England - Portrait Paintings

Henri Émilien Rousseau French 1875 – 1933 Portrait of the Arabian Horse Moscow Oil on board, signed lower left Image size: 15 x 18 inches This splendid rendition of the horse b...

In 1607, the Delft city council decided to commission a portrait of Stadholder Maurits of Nassau for the town hall, with Michiel van Mierevelt as the chosen artist due to the passing...

Walter Charles Horsley 1855 – 1921 The Distraction Oil on canvas, signed lower left Image size: 25 x 20 1/2 inches (63.5 x 52 cm) Orientalist ha...

Portrait Of Louise Maria Bird (1845-1862), 19th Century English School Large 19th century portrait of Louise Maria Bird, oil on canvas. Charming circa 1855 portrait of the girl ar...

ARTIST: Unknown (mid 20th Century) Enlgish School TITLE: " Full Length Portrait Of An Austere Lady" (1974) SIGNED: monogrammed upper right MEDIUM: oil on canvas SIZE: 103cm x 61cm ...

Portrait of a Fashionable Lady French School, indistinctly signed "Degucret"? oil on canvas, unframed painting: 25.5 x 21 inches provenance: private collection condition: very good a...

Study Of Lions, 19th Century by M C FEHR (German) Large 19th Century German School study of Lions before their den, oil on canvas by M C Fehr. Excellent quality and condition early...

Abstract Art, Picasso Style, Multicoloured, Original Oil Painting, Signed By French artist Beatrice Werlie, early 21st Century Signed by the artist on the lower left hand corner Oil painting on canvas, unframed Canvas size: 24 x 19.5 inches Sensational abstract oil painting by a French female artist named Beatrice Werlie. A wonderful nod to the Picasso style of abstract art, using the artists supreme technique of mixing unusual colours together. The striking mix of red, yellow and blue brings a rich sense of warmth to the piece. The concept of 'abstract' was defined by Picasso, but many artists have looked to the Spanish iconic...

Portrait of an Aristocratic English Gentleman circle of Thomas Hudson (British (1701-1779) oil on canvas, framed framed: 53.5 x 45 inches painting: 45 x 40 inches provenance: private...

Joan Beltran Bofill - Two Women with a Vase of Flowers

An Unwelcome Surprise, 19th Century French School - Signed Indistinctly Fine large 19th Century French scene of two pug puppies startling a tabby cat in a barn, oil on canvas. Sign...

Self Portrait of the Artist by René PIROLA (French, 1878 - 1912) stamped with artists mark oil on canvas, framed framed: 27 x 22 inches canvas: 26 x 21.5 inches Provenance: private ...

The Gardens Of Milner Park, Johannesburg, South Africa, Empire Exhibition, 1936 by MONICA MACIVOR (1881-1939) Huge 1936 South African tropical garden landscape from the Johannesbur...

Portrait by Jacob Markiel (Polish 1911-2008) *See notes oil on board , unframed board: 24 x 18 inches provenance: the artists estate, south of France condition: very good and sound ...

English School 17th Century Portrait of a Melancholic Gentleman Oil on canvas Image size: 25 x 29 1/4 inches (63.5 x 72.25 cm) Hand made contemporary style frame Provenance South of England Estate This is a striking 17th century half-portrait of a man. He sits with his body turned to the left and his head to the right. His left hand is held in front of him with thumb and finger together. He wears a loose white shirt that is opened low down onto chest while being closed at his neck with a black ribbon. An orange cloak has also been draped across his arms in a rather dramatic manner. This choice of costume is immediately notable and must be compared to other portraits of this time of Elizabethan courtiers wearing slashed silk outfits with ostentatious finery and silver swords. Indeed, if one examines 17th century English...

An angelic 18th-century portrait of the Phrygian Sibyl, one of the many prophetesses in ancient Greek mythology. Sibyls, including the Phrygian Sibyl, have been depicted in various f...

Thomas Cooper Gotch 1854 – 1931 Study of Violinist for Holy Motherhood Oil on canvas, on board Image size: 28 ¾ x 21 inches 18th century frame Illustrated in "The Golden Dream, A bi...

Figural Nude Kidnapping, dated 1952 signed "Eric" Large mid 20th Century figural nude beach scene of various men kidnapping a woman on horseback, oil o...

"The Badminton Player" French School, 19th century unsigned oil painting on canvas, framed painting: 24 x 14 inches framed: 28.5 x 18.5 inches Very rare early portrayal of a young ...

