Printmaking and drawing were the primary interests of her graduate work while studying with Charles Morgan, (a student of Jimmy Ernst, son of Max Ernst, the Surrealist). German Expressionism, surrealism and Abstract Expressionism were important influences during this time. The painters, Howard Thomas, James Herbert, and a fellow student, Jim Sitton were important mentors. She began, independently, the exploration of a technique evolved from printmaking combined with transparent media, and created her first "three-dimensional drawing-sculpture" in 1966. During the next two decades, Plexiglas was to be her primary format for drawings engraved, lighted and formed into assemblages. Teacher, Museum Curator, Artist, 1970's After a brief career teaching in public and private schools as well as Jacksonville University, she became Assistant to the Director of the Cummer Museum of Art and Gardens, (then called Ninah M. H. Cummer Gallery of Art). Margaret Koscielny was responsible for the organization and installation of exhibitions, publications, the training of Docents, and lectures on art history. During that time she also appeared regularly on television to discuss works of art in the museum's permanent collection. In December of 1973, Koscielny made a solo month-long tour of 9 major artistic capitals of Russia and the Ukraine in the former Soviet Union. This journey became the subject of nine lectures to capacity audiences at the Cummer Museum. She left the museum in 1974 to focus her activities primarily on her artwork. The 1970's were a time of numerous commissions, private and corporate for Koscielny, and she won the first National Endowment for the Arts grant in conjunction with the Florida Arts Council in 1975. This allowed her to execute three large sculptures in plexiglas which were exhibited at the Cummer Museum in 1976. Numerous other exhibitions throughout the Southeast followed. She also founded an independent group of 10 artists, Art Celebration! in 1973, because of the lack of galleries in Jacksonville.The success of the group's exhibition over a 5 year period precipitated new galleries to be established. Koscielny finished the decade with an invitation for a One Person Show at Vanderbilt University, also winning an international competition for the new Atlanta Hartsfield International Airport in 1979-80. She was one of only 3 women out of 13 artists, chosen from 500 competitors.The resulting three-dimensional assemblage, "Whole Sight," was in four parts, each 9 x 13 feet. They were installed on four walls over a descending 40 foot escalator. In late 1979, she was invited to produce and design an original ballet...

Capturing a climactic moment from Shakespeare’s famed tragedy, this exquisite marble sculpture was created by acclaimed Italian sculptor Fausto Biggi in t...

The perfect gift to your loved ones!! This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. Th...

Figurative sculpture of a nude female figure. The stone is a grey tone with speckling. The artist signed and dated the piece in the crevice on the bottom. Jose Zacarias is known for ...

Complete Set of 3 Gilbert & George Supreme Skateboard Decks (New in original packaging): A stand out skate triptych paying homage to Gilbert & George's 1984 Pictures series, through which Gilbert & George applied bold colors to a series of photographs developed in the ‘70s. The photomontages address issues involving religion, race, corruption, illness, and death. Dimensions: 31.5 x 8 x 0.5 in. (applies to each individual) Medium: Silkscreen on Maple Wood. Year: 2019. Printed artist signature & Supreme logo on reverse (on all 3). New in original packaging, excellent overall condition. Provenance: Acquired directly from Supreme New York. From a sold out limited edition of unknown. British artists Gilbert & George met in 1967 while studying at St. Martin’s School of Art. While their work is rooted in sculpture and performance, it has evolved over the years to include photography, drawing, painting, and film. Supreme’s love of Pop Art is well noted and Gilbert & George’s work has earned consistent comparisons with Andy Warhol. And while there are clear visual consistencies between Warhol’s Polaroid series...

"Les Danseurs" (French for "The Dancers") is a 1979 collaboration between Daum and artist Dan Dailey. This glass figurative sculpture of two dancers, a man and a woman coated in an icy blue palate, was created with glass paste blown in a light blue mold and etched on the external surface. This work is numbered 57 from an edition of 200, signed on the sculpture in diamond-point with "D Dailey" and "DAUM FRANCE" and is included with a certificate of authenticity signed and numbered by Daum and Dan Dailey. Dan Dailey is an American glass artist who was born in Philadelphia in 1947. He emerged from the Studio Glass movement that was founded by Harvey Lilleton and collaborated with Crisallerie Daum for more than twenty years. His education includes studying under Roland Jahn and Harvey Lilleton at the Philadelphia College of Art in the 1960s and a teaching fellowship at the Rhode Island School of Design in 1970 where he also became Dale Chihuly's first graduate student He is professor emeritus at the Massachusetts College of Art where he founded their glass program. His work has been exhibited and collected all over the world, spanning over a hundred exhibitions and collections. The studio of Daum is a name that precedes itself. The only crystal manufacturer employing the glass paste process for art glass, the studio was founded in 1878 by the Daum family in Nancy, France. The studio has become synonymous with the Art Nouveau period but continues to produce high end and high quality decorative art to this very day. Artists that have worked with Daum include Charles Schneider, Arman, Hilton McConnico, Philippe Starck, Salvador Dali, Cyril Phan, Richard Texier, Emilio Robba...

