Madrid

L'OURS POMPON - EDITION YVES KLEIN Date of creation: 2022 Medium: Artisanal resin and pigments Edition: 999 (few numbers available, assigned randomly) Size: Plexiglas bell size - 49 ...

Roby Dwi Antono - BIAS II Date of creation: 2022 Medium: Glazed ceramic sculpture Edition: 75 + AP Size: 24.5 x 29 x 26 cm Condition: In perfect conditions BIAS II is a limited-edit...

Jean-Michel Basquiat - PopBox PEZ Date of creation: 2025 Medium: Stainless steel; low-energy LED system; UV-printed plexiglass panel. Edition: Open Size: 28 x 35 x 4 cm Condition: B...

HOMAGE TO FRANCIS BACON (STUDY FOR HEAD OF ISABEL RAWSTHORNE AND GEORGE DYER) Date of creation: 2016 Medium: Offset lithograph with cold foil stamp on paper Edition: 113 and 114 of 3...

Ai Weiwei - Coca-Cola Glass Vase Date of creation: 2023 Medium: Translucent red glass Edition: 300 Size: 19 x 21 x 21.2 cm Condition: In mint conditions, brand new and never displaye...

DAMIEN HIRST - THE CURRENCY: 6274. NOBODY SHOULD HEAR IT Date of creation: 2016 Medium: Enamel paint on handmade paper Edition: 5.149 unique works on paper Size: 21.5 x 30 cm Conditi...

Yoshitomo Nara - We are punks Mug Large Date of creation: 2011 Medium: Porcelain Edition: Open Size: 95 x Φ85 mm (300ml) Condition: Brand new, inside its custom box Description: The big sibling in Yoshitomo Nara's We Are Punks porcelain series, this 300 cc mug features a vampire-fanged girl peering over a wall on its side with the quiet menace of someone who arrived first and has no intention of leaving. "We Are Punks" is printed on the exterior as both a title and a statement of intent. The image derives from Nara's 2011 colour-pencil drawing of the same name, part of a practice where childhood defiance and subcultural energy merge into a visual language recognisable across a room. Made in Hasami ware from Nagasaki Prefecture, the mug is fired, glazed and finished in Japan. Hasami potters developed their craft supplying everyday tableware to the domestic market, which means the porcelain is built to be used, not merely admired. It is microwave and dishwasher safe. The white ground is clean and unglazed on the outside where the illustration sits, giving the print a tactile, almost paper-like quality that feels closer to a drawing than to a mass-produced transfer. At 300 cc it holds enough coffee to start the morning with the same stubborn composure Nara's children have been modelling for over three decades. Pair it with the small mug: the two stack together and, like any well-conceived double act, gain from being seen as a set. That stacking detail is not accidental. Nara has long been interested in objects that nest inside one another. His room-sized installations are built as huts and cabins that shelter smaller works, creating a mise en abyme of intimacy. Two mugs sitting one inside the other carry a faint echo of that idea, scaled down to the kitchen shelf. ABOUT THE ARTIST Yoshitomo Nara (奈良美智, b. 1959, Hirosaki) is one of the most influential Japanese artists working today. Round-headed children with piercing gazes populate his canvases and sculptures, images that have gone well beyond the art world to become a broader cultural phenomenon. Childhood in Aomori: Solitude, Nature, and Radio Waves Nara grew up in Hirosaki, a small city in Aomori Prefecture at the northern tip of Honshū. Both parents worked long hours, leaving young Yoshitomo to fend for himself after school. The Japanese have a word for children like him, kagikko, latchkey kids who come home to an empty house and learn to keep their own company. That early acquaintance with solitude runs through every painting. Look at any of Nara's figures and you will find a self-contained being who meets your eye with a steadiness that could be courage or could just as easily be vulnerability. During those solitary years, Western music reached him through the Far East Network (FEN), the U.S. Armed Forces radio station. Rock, folk, and later punk gave him a way to feel before painting ever did. As a young boy he bought his first record, Suzie Q, and has often said that album covers were his earliest art gallery. Later, he would design covers for Shonen Knife, R.E.M., and Bloodthirsty Butchers, and every exhibition he puts on is accompanied by a playlist of his own making. Education: Aichi and the Kunstakademie Düsseldorf After earning a BFA (1985) and MFA (1987) at the Aichi Prefectural University of Fine Arts and Music, Nara relocated to Germany to enrol at the Kunstakademie Düsseldorf, the same school that had shaped Joseph Beuys and Gerhard Richter. Under Neo-Expressionist painter A.R. Penck (1991–1993), he received one piece of advice that stuck: "Paint on the canvas as if you are drawing." Bold, pared-back figures, large rounded heads set against bare backgrounds, began to take shape on his canvases. At the Kunstakademie's annual student show in 1992, visitors saw The Girl with the Knife in Her Hand (1991), a painting that crystallised the tension running through all of Nara's work: an apparently innocent girl holding a tiny knife, a gesture he reads not as aggression but as self-defence against a threatening adult world. Once finished with his studies, Nara settled in Cologne in 1994 and set up in a former cotton mill. Cut off by the language barrier, he turned painting into a conversation with himself, and it was in that solitude that the gaze people remember long after leaving the gallery first appeared. Return to Japan and International Acclaim Twelve years later, Nara came back to Japan. I DON'T MIND, IF YOU FORGET ME. opened at the Yokohama Museum of Art in 2001 and toured five Japanese venues, including Hirosaki. MoMA New York acquired 130 of his drawings around the same time, and the travelling retrospective Nothing Ever Happens (2003–2005) cemented his reputation in the United States. Within the Japanese "New Pop" wave, he shared the stage with artists such as Takashi Murakami, Makoto Aida, and Mariko Mori...