This fine late 19th-century portrait by renowned Italian artist Jean Baptiste Discart (1856-1944) depicts a lady wearing a black dress embellished with a lace collar, together with a...

A fine Scottish portrait oil painting of a young girl in a red dress with pretty collar. This is a quality portrait and dates to circa 1900 and is housed in a fine Watts frame. A bea...

This wonderful original oil painting by Paul S. Brown depicts a wild turkey, with its glorious feathers spread across the table. Brown's extraordinary attention to detail and impecca...

Portrait of Girolamo Frescobaldi (1583-1643) Attributed to Antiveduto Della Grammatica (1571-1626) Oil on Canvas 1605-1609 Framed in a Nineteenth Century gild and composite frame 44....

Jacob Huysmans Flemish 1633 - 1696 Portrait of a Lady Oil on canvas Image size: 49 x 40 ¼ inches Gilt frame Huysmans was born in Antwerp and came to England during the reign of Charles II where he became one of the fashionable painters of the court.. The diarist Samual Pepys noted the artist as capable of a more exact likeness than Lely. Certainly the diarist records that by August 1664 in the circle of Queen Catherine...

A striking portrait of a woman wearing a pink shirt, large hoop earrings, and a flamboyant hat. Presented in a dark-blue painted wooden frame. There is another painting to the revers...

Oil on canvas on board Image size: 15 3/4 x 21 3/4 inches (40 x 55 cm) Contemporary style frame This sensitive portrait captures the use of contemporary dress of this lady beautifu...

Arrival To The The New World, 17th Century European School - Early historical depiction of 16th Century Europeans Large 17th Century scene of ...

Attributed to Arthur Pond British, (1701-1758) Portrait of a Lady Oil on canvas Image size: 50.75 inches x 41.5 inches Size including frame: 58.5 inches x...

The Coronation Of The Virgin, 17th Century After Guido RENI (1575-1642) Fine Huge 17th Century Italian School Old Master depiction of the co...

