New York City - Color Photography
to
147
1,166
1,889
1,160
1,745
3,189
Overall Width
to
Overall Height
to
1
4,149
5,098
1
9
1,167
1,445
680
453
322
3,778
3,103
94
50
36
12
11
6
2
1
4,075
3,590
1,474
4,565
2,628
1,557
1,309
1,269
974
960
862
849
799
740
727
640
508
506
494
473
463
448
408
2,867
2,729
2,384
2,277
1,678
2,146
1,168
899
165
117
701
2,784
9,304
28,861
12,612
Item Ships From: New York City
"House of Disarray"
Located in Astoria, NY
Raymond Ciborowski (American, b. 1970), "House Of Disarray", Chromogenic Print in Colors, 2012, numbered edition "1/15", signed and with Gavigan Gallery label to verso mounted on ple...
Category
2010s Contemporary New York City - Color Photography
Materials
C Print
King of the Hill
By Bob Avakian
Located in New York, NY
Archival pigment print
Signed, titled, and dated, recto
32 x 32 inches
(Edition of 20)
21 x 21 inches
(Edition of 30)
This artwork is offered by ClampArt, located in New York City...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
Binocular Tropical
By Joseph Desler Costa
Located in New York, NY
Dye sublimation print on aluminum, polished brass float frame (Edition of 3 + 2 APs)
Signed and numbered on label, verso
From the series "Particle Paradise"
This artwork is offered ...
Category
2010s Contemporary New York City - Color Photography
Materials
Metal
East End # 1, Photograph, Archival Ink Jet
By Rob Lang
Located in Yardley, PA
Abstract photograph of a ship hull found in Hampton Bays, NY on Dry Dock :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist ...
Category
2010s Other Art Style New York City - Color Photography
Materials
Archival Ink
Blue Models with Flash
By Pipo Nguyen-Duy
Located in New York, NY
Archival inkjet print mounted on aluminum
Signed and numbered, verso
12 x 18 inches
(Edition of 10)
20 x 30 inches
(Edition of 7)
30 x 35 inches
(Edition of 3)
This artwork is offered by ClampArt, located in New York City.
Pipo Nguyen-duy writes:
“I began living in the United States in 1975 as a Vietnamese refugee. Consequently, cultural identity and cultural authenticity are some of the underlying themes of my visual explorations. Additionally, site-specificity has been an integral part of my studio practice, as I always consider geographical, historical, and cultural significance of the locations in my research.
“From 2015 to 2017, I made photographs from my hotel window in Ho Chi Minh City, District 1. The second-floor window offered a commanding view of the alley where it widened before the sharp left turn located under my hotel where it became narrow again. The alley served as a short cut between the congested street where it began and ended at a crowded market. What separated my camera from the alleyway was the large glass window to dampen the noise and the thin white curtain for privacy. I spent close to six months in this sixty-four square-foot hotel room, photographing obsessively from six in the morning until late at night, only taking breaks to eat or to sleep. During my process, I remained as objective as a scientist gathering visual data. The camera tripod allowed me to keep the same perspective of the scenes outside my window throughout the day.
“With this work, I aim to document, as if from the perspective of a natural scientist or archeologist. Using the camera to record facts rather than regarding it as a subjective tool, I have become increasingly intrigued with the idea of mapping my ‘own’ culture in hopes of understanding it from an outsider’s point of view using the hotel room as a metaphor for an in-between place. The window curtain was the variable that changed, in addition to the light, which also varied throughout the day. The curtain was a literal veil to the world and the culture outside my window. It serves as a metaphor for the lack of clarity and insight that I may have of my culture. From the alley I am hidden or visible depending on how wide the curtain was kept and the time of the day. The neatly arranged architecture seen from my window illustrated the rich history and the complex transition of the Vietnamese culture from French colonial, to American modernist, to contemporary high-rise.
“The project began as a survey to categorize different types of people, record gestures and behavior, map traffic patterns, and capture ‘decisive’ moments of street scenes below. Conceptually, I intended this mapping project only to reveal my difficulties of defining home—however as the project grew, the complexities of the images also have become more layered. The first image of the series revealing a man masturbating at 6:00 a.m. while leaning against his scooter below the hotel window addresses the voyeuristic nature of the project. In one set of pictures...
