Netherlands - Prints

Antique costume print titled 'Woman of Hinlopen'. Old costume print depicting a woman of Hindeloopen, located in Dutch province 'Friesland'. This print originates from 'The Costume of the Netherlands displayed in thirty coloured engravings'. Hindeloopen (Frisian: Hylpen) is an old city on the North of the Netherlands on the IJsselmeer. It lies within the municipality of Súdwest Fryslân. It is famous because of the Hindeloopen art and hindeloopen costume. Hindeloopen received city rights in 1225 and in 1368 it became a member of the Hanseatic League...

Title: Majestic Waterfalls: Niagara Falls and Rhine Falls in 19th-Century Hand-Colored Engraving from Bertuch’s Bilderbuch für Kinder Description: This captivating hand-colored ...

Epistle to the Hebrews Engraving – Paul, Law & Gospel Allegory c.1735 Description: This fascinating antique engraving titled “The Epistle of Paul the Apostle to the Hebrews – The La...

Trio of Antique Botanical Prints: Caucasian Scabious, Ageratum Cœruleum & Canadian Goldenrod This delightful set of antique botanical prints features "Caucasian Scabious" (Scabi...

Classical Antiquities Collection: Engravings of Mythological Deities and Figures from Bertuch’s *Porte-Feuille des Enfants* (1805) Description: This extraordinary compilation of si...

Antique print of women doing the laundry in the mountain river near Ciliwung (or Tjiliwoeng) Valley, Buitenzorg, Batavia, Java, Indonesia. This...

Set of 3 Biblical Engravings – Epistles of Peter and John, Divine Inspiration Scenes (1735) This expressive set of three antique engravings, published in 1735, visualises theologica...

Hand-Colored Botanical Lithograph of Madder, Buckthorn, and Cleavers, Calwer, 1854 This finely crafted botanical lithograph is from Carl Georg Calwer’s *Deutschlands Technische P...

Title: St. John Apostle Engraving – John I Evangelist with Gospel c.1735 Description: This elegant antique engraving titled “St. John the Apostle” depicts John, the beloved disciple...

Antique print titled 'Tische und Stuehle im Chippendale Karakter'. Lithograph of tables and chairs. This print originates from 'Det Moderna Hemmet' by Johannes Kramer. Published by F...

Title: Boundary Marker at St. Croix River Source, 1817 – A Historic Diplomatic Monument Description: This detailed hand-colored lithograph depicts the new monument erected on July...

This collection features three exquisite 19th-century steel engravings depicting key battles and sieges from the Napoleonic Wars. These prints, created by Théodore Yung and originating from the Album de Vingt Batailles de la Révolution et de l'Empire, showcase moments of historical significance, skillfully captured with artistic precision and hand-painted watercolors. 1. Bataille de la Corogne (16 Janvier 1809): This print depicts the Battle of Corunna, where the French army under Marshal Soult attacked British forces commanded by Sir John Moore...

Rare Antique Map of the Americas with Island California by Justus Danckerts, ca. 1696 This exceptional antique map titled Novissima et Accuratissima Totius Americae Descriptio per I...

Title: Vibrant 1802 Handcolored Engraving of Rare Fish Species from Bertuch's Masterpiece Description: This striking handcolored copperplate engraving from 1802 showcases four fas...

1855 March of Honor – The Thun Militia in Ceremonial Splendor This striking hand-colored lithograph, created by H. Jenny and lithographed by Kümmerly and Wittmer, is part of the *F...

Birds of Prey Print: Eagles, Falcons, Owls & Vultures – Antique 1867 This striking antique print depicts a variety of birds of prey including eagles, falcons, owls, and vultures, pr...

Antique botany print titled 'Rumex nivalis Hegetschw.'. Old botanical print depicting the Rumex nivalis or snow dock. This print originates from 'Atlas der Alpenflora' by E. Palla. ...

Edinburgh City Plan, Italy c.1700 – “Edenburgo Metropoli della Scozia” This is a charming hand-colored engraved plan of Edinburgh, titled in Italian Edenburgo, Metropoli della Scozi...

Trio of Antique Botanical Prints: Coreopsis, Single Dahlia & Cosmos Bipinnatus This vibrant set of antique botanical prints features "Coreopsis" (Coreopsis Tinctoria), "Single Dah...

Title: 1897 Botanical Prints – Jacob’s Ladder and Cup-and-Saucer Vine Description: This pair of original 1897 botanical prints features Jacob’s ladder (*Polemonium caeruleum*) an...

The following six chromolithographs are part of a collection published in 1896, created by Désiré Bois and Edward Step. They illustrate botanical subjects with remarkable attention t...

