Madrid - Paintings

This piece marks the beginning of a series in which classical iconography takes center stage. In Neural, the artist reinterprets sculptural and architectural elements from the Greco-...

The artwork “Crátera”, rendered in oil on linen mounted on panel in a panoramic format, invites viewers to immerse themselves in an urban landscape that comes to life at dawn. The ci...

Figurative, minimalist, human figure, portrait , neo cubist

RICARDO BRUGADA Y PANIZO Spanish, 1867 - 1919 LA HORA DEL TÉ signed & dated "Ricardo Brugada. 1897." (lower left) oil on canvas 22-1/8 x 31.5 inches (5...

ENRIQUE MARTÍNEZ CUBELLS Y RUIZ Spanish, 1874 - 1947 PREPARING FOR FISHING signed "E. M - CUBELLS. RUIZ" (lower right) oil on canvas laid on panel 11-1/4 X 15-1/4 inches (28.6 X 38....

MARIANO ALONSO PÉREZ Spanish, 1857 - 1930 THE SEARCH signed "Alonso Pérez" (lower right) oil on canvas 23 x 12-1/8 inches (58 x 30.7 cm.) framed: ...

XAVIER VALLS Spanish, 1923 - 2006 CALELLA DE PALAFRUGUELL signed "X. Valls." (lower right) signed again, numbered, dated & titled "X. Valls. / VIII Horta ...

CHARLES - CLÉMENT CALDERON French, 1870 - 1906 VENICE TWILIGHT signed "C. Calderon" (lower right) oil on canvas 15-1/4 x 21-3/4 inches (38.5 x 55 cm.) ...

MARIANO ALONSO PÉREZ Spanish, 1857 - 1930 ELEGANT FIGURES SEATED IN A PARK signed, located and dated "Alonso Pérez, Paris ´91" (lower right) oil o...

In this piece, I set out to evoke the quiet mystery of a spring night illuminated by moonlight. A glowing full moon hovers above, casting golden highlights that shimmer through the s...

In this painting, I aimed to capture the quiet magic of a moonlit orchard. A radiant silver moon rises above distant hills, casting a soft, ethereal glow and scattering stars like pe...

EMILIO GRAU SALA Spanish, 1911 - 1975 PLAGE DE TROUVILLE signed Grau Sala (lower left) signed again, located & dated "Grau Sala, Trouville, 1953" on the reverse oil on canvas 15 X 24 inches (38 X 61 cm.) framed: 24-1/2 X 33-3/4 inches (62.5 X 85.5 cm.) PROVENANCE Private French Collection Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in the Parés Hall. His first works were exhibited at the Salon des Independents, in the years 1930-33. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Grau Sala lived and absorbed all the avant-garde movements that broke through in Paris, but never adhered to any. Creating your personal style. His pictorial lyricism and naturalism superimposed the evotative and sensitive quality of the image to any other concern. In 1953 Grau Sala spends his first summer in Honfleur becoming one of the most active Honflerian painters. Honfleur forms a coast triangle next to Deauville and Trouville, and in that August of 53, Grau Sala pinto is an elegant beach, which at that time met French and European high society. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar...

WILHELM KUHNERT German, 1865 - 1926 NIALAS AT REST signed "Wilhelm Kuhnert" (lower lright) Watercolour on cardboard 11 X 15-3/8 inches (28 X 39 cm.) framed: 16-1/4 X 20-3/4 inches (41.2X 52.5 cm.) PROVENANCE Private Collection, Munich, Germany Private Spanish Collection, Madrid Friedrich Wilhelm Kuhnert (September 18, 1865 – February 11...

En esta obra, he vertido mi energía creativa en un lienzo que respira dinamismo y pasión. Usando acrílicos, he fusionado minimalismo con expresionismo abstracto, donde cada pincelada...

Large original abstract painting. It was painted in multiple layers with palette knife and brushes. The artwork is signed on the back and includes a Certificate of Authenticity. T...

FERNANDO LIGER HIDALGO Spanish , 1880 – 1945 "Interior of Alcazar of Seville" Signed & located "F. Liger, Sevilla " (lower left) Oil on canvas 2...

En esta obra, he vertido mi energía creativa en un lienzo que respira dinamismo y pasión. Usando acrílicos, he fusionado minimalismo con expresionismo abstracto, donde cada pincelada...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 RIDERS PASSING BY A TAVERN signed, located & dated "Joaq. D. Becquer. Sevilla, 1847." (lower l...

CESC FARRÉ I SENDRÓS Spanish, 1972 - CONCENTRACIÓN signed “Farré i Sendrós” (lower left) signed again, titled & dated “CESC FARRÉ I SENDRÓS / Cesc Farré / CONCENTRACIÓN / 2005” (on t...

In this oil painting, the viewer encounters a serene and nostalgic scene: old barns or granaries in ruins, covered by a blanket of snow. The snow, omnipresent, transforms the landsca...

Painting: Acrylic and enamel on Canvas. I have used acrylic paints in to make the composition and generate relief and shapes. If you sit down, in front of this painting, your feeling...

Painting: Acrylic and enamel on Canvas. I have used acrylic paints in to make the composition and generate relief and shapes. If you sit down, in front of this painting, your feeling...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

In this third painting of the series dedicated to La Pedrera, Antoni Gaudí’s iconic work, the uniqueness of the rooftop stands out, where chimneys and windows emerge in an intense oc...

