Madrid

Satsuma vase with base. Porcelain. Japan, Meiji Era (1868-1912). Check pictures, small faults. Satsuma-style vase with a base in the shape of a Fu lion or Buddha (a mythical Buddhis...

Manopan crank musical organ. 19th Century. It is complete but it does not work, it needs to be revised. It has 6 cards with spanish songs of the time. G...

Algora Porcelain Group of three wild horses in authentic Algora porcelain. Spain 20th Century The Algora porcelain collection comprises 294 basic pieces which, together with special...

Lost wax casting. Base in marble. On a base in bronze to which the earth aspect has been given, the figure of the girl and a plant are placed on her knees. The young woman appears w...

Charming Murano glass dog sculpture, handcrafted in Italy during the 20th century. The piece showcases the refined artistry and vibrant clar...

Large terracotta Hippopotamus, beautiful form of Hippopotamus amphibius Linnaeus, 1758.

Walnut wood dais table with carved bas-relief decoration of plant motifs - 17th century - Spain Dimensions: 58 x 66 x 42 cm

The "Atomic" suspension lamp, designed by Robert Haussmann and manufactured in Switzerland, represents a pinnacle of design from 1969 Italy. Crafted from anodized aluminum with prec...

Glazed ceramic table lamp “Azul Rimini” designed by Aldo Londi for Bitossi. Italy, 1960s. Aldo Londi (1911-2003) was an Italian ceramist and designer, recognized as a key figure in ...

Stilnovo Floor Lamp, Italy, 1950s Black lacquered iron, brass details, marble base, and white glass shades. Sophisticated floor lamp designed by Stilnovo in the 1950s, featuring six...

Chest of five drawers in mahogany wood, 19th century. Two legs with discs and a curved back base support the chest of drawers, with a slightly curved front and whose five drawers (t...

Elegant set of four Tuscan terracotta statues depicting the allegorical figures of the Four Seasons, crafted in Italy in the 1950s. Each sculpture embodies one of the seasons—Spring...

Elegant 19th-century dance card made of engraved silver-plated metal. Design: Features a reverse-painted glass miniature at the center. Original Pencil: Included and serves as the c...

This contemporary concave mirror is handcrafted in Murano glass and features a striking aged blue finish that emphasizes its sculptural depth and reflective quality. Accented with br...

Carved and gilded frame with painting on vellum, "Virgin of the Rosary with Santo Domingo de Guzmán and Santa Catalina of Siena", 17th century. Registration in the back zone (Mr. Jos...

An impressive set of four Italian white marble sculptures representing The Four Seasons, executed in the 1970s. Each figure embodies one of the allegorical seasons — Spring, Summer,...

This Louis XVI style abattant secretaire dates from the 19th century and was produced in France during the Napoleon III era. The piece reflects the continued influence of classical F...

Rectangular mahogany table with eight legs ending in small metal wheels. It has a system of "endless screw" under the board that allows its extension to reach six meters. The legs ha...

Mid-Century Style Bar Counter in Baby Pink Velvet with Brass Details This mid-century style bar counter designed by L.A. Studio stands out for its solid wood construction and elegan...

Sculpture by Jean-Baptiste Van Den Heede Unique piece Dimensions: W 30 x D 24 x H 12 cm Materials: Stone. Series of sculptures carved in 2007 with the idea of ​​leaving them in the ...

Add a touch of classical elegance to your garden with this grand pair of stone vases. Each vase measures 80 cm in height and 34 cm in width and depth, making them the perfect size to...

Empire style cabinet 19th century France two-section carved, painted and gilded wooden cabinet. Upper section decorated with sphinxes, nymph and vegetal motifs. Interior with two sh...

BRONZE PAX. The plaque that forms this element, formerly used in mass to give the osculus of peace with decorum, has been decorated with varied reliefs: in the lower part, vegetal sc...

Untitled 6 (Abstract painting) Acrylic on canvas — Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biomorphic worlds, Perea communicates t...