Sir Henry Raeburn (1756-1823) James Sinclair, 12th Earl of Caithness (1766-1823) Oil on Canvas 30 X 25 inches Unframed 37 X 32 inches framed Sir Henry Raeburn FRSE RA RSA (4 March 1756 – 8 July 1823) was a Scottish portrait painter and Scotland's first significant portrait painter since the Union to remain based in Scotland. He served as Portrait Painter to King George IV in Scotland. Raeburn was born the son of a manufacturer in Stockbridge, on the Water of Leith: a former village now within the city of Edinburgh. He had an older brother, born in 1744, called William Raeburn. His ancestors were believed to have been soldiers, and may have taken the name "Raeburn" from a hill farm in Annandale, held by Sir Walter Scott's family. Orphaned, he was supported by William and placed in Heriot's Hospital, where he received an education. At the age of fifteen he was apprenticed to the goldsmith James Gilliland of Edinburgh, and various pieces of jewellery, mourning rings and the like, adorned with minute drawings on ivory by his hand, still exist. Soon he took to the production of carefully finished portrait miniatures; meeting with success and patronage, he extended his practice to oil painting, at which he was self-taught. Gilliland watched the progress of his pupil with interest, and introduced him to David Martin, who had been the favourite assistant of Allan Ramsay the Latter, and was now the leading portrait painter in Edinburgh. Raeburn was especially aided by the loan of portraits to copy. Soon he had gained sufficient skill to make him decide to devote himself exclusively to painting. George Chalmers (1776; Dunfermline Town Hall) is his earliest known portrait. In his early twenties, Raeburn was asked to paint the portrait of a young lady he had noticed when he was sketching from nature in the fields. Ann was the daughter of Peter Edgar of Bridgelands, and widow of Count James Leslie of Deanhaugh. Fascinated by the handsome and intellectual young artist, she became his wife within a month, bringing him an ample fortune. The acquisition of wealth did not affect his enthusiasm or his industry, but spurred him on to acquire a thorough knowledge of his craft. It was usual for artists to visit Italy, and Raeburn set off with his wife. In London he was kindly received by Sir Joshua Reynolds, the president of the Royal Academy, who advised him on what to study in Rome, especially recommending the works of Michelangelo, and gave Raeburn letters of introduction for Italy. In Rome he met his fellow Scot Gavin Hamilton, Pompeo Girolamo Batoni and Byers, an antique dealer whose advice proved particularly useful, especially the recommendation that "he should never copy an object from memory, but, from the principal figure to the minutest accessory, have it placed before him." After two years of study in Italy he returned to Edinburgh in 1787, and began a successful career as a portrait painter. In that year he executed a seated portrait of the second Lord President Dundas. Examples of his earlier portraiture include a bust of Mrs Johnstone of Baldovie and a three-quarter-length of Dr James Hutton: works which, if somewhat timid and tentative in handling and not as confident as his later work, nevertheless have delicacy and character. The portraits of John Clerk, Lord Eldin, and of Principal Hill of St Andrews belong to a later period. Raeburn was fortunate in the time in which he practised portraiture. Sir Walter Scott, Hugh Blair, Henry Mackenzie, Lord Woodhouselee, William Robertson, John Home, Robert Fergusson, and Dugald Stewart were resident in Edinburgh, and were all painted by Raeburn. Mature works include his own portrait and that of the Rev. Sir Henry Moncrieff Wellwood, a bust of Dr Wardrop of Torbane Hill, two full-lengths of Adam Rolland of Gask, the remarkable paintings of Lord Newton and Dr Alexander Adam in the National Gallery of Scotland, and that of William Macdonald of St Martin's. Apart from himself, Raeburn painted only two artists, one of whom was Sir Francis Leggatt Chantrey, the most important and famous British sculptor of the first half of the 19th century. It has recently been revealed that Raeburn and Chantrey were close friends and that Raeburn took exceptional care over the execution of his portrait of the sculptor, one of the painter's mature bust-length masterpieces. It was commonly believed that Raeburn was less successful in painting female portraits, but the exquisite full-length of his wife, the smaller likeness of Mrs R. Scott Moncrieff in the National Gallery of Scotland, and that of Mrs Robert Bell, and others, argue against this. Raeburn spent his life in Edinburgh, rarely visiting London, and then only for brief periods, thus preserving his individuality. Although he, personally, may have lost advantages resulting from closer association with the leaders of English art, and from contact with a wider public, Scottish art gained much from his disinclination to leave his native land. He became the acknowledged chief of the school which was growing up in Scotland during the early 19th century, and his example and influence at a critical period were of major importance. So varied were his other interests that sitters used to say of him, "You would never take him for a painter till he seizes the brush and palette." In 1812 he was elected president of the Society of Artists in Edinburgh; and in 1814 associate, and in the following year full member, of the Royal Scottish Academy. On 29 August 1822 he was knighted by George IV and appointed His Majesty's limner for Scotland at the Earl of Hopetoun house. He died in Edinburgh. Raeburn had all the essential qualities of a popular and successful portrait painter. He was able to produce a telling and forcible likeness; his work is distinguished by powerful characterisation, stark realism, dramatic and unusual lighting effects, and swift and broad handling of the most resolute sort. David Wilkie recorded that, while travelling in Spain and studying the works of Diego Velázquez, the brushwork reminded him constantly of the "square touch" of Raeburn. Scottish physician and writer John Brown wrote that Raeburn "never fails in giving a likeness at once vivid, unmistakable and pleasing. He paints the truth, and he paints it with love". Raeburn has been described as a "famously intuitive"portrait painter. He was unusual amongst many of his contemporaries, such as Reynolds, in the extent of his philosophy of painting directly from life; he made no preliminary sketches. This attitude partly explains the often coarse modelling and clashing colour combinations he employed, in contrast to the more refined style of Thomas Gainsborough and Reynolds. However these qualities and those mentioned above anticipate many of the later developments in painting of the 19th century from romanticism to Impressionism. Sir Henry Raeburn died in St Bernard's House (17 St Bernards Crescent), Stockbridge, Edinburgh. He is buried in St. Cuthbert's churchyard against the east wall (the monument erected by Raeburn in advance) but also has a secondary memorial in the Church of St John the Evangelist, Edinburgh. James Sinclair, 12th Earl of Caithness was born at Barrogill Castle (Castle of Mey) on 31 May 1766. He was the son of Sir John Sinclair of Mey, Baronet who he succeeded in the baronetcy in 1774. He succeeded as 12th earl of Caithness in 1789. He was lord-lieutenant of the county of Caithness and lieutenant-colonel of the Ross-shire militia. He married at Thurso Castle on 2 January 1784 Jane, second daughter of Alexander Campbell...