The plant depicted in the illustration is identified as "Drosera rotundifolia," which is commonly known as the round-leaved sundew. It is a species of sundew, a carnivorous plant tha...

Title: Vincent van Gogh – The Sower – 1928 Portfolio Print from Dutch Period Description: This 1928 print is a reproduction of 'The Sower', a drawing by Vincent van Gogh created...

The print by Anthony Oberman features a detailed study of various animal heads and anatomical elements. Here’s a comprehensive description of the etching: Composition: 1. Animal He...

St. Paul to Galatians Engraving – Paul Rejects Mosaic Law c.1735 Description: This striking antique engraving titled “The Epistle of St. Paul to the Galatians” illustrates Paul’s th...

Title: "Botanical Study of an Apple and Blossoms: Hand-Colored 19th-Century Engraving" Description: This exquisite 19th-century botanical engraving showcases a beautifully detaile...

This is a hand-colored woodcut engraving. The visible linework and the style of shading, along with the fact that it is printed on a newspaper-style backing, are indicative of a wood...

Trio of Antique Botanical Prints: French Marigold, African Marigold & Gaillardia Pulchella This brilliant set of antique botanical prints highlights "French Marigold" (Tagetes Pat...

Zeus (Jupiter) Engraving from Bertuch’s 1805 Porte-Feuille des Enfants – Classical Mythology Print This finely detailed engraving, published in 1805 as part of Friedrich Justin Bertuch’s Porte-Feuille des Enfants (Children's Portfolio), depicts Zeus, the king of the Greek gods (known as Jupiter in Roman mythology), in a pose that exudes authority and power. Seated on a grand throne with an eagle at his side, Zeus holds a scepter, signifying his dominion over the skies and his role as ruler of the gods. The print is executed with exceptional precision, capturing the intricate details of Zeus’s muscular form, the folds of his drapery, and the noble posture of the eagle, a symbol of strength and divine power. Subtle hand-tinting adds depth and character to the artwork, enhancing its timeless appeal. This piece is part of a renowned collection of early 19th-century engravings designed to introduce young readers to the rich world of mythology, art, and antiquity. Its historical and artistic significance makes it a standout addition to any collection of classical prints. The engraving is rendered with meticulous detail, showcasing the artistry and craftsmanship of the early 19th century. The subtle hand-colored tones enhance the divine aura of Zeus, making this print a timeless addition to any collection of classical antiquities or mythological art. - Date of Publication: 1805 - Origin: Friedrich Justin Bertuch’s *Porte-Feuille des Enfants* - Condition: The engraving is in good condition with minor age-related foxing and light discoloration typical of early 19th-century prints. Well-preserved overall. This print is a perfect choice for collectors, historians, or anyone with an appreciation for classical mythology and 19th-century art. Here are some recommendations for framing and presenting this engraving to enhance its historical and artistic appeal while ensuring proper preservation: 1. Frame Style - Material: Choose a high-quality wooden or gilded frame. Options like mahogany, walnut, or an antique gold finish complement the classical theme. - Design: Select a simple yet elegant frame with subtle decorative details, such as beading or fluted edges, to echo the neoclassical style without overshadowing the engraving. 2. Matting - Color: Use an acid-free mat in a neutral tone, such as ivory, off-white, or pale cream, to draw attention to the artwork and prevent contact with the glass. - Border Size: A slightly wider mat border (around 2–4 inches) creates balance and helps focus the viewer's attention on the engraving. - Double Matting (Optional): For a refined look, consider an inner mat in a soft complementary color like light gray or pale gold to add depth. 3. Glass - UV-Protective Glass: Opt for museum-grade UV-filtering glass or acrylic to safeguard the engraving from light exposure while reducing glare. - Non-Glare Option: Non-reflective glass ensures optimal viewing, especially in brightly lit areas. 4. Backboard and Mounting - Archival Backing: Use an acid-free backing board to protect the engraving from moisture and dust while providing structural support. - Mounting Method: Secure the engraving with archival-quality corners or hinges to avoid adhesive contact with the artwork. 5. Presentation Placement - Display the framed engraving in a stable environment with consistent temperature and low humidity to prevent damage. Avoid direct sunlight or exposure to harsh artificial light. - Suitable spaces include libraries, studies, or galleries where the engraving complements other classical or antique items. 6. Labeling - Add a small engraved brass plaque or label beneath the frame with details such as "Zeus (Jupiter) – Published in 1805 by Friedrich Justin Bertuch" to highlight its provenance and historical value. 7. Alternative Display - If not framed traditionally, consider showcasing the engraving in a display case alongside other related prints or artifacts. Use museum-grade lighting to accentuate its details without causing harm. --- Keywords: - Zeus engraving...

