Netherlands - Prints

Antique map titled 'Algérie. Old map of Algeria. This map originates from 'Géographie Universelle Atlas-Migeon' by J. Migeon. Artists and Engravers: Published by J. Migeon. Review...

Antique hand-colored print depicting various beetles. Each beetle is meticulously illustrated, likely hand-colored after printing, which was the style of the mid-19th century scientific illustrations. The image includes a key at the bottom, which provides the names of the beetles in French, such as "SPHENOQNCATHE primordie" and "PHILODTE de humboldt," among others. (see below). These illustrations were part of an entomological reference in "Dictionnaire Classique des Sciences Naturelles" by Pierre Auguste Joseph Drapiez. These beetles would have been represented to aid in the scientific study and categorization of insect species...

1897 Victorian Botanical Print – *India-Rubber Plant* (Ficus Elastica) – A Symbol of Exploration and Exotic Elegance This stunning 1897 b...

Antique portrait titled 'Louis Seize, Roi de France et de Navarre'. Old portrait of Louis XVI , King of France. Source unknown, to bet determined. Ar...

This captivating antique print, titled 'The Satier, Sauage, Wild-man, Orang-autang, Chimp-anzee', is a meticulously detailed zoological study of an orangutan from the renowned work "...

Antique botany print titled 'Heliosperma alpestre'. Old botanical print depicting the Heliosperma plant. This print originates from 'Atlas der Alpenflora' by E. Palla. Artists an...

Antique map titled 'Virginia'. Original antique map of Virginia, United States. With inset map of the south western continuation of Virginia. T...

Title: "Hand-Colored Engraving of Wild and Domestic Cats from 19th-Century Zoological Study" Description: This hand-colored engraving, titled "Quadrupeds: Class I Mammalia, Order...

Antique botany print titled 'Lilium Auratum'. Large lithograph of the lilium auratum, one of the true lilies. It is native to Japan and is sometimes called the golden rayed lily or the gold band lily...

Description: Antique map titled 'Erster Abriss der Stadt Jerusalem wie sie Furnemblich zur Zeit des Hernn Christi beschaffen (..).' Spectacular town plan...

Description: Antique print titled 'The Spirit of - 76'. Original engraving showing a scene of the American Revolution. Made after a painting by Tompkins Harrison Matteson. Ar...

Antique print titled 'Guinea Fowls, the property of Mr. J.W. Ludlow'. Print of guineafowl. This print originates from 'The Illustrated Book of Poultry' by Lewis Wright. Artists a...

Antique print titled ‘Mastino II, XIV Siecle.’ Original antique print of Mastino II della Scala, Lord of Verona, Italy. This print originates from 'Costumes historiques de femmes du ...

Antique print titled 'Holland House, Middlesex'. View of the Holland House in Middlesex. This print originates from Hall's 'Baronial Halls and Picturesque ...

This is a hand-colored woodcut engraving. The visible linework and the style of shading, along with the fact that it is printed on a newspaper-style backing, are indicative of a wood...

Artocarpus incisa (Breadfruit Tree) – Hand-Colored Botanical Engraving, circa 1825 Description: This striking hand-colored copperplate engraving features *Artocarpus incisa, commo...

The print by Anthony Oberman features a detailed study of various animal heads and anatomical elements. Here’s a comprehensive description of the etching: Composition: 1. Animal He...

Antique print titled 'Motacilla, Luscinia'. The common nightingale or simply nightingale (Luscinia megarhynchos), also known as rufous nightingale, is a small passerine bird best kno...

Antique bird print titled 'Anser Brachyrhynchus'. Old bird print depicting the pink-footed goose. This print originates from 'Svenska Foglar Efter Naturen Och Pa Stenritade' by Magnu...

This detailed copper engraving originates from Arnoldus Montanus' "Die Unbekannte Neue Welt oder Beschreibung des Welt-teils Amerika und des Sud-Landes", depicting a ceremonial gathering in New Spain...

Antique bird print titled '1. Green Glossy Starling 2. Malarbar Mynah 3. Purple-Headed Glossy Starling 4. Longtailed Glossy Starling'. Old bird print depicting the Emerald starling, ...

Antique fish print titled 'Yellow Skulpin'. This print originates from 'Fishes of the British Islands' by Jonathan Couch. Jonathan Couch (1789–1870) was one of the pioneering natural...

Old print of Indian decorative art. This print originates from 'L'Ornement polychrome'. A beautiful work containing about 2000 patterns of all the st...

