Madrid

Curious Italian design ring made in the 80's with retro reminiscences. Handmade in 18 karat yellow gold, with a tube border and a wavy gallery. Double claw setting and bezel. Weight ...

Pair of chairs model "292 Hill House 1" designed by Mackintosh. Made of black lacquered ashwood structure and upholstered in linen with black and whit...

ANTHROPOMORPHIC SCULPTURE CARVED IN STONE OF THE RECUAY CULTURE PERU 400BC-400AC Recuay is an archaeological culture of Ancient Peru that developed in the Sierra of the current Peruvian department of Áncash between 200 AD. C. until 600 d. C. It corresponds to the stage called Regional Developments, it has also been called the Huaylas or Santa culture. Like the other Early Intermediate cultures, little is known about this culture. The most accepted position is that it was an extension of the Chavin culture, after the influence of the "White on Red" style in the region. Regarding the political aspect of the recuay, there is a hypothesis that questions their autonomy and maintains that Recuay would be part of one of the many political units that made up the Moche state. The recuay style, characterized by its ceramics and stone sculpture, was initially described by Eduard Seler in 1893, based on ceramic specimens brought to the Ethnographic Museum in Berlin by Mariano M. Macedo. Seler named this style of pottery Recuay, based on the report that these pieces had been found in the town of Recuay. Later studies showed that this characteristic pottery was not originally from Recuay but from Copa, near Carhuaz, for which reason the name change to that of this town was proposed. Eventually the name of Huaylas was used for this culture. In 1919 Julio C. Tello explored the area and recovered lithic sculptures and Recuay-type ceramics. In the 1960s Rafael Larco Hoyle proposed changing the names of Recuay and Copa to Santa, arguing that the Recuay style had originated in the coastal regions of the Santa Valley. However, the name Recuay has persisted. Its chronology is also highly debatable. The time of its origin between 0 and 200 AD is discussed. C. and its end or collapse is commonly set to 600 d. C. probably caused by the invasion of the Huari conquerors. It encompassed almost the entire Callejón de Huaylas, a narrow valley fed by the Santa River and enclosed between two mountain ranges, the Cordillera Blanca to the west and the Cordillera Negra to the east. Its influence extended to the east to the Marañón river basin and to the west to the upper parts of the Santa, Casma and Huarmey valleys. To the north it reached the town of Pashash, in the province of Pallasca. The Copa area, Marca district, Recuay province, Ancash department seems to have been the center or main nucleus of cohesion of this culture. The name of the culture would then be justified, derived from the province of the same name. Other important settlements were those of Huilcahuaín (near the current city of Ancash), Cátac, Araucay, Tambo, Jancu, Upayacu and Pashash (near the current city of Cabana). Its main form of expression of art was through stone work (carving and masonry), inherited from its predecessor, the Chavín culture. In addition, they made sculptures in lumps that represent warriors with shields or trophy heads, with which they decorated their complex architectural constructions. They also made white clay pottery...

Religious Oil on Canvas – European School, 18th Century Dimensions: 50 x 45 cm (frame), 34 x 29 cm (view): San Carlos Borromeo, Archbishop of Milan (1538-1584) A serene and contempl...

Impressive and rare large-scale French mantel clock dating to circa 1870, masterfully crafted in Belgian black marble with inset rouge griotte marble panels and finely cast gilt bron...

TERRACOTTA HEAD OF ATHENA LEMNIA BY PHIDIAS, Italy 20th Century The bronze original by Phidias, made between 451 and 448 BC for the Athenians who had come as cleruchi, or colonists,...

"Diane de Gabies" French sculpture, late 19th century. Patinated bronze with "Ferdinand Barbedienne" foundry marks. Height: 51 cm. Very goo...

Cylindrical lamp designed by Emilio Rey, with black handmade ceramic base and lampshade in Kitenge fabric. Piece made to order in 1950.

A polychrome carved wooden statue of St. Michael the Archangel. It's believed to be the work of Luis Salvador Carmona (Nava del Rey, Valladolid, 15 November 1708 – Madrid, 4 Februar...

“IKB” model coffee table designed by the French artist Yves Klein (1928-1962). Table composed of a box made of perplex with a glass top lid inside which Klein blue pigments are distr...

Italian Mid-Century Sideboard in Colored Glass and Brass, 1950s Elegant Italian sideboard featuring an original solid wood structure from the 1950s, newly finished in colored glass ...

"Thousand-faced" fan in a fan case. Paper, lacquered wood, wood and glass… Canton, China, late Qing dynasty (1644-1912) and later. It has faults and damages. A fan case containing ...

Introducing a captivating blend of contemporary design and vintage aesthetics, this pair of sideboards effortlessly combines modern craftsmanship with timeless charm. Crafted from ex...

Sculptural Dichroic Glass Coffee Table by ODA LIK Studio. Limited Edition. Dimensions: W 89 x D 135 x H 34 cm. Materials: Dichroic glass composition with custom chromatic properties,...

