France - Serveware, Ceramics, Silver and Glass

These elegant individual chop handles, finely decorated with twists, add a refined touch to your meals. Stamped with the "CB" hallmark, featuring a sun and a radiant mask, they date ...

Bouteille de décoration whisky Jean de Lespinasse en céramique bleu. Une petite grenure à signaler au pied visible sur la photo sinon elle est en top état. Jean de Lespinasse(1896-...

Camille Lefevre Large Art Nouveau stoneware ceramic pitcher Represente four faces Woodfiring ceramic colors effects Signed Dated 1918 Original perfect condition height 26 ...

Large champagne ice bucket on foot in Solid Silver The base, the body and the polylobed neck, the grips decorated with foliage 800 silver ...

This vide poche or ashtray in in Glass. It has been done circa 1940, in France. Transparent Color. Original and iconic molded glass bowl; its shape is simple and decisive, skillfully...

Dutch Pheasant Sterling Silver Shaker made in a very realistic way. Fine chiseled details are reproducing the plumage and the bird anatomical fe...

Direct from Paris, a magnificent sterling 117pc. sterling silver flatware set by France’s premier silversmith “Cardeilhac – Christofle”, silversmith to the King, in their rare Royal ...

Accolay, Gauloise series. Large vase in blue enameled ceramic, black interior. Artist's signature under the base. France, 1960

A stunning French Empire style coffee service, dating from around 1950, and comprising a coffee pot, six cups and saucers, a lidded sugar bowl and a cream jug. Crafted from white and...

Ashtray in Black Resin with shell in natural and black color France 1970

Plates in Faience. It has been made in France in the 18th & 19th century. It is hand painted. With Birds , Rooster andchines character dunkee ...pattern decoration. Green Yellow blue...

A stylish Paris porcelain and parcel gilt openwork compote, or fruit basket, made in two pieces joined with its original brass bolt. The basket is oval in form, and stands on a solid...

"Orly" cutlery set 124 pieces, Lino Sabattini Christofle 1957, Silver Plated" Magnificent cutlery set, Orly model, creation by Lino Sabattini for Christofle, with 89 pieces for twel...

In the style of Jacques Innocenti 20th mid-century design ceramic plate or vide poche Decorative bird colored Original perfect condition Circa 1950 Height 2 cm Large 19 cm