I KNOW NOT, I KNOW Date of creation: 2010 Medium: Offset lithograph with silver and UV varnish on paper Edition: 300 Size: 68.9 × 53 cm Condition: In mint conditions and not framed O...

Cindy Sherman - UNTITLED #92 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never d...

This 7.82 Carat Ametrine Tourmaline Aquamarine 14k Gold Handmade Cocktail Ring is a sculptural masterpiece that celebrates the vibrant colors of nature through expert artisanal craft...

René Magritte - DÉCALCOMANIE, 1966 (DECALCOMANIA) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition: 275 Size: 60 x 45 cm Condition: In mint conditions, brand new...

This 5.85 Carat Green Tourmaline and Diamond 14k Yellow Gold Cocktail Ring is a bold yet refined masterpiece of contemporary high jewelry. The focal point of this exceptional jewel i...

This 2.99 Carat Oval Cut Natural Emerald and Diamond 18k Yellow Gold Ring is an absolute masterpiece of high jewelry and sophisticated artisanal design. The captivating focal point o...

And Then x 727 (Vermillion SHU) Date of creation: 2013 Medium: Offset lithograph with silver Media: Paper Edition: 300 Size: 50 x 50 cm Observations: And Then x 727 (Vermillion SHU) ...

The PH Artichoke lamp, designed by Poul Henningsen for Louis Poulsen in 1958, is one of the most iconic and recognizable lighting designs of the 20th century. This particular example...

YAACOV AGAM - INFINITY TRANSPARENCY Date of creation: 2017 Medium: Colored acrylic panels and wood Edition: 45 Size: 63 x 14,4 x 12,6 cm Condition: In mint conditions Infinity Trans...

Takashi Murakami - COLORFUL, MIRACLE, SPARKLE Date of creation: 2022 Medium: Offset lithograph with cold stamp and high gloss varnishing on paper Edition number: 207/300 Size: 71 cm ...

Important Pair of Deer Signed Hunt (1974/1975) Copies of Paul Getty's Bronzes Hunt is a pseudonym used for the bronzes cast between 1974 and 1975. The foundry at that time worked fo...

DAMIEN HIRST - THE EMPRESSES - NŪR JAHĀN Date of creation: 2022 Medium: Laminated giclée print on aluminium composite and screen printed with glitter. Edition number: 1013/3041 (1.48...

This 2.86 Carat Emerald and Diamond 18k Yellow Gold Floral Cocktail Ring is a breathtaking masterpiece of fine jewelry, inspired by the organic poetry of blooming nature. The focal p...

Dollar Sign YP x Andy Warhol Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 41 x 29 cm Condition: Brand n...

Decorative wall tapestry created by the artist Antonio Sereix Codina, internationally recognized for his richly detailed textile compositions inspired by architectural and natural la...

Damien Hirst - STUDLAND BAY Date of creation: 2023 Medium: Laminated Giclée print on aluminium composite panel Edition: 601 Size: 120 x 90 cm Condition: Brand new and never framed T...