Antique print titled 'Amphora'. Color-printed large lithograph by Ernst Wasmuth depicting a Greek Amphora. This print originates from 'Griechische Keramik' by A. Genick. Albert Genick...

Antique map titled 'De Zuid Pool, waar in aangetoont werd alle de Nieuwe Landen (..)'. Original antique map of the South Pole including two small inset maps...

Zeus (Jupiter) Engraving from Bertuch’s 1805 Porte-Feuille des Enfants – Classical Mythology Print This finely detailed engraving, published in 1805 as part of Friedrich Justin Bertuch’s Porte-Feuille des Enfants (Children's Portfolio), depicts Zeus, the king of the Greek gods (known as Jupiter in Roman mythology), in a pose that exudes authority and power. Seated on a grand throne with an eagle at his side, Zeus holds a scepter, signifying his dominion over the skies and his role as ruler of the gods. The print is executed with exceptional precision, capturing the intricate details of Zeus’s muscular form, the folds of his drapery, and the noble posture of the eagle, a symbol of strength and divine power. Subtle hand-tinting adds depth and character to the artwork, enhancing its timeless appeal. This piece is part of a renowned collection of early 19th-century engravings designed to introduce young readers to the rich world of mythology, art, and antiquity. Its historical and artistic significance makes it a standout addition to any collection of classical prints. The engraving is rendered with meticulous detail, showcasing the artistry and craftsmanship of the early 19th century. The subtle hand-colored tones enhance the divine aura of Zeus, making this print a timeless addition to any collection of classical antiquities or mythological art. - Date of Publication: 1805 - Origin: Friedrich Justin Bertuch’s *Porte-Feuille des Enfants* - Condition: The engraving is in good condition with minor age-related foxing and light discoloration typical of early 19th-century prints. Well-preserved overall. This print is a perfect choice for collectors, historians, or anyone with an appreciation for classical mythology and 19th-century art. Here are some recommendations for framing and presenting this engraving to enhance its historical and artistic appeal while ensuring proper preservation: 1. Frame Style - Material: Choose a high-quality wooden or gilded frame. Options like mahogany, walnut, or an antique gold finish complement the classical theme. - Design: Select a simple yet elegant frame with subtle decorative details, such as beading or fluted edges, to echo the neoclassical style without overshadowing the engraving. 2. Matting - Color: Use an acid-free mat in a neutral tone, such as ivory, off-white, or pale cream, to draw attention to the artwork and prevent contact with the glass. - Border Size: A slightly wider mat border (around 2–4 inches) creates balance and helps focus the viewer's attention on the engraving. - Double Matting (Optional): For a refined look, consider an inner mat in a soft complementary color like light gray or pale gold to add depth. 3. Glass - UV-Protective Glass: Opt for museum-grade UV-filtering glass or acrylic to safeguard the engraving from light exposure while reducing glare. - Non-Glare Option: Non-reflective glass ensures optimal viewing, especially in brightly lit areas. 4. Backboard and Mounting - Archival Backing: Use an acid-free backing board to protect the engraving from moisture and dust while providing structural support. - Mounting Method: Secure the engraving with archival-quality corners or hinges to avoid adhesive contact with the artwork. 5. Presentation Placement - Display the framed engraving in a stable environment with consistent temperature and low humidity to prevent damage. Avoid direct sunlight or exposure to harsh artificial light. - Suitable spaces include libraries, studies, or galleries where the engraving complements other classical or antique items. 6. Labeling - Add a small engraved brass plaque or label beneath the frame with details such as "Zeus (Jupiter) – Published in 1805 by Friedrich Justin Bertuch" to highlight its provenance and historical value. 7. Alternative Display - If not framed traditionally, consider showcasing the engraving in a display case alongside other related prints or artifacts. Use museum-grade lighting to accentuate its details without causing harm. --- Keywords: - Zeus engraving...

Here are descriptions of the eight botanical illustrations, including the Latin and English names of the plants, why they are significant, and details about the creators and the tech...

19th-Century Lithograph of the Long-Striped Tiger and Wild Asian Cat This remarkable 19th-century lithograph showcases two fascinating felines: the long-striped tiger (De langgest...

Antique bird print titled 'Accipiter Nisus'. Old bird print depicting the Eurasian sparrowhawk. This print originates from 'Svenska Foglar Efter Naturen Och Pa Stenritade' by Magnus ...