Direct from Paris, A Magnificent 8-piece Sterling Silver Tea Set by one of France's Premier French Silversmith "Boin-Taburet", and includes 6 Faberge Imperial Egg espresso cups and saucers in fine Limoges porcelain. The world of silver-smithing has witnessed the rise and fall of many notable firms throughout its history. In the realm of French silver-smithing, the name "Boin-Taburet" stands as a symbol of enduring excellence, innovation, and craftsmanship. Fabergé, a name synonymous with opulence, craftsmanship, and unparalleled luxury, has captivated the world for over a century. The brand's remarkable journey from a modest Russian jewelry atelier to a symbol of prestige and sophistication is a testament to its enduring legacy. In 1885 Tsar Alexander III commissioned a lavish Easter egg for his wife, Empress Maria Feodorovna. This magnificent piece, known as the Hen Egg, was an extraordinary fusion of artistry and engineering, setting the stage for what would become Faberge’s most iconic creations - the Imperial Easter Eggs. The Imperial Easter Eggs, a series of intricately designed and meticulously crafted eggs, became the hallmark of Fabergé's artistry. Peter Carl Fabergé and his team of skilled artisans poured their hearts and souls into creating these masterpieces, which were intended as gifts from the Russian Tsars to their wives and mothers. The history of Boin-Taburet is closely linked to the two families that merged to create this iconic firm. The story begins with the Boin family, where Alexis Boin, a skilled silversmith, laid the foundation of the firm. Boin's craftsmanship and artistic abilities were quickly recognized, and his works gained prominence during the early 19th century. The Taburet family, on the other hand, was equally esteemed in the silver-smithing world. Auguste Taburet, known for his intricate designs and fine workmanship, brought the Taburet name to the forefront of French silver-smithing. It was the union of these two families through marriage in 1845 that established the firm known as "Boin-Taburet." The Imperial Easter Eggs not only showcased Fabergé's technical prowess but also solidified the brand's reputation as the jeweler to the Russian imperial family. They were exquisite symbols of love and devotion, and their creation marked a collaborative effort between Fabergé and the Romanov dynasty. The quality and craftsmanship of Boin-Taburet's silverware, exemplified in this stunning tea set, earned the firm a well-deserved reputation. Notably, Boin-Taburet received royal patronage from Emperor Napoleon III, which marked a significant milestone in their history. This recognition catapulted the firm to new heights, and they began creating exquisite pieces for the French royal court. Their exceptional work was displayed at prestigious international exhibitions, further enhancing their reputation on the global stage. The firm's achievements were not limited to France, as Boin-Taburet's pieces found homes in royal collections around the world. This is an amazing 8 piece set and in each of the sterling pieces have been professionally restored to near new condition. The majestic Samovar (Water Fountain) stands roughly 39.00cm. high to the top of the lid, is approximately 23.00cm. across to the tip of the spout and weights 2,270 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris" on the underside. The Coffee server stands roughly 21.50cm. high to the top of the lid, is approximately 22.00cm. across to the tip of the handle and weights 698 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Freres sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49213 16" on the underside. The Teapot is roughly 18.50cm. high to the top of the lid, approximately 22.50cm. across from the tip of the spout to the outside of the handle and weights 701 grams. It also bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Freres sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49208 16" on the underside. The Hot Chocolate server stands roughly 22.00cm. high to the top of the lid, is approximately 21.00cm. across to the tip of the handle and weights 733 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 51103 17" on the underside. The elegant Sugar Bowl stands approximately 17.00cm. high to the top of the lid, roughly 13.50cm. across to the outside of the handles and weights 560 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49665 16" on the underside. The Cream Pitcher stand approximately 11.00cm. high to the top of the handle, is roughly 12.00cm. across from the tip of the spout to the outside of the handle and weights 195 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49214 16" on the underside. The sturdy Candy / Biscuit Dish is roughly 6.00cm. high, approximately 15.00cm. in length to the tips of the handles and weights 275 grams. It also bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 48511 16" on the underside. The massive serving tray is approximately 63.70cm. in length, 51.00cm. across at its widest point and weights in excess of 3,100 grams. It also bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Freres sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris" on the underside. "The Imperial Swan Egg...

Stoneware sculptural plate with geometric decoration by Georges Martin. Artist signature on the base. Circa 1970-1980. Unique piece. H : 24.6 x 1.6 inches.

Brutalist Glass Ashtray or Bowl, minimalist design, France 1970s. Glass ashtray, molded from a single block of glass. Its clear, transparent surface gives it the appearance of froz...

Tea and Coffee Set by Alfred Lanternier Limoges Porcelain Circa 1920 27 Pieces It is the Indian Ferns model, Fougères Indiennes in French, dating between 1919 and 1929 which we can tell from A. Lanternier & Co Limoges with the red star marks on all pieces. The set comprises twenty seven pieces composed of eight coffee cups and saucers, four large coffee or tea cups and saucers, tea pot, milk jug and sugar pot. Shiny and transparent white porcelain with outstanding workmanship on the forms of all pieces of the set. The relief of the whole surface of the thin plates is remarkable. This server ware is a real gem of the luxury porcelain that Alfred Lanternier was renown for worldwide in high society and royal courts. A. Lanternier won a Gold Medal in 1925 at the International Exhibition of Modern Decorative and Industrial Arts, and this set was produced during that era. François Frédéric Lanternier...

Classy Black Ashtray in aluminium in bronze gunmetal finish. Also available on request in dark brass finish.   