Category
2010s Contemporary New York City - Color Photography
Materials
Panel, Inkjet
Side of Building
By Marc Yankus
Located in New York, NY
Archival pigment print
Signed and numbered, verso
22 x 17 inches, sheet
(Edition of 15)
38 x 27 inches, sheet
(Edition of 9)
From the series, "The Space Between"
This photograph i...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
Acapulco Villa (Slim Aarons Estate Edition)
By Slim Aarons
Located in New York, NY
Acapulco Pool, Villa Nirvana, 1968
Chromogenic Lambda print
Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate.
Las Brisas Residencias,...
Category
1960s Modern New York City - Color Photography
Materials
Lambda
Untitled (Still Life #12)
By Robert Calafiore
Located in New York, NY
Pinhole camera Chromogenic print (Unique)
Signed and dated, verso
This artwork is offered by ClampArt, located in New York City.
Robert Calafiore employs a hand-built pinhole camer...
Category
2010s Contemporary New York City - Color Photography
Materials
C Print
SAND & SEA
By Austin Bell
Located in New York, NY
ADDITIONAL SIZES AND FRAMING: Additional sizes are available. Please inquire for more information on larger sizes. We offer fully archival professional framing for all prints for an ...
Category
2010s New York City - Color Photography
Materials
Photographic Paper
BROOKLYN MESA
By Austin Bell
Located in New York, NY
ADDITIONAL SIZES AND FRAMING: Additional sizes are available. Please inquire for more information on larger sizes. We offer fully archival professional framing for all prints for an ...
Category
2010s New York City - Color Photography
Materials
Photographic Paper
PACIFIC
By Austin Bell
Located in New York, NY
ADDITIONAL SIZES AND FRAMING: Additional sizes are available. Please inquire for more information on larger sizes. We offer fully archival professional framing for all prints for an ...
Category
2010s New York City - Color Photography
Materials
Photographic Paper
Midtown, NYC
By Marc Yankus
Located in New York, NY
Archival pigment print
Signed, titled, numbered, and dated, verso
17 x 11 inches, sheet
(Edition of 15)
22 x 17 inches, sheet
(Edition of 15)
This photograph is offered by ClampAr...
Category
Early 2000s Contemporary New York City - Color Photography
Materials
Archival Pigment
Corey
By Jen Davis
Located in New York, NY
Archival pigment print
Signed and numbered, verso
24 x 30 inches
(Edition of 6)
30 x 40 inches
(Edition of 6)
This photograph is offered by ClampArt, located in New York City.
Plea...
Category
Early 2000s Contemporary New York City - Color Photography
Materials
Archival Pigment
New York Young, No. 27
By Amy Touchette
Located in New York, NY
Digital C-print
Signed and numbered, verso
11 x 14 inches, sheet
(Edition of 20)
16 x 20 inches, sheet
(Edition of 10)
This photograph is offered by ClampArt, located in New York ...
Category
2010s Contemporary New York City - Color Photography
Materials
C Print
Six Flags Park, St. Bernard Parish, Louisiana
By Amy Stein
Located in New York, NY
Digital C-print
Signed and numbered, verso
16 x 20 inches
(Edition of 15)
24 x 30 inches
(Edition of 10)
30 x 37.5 inches
(Edition of 5)
This photograph is offered by ClampArt, l...
Category
Early 2000s Contemporary New York City - Color Photography
Materials
C Print
Slim Aarons, Cigar Baron
By Slim Aarons
Located in New York, NY
Sunbathing in Capri, Catherine Wilke
1980
Chromogenic Lambda print
Estate stamped and hand numbered edition of 150
with certificate of authenticity from the estate.
Houston oil...
Category
1970s Modern New York City - Color Photography
Materials
Lambda
Meredith (Moretown, VT)
By Frances F. Denny
Located in New York, NY
Archival pigment print (Edition of 5 + 2 APs)
Signed and numbered on label, verso
This photograph is offered by ClampArt, located in New York City.