"Green Stones" is a work that captures the stillness of a beach at low tide. The vertical format highlights a fragment of the coast, where stones covered in algae emerge from the rec...

"Sandía / Watermelon". Contemporary, Realism, food, figurative, hyperrealism, photorealim

SPANISH SCHOOL, 19th CENTURY ARTIST UNKNOWN oil on canvas 10-1/2 x 7-5/8 inches (26.5 x 19.3 cm.) framed: 15-1/2 x 12-1/2 inches (39 x 31.5 cm.) PROVENANCE Spanish Collector, Madrid...

Painting: Acrylic and enamel on Canvas. I have used acrylic paints in to make the composition and generate relief and shapes. If you sit down, in front of this painting, your feeling...

I have used oil paints to make the composition and generate relief and shapes. I want to fuse a scene of struggle between the wild feelings that emerge in situations of silence. It ...

200x200 Abstract Woman of Colors Emotions "The piece bears a signature on both the front and the reverse."

This piece, made with enamel and acrylic on canvas, evokes a dance of contained energy. The action painting style is manifested in the spontaneity of the strokes, in the thick textur...

es una obra vibrante y enérgica que fusiona el color y la forma en una sinfonía visual. Sobre un fondo negro que enmarca con fuerza, se despliega una explosión de colores neón —verde...

"El sonido de lo invisible" es una obra vibrante y enérgica que fusiona el color y la forma en una sinfonía visual. Sobre un fondo negro que enmarca con fuerza, se despliega una expl...

Original modern abstract painting. * The artwork is signed on the back and includes a Certificate of Authenticity. * The painting is done on stretched canvas using top quality ac...

Técnica mixta sobre lienzo

Técnica mixta sobre lienzo Abstract, Impasto, , gestural, geometric abstraction

The painting “Rostro nº4” is an oil on linen that depicts a male Roman bust. The work reinterprets the classical sculpture in a more personal way, playing with colors and textures th...

This abstract painting, created on a cardboard base, presents an explosion of energy and dynamism, characteristic of the action painting style. The use of enamel and acrylic paint pr...

A vibrant composition of floating spheres that seem to dance in a gravity-free space. Intense colors—reds, greens, yellows, and blues—blend into a nebulous background, creating a sen...

Damien Hirst – Skull Spin Painting, 2009 Acrylic on canvas, mounted in a museum-grade acrylic case with fluorescent-colored sides. This vibrant work by Damien Hirst belongs to his r...

EMILIO GRAU SALA Spanish, 1911 - 1975 LA RUE PAVOISÉE signed and dated "Grau Sala / 39" (lower right) oil on canvas 13 x 21-5/8 inches (33 x 55 cm.) unframed PROVENANCE Private Coll...

Dimensions of diptych: 200x100 cm – 78,74x39,37 inches. Dimensions of each: 100x100cm - 39,37x39,37 inches. Large original abstract diptych painting. * The artwork is signed o...

In Theories, the viewer is confronted with an enigmatic scene where time and space seem to dissolve. Two sculptures float suspended in a dark, earthy-toned environment, divided by a ...

The oil painting Rostro nº3 is distinguished by its particular treatment, where the artist has used techniques to modify the original color and textures of the sculpture, taking them...

Untitled 2 (Abstract painting) Mixed media - tapes, acrylic and resin on aluminium — Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biomo...

This piece, made with enamel and acrylic on canvas, evokes a dance of contained energy. The action painting style is manifested in the spontaneity of the strokes, in the thick textur...

The work presents a woman on her back, sitting on the ground on a checkerboard in shades of gray, black and white. The female figure, painted in grisaille, contrasts with the underly...

Técnica mixta sobre lienzo Abstract, Impasto, gestural, geometric abstraction

This abstract painting, created on a cardboard base, presents an explosion of energy and dynamism, characteristic of the action painting style. The use of enamel and acrylic paint pr...

Through this artwork, I share the serene beauty of a Carpathian village illuminated by the gentle glow of a full moon. The cozy cottages, their windows aglow with warm light, stand i...

In Lives, I explore new forms of expression through anonymous figures cut out against pure color backgrounds. These figures, stripped of their original context, are brought into the ...

Untitled 3 (Abstract painting) Mixed media - tapes, acrylic and resin on aluminium — Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biomo...

Técnica mixta sobre lienzo Abstract, Impasto, , gestural, geometric abstraction

Surrealistic human figure. Feminist Art and Contemporary Feminist

This vertical-format painting masterfully portrays a coastal scene from northern Spain, showcasing an exceptional use of color and texture. As in its companion piece Orilla 1, the ar...

This painting immerses you in the mesmerizing stillness of an autumn night, illuminated by the gentle radiance of a full moon. Golden trees, like intricate lacework, stand gracefull...

This painting presents a young woman in a boat, motionless in the middle of a lake at sunset. The figure, seen in a three-quarter view, shows her almost bare back, with a white blous...

JOSÉ GALLEGOS Y ARNOSA Spanish, 1857 - 1917 CORO DE MONAGUILLOS ENSAYANDO signed, located and dated "JGallegos / Roma 1883" (lower right) oil on...

Double Wave Black (Abstract Painting) Acrylic on shaped wood - Unframed. Ghetti is interested in cross-disciplinary methods and tools. She originates her compositions on the comput...

Técnica mixta sobre lienzo Abstract, Impasto, , gestural, geometric abstraction