Yoshitomo Nara - We are punks Mug Small Date of creation: 2011 Medium: Porcelain Edition: Open Size: 65 x Φ85 mm (200ml) Condition: Brand new, inside its custom box Description: A small porcelain mug based on Yoshitomo Nara's We Are Punks (2011), a colour-pencil drawing of a defiant, round-headed child whose expression falls somewhere between a lullaby and a battle cry. The piece belongs to a body of work where Nara channels the raw energy of the punk and folk records he grew up listening to on U.S. Armed Forces radio in rural Aomori, a thread that runs from his earliest sketchbooks to his large-scale canvases and limited editions. Crafted in Hasami ware from Nagasaki Prefecture, the mug is dishwasher and microwave safe. The clay is fired and glazed in Japan using techniques passed down through four centuries of potters in the hills above Nagasaki. The result is a clean white body, light but solid in the hand, with a matte finish that lets the illustration sit naturally on the surface rather than floating under a layer of gloss. Peek inside once you have finished your espresso and you will find one of Nara's girls staring back at you from the bottom of the cup, as if she got there first and has no intention of leaving. It is a small, private encounter: exactly the kind of moment Nara builds into his work. His figures never perform for a crowd; they address you one-on-one, and finding one at the bottom of a coffee cup is about as intimate as it gets. ABOUT THE ARTIST Yoshitomo Nara (奈良美智, b. 1959, Hirosaki) is one of the most influential Japanese artists working today. Round-headed children with piercing gazes populate his canvases and sculptures, images that have gone well beyond the art world to become a broader cultural phenomenon. Childhood in Aomori: Solitude, Nature, and Radio Waves Nara grew up in Hirosaki, a small city in Aomori Prefecture at the northern tip of Honshū. Both parents worked long hours, leaving young Yoshitomo to fend for himself after school. The Japanese have a word for children like him, kagikko, latchkey kids who come home to an empty house and learn to keep their own company. That early acquaintance with solitude runs through every painting. Look at any of Nara's figures and you will find a self-contained being who meets your eye with a steadiness that could be courage or could just as easily be vulnerability. During those solitary years, Western music reached him through the Far East Network (FEN), the U.S. Armed Forces radio station. Rock, folk, and later punk gave him a way to feel before painting ever did. As a young boy he bought his first record, Suzie Q, and has often said that album covers were his earliest art gallery. Later, he would design covers for Shonen Knife, R.E.M., and Bloodthirsty Butchers, and every exhibition he puts on is accompanied by a playlist of his own making. Education: Aichi and the Kunstakademie Düsseldorf After earning a BFA (1985) and MFA (1987) at the Aichi Prefectural University of Fine Arts and Music, Nara relocated to Germany to enrol at the Kunstakademie Düsseldorf, the same school that had shaped Joseph Beuys and Gerhard Richter. Under Neo-Expressionist painter A.R. Penck (1991–1993), he received one piece of advice that stuck: "Paint on the canvas as if you are drawing." Bold, pared-back figures, large rounded heads set against bare backgrounds, began to take shape on his canvases. At the Kunstakademie's annual student show in 1992, visitors saw The Girl with the Knife in Her Hand (1991), a painting that crystallised the tension running through all of Nara's work: an apparently innocent girl holding a tiny knife, a gesture he reads not as aggression but as self-defence against a threatening adult world. Once finished with his studies, Nara settled in Cologne in 1994 and set up in a former cotton mill. Cut off by the language barrier, he turned painting into a conversation with himself, and it was in that solitude that the gaze people remember long after leaving the gallery first appeared. Return to Japan and International Acclaim Twelve years later, Nara came back to Japan. I DON'T MIND, IF YOU FORGET ME. opened at the Yokohama Museum of Art in 2001 and toured five Japanese venues, including Hirosaki. MoMA New York acquired 130 of his drawings around the same time, and the travelling retrospective Nothing Ever Happens (2003–2005) cemented his reputation in the United States. Within the Japanese "New Pop" wave, he shared the stage with artists such as Takashi Murakami, Makoto Aida, and Mariko Mori...

TAKASHI MURAKAMI - PHANTASMA Date of creation: 2016 Medium: Offset lithograph with silver on paper Edition: 300 Size: 68 x 68 cm Observations: Offset lithograph with silver on paper ...

ANTIQUE 233CM WIDE WROUGHT IRON GARDEN GATE Art Deco began 1900 Italy A rare, antique gate, or rather, glass door, made of wrought iron from the Art Nouveau period. The piece is 23...

PEZ Dispenser YP x JM Basquiat Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 40 x 50 cm Condition: Brand...

Hellenistic Greek Athlete Bust Sculpture after the Louvre Model, 20th Century Decorative sculpture of a Greek athlete bust, inspired by Hellenistic models preserved in the Musée du L...

This handcrafted cocktail ring is made in solid 18 karat yellow gold and set with a natural oval cut blue topaz weighing approximately 2.98 carats. The gemstone measures 10 × 8.5 × 4...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

How High the Moon, designed by Shiro Kuramata for Vitra in 1986, is a poetic reflection on the very idea of the chair. Kuramata reinterprets one of the most recognizable forms of Wes...

Takashi Murakami - KANSEI: KORIN RED STREAM Date of creation: 2010 Medium: Offset lithograph with cold stamp and high gloss varnishing on paper Edition number: 39/300 Size: 71 cm Ø C...

BEAUTIFUL ROMAN TORSO IN WHITE CARRARA MARBLE 21th Century Reproduction of roman torso. White Carrara marble. Height 68 cm Max height 94 cm Width 40 cm Depth 23base cm Base of t...

