France - Tribal Art

African shield Wallaïta from Ethiopia, early 20th century. Base: 40 x 17cm.

Early to mid-19th-century bronze currency bracelet / Manilla in circle form. Intricate graphical geometrical. This type of bracelet was worn/used by the Zaghawa People also called Bé...

Early to mid-19th-century bronze currency bracelet / Manilla in circle form. Intricate graphical geometrical. This type of bracelet was worn/used by the Zaghawa People also called Bé...

A tall hand-carved statue of a dancer "Queen Dancer" crafted by the Egba People, Abeokuta, Ogun State, Nigeria, circa 1950s. The statue is hand-carved in a rather rough way, not very...

African stool with caryatid from Cameroon, Bamoun or Bamileke, probably around 1920, carved wood and dark patina, oval seat decorated with geometric notches, support in the shape of ...

Early 20th-century brass currency bracelet / Manilla in horseshoe form with fixed opening. Hand-stamped and shaped graphical motives and the ti...

African art vase, wood, 20th century. Measures: H: 29 cm, D: 17 cm.

Tall hand-carved wooden statue of a Ju Ju Man crafted by the Egba People in Abeokuta, Ogun State (part of Nigeria), circa 1940s. The pupils are made from nails, which intensifies the...

Raw wooden ladder, primitive art of the Dayak people, Borneo, dating from the 1940s. This ladder was designed to climb into a Dayak house. Nice patina of the wood left by time and...

Yak milk Jar with handle, finely carved with geometric motifs all around the piece. Tribal Art from North Nepal beginning of 20th century, from the Himalaya c...

African Statue 'Boli' Bambara Mali C1950 Zoomorphic altar statuette (Boli). Kono tribe. Provenance: Swedish private collection, inherited with the Fam...

TOTEM 2 sleep guardian or Kata Sergo from the ethnic Gorague´, South / South West Ethiopia. Different ridges are intended to evacuate the bad vibes from the fireplace to the top hous...

Bwa mask from Burkina Fasso Burkina Faso, Black Volta River region Culture: Bwa peoples Provenance: Private Swedish collection Bwa plank masks are conceive...

Tchokwé mask from Angola once owned by the American Abstract Expressionist artist Merton D. Simpson (1928 - 2013) renowned both for his work and as a dealer and collector of early Af...

Bamana N'tomo mask, Mali, 20th century "Generally surmounted by three to eight horns forming a comb, the N'tomoface mask refers to a moment of compulsory education given to uncircumcised young boys in certain West African societies. The mask's discreet, even absent, mouth emphasizes the behavior expected of them in their future adult life after training: controlling and measuring their words, knowing how to keep quiet, preserving secrets and enduring pain in silence." Excerpt from Masques du N'tomo, Marc Ladreit de Lacharrière Collection, Musée du Quai Branly Jacques Chirac, France. The Bambara, or Bamana, live in central and southern Mali. Their name means “unbeliever” and was given to them by the Muslims. Animists, they believe in the existence of a creator god called Ngala, who maintains the order of the universe and coexists with another androgynous god called Faro, master of the Word, who gave all qualities to mankind and makes the fruits of the earth grow. Traditional Bamana art objects are closely linked to agrarian rites. The Bamana dance these masks during initiation and circumcision ceremonies for young boys in the Ntomo society. The face, with its vertical outgrowths at the top, adopts geometric features beneath a rounded forehead, including an imposing busted nose, as the Bamana favor this organ in their statuary as it evokes sociability and clan cohesion. Indeed, during choreography, the dancer frequently touches the nose of the mask. As teaching aids for candidates, masks from societies accessible to young boys and adults, such as the N'tomo, Korè and Ci wara...

A very pleasing Ciwara crest, singularly small and accompanied by its original headdress, depicting a stylized antelope leaning on a pangolin. The antelope is ridden by a woman, and white horsehair has been added to the tips of the horns. The piece is carefully sculpted, with notches decorating the bodies of the antelope and the pangolin. Rattan, plant fiber, cowries, wood Very fine velvety mat patina, Circa 1950 An animal called Ciwara is said to have taught the Bambara how to cultivate the land, and during agrarian ceremonies, they recall the myth through the stylized representation of an antelope whose name ci wara...

TOTEM 1 sleep guardian or Kata Sergo from the ethnic Gorague´, South / South West Ethiopia. Different ridges are intended to evacuate the bad vibes from the fireplace to the top h...

Objects crafted from the shell of the giant Tridacna clam, also known as the fossilized giant clam, held great value among numerous Melanesian peoples. The artistry of working with f...

Masque tribal présumé Sénufo en alliage bronzier ancien circa 1950. D'une patine du temps vert de gris oxydée, ce masque est une création artisanale de talent et unique. Il représent...

African Baule statue Mother with child, Ivory Coast mid XXem Provenance: Swedish private collection, from the 1980s. Then inherited within the family. B...

African mask from Yaure tribe in Ivory Coast Circa 1950. Beautiful dark patina. Swedish private collection, from the 1980s then inherited within the family. Yaure tribe art is renow...

Toussiana Plank Bird from Burkina Faso Mid XXem Provenance: private Swedish collection , auction The TOUSSIAN live in the Southwest of Burkina Faso. The mask presented here is a Loni...

African decorative object, gourd, early 20th century. Measures: H 11 cm, L 57 cm, W 13 cm.

Kanuri-Hausa Headdress, "burtu" Kanuri-Hausa, Nigeria Headdress, "burtu Kanuri-Hausa, Nigeria wood leather horn. H 42 cm. Provenance : - Swedish private...

Sculpture in bronze figuring a stylized African warrior composed by wheelworks, bolts and nuts. He wears a necklace around his neck and a large headdress in orange lacquered iron wir...