Frances F. Denny writes:
“During the research process for a prior series of photographs, I discovered two related facts about my family tree: a) Mary Bliss Parsons, my 8th great-grandmother, was accused of witchcraft in 1674 in Northampton, Massachusetts, and b) less than two decades later in 1692, my 10th great-grandfather, Samuel Sewell, presided as a judge in the Salem Witch Trials. One body of work came and went, but this ancestral coincidence stayed with me. What is a witch? Who does that word belong to—now?
“Major Arcana: Witches in America is a collection of portraits of women from across the United States who identify as witches. As early as 15th-century Europe, people condemned as witches faced a cruel fate: torture, and in many cases, death. Yet despite its history, recent decades have seen a reclaiming of the word ‘witch.’ In the mid-20th century, emerging pagan communities in the United States and Europe began embracing the term, and since then, ‘witch’ has been adopted by a diverse group of people.
“Major Arcana explores the various ways the notion of witch-ness belongs to those who claim it, representing the witch as a self-sought identity that both empowers and politicizes its bearer. Each woman photographed for Major Arcana (including genderfluid and trans individuals) pursues a form of witchcraft, whether aligned with a religion (like Wicca or Voudou) or a self-defined practice. No two individuals inhabit the term ‘witch’ in quite the same way, but many consider themselves pagan, and engage in a diversity of traditions, including: mysticism, engagement with the occult, politically-oriented activism, polytheism, ritualized ‘spell-craft,’ and plant-based healing. Among those included in the series are self-proclaimed green witches, white witches, kitchen witches...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
A Mink Look, Contemporary Still Life Photograph by Roni Horn
By Roni Horn
Located in New York, NY
A Mink Look, Contemporary Still Life Photograph by Roni Horn, 1998
Signed, titled, dated, and numbered in pencil, verso
Iris print on Monadnock paper (Edition of 15)
20 x 27 inches
Roni Horn's A Mink Look (1998) exemplifies the artist's fascination with subtle details in nature, presented through an image that blurs the boundary between portraiture and abstraction. This Iris print, rendered on Monadnock paper in a limited edition of 15, captures a cropped, close-up view of a mink, focusing on the rich texture of its fur. The composition, measuring 20 x 27 inches, isolates the animal's form from its surroundings, reducing it to an abstract play of curves and tonal variations. The neutral background highlights the luxurious depth and sheen of the mink’s coat...
Category
1990s Contemporary New York City - Color Photography
Materials
Archival Paper, Color
"Body Rocks 1, Color"- Moody Nude Photo Shot in the Rain on a Beach
By John Mazlish
Located in Brooklyn, NY
"Body on Rocks 1, Color", Nude shot in the rain on a beach.
Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Available in a wide variety o...
Category
2010s Contemporary New York City - Color Photography
Materials
Metal
Untitled (Eternal)
By Frank Yamrus
Located in New York, NY
Digital C-print (Edition of 11)
Signed, dated, and numbered, verso
From the series, "Rune Lagu"
This photograph is offered by ClampArt, located in New York City.
Please note that pr...
Category
Early 2000s Contemporary New York City - Color Photography
Materials
C Print
Untitled (Badoit)
By Frank Yamrus
Located in New York, NY
Digital C-print (Edition of 11)
Signed, dated, and numbered, verso
From the series, "Rune Lagu"
This photograph is offered by ClampArt, located in New York City.
Please note that pr...
Category
Early 2000s Contemporary New York City - Color Photography
Materials
C Print
shrubbery on the side of Route 6A, Truro
By Frank Yamrus
Located in New York, NY
Archival pigment print (Edition of 11)
Signed, dated, and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editi...
Category
Early 2000s Contemporary New York City - Color Photography
Materials
Archival Pigment
Massimo Listri 'Palazzo Ca' d'Oro I, Venezia'
By Massimo Listri
Located in New York, NY
Massimo Listri
Palazzo Ca' d'Oro I, Venezia
2022
C print Signed, dated, and numbered on verso label
39.5 x 47.5 inches (100 x 120 cm) edition of 5 - $12,500
47.5 x 59 inches (120...
Category
2010s Contemporary New York City - Color Photography
Materials
C Print
Slim Aarons 'Poolside Backgammon'
By Slim Aarons
Located in New York, NY
Guests at the Villa Nirvana, owned by Oscar Obregon, in Las Brisas, Acapulco, Mexico, 1972.