After Sir John Hoppner 1758 - 1810 Self Portrait Oil on canvas Image size: 18 1/2 x 21 1/2 inches (47 x 55 cm) Original gilt Carlotta frame This wonderful painting is after John Ho...

"The Boxer" series is an on-going body of work by Apostolos Chantzaras. This is a large scale artwork with bold colors and a graphic feeling of pop-nostalgia and movement. We are hap...

'Landscape with Two Bathers', oil on panel, by Guillaume Dulac (circa 1920s). Dulac's oils and drawings manifest an elegant classicism with an immediately identifiable style. It is these qualities which are so attractive both aesthetically and in the context as an investment in fine art. Our gallery holds virtually the entire remaining collection of Guillaume Dulac's sketches and memorabilia with impeccable provenance. In this acquisition of a Dulac oil painting, one finds a depiction of two women, one of them in the nude, seated on the edge of a bathing pool. The other is peacefully seated on a comfortable boulder stone...

An Allegory Of Motherhood & Charity, 17th Century Huge Italian Old Master Huge circa 1600 Italian Old Master scene of a mother and infants as an al...

Francis Hayman RA 1708–1776 Self-Portrait Oil on oak panel Image size: 8 x 6¼ inches Contemporary gilt frame This newly discovered work is the earliest known self portrait by Francis Hayman, dated to the mid to late 1720’s. The small scale of the portrait gives it a strong sense of intimacy. Whereas clients would often dress themselves in their best clothes for a sitting, Hayman has portrayed himself in informal attire, with his shirt unbuttoned and a wig cap. Born in 1708 to a respectable Devonshire family, his training began at the tender age of ten under the tutelage of the historical painter Robert Brown, who was probably an uncle. By the 1730’s he is known to have been engaged in painting scenery for the popular theatres on Goodman’s Fields and Drury Lane. He established a studio on St Martin’s Lane, and demonstrated his versatility as one of the most important painters of his time in portraits, illustration and history painting. Indeed, he was one of the first English painters deemed to have the skill and proficiency to rival that of the foreign masters, such as Holbein and Kneller, who were brought in by the court to make up for the perceived shortcomings of the native artists. Led by William Hogarth, Hayman and other artists began to create a new movement in the English art world. Thomas Gainsborough was one of his pupils, whom he is said to have introduced to the more lascivious and debauched underbelly of London life. After mostly making his living as an illustrator, in the 1740’s Hayman was commissioned by the proprietor of the Vauxhall Pleasure Gardens, Jonathan Tyers, to produce a series of four large celebratory canvases depicting British victories from the Seven Years War. His association with Tyers continued, and over the next ten years he produced a number of large decorative paintings...

Portrait Of Czechoslovakian Theologian Jan Hus (1370-1415), 17th Century European School 17th Century European School portrait of Czech Theologian Jan Hus, oil on panel. Excellent...

The Rabbit Family, 19th Century by Henry Barnard Gray (1844-1871) Large 19th Century English Landscape with a family of rabbits, oil on canvas by Henry Barnard Gray. Excellent qua...

Portrait of A Girl, 19th Century Italian / Spanish School Large 19th Century portrait of a young lady, oil on canvas. Excellent quality and condition oval study of the young girl wearing a green dress, red beaded necklace...

The work of Gian Marco Capraro mixes the old master's imagery mostly religious with a fresh technique, blurring some of the main characters, evoking a sense of mystery. The bold brig...

Jasper Leadbeater, Be the Chicken, 2025 Upcycled shotgun shells and spray paint 58 x 70 cm (22.8 x 27.56 in) Edition of 6 This vibrant and humorous artwork captures one of the most unforgettable moments from Guy Ritchie’s hit Netflix series The Gentlemen—Freddie dressed as a chicken, mid-rant and shotgun in hand. Painstakingly constructed from upcycled shotgun shell casings, this piece brings bold colour, texture, and attitude to any space. The contrast of vivid reds, yellows, and oranges against a golden backdrop of brass casings adds both visual impact and a playful nod to British dark comedy. Equal parts satirical and cinematic, Freddie the Chicken transforms ammunition into art, perfectly blending urban grit with pop culture charm. A must-have for collectors of contemporary mixed media, urban art, or fans of Guy Ritchie, The Gentlemen, and Freddie's cult-classic chaos. Related categories: The Gentlemen, Guy Ritchie, Freddie chicken scene, shotgun shell art...