This hunting-themed centerpiece was crafted by the Thomire & Cie company around 1850. Pierre-Philippe Thomire (1751-1843) was the most famous member of a distinguished family of ar...

French Art Deco vase by Louis Dage (Anthony, Paris), France, ca.1920. Stoneware. Superb color combinations of oxblood, black and gold. Black inside. Measures: height: 6.5"(16.5cm), w...

Anthropomorphic ceramic sculptures by Dominique Pouchain (circa 1980s) Sculpture or vases Glazed stoneware Both signed. Height 55 and 22 cm Very good condition

Original Victorian Wedgwood Lobster Salad Bowl. Cream background earthenware the bowl is decorated all around with printed and hand-painted seaweeds inside and outside the bowl. The ...

A fine Empire Paris porcelain milk jug signed Halley under the base (specialized in porcelain decoration and retail), early 19th century production circa 1805. Beautiful model enhanc...

Set of Cutlery 31 Pieces in Metal and Bakelite Purple Color France circa 1970

Art Deco Bowl dish "Roscoff" made in opalescent glass - design of fishes creation by René Lalique in 1932. Stamped signature. Perfect condition. Great opalescence diameter: 36 cm ...

French Mid-century aperitive or donner set by ACCOLAY, France, 1950s. 4 dishes. Large dish : 15.75x8.15x3.15 in. - 40x20.7x8 cm. Medium dish : 12.6x6.5x3.15 in. - 32x16.5x8 cm. Small...

Large Art Deco squirrel drageoir was designed by Antoinette de Ribes (1892-1972) for Gallia in 1931 with beautiful stylized lines. This is the origin...

Set of Glasses "Barsac" made in crystal by Lalique France after a design by René Lalique from 1939. Signature under each glass. Set for 8 people including: - 8 water glasses - 15 cm...

Direct from private chateau near Paris, a truly magnificent pair of original 950 sterling silver Louis XVI 5-candle candelabra by one of France's premier silversmiths "Tetard Frères"...

Superb and extremely rare Arbois glass service designed by René Lalique for the Maison Lalique in 1937. Beautiful decorations of a ribbed structure on the foot in the appearance of c...

Beautiful and rare black marble (Belgium blue stone) mortar, France, circa 1750-1850. Great eyecatcher. Weathered but good condition.

1960s Italian Freeform Onyx Ashtray, Polished Stone with Dark Brown, White, and Pink Veining Description: This exquisite freeform onyx catchall, crafted in Italy in the 1960s, is a stunning example of natural luxury and timeless elegance. Its organic shape and polished finish highlight the beautiful contrast between the deep dark brown-black center and the surrounding layers of white and soft pink veining, making it an eye-catching decorative piece. Material and Finish: Made from high-quality onyx, this catchall is expertly polished to a glossy finish, enhancing the stone’s natural depth and rich color variations. Unique Color Palette: The dark brown-black central zone is beautifully framed by delicate layers of white and rose-pink, creating a striking yet harmonious contrast. Freeform Design: Its organic, irregular shape gives it a sculptural quality, making each piece one-of-a-kind with a distinctly luxurious appeal. Versatile Use: This onyx catchall is not only a beautiful decorative object but also highly functional as a catchall for keys, coins, or jewelry, or even as an elegant ashtray. Decorative Presence: Its bold color contrasts and natural elegance make it suitable for a variety of interiors, from modern minimalist to classic or eclectic decor styles. Luxurious Appeal: The polished onyx and its intricate veining bring an immediate sense of luxury and sophistication to any space, making it a statement piece on coffee tables, desks, or entryway consoles. This 1960s Italian onyx catchall is more than just a decorative bowl—it’s a piece of art crafted by nature and perfected by Italian artisans. Its timeless beauty and luxurious presence make it a must-have for collectors and design enthusiasts alike. 1960s Italian onyx catchall, vintage freeform onyx bowl, dark brown and pink onyx dish, polished stone decorative piece, luxury Italian onyx decor...