Antique print titled 'No.2 Street Punishments'. Print of Chinese street punishments. Shows a prisoner suspended from a cross-pole, supported by two upr...

Title: Nature's Elegance with Japanese Aesthetics – Plate V from G. A. Audsley’s Chromolithographic Collection Description: Plate V from Section V of G. A. Audsley’s chromolithograp...

Two religious images on one sheet titled 'Kopere Zee in den Tempel van Salomon' and 'Doorsnede van de Kopere Zee des Tempels van Salomon'. The 'Brazen Sea' in Solomon's Temple an...

Greece and the Danube Basin Map c.1720 – Antique Engraving of the Balkans This remarkable early 18th-century map presents a sweeping view of southeastern Europe, centering on the co...

Vivid Hand-Colored Lithograph from Audsley’s The Ornamental Arts of Japan, 1882-1884 This exceptional hand-colored lithograph is a striking example of Japanese ornamental design fr...

"Ephemeral Blossoms: Treasures from 'Favourite Flowers of Garden and Greenhouse'" Immerse yourself in the delicate charm of "Ephemeral Blossoms," an exclusive collection of original...

Antique print titled 'The Broken Mirror'. Original antique print on chine collé made after a painting by J.B. Greuze. This print originates from volume 3 of the series 'The Wallace C...

Views of Funchal and Fort Loo, Madeira – Hand-Colored Print from Bertuch, c.1800 This original hand-colored engraving features two finely detailed views of Madeira Island, from Frie...

Hand-Colored Botanical Lithograph of Hemp, Flax, and Horehound, Calwer, 1854 This vibrant botanical lithograph is from Carl Georg Calwer’s *Deutschlands Technische Pflanzen* (1854...

Set of 4 original antique prints of butterflies and moths. These prints originate from 'Dictionnaire universel d'Histoire Naturelle' by d'Orbigny. Published 1861. Charles Henry Dessalines d'Orbigny was a French botanist and geologist specializing in the Tertiary of France. At the National Museum of Natural History in Paris, d'Orbigny identified many of the flowering plant species returned to France from his brother's natural history collecting...

These are 19th-century equine prints depicting notable racehorses titled "Pandora," "Canteen," "Mulatto," and "Chateau Margaux." They are in the style of British equine portraiture, ...

Antique religion print titled 'Een der tien Kopere Waschvaten in den Tempel van Salomon'. This print depicts one of the ten Brass Lavers in Solomon's Temple. This print originate...

Antique print titled 'Holland House, Middlesex'. View of the Holland House in Middlesex. This print originates from Hall's 'Baronial Halls and Picturesque ...

Denislou – Views of the Ruins of Laodicea and the Theatre, Asia Minor by Laborde, circa 1840 This large-format lithograph features two stunning 19th-century views of the ruins of La...

Antique Hand-Colored Fern Prints - Aspidium Species - 19th Century Botanical Art This rare set of three hand-colored fern prints features detailed illustrations of various species of **Aspidium**. These botanical prints are part of the renowned 19th-century collection, *Ferns: British and Exotic*, showcasing the meticulous botanical artistry of the Victorian period. The ferns illustrated in this set include: - **Aspidium augustescens** (Majestic Shield Fern): This species is known for its symmetrical fronds and graceful appearance. The print showcases the fine detailing of the fern’s structure, capturing the natural elegance of its leaves. - **Aspidium acuminatum** (Pointed Shield Fern): This species is noted for its sharply pointed fronds and dense arrangement of sori (spore clusters). The print emphasizes the intricate texture of the fronds and the distinct shape of the reproductive structures. - **Aspidium proliferum** (Proliferous Shield Fern): This fern is characterized by its broad fronds and ability to produce multiple offshoots. The illustration captures the density and lush growth habit of the species, with precise attention to the arrangement of the spore clusters. These prints come from E.J. Lowe’s famous botanical work, *Ferns: British and Exotic*, which was published between 1856 and 1860. Edward Joseph Lowe was a distinguished Victorian botanist known for his extensive research and beautifully illustrated publications on ferns. His work remains highly regarded for its scientific accuracy and aesthetic quality. The prints were produced using the chromolithography technique, a popular 19th-century printing method that allowed for vibrant, multi-layered color reproduction. This process adds depth and dimension to the prints, creating lifelike images that make these ferns appear almost tangible. Each print measures approximately 12 x 8 inches, making them perfect for framing. Whether you are a botanical art collector, a nature lover, or someone who appreciates vintage prints, this set offers both historical significance and decorative appeal. Condition Report: Overall good condition with light age-related toning around the edges. The colors remain vibrant, and the images are clear and sharp. Keywords: antique fern prints...