Antique print titled 'Genua'. Bird's-Eye View of the City of Genoa, Italy. Published by Matthäus Merian the Elder, circa 1650. Matthäus Merian sr. (the Elder; 1593-1630) was born in Switzerland but eventually settled in Frankfurt; he was trained as an engraver. He married Maria Magdalena de Bry, daughter Johann Theodore de Bry...

Trio of Antique Botanical Prints: French Marigold, African Marigold & Gaillardia Pulchella This brilliant set of antique botanical prints highlights "French Marigold" (Tagetes Pat...

Antique map titled 'Fezzae et Marocchi regna Africae Celeberrima'. Map of Morocco, showing large fortified towns of Marakesh, Taradante and Fez, towns, mountains, rivers, lakes, etc....

Original antique map titled 'Ile de la Réunion'. This is a fascinating map of the French department of Ile. Bourbon or Reunion. Bourbon, or Reunion, is a volcanic island off the coas...

Title: "Social Hierarchy of the Nagai Tartars - An Etching by Geissler, ca. 1800" Description: This etching by Christian Gottfried Heinrich Geissler, titled "Nagai Tartars," is a fine representation of the German School from around the year 1800. It portrays three figures, labeled to indicate their social standing: a woman of distinction, her daughter, and a female servant, numerically annotated as 1, 2, and 3 respectively. The detailed depiction captures the intricate attire and cultural fashion of the period, reflecting the societal structure and familial roles within the Nagai Tartar community. The women are adorned in traditional garments that signify their status and identity, while the setting suggests a backdrop typical of their environment, providing a glimpse into the life of the Tartar people at the turn of the 19th century. The Nagai or Nogai Tartars were part of the Nogai Horde, a confederation that occupied the Pontic–Caspian steppe from about 1500 until they were displaced in the 17th century by the Kalmyks and Russians. They were named after Nogai Khan, a Mongol ruler, and were divided into groups such as the Budjak and Yedisan in the area north of the Black Sea. The Nogais were known to be pastoral nomads who grazed sheep, horses, and camels and were also involved in trade, raiding, and tribute. They spoke a form of Kypchak Turkic and were Muslim, although their religious institutions were not strongly developed. The societal structure of the Nogais was quite fluid, with personal prestige playing a significant role in their political organization. They were historically known for their slave raids across Eastern Europe, which were an important part of their economy. The term "Tatar" broadly refers to Turkic-speaking peoples, mainly found in west-central Russia and other former Soviet Republics. It was originally used to refer to various nomadic groups from the vast Central and Northern Asian region then known as Tartary. The largest Tatar group is the Volga Tatar from the Volga region in Russia. There are several Tatar groups, including the Volga Tatars and the Crimean Tatars, with the latter being subdivided into groups such as the Tats and the Nogai. The Tatars have a rich history that dates back to the 5th century when nomadic tribes in northeastern Mongolia around Lake Baikal were first recognized. They became part of Genghis Khan's army in the 13th century and were known to Europeans as Tatars. Following the disintegration of the Mongol Empire, the Tatars were particularly associated with the western part of the empire, the Golden Horde...

Kikukawa Eizan (1787-1867) Dated 1810-1820. The text is about thing happening between lovers. Shunga Print Nicely framed Additional information: Material: Paper Region of Origin: Ja...

Defense of Burgos Castle, October 1812 - Historical Battle Engraving by A. Sandoz Detailed description: This dramatic etching, "Défense du Château de Burgos, octobre 1812," vividly...

Title: Sun Worship Rituals of the Floridians Depicted in Sacrificial and Offering Ceremonies Description: This dramatic 18th-century copperplate engraving presents two related ritua...

Scenic View of the Gila Valley and Sierra de las Estrellas at Maricopa Wells This lithograph captures a picturesque moment in the Valley of the Gila and the Sierra de las Estrella...

Antique print titled 'Tische und Stuehle im Chippendale Karakter'. Lithograph of tables and chairs. This print originates from 'Det Moderna Hemmet' by Johannes Kramer. Published by F...

Conventuel - 1862 Hand-Colored Lithograph of a Conventual Franciscan Friar This 1862 hand-colored lithograph illustrates a Conventuel, or Conventual Franciscan Friar, seated at a ...

Victorian Garden Gems: Exotic Flowers from 1896-97 Illustrated Series Description of the Antique Chromolithographs from "Favourite Flowers of Garden and Greenhouse" Published: 1896...

Trio of Antique Botanical Prints: Coreopsis, Single Dahlia & Cosmos Bipinnatus This vibrant set of antique botanical prints features "Coreopsis" (Coreopsis Tinctoria), "Single Dah...