A porcelain sculpture with black glaze decoration by Tim Orr. Perfect original conditions. Signed under the base, circa 1970.

Ceramic Vase "Molaire" by Roger Capron, Vallauris, France, 1953-65 "Pyjama" decor

Enameled earthenware vase. Handcrafted in France, in the potters' region of Puisaye. Dripping glaze and complex texture on its pot-belly. In the style of Jean Carries...

These are 3 pieces of a coffee service. The colors are Pink and Gold. 1 Sugar pot 1 Coffee cup plate I TeaPot or coffeepot The are from Germany. the ...

Direct from Paris, A Stunning Louis XVI, 4pc. Sterling Silver Tea / Coffee Set by France's Premier Silversmiths "Jacques and Pierre Cardeilhac (Christofle)" Silversmiths to the Aristocracy of Europe, with Accompanying "Boulenger" 950 Sterling Silver Serving Tray and 5 Anti-tarnish Storage Wraps, Circa 1890s. The French silversmith Christofle, formerly known as Cardeilhac, stands as a prominent figure in the history of silver craftsmanship. With a legacy that spans over two centuries, the house of Christofle has been synonymous with excellence in silverware, catering to the needs of French royalty, the elite, and connoisseurs of fine craftsmanship worldwide. Adolphe Boulenger...

About product: Lumax ashtrey by Le Corbusier and Charlotte Perriand. Manufactured in France, circa 1970. The Lumax Ashtray by Le Corbusier is an iconic design piece. It was designe...

Champagne cooler waiter beige on stand, for 2-3 bottles, Including a polished stainless steel stand covered with beige genuine Leather and a champagne cooler bucket in stainless s...

Large hand-sculpted ceramic lamp, stylized face with a round of danseurs, stoneware glazed in black enamel. One of a kind handmade piece signed by the French ceramicists Dalo The he...

Vide poche in Onyx. This ashtray is rare by his color. It is in a green color. It has been made in italy circa 1960.

The plate is in Faience. It has been made in France, during the 19th century. The pattern decor is a Chinese Fisher, and the main colors green and red.

French Art Deco ceramic vase, France, 1931. Ceramic vase made especially for the 1931 International Colonial Exhibition in Paris. The first time we see it. Height: 9.4"(23.8cm), Diam...

Large Roger Capron ceramic vase, Vallauris, France, 1950s Signed "Capron Vallauris".

Pepper grinder and salt from Missiaglia Venezia 1990 Handcrafted by hand in Venezia around 1990 Pepper Length 16,5 cm width 6,5cm Pepper length 18 cm width 7cm Very good conditio...

The worlds of luxury and craftsmanship often intersect in fascinating ways, exemplifying the pursuit of perfection through design and skill. Two iconic brands that embody this union of artistry and elegance are Puiforcat, the French silversmith, and Hermès, the esteemed fashion house. Despite their distinct histories and expertise, both brands share a common thread of dedication to craftsmanship, quality, and timeless design. The House of Puiforcat (now owned by Hermes) was founded in 1820 by Emile Puiforcat, a visionary silversmith who sought to redefine traditional craftsmanship with a modern perspective. The brand quickly gained recognition for its commitment to exceptional quality and its avant-garde designs that pushed the boundaries of silversmithing. In its early years, Puiforcat became a favored choice for French aristocracy and European nobility, solidifying its reputation as a leading silverware manufacturer. Hermès, a name synonymous with luxury, began its journey in 1837 as a harness workshop in Paris. Founded by Thierry Hermès, the brand initially focused on crafting high-quality leather goods, primarily for horse riders. Over the years, Hermès expanded its offerings and ventured into the world of luxury fashion, establishing itself as one of the most prestigious names in the industry. What sets Hermès apart is its unwavering commitment to craftsmanship and its dedication to the creation of enduring, exquisite pieces. The relationship between Puiforcat (Hermès) and its artisans is a testament to the brand's commitment to excellence. While Puiforcat and Hermès operate in distinct domains—silversmithing and fashion—both brands share a deep-rooted commitment to traditional craftsmanship and quality. This commitment extends not only to the materials used but also to the expertise of the artisans who transform these materials into exceptional creations. The stories of Puiforcat and Hermès, though distinct in their origins and crafts, converge in their shared commitment to craftsmanship, tradition, and timeless design. The legacies of these two iconic brands are not just tales of luxury but narratives of artistry, dedication, and a pursuit of perfection. Puiforcat's innovative silversmithing and Hermès's enduring leather craftsmanship stand as beacons of excellence in their respective fields. Together, they remind us that true luxury is not just about wealth or opulence but is a manifestation of the enduring connection between art and craftsmanship. Puiforcat and Hermès have...