Ana Maria Farina paints using a gun––a tufting gun––along with needles, hooks, and knots. Repurposing a phallic signifier of violence, she conjures vibrant objects of comfort that in...

Midcentury painted terracotta abstract figurative sculpture “La Testa” by Italian Futurist artist Renato Bertelli (1900-1974). Initialized “R. B. A-XI”.

Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses porcelain to produce intricate mechanical forms with the appearance of metal. H...

Lofty large articulated lobster sculpture or object of art crafted in carved bone with hinged antennae and flexible tail.

" Moab " was created with sand cast brass burn out mold and wood. This unique piece was mounted and finished in our foundry and workshop in Spain. It is certified authentic by the ...

"Untitled (Sounding Sculpture)" is a Post-War abstract sculpture created by Harry Bertoia in circa 1970. This artwork is 48 x 15.75 x 8 inches and weighs 45 lbs. Bertoia was enthra...

Cubist abstract mixed-media sculpture titled 'Horse and Rider' was created using various materials including wood, papier-mache, and paint by Bill Low (Scotl...

Hand-pitched chrome metallic glazed ceramic sculpture vessel by Jessamyn Go. Jessamyn Go's work is deeply rooted in the visceral, meditative experience of working with clay. Drawn t...

Javier Calleja Little Mickey Plush (set of 2): Standout, highly decorative limited edition Javier Calleja Mickey Mouse art toys created by Calleja in ...

Franz Bergmann, Austrian (1861 -1936) - Merchant, Year: circa 1900, Medium: Cold painted Bronze sculpture, Size: 5.75 x 9.5 x 6 in. (14.61 x 24.13 x 15.24 cm)

"PANTHER" Sculpture covered in a cold patina. c.1930 Rests on marble base. Inscribed in script: D. H. Chiparus. Cold patina was very popular in the Art Deco period. The metal: bronze, spelter, etc. would be covered with chemicals to create the brownish tone. Usually ammonium chlorite and cupric chloride was used to achieve the desirable tone. Since the finish was quite fragile and could wear off...

Linda King Ferguson describes her "Equivalence Series" as social bodies; a re-thinking of Modernist figurative abstraction. They are a discursive formal and reductive language. As fi...

Jonathan Adler acrylic pill sculpture. 750 mg size. blue

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

Keith Haring Skateboard Deck c.2012: Rare, out of print Keith Haring skate deck featuring one of the artist's iconic dragon images, set amidst a vibrant array of colors that really p...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

ÉMILE CORIOLAN HIPPOLYTE GUILLEMIN French, (1841-1907) Pair of Female Gypsies Both signed ‘Ele Guillemin’. 22 1/2 ...

The modern Sculpture " Summit ” is a unique Totem made from a burnout mold by David Marshall in 2020, sand cast in aluminium in our foundry, handcrafted by the Artist in his worksh...

This is a wonderful original hand carved unique marble sculpture by one of America's most treasured artists, Chaim Gross. For more than sixty years Chaim Gross's art has expressed op...

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to life. Tim Nikiforuk...