Antique map titled 'Karte von dem groessten Theil des Landes Jemen'. Original map of Yemen, this map is the first printed map specifically of Yemen, and t...

Title: 1897 Botanical Prints – Gentianella and Phlox Subulata Description: This pair of original 1897 botanical prints features gentianella (Gentiana acaulis) and moss phlox (Phl...

Austrian Grenz Regiment Soldiers in the Field, Early 19th Century Detailed description: This hand-colored lithograph, likely created in the early 1820s, features soldiers from the ...

Nice set of 13 alphabet prints. These prints are part of a large collection of fonts that were used to design lettering on facades, windows and billboards. You can also see this by the first letter, which is always placed in a grid, so that the painter could scale this letter. These prints are from France, circa 1900. They are all framed with a narrow burr walnut frame...

This lithograph by Karl Joseph Brodtmann is one of his ethnographic works, featuring three portraits: Mico Chlucco, Miranda, and a Juri individual. The portrayal of these figures ref...

Two religious images on one sheet titled 'Kopere Zee in den Tempel van Salomon' and 'Doorsnede van de Kopere Zee des Tempels van Salomon'. The 'Brazen Sea' in Solomon's Temple an...

Large antique print of the Last Supper. Published by Mosella-Verlag, 1913. This print originates from a series titled 'Kathol. Schulbibelwerk von Dr. Ecker'.

Antique map titled 'Johnson's California (..)'. Original map of California, Utah, Nevada, Colorado, New Mexico and Arizona. This map originates from ...

1897 Botanical Prints – Lilac and Persian Lilac These two original botanical prints from 1897 feature the lilac (*Syringa vulgaris var. ...

Plate XII: 'Chirurgie'. (Surgery.) This plate shows a sick man and child to be operated on. This print originates from 'Encyclopédie (..)' by D. Diderot. Published, circa 1760.

Title: 1897 Botanical Prints – Libonia, Myoporum, Lantana, Vervain, and Verbena This set of five original 1897 botanical prints features **Libonia floribunda**, **myoporum parvif...

Antique bird print of various birds including the robin, blue throat, European stonechat and northern wheatear. This print originates from 'De Vogelwereld. Handboek voor Liefhebbers ...

Napoleon's Defeat at Waterloo: French Cannons Seized and Transported, July 1815 This finely crafted engraving, published in 1816, captures a significa...

Title: Schetziges Amerikanisches Kriechentlein - Hand-Colored Engraving of the American Variegated Teal by Johann Michael Seligmann, 18th Century This beautifully hand-colored eng...

Antique print titled 'Statue de Gaudma dans un Temple d'Ummerapoura'. Print of a Burman Buddha. This print originates from 'Relation de l'Ambassade Anglaise, envoyée en 1795 dans le ...

This hand-colored aquatint is a topographical view of Djursholm Castle in Danderyd, Sweden, and it is a part of Ulrik Thersner's ambitious project, "Fordna och närvarande Sverige" (Antiquity and Present Sweden). This work aimed to be a modern counterpart to Erik Dahlbergh's "Suecia antiqua et hodierna," a significant 17th-century work that showcased Sweden's historical and contemporary landscapes, buildings, and monuments through engravings. Ulrik Thersner's endeavor in creating "Fordna och närvarande Sverige" involved drawing several mansions, among other subjects, and began publishing these works in 1817. The technique used, aquatint, is a form of etching that allows for the creation of images with tonal variations, resembling watercolor paintings, which makes it particularly suited for detailed and atmospheric topographical representations like the one of Djursholm Castle. Carl Fredrik Akrell, a notable engraver, worked on engraving Thersner's images, which were then executed in aquatint, a process that allows for a rich gradation of tones and a painterly quality. Wilhelm Maximilian Carpelan later joined the publication effort, indicating a collaborative process in bringing Thersner's vision to fruition. The parts of the series were published over a period, with Skåne completed in 1823, and the regions of Östergötland, Uppland, and Södermanland addressed in the years 1820 and 1824-25. Thersner's personal involvement in writing the text for the pictures underlines the detailed and scholarly approach taken in producing this series. Thersner's "Fordna och närvarande Sverige" would have been an invaluable contribution to the documentation of Swedish cultural heritage and landscape during the early 19th century, providing a vivid pictorial record that would have appealed to both the scholarly community and the general public interested in the country's history and geography. The print of Djursholm Castle that you are referring to would be a part of this important series. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...