Wall sconces with wrought iron frames and glass appliqués in natural and amber -Biancardi & Jordan - c. 1970 - Italy Dimensions: 83 x 36 x 17 cm

Pair of stirrups. Silver, wood, metal. South America, 19th century. Pair of stirrups made of carved wood and decorated with silver appliqués in their own color on the corners, top, a...

Rare 16th century Nuremberg box In iron, measurements: 13 x 18 x 12 cm Good condition.

This type of elements are basic in churches, chapels, etc. since they contain the Sacred Forms, reason why it is logical the abundance, with a series of typologies more habitual and traditional or old than others. There are also iconographies more common than others, a certain thematic preference according to the date or school to which the work belongs, etc., always related to the Sacrifice of Christ, Salvation, Transubstantiation, Eucharist, etc. for being a key element for Christianity (especially the Catholic) what they will always contain. The present work shows a chalice with Sacred Form in what would originally be the interior of the door (very usual iconography) and a somewhat more striking relief to the exterior. Inside that it is a Eucharistic Christ or Eucharistic Savior, the way of presenting it is more usual of the scenes of the Last Supper, being not so frequent to find it alone like this. Compare for example with works such as the door of the tabernacle attributed to Alonso Cano...

We present an exceptional Murano glass sculpture signed by the renowned artist Pino Signoretto. This elegant work of art captures the essence of Murano glass and depicts a charming tree with birds, a distinctive piece from the 70s that reflects the artistic mastery of its creator. Noteworthy Features: Crafted with mastery in Murano glass, this sculpture stands out for its grace and refinement. The detailed representation of a tree with birds evokes a sense of serenity and connection with nature. Pino Signoretto's signature adds additional value, ensuring the authenticity of this unique work of art. 70s Heritage: This sculpture encapsulates the creative and avant-garde spirit of the 70s. The colors and form reflect the unique aesthetics of the era, adding a nostalgic touch to any space. Impeccable Condition: This piece is in exceptional condition, a testament to the enduring quality of Murano craftsmanship. Every detail, from the tree branches to the delicate birds, is meticulously crafted to offer a work of art that will endure over time. Impressive Dimensions: With dimensions of 44x16x16 cm, this sculpture stands as a significantly sized work of art, perfect for proudly displaying in any collection or decorative space. An Exceptional Art Investment: Acquire this Murano sculpture signed...

Pharmacy mortar. Bronze. Spain, 1816. Mortar with an excavated mouth, decoration of derived ribs in pilasters and a stripe in the upper area with an inscription (I am from Don Juan Antonio...

CELSO LAGAR Spanish, 1891 - 1966 LES ROULOTTES signed "Lagar" (lower left) oil on wood panel 9-1/2 x 13 inches (24 x 33 cm.) framed: 17-1/8 x 21-1/2 inches (43.5 x 54.5 cm.) PROVEN...

Elegant totem sculpture designed by Alessandro Mendini (Italian, 1931–2019), crafted in glazed ceramic. This collectible piece is signed and numbered 23/50 on the base, forming part ...

The "Paradiset" sofa was designed by Kerstin Hörlin-Holmqvist in the late 1950s for Nordiska Kompaniet. It features a soft curved line of the back and tapered and curved stained beec...

Handcrafted sculptural lamp in terracotta by Portuguese artist Liliana Silva. Conceived at the intersection of contemporary art and functional design, Headlight explores the dialogue...

Tulip table by designer Eero Saarinen produced by Knoll. The base is in powder-coated cast aluminium and the top in polished Calacatta marble. 1950s. Length: 120cm Width: 120cm Heig...

Table lamp from the “Muta Lamps” collection, designed by Octavio Asensio. The piece features a dark-finished steel structure combined with a glass diffuser that softens and distribut...

IMPORTANT PAIR OF JORGE II CHAIRS From the 18th century in Japanese lacquer, decorated with chinoiserie, figure and bird. Straw back and seat. Defects of the age Dim.: 90 x 47 x 43 ...

Mid-20th Century Umbrella Stand DECORATIVE UMBRELLA HOLDER IN HAMMERED COPPER AND CERAMIC HANDLE FROM THE 1950s. IN PERFECT CONDITION. MEASUREMENTS: 50 CM IN HEIGHT AND 27 CM IN DIA...

