Nahum Tschacbasov

American WPA Jewish New York Modernist Madonna Mother and Child painting

1943

If something about this painting seems familiar, it is for good reason! Dating from circa 1905-10, it is a work by Lucien Boulier (1882-1963), who was effectively Renoir's last stude...

This sweet little boy sits quietly like a well brought up child, but you can see in his eyes how much he likes to run and play. In this sensitive portrait painted in circa 1860 by Fé...

Here is an almost two hundred year old painting which is so irresistibly charming that it's crazy! You may have seen painted landscapes, portraits, genre scenes - but how many pretty...

A fascinating portrait dating from circa 1695-1700 with wonderful provenance: it belonged to the British industrialist Leonard Pelham Lee (1903–1980) and hung in his manor house in W...

Born into difficult times, the life of German Jewish artist Hermann Hirsch was not filled with peace or abundance. However, I believe at least while he w...

What is so wonderful and unusual about this 18th Century portrait is the relatability of the sitter. There is an openness to the world in his gaze, curiosity, a sense of humour, pass...

Modernist Portrait of St. Francis Compelling modernist oil on canvas portrait of St. Francis by Dr. Tarmo Pasto (American, 1906-1986). Presented in a taupe painted wood frame. Signed "Tarmo Pasto" bottom right, and titled "St. Francis" bottom center. Image size, 25.5"H x19.5"L. Dr. Pasto was a long-time contributor to the California art scene, as well as an art teacher and psychologist to many successful artists. He also authored a book on art, "The Space-Frame Experience in Art", published in 1964. He, however, was mainly known to the world for introducing the works of one of his patients, Martin Ramirez...

Crying Clown Portrait in Oil on Canvas Portrait of a sad clown by San Francisco artist John Peers (American, 1922-2009). This portrait is closely fra...

Subtle and moody portrait of a Pensive man by Joan Tidwell (American, 1930-2002). The sitter in the portrait is a middle-aged man looking slightly downwards, wearing a collared shirt. This piece is completed in a tan and green palette, creating a somber feeling. Of particular note are the confident, thick brushstrokes - each one is well-placed in the modernist style. Similar in some ways to Picasso's portraits. Signed "Joan Tidwell" on verso Unframed. Canvas size: 30"H x 22"W oan Gay Tidwell (American, 1930-2002) was born and raised in Hollywood, CA, where she had some success as a child actor. Later, she graduated Magna Cum Laude from the University of Washington with a Master's Degree in English Literature and Drama. Tidwell moved to the Bay...

Modern unfinished portrait of handsome man in dress uniform by American painter, Patricia Gren Hayes (b. 1932), circa 1970. Unsigned. Provenance: Purchased as part of larger collection of artist's work from the estate of Larry Miller Unframed. Canvas size: 30"H x 36"W. Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkel...

Figurative study of women by American painter, Patricia Gren Hayes (b. 1932). Blonde long hair women wearing overalls, side view of same woman and another side view study of a brunette, circa 1970. "Gren Hayes" on verso stretcher. Provenance: Purchased as part of larger collection of artist's work from Larry Miller Fine Art. Unframed. Canvas size: 29"H x 29"W Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez. She started a freelance commercial art business in 1963; copyrighted a National Cartoon, 1976, and served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976-1978. She was a workshop instructor at the San Francisco Woman Artists Gallery, 1977-1985; and was Manager/Owner Stanton Art Gallery, Alameda, CA, 1976-1982. Solo Exhibitions: Berkeley Marina, 1974; Oakland Center for The Visual Arts, "Images of Women", 1979 Group Exhibitions: Oakland's Dept of Education, 1963, Studio One; Alameda County Fair, 1975, 1976, 1978; San Francisco Art Festival, 1969, 1970, 1976, 1977, 1978; San Francisco Museum of Modern Art, 1976, 1977, 1978; San Francisco Women Artists Gallery Exhibition, award winner - 1970, 1977, 1978; Hayward Bay Fair Art Festival, award winner - 1971; Capricorn Assunder Gallery, 1973; Oakland Art Festival, 1973, 1974; Alameda Art Association, 1978; El Cerrito...

An Upper East Side of Manhattan New York city scene of bald guy reading newspaper on bench with East River and tugboat in background. The 1970s were the “glory days,” Huffaker says, for himself and a stable of talented illustrators whose work routinely found itself on the covers of the nation’s premier newsmagazines and in the pages of The New York Times. For the better part of that decade, Huffaker was among an elite breed of commercial artists—his hero and fellow Southerner Jack Davis, the legendary Mad Magazine illustrator, among them—working during a remarkable period when art directors routinely turned to illustration to give comic relief to the country’s deeply serious and dark problems. From civil rights and the women’s movement to Vietnam and Watergate, the gas crisis and inflation to the rise of Jimmy Carter, Huffaker mined a deep well of material ripe for his brand of visual wit and caustic satire. He sent his portfolio to children's book illustrator Maurice Sendak, the legendary “Where The Wild Things Are” illustrator to gauge his prospects, and when Sendak replied, “C’mon up, you’ll do all right,” SELECT HONORS: 2 Page-One Awards (from the New York Newspaper Guild), for work in Fortune Magazine and Sports Illustrated. Nominated 3 times for Cartoonist-of-the-Year by the National Cartoonists Society (illustration category). Desi Award of Excellence (Graphic Design Magazine). 20 Award of Merit citations from the Society of Illustrators. One-man show, Society of Illustrators. Illustrators 22 - annual national exhibition for the Society of Illustrators. SELECT MAGAZINE COVERS Time Magazine (6), Sports Illustrated (2), Business Week (12), Forbes, Saturday Review, New York Times Sunday Magazine, The New Republic, Family Weekly, Madison Avenue, New York Daily News Sunday Magazine (2), Junior Scholastic, ACLU, The Nation , and more EDUCATION BA, University of Alabama. Attended Pratt Graphic Center and The Art Students League, New York City. BOOKS WRITTEN AND ILLUSTRATED The Dispensible Man (M. Evans and Co.) and The Bald Book (M. Evans and Co.) BOOKS ILLUSTRATED White Is (Grove Press), The Begatting of a President (Ballantine Books), The Biggest Sneeze (Harper-Collins), H. Phillip Birdsong's ESP (Young Scott Books), Kids Letters to President Reagan (M. Evans), The Worlds Greatest Left-Handers (M. Evans), Does My Room Come Alive at Night (HarperCollins), The Man With Big Ears (HarperCollins), Jake Snake's Race (HarperCollins), and more POLITICAL CARTOONING Political cartoonist at The News and Obsever in Raleigh, NC and syndicated during the early 70's. Today, syndicated in 750 publications 3-times a week with Cagle Cartoons. FINE ART SHOWS Allied Artists of America, Salmagundi Club, Phillips Mill Annual (honorable mention), New Hope Shad Festival (grand Prize), Hunter Museum in Chattanooga ( one -man career retrospective), Santa Fe public library (one--man), Rosenfeld Gallery (Philadelphia), Potter...