Slim Aarons
Poolside Backgammon
1972
C print
Estate stamped and hand numbered edition of...
Category
1970s Modern New York City - Color Photography
Materials
Lambda
Headphones
By Pipo Nguyen-Duy
Located in New York, NY
Archival inkjet print mounted on aluminum
Signed and numbered, verso
12 x 18 inches
(Edition of 10)
20 x 30 inches
(Edition of 7)
30 x 35 inches
(Edition of 3)
This artwork is offered by ClampArt, located in New York City.
Pipo Nguyen-duy writes:
“I began living in the United States in 1975 as a Vietnamese refugee. Consequently, cultural identity and cultural authenticity are some of the underlying themes of my visual explorations. Additionally, site-specificity has been an integral part of my studio practice, as I always consider geographical, historical, and cultural significance of the locations in my research.
“From 2015 to 2017, I made photographs from my hotel window in Ho Chi Minh City, District 1. The second-floor window offered a commanding view of the alley where it widened before the sharp left turn located under my hotel where it became narrow again. The alley served as a short cut between the congested street where it began and ended at a crowded market. What separated my camera from the alleyway was the large glass window to dampen the noise and the thin white curtain for privacy. I spent close to six months in this sixty-four square-foot hotel room, photographing obsessively from six in the morning until late at night, only taking breaks to eat or to sleep. During my process, I remained as objective as a scientist gathering visual data. The camera tripod allowed me to keep the same perspective of the scenes outside my window throughout the day.
“With this work, I aim to document, as if from the perspective of a natural scientist or archeologist. Using the camera to record facts rather than regarding it as a subjective tool, I have become increasingly intrigued with the idea of mapping my ‘own’ culture in hopes of understanding it from an outsider’s point of view using the hotel room as a metaphor for an in-between place. The window curtain was the variable that changed, in addition to the light, which also varied throughout the day. The curtain was a literal veil to the world and the culture outside my window. It serves as a metaphor for the lack of clarity and insight that I may have of my culture. From the alley I am hidden or visible depending on how wide the curtain was kept and the time of the day. The neatly arranged architecture seen from my window illustrated the rich history and the complex transition of the Vietnamese culture from French colonial, to American modernist, to contemporary high-rise.
“The project began as a survey to categorize different types of people, record gestures and behavior, map traffic patterns, and capture ‘decisive’ moments of street scenes below. Conceptually, I intended this mapping project only to reveal my difficulties of defining home—however as the project grew, the complexities of the images also have become more layered. The first image of the series revealing a man masturbating at 6:00 a.m. while leaning against his scooter below the hotel window addresses the voyeuristic nature of the project. In one set of pictures...
Category
2010s Contemporary New York City - Color Photography
Materials
Panel, Inkjet
Wicked Game
By Frances F. Denny
Located in New York, NY
Archival pigment print (Edition of 5 + 2 APs)
Signed, titled, dated, and numbered on label, verso
This photograph is offered by ClampArt, located in New York City.
Frances F. Denny'...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
Park Avenue Armory
By Marc Yankus
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
17 x 22 inches, sheet
(Edition of 15)
27 x 38 inches, sheet
(Edition of 9)
40 x 57 inches, sheet
(Edition of 3)
From th...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
Massimo Listri 'Biblioteca Marciana a Venezia'
By Massimo Listri
Located in New York, NY
Massimo Listri
Biblioteca di Ottobeuren in Germania
1994
c print
edition of 5
Massimo Listri is a Florence-based photographer whose work often presents interiors of great architectu...
Category
21st Century and Contemporary Contemporary New York City - Color Photography
Materials
C Print
Jefferson, Captain America
By Jan Rattia
Located in New York, NY
Archival pigment print (Edition of 7)
Signed, titled, dated, and numbered, verso
This artwork is offered by ClampArt, located in New York City.