Bronze candlesticks composed of a circular base, raised towards the axis of the piece, a body shaped like a vase and with moldings, and a piece, in the upper part, to hold the corres...

This pair of Rococo style porcelain wall lights was produced by the German factory Dresden Sitzendorf and dates to the late 19th century, circa 1880. Executed in finely crafted porce...

This work is part of the Flores de Color series by Mónica Sánchez-Robles (Spanish, b. 1964), a multidisciplinary artist currently based in Madrid. She has lived and worked in France ...

Monica Sánchez-Robles (Spanish, b. Madrid, Spain) is a multidisciplinary contemporary artist whose practice spans photography, digital media, and installation. Currently based in Mad...

Empire commode. Mahogany, oak, ormolu bronze, Saint Anne marble. France, 19th century. Rectangular chest of drawers with top board in Sainte Anne marble, made of carved mahogany and oak, with three drawers at the front, decorated on the front with two rings that emerge from the jaws of two bronze lion protomes and a coat of arms. Lock with two crossed cornucopias; under the table is another hidden drawer with internal divisions; the front legs are carved in the shape of a claw, and the rear legs are rectangular. Known as Saint Anne marble is a dark gray veined marble from Belgium and widely used for furniture panels, monuments, etc., although there are preserved Louis XV and Victorian style fireplace...

Table center or planter. Tin, metal. Víctor Saglier, towards the end of the 19th century. With marks on the base. Oval centerpiece with interior tray with handles, decorated on t...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

Refined 19th-century oil on canvas depicting a preparatory study for a larger composition, offering insight into the artist’s creative process and technique. Presented in its origina...

Tori Console by Jean-Baptiste Van Den Heede Unique piece Dimensions: W 82 x D 20 x H 84 cm Materials: Wood. Console "TORI" is a minimalist piece of furniture with a clear Japanese accent. Remember the famous TORI gate...

Mirror. Carved and gilded mother. 20th century. Large mirror with a carved and gilded wood frame decorated with a series of classicist-influenced decorative elements reminiscent of...

Modernist vase. Glass, metal. Portugal, Topazio Casquinha, circa 1900. No hallmarks. A rectangular, clear glass vessel decorated with a silver-plated metal element that displays ne...

Striking pair of contemporary pillows crafted in cotton, featuring a vibrant jungle-inspired print with a tiger motif drawn from traditional exotic textile patterns. The bold composi...

Pair of Pompeian Deer from Herculaneum by Chiurazzi Pair of young deer after Antiquity. Patinated bronze. Early 20th century. This pair of young deer is a reproduction of the same d...

This painting unveils the quiet enchantment of a winter night bathed in the gentle radiance of a full moon. Soft hues of delicate pink caress the trees and snow, weaving warmth into ...

These rare and exceptional chairs by Michel Mangematin, crafted in the 1970s in France, feature a steel and brass structure, upholstered in elegant grey velvet. With sixteen chair...

Four chairs with a steel and wood frame. Industrial style.

Transparent blown glass and metal sculpture engraved as: Carrere/Ovites 99/E20, 1999. The object is by a sculptor, glassmaker and plastic artist Xavier Carrere, born in 1966, famous ...

Introducing a magnificent pair of stone vases from the 1950s, each standing at an impressive 157 cm (5.15 feet) tall. These vases are adorned with intricate lion heads and floral gar...

Striking and monumental Art Deco panel carved in high relief from solid marble. Featuring geometric lines, stylized forms, and dynamic composition, this piece embodies the elegance a...

Vintage wooden stool made in France in the 1950's. The stool has an ergonomic seat and three legs, resembling a simple milk stool. Ideal to decorate rustic areas.

LOUIS XV STYLE 19th Century MANTEL CLOCK French, in gilded bronze and marble, white enamel dial with Arabic numerals. Decorated with cupid and rooster. Marked "Samuel Marti Gold Med...

Italian white/cream glazed ceramic table centrepiece, with a relief of assorted fruits on a lower body in the form of a raised oval bowl. Italy, 20th century.