This large Italian commode features a classic design with seven drawers. The original wood structure dates back to the 1950s and is elegantly covered with colored glass, adding a tou...

Enhance your collection with this decorative terracotta bust of the renowned Spanish writer Miguel de Cervantes. Crafted circa 1900, this bust captures the literary icon with remarka...

Last Supper. Silver-plated metal, wood. Spanish school, mid-20th century. Wall painting with a silverplated metal relief depicting the Last Supper (title in the lower area), with Ch...

This pair of sideboards features a classic design with two folding doors and one interior shelf. Crafted from solid wood dating back to the 1950s, the sideboards are adorned with col...

This bar cabinet features an original 1950s solid wood structure with contemporary colored glasswork and includes two doors. It stands on sculptural solid wood legs and is accented w...

Frame. Ebonized wood, metal. Dutch School, 17th century. It has faults. Slightly rectangular frame made of ebonized wood and decorated with a series of smooth moldings of varying w...

IDEAL TERRACOTTA HEAD OF A WOMAN - GREEK/ROMAN SCULPTURE, 20th Century Portrait of an ideal woman from a Roman copy, 1st century AD The Roman copy was based on a Greek original from...

LADY'S DESK WITH CYLINDRICAL TOP 20th-century French, Louis XVI style, mahogany wood. Lifted with three drawers, roller top, interior with drawers and compartments, and a sliding to...

Hand painted coffee set by Limonges. Composed of; 1 bowl, 7 small bowls, teapot, sugar bowl, milk jug and 14 cups with plates.

CELSO LAGAR Spanish, 1891 - 1966 PAVILLON DE CIRQUE signed "Lagar" (lower right) oil on canvas 15 x 18 inches (38 x 46 cm.) framed: 21-1/2 x 24-1/2 inches (54 x 62 cm.) NOTE: THIS W...

Oriental table. Carved wood, metal. Twentieth century. Side table made of carved wood, with a rectangular top board decorated with two highlights on its smaller sides and a drawer i...

Pair of sideboards with two folding doors made of solid wood structure and coated with colored glass. Details and handles and legs made of brass. Production can last between 5 and 6...

Water fountain in hand painted ceramic. Decorative ceramic fountain antique finish.

Cushions made of velvet and cotton fabric. Design edited by Dedar, Tiger Mountain. Finished with fringes and zip at the back. Every item LA Studio offers is checked by our team of 1...

Jules Moigniez (1835-1894) bronze horse Very pretty bronze horse signed by J Moigniez from the XIX century. It has a very nice patina that it has ...

Cushion made with velvet, linen and cotton fabric, with a leopard print of manual design finished in black velvet cord and invisible zipper on the back. Every item LA Studio offers ...

Console table designed by Angelo Mangiarotti composed of tabletop resting on two conical marble legs,1970s. Iconic and original design in Arabescato marble. This piece is an exampl...

Pair of jars. Chinese from the 19th century, in cloisonné metal, in shades of yellow and polychrome. Decorated with peaches, bats and prunus branches. Three character marks on the...

Modernist lamp in patinated bronze. No screen. No adapters. A circular shape that is not completely closed forms the base of the piece, and its extension is what, after rotating it ...

A grand 19th century French Baccarat crystal 36-light, triple-tier chandelier. At over one meter high and wide, this large and impressive style of crystal chandelier was especially p...

Rectangular case with hinged lid made decorated with fine inlays of floral and floral elements on its faces, containing a set of toiletry set composed of various elements of grooming...

Erable wood, pinewood interiors, tinted moldings. Bedroom consists of a door closet with mirror, dresser desk with three drawers in the front and another three behind a door, in add...

Barometer end of the 18th century, Directorie, in carved and gilded wood, by Selon Toriceli, with allegory music wing on the top, beautiful patina, and decorative barometer...

Gaetano BATTAGLIA (Naples-Italy-Active between 1850 and 1885) Large circular earthenware plate in the style of Italian majolica with polychrome historiated decoration on the basin, t...

Architecturally refined and rooted in artisanal tradition, this contemporary bench is meticulously crafted from solid oak wood and upholstered in premium wool bouclé, offering a soph...

1950s Faventia organ Spanish organ made in Barcelona by: Faventia it is in good general condition, complete and functional. Good condition.

Exceptional and monumental garden bench crafted in Italy from fine travertine marble. Measuring an impressive 5 meters in length, this richly carved bench features classical decorati...

Decorative “National” cash register from around 1900, beautifully crafted in engraved and gilt brass. This impressive antique model features elaborate relief decoration and the elega...

Largest collection of Portuguese tiles in the world 17th century Portuguese " Vase " Measures: 160cm x 146cm 110 tiles Important note: This panel is with the tiles restored 17th c...