Please note that prices increase as e...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
NY Public Library
By Marc Yankus
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
17 x 59.4 inches, sheet size
15 x 57.4 inches, image size
(Edition of 9)
36 x 95.5 inches, sheet size
30.5 x 90 inches, i...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
The Frick Collection
By Marc Yankus
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
17 x 57.5 inches, sheet size
15 x 55.5 inches, image size
(Edition of 9)
30.375 x 96 inches, sheet size
24.375 x 90 inche...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
Wolf (Brooklyn, NY)
By Frances F. Denny
Located in New York, NY
Archival pigment print (Edition of 5 + 2 APs)
Signed and numbered on label, verso
This photograph is offered by ClampArt, located in New York City.
Frances F. Denny writes:
“During the research process for a prior series of photographs, I discovered two related facts about my family tree: a) Mary Bliss Parsons, my 8th great-grandmother, was accused of witchcraft in 1674 in Northampton, Massachusetts, and b) less than two decades later in 1692, my 10th great-grandfather, Samuel Sewell, presided as a judge in the Salem Witch Trials. One body of work came and went, but this ancestral coincidence stayed with me. What is a witch? Who does that word belong to—now?
“Major Arcana: Witches in America is a collection of portraits of women from across the United States who identify as witches. As early as 15th-century Europe, people condemned as witches faced a cruel fate: torture, and in many cases, death. Yet despite its history, recent decades have seen a reclaiming of the word ‘witch.’ In the mid-20th century, emerging pagan communities in the United States and Europe began embracing the term, and since then, ‘witch’ has been adopted by a diverse group of people.
“Major Arcana explores the various ways the notion of witch-ness belongs to those who claim it, representing the witch as a self-sought identity that both empowers and politicizes its bearer. Each woman photographed for Major Arcana (including genderfluid and trans individuals) pursues a form of witchcraft, whether aligned with a religion (like Wicca or Voudou) or a self-defined practice. No two individuals inhabit the term ‘witch’ in quite the same way, but many consider themselves pagan, and engage in a diversity of traditions, including: mysticism, engagement with the occult, politically-oriented activism, polytheism, ritualized ‘spell-craft,’ and plant-based healing. Among those included in the series are self-proclaimed green witches, white witches, kitchen witches...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
L Shape
By Marc Yankus
Located in New York, NY
Archival pigment print
Signed and numbered, verso
22 x 17 inches, sheet
(Edition of 15)
38 x 27 inches, sheet
(Edition of 9)
From the series, "The Space Between"
This photograph i...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
Couple Behind Curtain
By Pipo Nguyen-Duy
Located in New York, NY
Archival inkjet print mounted on aluminum
Signed and numbered, verso
12 x 18 inches
(Edition of 10)
20 x 30 inches
(Edition of 7)
30 x 35 inches
(Edition of 3)
This artwork is offered by ClampArt, located in New York City.
Pipo Nguyen-duy writes:
“I began living in the United States in 1975 as a Vietnamese refugee. Consequently, cultural identity and cultural authenticity are some of the underlying themes of my visual explorations. Additionally, site-specificity has been an integral part of my studio practice, as I always consider geographical, historical, and cultural significance of the locations in my research.
“From 2015 to 2017, I made photographs from my hotel window in Ho Chi Minh City, District 1. The second-floor window offered a commanding view of the alley where it widened before the sharp left turn located under my hotel where it became narrow again. The alley served as a short cut between the congested street where it began and ended at a crowded market. What separated my camera from the alleyway was the large glass window to dampen the noise and the thin white curtain for privacy. I spent close to six months in this sixty-four square-foot hotel room, photographing obsessively from six in the morning until late at night, only taking breaks to eat or to sleep. During my process, I remained as objective as a scientist gathering visual data. The camera tripod allowed me to keep the same perspective of the scenes outside my window throughout the day.
“With this work, I aim to document, as if from the perspective of a natural scientist or archeologist. Using the camera to record facts rather than regarding it as a subjective tool, I have become increasingly intrigued with the idea of mapping my ‘own’ culture in hopes of understanding it from an outsider’s point of view using the hotel room as a metaphor for an in-between place. The window curtain was the variable that changed, in addition to the light, which also varied throughout the day. The curtain was a literal veil to the world and the culture outside my window. It serves as a metaphor for the lack of clarity and insight that I may have of my culture. From the alley I am hidden or visible depending on how wide the curtain was kept and the time of the day. The neatly arranged architecture seen from my window illustrated the rich history and the complex transition of the Vietnamese culture from French colonial, to American modernist, to contemporary high-rise.