Pair of Bambola armchairs designed by Mario Bellini for B&B Italia in 1972. Upholstered in a pink Toile de Jouy-style fabric with pastoral scenes. Fully padded structure with no visi...

Banana YP x Andy Warhol Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 62 x 26.5 cm Condition: Brand new ...

4 RECONSTITUTED STONE GARDEN STATUES WITH BASE - THE FOUR SEASONS early 20th century Reconstituted limestone. The four Seasons. Bases included. MAXIMUM HEIGHT 202 cm WIDTH 42 X 42 ...

Ceiling lamp with cameo glass shade and gilt bronze frame, decorated with floral motifs, signed - Daum Nancy - France - 1930 Dimensions: 65 x 45 cm (diameter)

Maravillas con variaciones acrósticas en el jardín de Miró IV Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In very good con...

This 1.91 Carat Citrine and Diamond 18k Yellow Gold Handmade Cocktail Ring is a radiant masterpiece of artisanal jewelry, designed to evoke the warmth and brilliance of golden sunlig...

Minimalist sofa with clean lines that can easily be transformed into a bed. Manufactured in Italy in the 1960s by IPE. The structure of the sofa is made of iron, upholstery in soft w...

Pair of Italian Solid Crystal Table Lamps in the Art Deco Style, 1970s Elegant pair of Italian table lamps crafted in solid crystal during the 1970s, inspired by the refined geometr...

MARCO AURELIO - CARACALLA - OTTAVIANO - NERONE Terracotta Hand Made 21th Century Height 33 cm Width 15 cm Depth 14 cm Weight 15 Kg Square base 12 X 12 Material Terracotta

Action Office desk, model 64 902, designed by George Nelson & Robert Propst for Herman Miller from the 1960s. Base made of chrome-plated aluminum with white plastic protectors. L...

The sideboard, designed by Afra and Tobia Scarpa for Maxalto in the 1970s, is a refined example of Italian modern design, combining architectural clarity, luxurious materials, and ou...

THE EMPRESSES - THEODORA Date of creation: 2022 Medium: Laminated giclée print on aluminium composite and screen printed with glitter. Edition number: 1226/3315 (1.566 physical + 1.7...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Pair of table lamps designed by LA Studio. Made with an oak base and German ceramic pieces from the 1960s. Shades upholstered in orange cotton fabric. German made. Base measurements...

This stunning 18K white gold solitaire engagement ring is a timeless symbol of elegance and commitment. Expertly handcrafted, it features a breathtaking 0.90-carat natural round bril...

BEAUTIFUL ROMAN TORSO IN WHITE CARRARA MARBLE 21th Century Reproduction of roman torso. White Carrara marble. Height 68 cm Max height 94 cm Width 40 cm Depth 23base cm Base of t...

Pair of onyx pedestal columns with gilt bronze capitals and bases, 19th century France. The tops of both columns are rotatable. Measurements: complete: 109 x 28 x 28 cm; upper secti...

This 2.78 Carat Pear Cut Natural Tanzanite and Diamond 14k Gold Engagement Ring is a breathtaking masterpiece of fine jewelry, combining a rare gemstone with classic elegance. The he...

Experience timeless elegance with this luxurious 18K white gold solitaire engagement ring, meticulously crafted to the highest standards of fine jewelry. Featuring a breathtaking 0.7...

This three-stone ring features a total of 0.45 carats in natural diamonds. The center diamond is a round brilliant cut, measuring 4.45 x 4.45 x 2.70 mm, with a carat weight of 0.35 c...

Three-seater sofa with straight lines and a classic French design, inspired by the Louis XVI-Directoire style (late 18th century). Its solid wood frame with a natural finish supports...

This 2.69 Carat Aquamarine and Diamond 18k Yellow Gold Contemporary Ring is a breathtaking showcase of minimalist precision and refined high-jewelry craftsmanship. The heart of this ...

GREAT FRENCH FOUNTAIN IN LIMESTONE 20th Century Height 185 cm Width 105 cm Length 210 cm Inside the basin depth 38 cm Thickness 18 to 13 cm Weight 1200 Kg Fountain height 185 ...

This breathtaking statement ring is a true masterpiece of fine jewelry, featuring a stunning 16.47ct natural untreated opal, expertly set in 14K rose gold. The opal's vivid yellow-tr...

Pair of Boulle Cabinets 19th-century French cabinets, in patinated wood, with gilded metal and lacquer inlays, bronze applications. Corrugated cabinets with two doors and two inter...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró III Date of creation: 1975 Medium: Lithograph Media: Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition:...

This exceptional German Neo-Gothic gilt bronze frame is an ornamental piece of remarkable decorative richness, representative of the 19th-century revival of medieval art. It feature...