Elegant and finely cast pair of large Italian dog sculptures in gilded bronze, made with exceptional attention to detail and form. The figures ar...

Dress set, Order of Malta. Spain, possibly towards the beginning of the 20th century. Tricorn hat with label from the tailor shop Félix del Hierro, which was located on Barquillo St...

Goya oil on canvas from xviii century The canvas is relined. It is from the same time that Goya made the cartons. The painting measures: 135 x 101 cm without frame. The dutch frame measures: 172 x 140 cm -The blind chicken (1789) is one of the cartoons that served as a model for the manufactures of the Royal Tapestry Factory of Santa Bárbara by Francisco de Goya...

The Lady and the Unicorn. Tapestry. 20th century, following medieval models. Tapestry inspired by one of the series currently known as “The Lady and the Unicorn”, made up of six wor...

Sputnik chandelier made of teardrop shape Murano glass ends and brass rods fixed to a central brass orb. Light bulbs that are fixed to the central orb. Made in Italy. Our main targe...

Discover a unique and exceptional piece of religious art with this impressive gilded silver Orthodox cross, dated 1750. An object of devotion and sacred art that carries a rich histo...

This timepiece, featuring a chronograph and calendar, features a silver-tone sunburst dial. The sunburst dial is a decorative finish applied to a watch face, giving the impression of...

French writing desk dating from the late 19th century, crafted in finely figured French walnut and inspired by the Louis XVI and early Empire neoclassical tradition. The rectangula...

Large, very imposing portico clock, from the Charles chiselled with acanthus leaves, geometric shapes, gadroons and water leaves as well as on the flat surfaces of the garlands and r...

Mod Ekstrem armchairs designed by Terje Ekstrom. Structure made of steel covered with woolen knit foam, and upholstered with yellow wool fabric. Every item LA Studio offers is check...

Portraits of the monarchs Louis XIII and Anne-Marie of Austria as hunters. Oil on canvas. Possibly Madrid school, 17th century. Pair of full-length portraits showing the characters against natural backgrounds, with landscapes with mountains in the distance and trees. The male character, who looks directly at the viewer, has dark hair and a fine moustache, and is dressed in a ruff, a doublet, leather gloves, a blued breastplate with gold details, breeches, white silk stockings and cavalier boots. The lady, who modestly lowers her gaze, has her head partially covered with a hat decorated with a brooch and white feathers; she is dressed in a ruff and a dress with a wide-skirted doublet and skirt, wide-mouthed gloves and a short cloak with a decorated edge gathered around the left arm and placed over the right side of the skirt. Alongside these “hunting” dresses, they appear carrying firearms and accompanied by large dogs. The king's dog is standing alertly, turning his head to one side. The queen's dog is sitting looking at her, with a collar and a rope that she holds in her left hand. The male subject is clearly the French King Louis XIII (Fontainebleau, 1601-Saint-Germain-en-Laye, 1643), monarch of France and Navarre (1610-1643), son of Henry IV of France and Marie de Médicis and father of Louis XIV of France. Compare with other portraits: by Rubens, painted around 1622-1625 at the Norton Simon Museum (Pasadena, California, USA); by Philippe de Champaigne, painted in 1635 and kept at the Museo del Prado (Madrid, Spain); the painting by Frans Pourbus the Younger from the 1920s at the Musée des Beaux-Arts in Chambéry (France); etc. Louis XIII married Anne of Austria, daughter of Philip III of Spain, in 1615. This was brought about by the marriage agreement of Fountainebleau (1611), which stipulated the future wedding of the Prince of Asturias, Philip IV, with the French princess Isabella of Bourbon, and that of the French monarch with Anne. Anne Maria Mauricia of Austria and Austria-Styria (Valladolid, 1601-Paris, 1666) was an Infanta of Spain and Portugal as the daughter of Philip III of Spain and Margaret of...

Pair of lounge chairs with chromed tubular steel frame and black lacquered wood armrests. Seat and back upholstered with light beige leather. Very comfortable seats.

ROMAN TERRACOTTA BACCHUS - CHIARAMONTI MUSEUM, 20th Century Patinated terracotta head of a young Bacchus. Copy of the Bacchus from the Vatican Museums. Height 56 cm Width 25 cm

Sideboard from Vienna, around 1810 Double-doored with headboard and three Egyptian herms Pearwood ebonized with pastel applications after Josef Danhauser Vienna, around 1810 Heig...

Spectacular and highly important pair of monumental Renaissance carved wooden panels from 16th century Spain, circa 1550–1580, representing the pinnacle of Spanish Renaissance sculpt...

SANDSTONE CHIMERA, Italy, 20th Century In Greek mythology, harpies are monstrous creatures, half woman and half bird of prey. The origin of their myth may be traced back to a person...

Exceptional and highly important bronze sculpture by Louis-Ernest Barrias (1841–1905), one of the most influential French sculptors of the late 19th century. Titled “La Nature se dév...