Title: Cinchona Bark Varieties: An Illustrated Botanical Atlas (1826)** Description: This rare and finely illustrated botanical atlas, 'Versuch einer Monographie der China. Nur Atl...

Title: Detailed 1730 Maritime Warship Print with Tools, Rigging, and Ship Cross-Section Description: This exceptionally detailed and decorative maritime print, published in Nurember...

1871 Botanical Prints of Paeonia and Butomus from Tunbridge Wells Flora Offered here is a striking pair of original 19th-century botanical prints from The Flowering Plants of Tunbridge Wells and Neighbourhood by Richard Deakin, published in 1871 by Stidolph & Bellamy and Groombridge & Sons, London. These finely detailed plates depict Paeonia corallina (Coral Peony) and Butomus umbellatus (Flowering Rush), two elegant flowering species native to parts of Europe and found in the Tunbridge Wells region of England. Rendered with scientific precision and colored by hand, these prints reflect the Victorian era’s passion for botany, natural classification, and the visual arts. Each flower is represented in its full structural form, with careful attention to botanical accuracy, showing stems, leaves, blossoms, and reproductive parts where applicable. The *Paeonia corallina* features deep crimson petals and vibrant green foliage, while the *Butomus umbellatus* is notable for its light pink clustered blooms atop tall, sinuous stems—its root and bulb details meticulously illustrated alongside. These prints exemplify the dual nature of botanical works of the 19th century: simultaneously scientific documents and refined decorative art. These plates come from one of the more specialized and regionally focused British botanical publications of the period, making them relatively rare in the market. Their historic link to the Tunbridge Wells flora gives them additional geographic and academic interest. Condition Report: Good condition overall. Hand-coloring remains vivid and precise. The paper shows only minor, even toning, appropriate for its age. No significant foxing or tears. Species names are present and clearly legible. Framing Suggestions: For the best visual impact and preservation, these prints should be framed in matching frames with archival mats and UV-protective glass. A neutral mount (ivory or pale grey) will complement the organic colors while enhancing their Victorian charm. Ideal for hallways, libraries, studies, or conservatories, especially in botanical or period-themed interiors. Keywords: Victorian botanical prints...

Hand-Colored Botanical Lithograph of Soapwort and Yellow Asphodel, Calwer, 1854 This elegant botanical lithograph is from Carl Georg Calwer’s *Deutschlands Technische Pflanzen* (1...

Antique Illustrations of Colorful Insects: Hand-Colored Engravings from the 18th and 19th Century This exquisite pair of antique prints showcases vibrant depictions of colorful inse...

Austrian Grenz Regiment Soldiers in the Field, Early 19th Century Detailed description: This hand-colored lithograph, likely created in the early 1820s, features soldiers from the ...

Antique map titled 'Kaart van de Sandwich Eilanden'. Map of the Hawaiian Islands with a large inset of Karakakooa Bay, including soundings and anchorages. Originates from 'Reizen R...

"Victorian Vivids: A Floral Collection from Edward Step's Masterworks" Discover the allure of "Victorian Vivids," a meticulously assembled trio of antique botanical prints from Edwa...

This lithograph portrays a fashionable woman from 1889, elegantly dressed in a sophisticated gown that exemplifies the style of the late Victorian era. The gown is made from a richly...

This vibrant print from "Der Ornamentenschatz" showcases a diverse array of Indian decorative arts including metalwork, embroidery, weaving, and painting. Compiled by H. Dolmetsch an...

Description: Antique print, untitled. Two decorative maps on one sheet of the middle east in biblical times. Source unknown, to be determined. Artists and Engravers: Anonymous...

Title: A Symphony of Butterflies and Moths: Hand-Colored 19th-Century Engraving from Bertuch’s Bilderbuch für Kinder Description: This vibrant hand-colored copperplate engraving...

Various antique charts of hemispheres illustrating the positioning of the earth. Printed for Scherer's 'Atlas Novus' (1702-1710). Artists and Engravers: Heinrich Scherer (1628-1704) was a Professor of Hebrew, Mathematics and Ethics at the University of Dillingen until about 1680. Thereafter he obtained important positions as Official Tutor to the Royal Princes...

The image on this original antique print depicts two naval vessels, with the foremost being a larger ship of the line adorned with an extensive array of sails and flags, including wh...

Hand-Colored Botanical Lithograph of Woad and White Goosefoot, Calwer, 1854 This rare and meticulously crafted botanical lithograph is from Carl Georg Calwer’s *Deutschlands Techn...

Calwer C. G. Deutschlands Technische Pflanzen, Stuttgart, Krais & Hoffmann, 1854. This exquisite botanical lithograph originates from Carl Georg Calwer’s renowned work on the techn...