Portrait General George Brinton McClellan (1826-1885), 19th Century Commanding General Of US Army to Abraham Lincoln, Governor of New Jersey American School Large 19th century military portrait...

Portrait Of An Birmingham Industrialist, dated 1904 by George F. HARRIS (1856-1924) Birmingham Society Painter Large 1904 Late Victorian era portrait of a Birmingham Industriali...

"The Boxer" series is an on-going body of work by Apostolos Chantzaras. As a practicing boxer himself, the artist has a passion for the sport and it shows in his bold yet whimsical w...

JEFF CHESTER (b. 1976, CANADA) Born in Summerside, P.E.I., Jeff Chester completed a B.F.A. and a B.Sc. from the University of Guelph in 2001. After completing a B.Ed. the following ...

Portrait of Arab Man in Turban French artist, 18th century oil on canvas, framed Framed: 21 x 16.5 inches Canvas : 18.5 x 14 inches Provenance: private collection, France Condition: ...

JOSEPH FLOCH 1894-1977 Vienna 1894 – 1977 New York (Austrian) Title: Collette II, 1944 Technique: Signed Oil Painting on Canvas Size: 120 x 89 cm. / 47.2 x 35 in. Additional Inf...

Italian School, early 19th century 'Portrait of a Bearded Man' - possibly Saint Peter? oil on board, framed framed: 16 x 13.5 inches board: 12.5 x 9.5 inches provenance: private col...

Portrait of Lady Mansfield of Ringwood Oil on Canvas Image size: 25 x 30 inches (63 x 76 cm) Original carved & gilded frame POA Provenance Descended through the Family Estate The y...

Portrait of a Lady French artist, Rococo period 18th century oil on canvas, framed framed: 15 x 12.5 inches canvas: 10.5 x 8.5 inches provenance: private collection, France condition...

A magnificent oil on canvas by Russian American WPA artist Nahum Tschacbasov (1899-1984), dating from 1943. Depicting a Maternity scene - or possibly a m...

Portrait Of Actor Anthony Leigh As Father Dominic from John Dryden's "The Spanish Fryar", 17th Century Sir GODFREY KNELLER (1646-1723) Large 17th C...

Artist/ School: French School, late 19th century Title: Portrait of a lady from the Belle Epoque period Medium: oil painting on canvas, framed in origin...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Rebecca Couchée by JULES PASCIN (1885-1930) Oil over pencil on canvas 73.1 x 91.8 cm (28 ¾ x 36 ⅛ inches) Signed lower right, Pascin Executed in 1927, Boulevard de Clichy, Paris Provenance Collection Marcel Bernheim, Palais des Beaux-Arts de Bruxelles, acquired from the artist, 1928 Pierre Blum, Paris, acquired from the above, 1952 Perls Galleries, New York, no. 13565 Private collection, Osaka Sotheby’s, New York, 14th May 1998 Peter Findlay Gallery Inc., New York Private collection, USA, acquired from the above, June 2011 Literature Luis Seoane...

Pausing for Conversation French School, early 1900's indistinctly signed oil on canvas, unframed Canvas : 46 x 29 inches Provenance: private collection, France Condition: very good ...

Artist/ School: French School, circa 1960's, indistinctly signed with monogram Title: Portrait of a Young blonde haired lady dressed in white. Presented in beautiful ornate frame. ...

This striking nude portrait oil painting is by noted Scottish artist William Crosbie. It is entitled Guapa verso, Spanish for a beautiful woman. Painted in 1981, she is wearing a bla...

"La Colette" by Akos Biro (Hungarian 1911-2002) signed, oil painting on canvas, unframed painting: 16 x 13 inches provenance: the artists estate, France Original oil painting by t...

Portrait of a Lady in a Chair French Post-Impressionist artist, circa 1900 oil painting on canvas, unframed canvas: 24 x 20 inches provenance: private collection, France condition: v...

Feeding The Birds, 19th Century by Charlotte J Weeks (19th Century, British) Large 19th Century English scene of two ladies feeding birds, oil on canvas by Charlotte J Weeks. Excel...

PAUL Size: 58.5 x 53 cm (including frame) Oil on canvas A striking and expressive mid-century portrait painting, executed in oil onto canvas. The composition depicts a male figure ...