Madrid - Paintings

Title: "Blue Dream Landscape" On the canvas, a world of tranquility and serenity emerges, where shades of blue and white intertwine in a harmonious dance that captivates the viewer....

Is a captivating masterpiece that embodies the essence of the action painting movement. With its vibrant display of colors against a pristine white backdrop, this artwork emanates an...

Title: "Abstract Radiance" This abstract painting, titled "Abstract Radiance," is an explosion of energy and vitality that radiates from a bright and vibrant orange background. In co...

Impresionist landscape and waterscape from Alboraya, Valencia, Spain

This painting captures the essence of refuge—a quiet sanctuary amidst the vast, indifferent expanse of winter. The snow-covered landscape stretches endlessly, evoking both tranquilit...

Street Art, graffiti, bright colors, Gestural Abstraction1365

Title: "Blue Dream Landscape" On the canvas, a world of tranquility and serenity emerges, where shades of blue and white intertwine in a harmonious dance that captivates the viewer....

Title: "Blue Dream Landscape" On the canvas, a world of tranquility and serenity emerges, where shades of blue and white intertwine in a harmonious dance that captivates the viewer....

Title: "Blue Dream Landscape" On the canvas, a world of tranquility and serenity emerges, where shades of blue and white intertwine in a harmonious dance that captivates the viewer....

In this painting, a young woman seated at a rocking chair is shown absorbed in reading a book, capturing a moment of summer serenity. Depicted from the left side, it complements the ...

This painting captures a moment of tranquility and elegance. A young woman, presented in profile, is immersed in reading a book while gently swaying in a rocking chair. The scene tak...

This painting presents a young woman in a boat, motionless in the middle of a lake at sunset. The figure, seen in a three-quarter view, shows her almost bare back, with a white blous...

Impresionist woman figure

Realism, figurative, flowers, pastel colors, Hyperrealism, linen, oil

Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors, earth colors

More than a simple artistic representation, this painting serves as a study of the human figure, characterized by a loose and quick execution technique. The choice of ochre tones for...

An atmospheric painting of London with River Thames. Original cityscape oil painting. It was painted in multiple layers with palette knife and brushes. * The artwork is signed...

Figurative, abstract, geometric, objetcs, natural materials

JOSÉ GALLEGOS Y ARNOSA Spanish, 1857 - 1917 CORO DE MONAGUILLOS ENSAYANDO signed, located and dated "JGallegos / Roma 1883" (lower right) oil on...

Figurative, minimalist, geometric, objetcs, still life

Spray Paint on Arches Paper 300 gsm Original on paper 30 x 23 inches (76 x 57 cm)

Spray Paint on Arches Paper 300 gsm Original on paper 30 x 23 inches (76 x 57 cm)

Spray Paint on Canvas 35.4 x 23.6 90 cm x 60cm

In this third painting of the series dedicated to La Pedrera, Antoni Gaudí’s iconic work, the uniqueness of the rooftop stands out, where chimneys and windows emerge in an intense oc...

A painting in abstract acrylic is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creat...

A painting in abstract acrylic is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creat...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

A painting in abstract acrylic is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creat...

In this painting I depict a young woman deeply concentrated in her musical rehearsal. The image captures a magical moment, where the skill of the performer intertwines with the elega...

Mi obra, creada con oleos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocional ...

Figurative, minimalist, human figure, portrait , neo cubist

Figurative, minimalist, human figure, portrait , neo cubist

With these objects I have worked for two years in a short series of still lifes. Treating the perspective inside the painting as a trompe l'oeil seemed to me an interesting idea. in...

In this work I present a woman lying down as a study of the female body, the figure is cut on a brownish background, with a very marked texture intentionally based on glazes to highl...

A painting in abstract acrylic is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creat...

A painting in abstract acrylic is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creat...

In this work, I have poured my passion using acrylics to evoke depth and movement. Blues and whites intertwine, reflecting abstract emotions that flow freely, like ocean waves on a s...

Street Art, graffiti, bright colors, Gestural Abstraction

Contemporary, Pop, Surrealistic, Figurative, Nude

This surrealist work is distinguished by the economy of elements in its scene. Specifically, it presents two main components: a levitating figure against a background divided into th...

Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors, earth colors

Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors, earth colors

Impresionist woman figure

Street Art, graffiti, bright colors, Gestural Abstraction

"Luz de Otoño". Abstract, minimalist, gestural, contemporary, acrylic, canvas

Original abstract painting. It was painted in multiple layers with palette knife and brushes. The artwork is signed on the back and includes a Certificate of Authenticity. The pai...

This painting is an imaginary landscape but inspired by the mountains in the Alps. In this series of paintings, the artwork has a physical and abstract character seen up close with ...

Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors, earth colors

This work is composed of a fragment of a seated woman with her torso covered by a shawl. The woman, in frontal position, does not show the model's head, but the features of her body ...

This painting is an imaginary landscape but inspired by the mountains in the Alps. * The artwork is signed on the back and includes a Certificate of Authenticity. * The painting is...

"Summer". Abstract, minimalist, gestural, contemporary, acrylic, canvas

Oil painting on wood canvas. Front/back signed and certificate of authenticity. Gloss varnish. 30x30x4 cm. 11,8x11,8x1,6 inches. :: Painting :: Contemporary :: This piece comes...

Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors, earth colors

This painting depicts a nude woman lying in a relaxed position. What really stands out in this work is the fishnet shawl that covers part of her bod...

Triptych 3 x (25 x 25) cm Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors

SIZE: 80 x 40 cm – 31,50" x 15,75" inches. Original textured cityscape. It was painted in multiple layers with palette knife and brushes. * The artwork is signed on the back a...

A fresh, vibrant and vital painting that combines the personality of colour with the brushstrokes and abstract forms created by the artist. * This artwork is a hand painted, origi...

Original expressive painting with vibrant colours. It is a artwork from my series of paintings "Strength - Passion - Colour". A fresh, vibrant and vital painting that combines the...