This is a matcha bowl for tea ceremony. This bowl is made with porcelain and it was made around 1970s in Showa era. Dimensions: 12 x 12 x H7,5 cm

Art Deco jug by Louis Süe(1875-1968) & André Mare (1887-1932) for Gallia - Christofle. Silverplated with plant motifs in low-relief. Stamped underneath "...

French Art Deco center bowl by MULLER FRERES (Luneville), France, 1920s. Two African hunters against an elephant. Pink/peach molded-pressed glass bowl. Diameter : 13.8"(35cm), Diamet...

French Art Deco cocktail Cobbler shaker set box, France, ca.1920. Silverplate and crystal. Box, cocktail shaker, mixing glass, mixing spoon and ice strainer. Box - Height : 5.4"(13.8...

A classic blown and cut glass water carafe - France, 19th century. total height : 35cm.

Ceramic Mask, Accolay, France, 1960s Accolay was a pottery center in France, north of Burgundy, founded amongst others, by 4 students of Alexandre Kostanda. Active between 1945 and ...

French Napoleon III majolica slip aperitive or dessert set by Jerome MASSIER, Vallauris, France, end of 19th century. 6 (2x3) plates : anemone, pansy and daisy - Diameter : 7.5"(19cm). 1 platter with the three same flowers - Height : 3"(7.5cm), Diameter : 13"(33cm). Platter and plates (except one) are intaglio stamped. "J.Massier Vallauris" (platter), "Jerome Massier Vallauris" (4 plates) "Jerome Massier Fils Vallauris AM" (1 plate). Excellent original condition (an original crack in the firing on a plate, see last photo). The Massiers’ work represents a link between traditional Victorian majolica and Art Nouveau pottery. There were three Massiers working in the second half of the nineteenth century, heirs to an old line of potters, who transformed traditional utilitarian ceramics into an art form. Their ancestors had worked for several centuries in Vallauris on the French Riviera, where, in the twentieth century, Pablo Picasso was reigning ceramic artist. Delphin Massier (1836 - 1907), and Clément (1845 -1917) were brothers. A cousin, Jérome (1850 – 1916) worked with them, using the signature « Jérome Massier fils ». By 1899 the family firm was divided into branches headed by these three men. In 1860 the Massiers began to produce their vibrantly colored majolica, perhaps inspired by the flowers of the Cote d’Azur. Clément was particularly interested in designs drawn from ancient Egypt, Greece, and Rome, as well as from Renaissance maiolica...

René Lalique "Atmos clock", c. 1930 Execution: Glass and Chrome. Signed: by René Lalique Measures: H: 33 cm (12.9") Overall Very good condition Atmos, Pendule Perpétuelle, with the ...

Boxed set, silver-plated dinner services, menagère in its box. Set of 6 forks and 6 spoons, box, silver-plated dinner services in its case, Napoleon III style, 20th century. H: 5cm,...

Classy French Art Deco confiturier for jam or marmalade, France, ca.1920. Macassar, bakelite and glass. Glass spoons. Dimensions excluding spoons : 6.3 in.H x 9.4in.W x3.7 in.D - 16 ...

Ceramic Plate by Mado Jolain, France, 1970s