In this abstract sculpture by Ruth Vollmer, the fusion between contrasting concepts: mathematical precision and natural "organicism", materials in both raw and manipulated states are evident. Signed by the artist. Ruth Vollmer (1903 - 1982 New York City), was a German artist born in Munich. She was born in 1903 and named Ruth Landshoff. Her father, Ludwig Landshoff, was a musicologist and conductor and her mother, Phillipine Landshoff, was an opera singer. Their family was Jewish. At age 19 she began to work as an artist and took the advice of her father to draw every day. She also had many connections to the teachers and students at the Bauhaus. In 1930 she married a pediatrician named Hermann Vollmer, whom she met in Berlin. Ruth and Hermann move from Germany to New York in 1935. Ruth begins work designing window displays for Bonwit Teller, Tiffany's, Lord & Taylor, and other department stores. Her displays experimented with wire, steel, and copper mesh to create figural forms. In 1943, Vollmer becomes a U.S. citizen. In 1944 she receives a commission from the Museum of Modern Art for its fifteenth anniversary exhibition, "Art in Progress." Vollumer continues to work with wire mesh and shows her work Composition in Space at the Museum of Modern Art's 1948 exhibition "Elements of Stage Design." In 1950, she was commissioned to create a mural for the lobby of 575 Madison, where Vollmer created a large wall relief that used wire rods and wire mesh to play with light, texture, and transparency. Vollumer visits Giacometti for a second time during the summer of 1951. During the 1950s she begins to works with clay as well. Additionally, in 1954 she begins to teach at the Children's Art Center at the Fieldston School in Riverdale and continued to teach until the mid-sixties. In 1960, Vollmer participates in the NYU discussion series "Artists on Art" with her friend Robert Motherwell. 1960 is an important year because she also has her first one-person exhibition at Betty Parson's Section Eleven gallery space. Throughout the 1960s Vollmer works with bronze and as well as showing at Betty Parson's gallery several times. In 1963, she joins the group American Abstract Artists (AAA) and includes her work in their exhibitions from 1963 on. By 1970 Vollmer's art is working with complex geometrical forms and mathematical concepts, particularly spirals and platonic solids. Sol LeWitt wrote a short essay on Vollmer's work for Studio International titled "Ruth Vollmer: Mathematical Forms." Vollmer protests the cancellation of the Hans Haacke at The Solomon R. Guggenheim exhibition by writing a letter to the director, Thomas Messer, in 1971. In 1976, she had a large one-person exhibition at the Neuberger Museum of Art. In 1982, Ruth Vollmer dies after a long battle with Alzheimer's. A majority of her large personal art collection of over one hundred sculptures, paintings, and drawings is donated to MoMA. Her art collection included works by Carl Andre, Mel Bochner, Eva Hesse, Sol LeWitt, Ad Reinhardt, Frank Stella, Agnes Martin, and Vardea Chryssa. Exhibitions 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

This exquisite patinated bronze group, "Duo Difficile," is the work of French sculptor Adrien Étienne Gaudez (1845-1902). Circa 1880, the sculpture showcases Gaudez's exceptional abi...

This piece titled "JxDALL·E 2023 15.17.19 92nd. st" is a crafted original piece by Tuft the World as part of the inaugural collection of TTW Editions. This piece measures 67"h x 45"w...

Anne de Villeméjane's sculptures in bronze, crystal and cement are exhibited in galleries and major art shows in the United States, Europe and the Middle East. Anne is a French artis...

"Tuxedo" is a minimalist and modernist wood wall sculpture reminiscent of both made century modern forms and the brutalist architectural movement. The piece was inspired by my love ...

TATSUZO SHIMAOKA YUNOMI SET WITH SIGNED BOX II (INV# NP3206) stoneware and glaze 3.25 x 3” 3.5 x 3.5” date unknown signed

Pablo Picasso A.R. 519 Le Verre Sous La Lampe 1964 13” x 10” Edition of 100 Terracotta clay, inscribed 'Edition Picasso' with the Madoura stamp. Ramie 519 is a Madoura ceramic that one rarely sees come on the market. The photo you see here is the actual piece that you will receive. Most sellers online post using stock photos that don’t necessarily match exactly to the piece you receive. This particular piece is pristine: there are no nicks, bruises or scratches of any kind. Be careful when buying from others – the pieces sometimes have nicks or scratches. The Certificate of Authenticity comes with this piece. We have sold over 3300 pieces with all positive reviews. We are located in the USA. When you buy from a foreign seller on 1stdibs, you have to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When you purchase from an auction house, you pay a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when you “win” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. When you purchase from an auction house, you pay the packing and shipping fees, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. When you purchase from an auction house, the sale is final. If you receive the piece and are not 100% satisfied with it, there is nothing you can do about it. You are stuck with it. By contrast, when purchasing from us, the buyer can determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! The prices of Picasso Madoura Ceramics have been on fire lately (no pun intended). The major auction houses – Sotheby’s, Christie’s and Phillips – have now been regularly holding Picasso Madoura Ceramic auctions...

Please Note: This Listing is for a commission. This piece will be made specifically for you. (Colors and palette changes can be arranged). Terebellum is a large modern wall sculp...

The Loving Light is a beautiful fusion of nature and elegance, combining the warm tones of Teak Wood with the sparkling energy of Quartz Crystals. The wood’s smooth curves and rich t...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

Intriguing 19th century Anglo Indian elephant and rider with a serene ambiance, having a polychrome finish now aged to perfection. Presented on a classic beveled plinth.

David E. Peterson is a Painter, Sculptor, and Deconstructive Designer. His "Leaners" are stunning and will add a contemporary feel to any space. Peterson sources each exotic wood pie...

Poly resin sculpture. Britto signature stamped on lower right. From the edition of 4000 (2nd edition). Comes in original box with Britto studio certificate of authenticity. Artw...

Large Pua 1 Porcelain, 2019 Additional information: Medium: Porcelain Dimensions: 11 × 11 in Zemer Peled's work examines the beauty and brutality of the natural world. Her sculptur...