“The project began as a survey to categorize different types of people, record gestures and behavior, map traffic patterns, and capture ‘decisive’ moments of street scenes below. Conceptually, I intended this mapping project only to reveal my difficulties of defining home—however as the project grew, the complexities of the images also have become more layered. The first image of the series revealing a man masturbating at 6:00 a.m. while leaning against his scooter below the hotel window addresses the voyeuristic nature of the project. In one set of pictures...
Category
2010s Contemporary New York City - Color Photography
Materials
Panel, Inkjet
Untitled (from the series "30, 000 Feet")
By Lane Coder
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
16 x 20 inches, sheet
(Edition of 10)
30 x 40 inches, sheet
(Edition of 10)
50 x 60 inches, sheet
(Edition of 10)
This ...
Category
Early 2000s Contemporary New York City - Color Photography
Materials
Archival Pigment
Mirror with Jewels
By Lissa Rivera
Located in New York, NY
Archival pigment print
Signed and numbered, verso
12 x 18 inches, image
(Edition of 8 + 1 AP)
20 x 30 inches, image
(Edition of 5 + 2 APs)
This photograph is offered by ClampArt, ...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
Russian Canary (Healing Aloe)
By Daniel Handal
Located in New York, NY
Archival pigment print, painted frame (Edition of 3 + 2 APs)
Signed, titled, dated, and numbered on label, verso
This artwork is offered by ClampArt, located in New York City.
Price...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
untitled (Cake)
By Frank Yamrus
Located in New York, NY
Digital C-print (Edition of 11)
Signed, dated, and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editions sel...
Category
Early 2000s Contemporary New York City - Color Photography
Materials
C Print
New York Young, No. 11
By Amy Touchette
Located in New York, NY
Digital C-print
Signed and numbered, verso
11 x 14 inches, sheet
(Edition of 20)
16 x 20 inches, sheet
(Edition of 10)
This photograph is offered by ClampArt, located in New York ...
Category
2010s Contemporary New York City - Color Photography
Materials
C Print
Billy
By William Wylie
Located in New York, NY
Archival pigment print
16 x 20 inches
(Edition of 8)
24 x 29 inches
(Edition of 8)
This photograph is offered by ClampArt, located in New York City.
During the 2012 football seas...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
Technicolor Stairway, Miami (Limited Edition of 25) - Street Art
By Christopher Petsos
Located in New York, NY
This 2018 image of a Technicolor Stairway, shot in Miami, Florida, was captured by New York photographer Christopher Petsos and features a bright colored graffiti covered staircase. ...
Category
2010s Street Art New York City - Color Photography
Materials
Archival Pigment
Untitled (Diaspora)
By Joshua Lutz
Located in New York, NY
Digital C-print (Edition of 10)
Signed, dated, and numbered, verso
30 x 35.5 inches, sheet
22 x 27 inches, image
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editions sell.
Joshua Lutz is an American artist working with large-format photography and video. Lutz began photographing the Meadowlands ten years ago as a a documentary study of the 32-square-miles of marshy wilderness that sits between New Jersey and New York (while ostensibly searching for the remains of Jimmy Hoffa). Over the years, however, this project evolved into a compelling artistic exploration, revealing the soul of this liminal space.
Lutz was given his first solo exhibition at Gitterman Gallery during the summer of 2004. In 2008, “Meadowlands,” was published as Lutz's first book, with powerHouse Books. In essayist Robert Sullivan’s introduction to the monograph, he describes the Meadowlands as “. . .that giant swath of swamp and space that separates New Jersey from New York City, or, put another way, from New York City and the rest of the United States of America.” “The New Yorker” wrote: “Joshua Lutz takes the New Topographics...
Category
Early 2000s Contemporary New York City - Color Photography
Materials
C Print
Animal (10)
By Elliot Ross
Located in New York, NY
Archival pigment print
Signed and titled, verso
18 x 12 inches, image
(Edition of 10)
This artwork is offered by ClampArt, located in New York City.
Category
Early 2000s Contemporary New York City - Color Photography
Materials
Archival Pigment
Boudoir
By Lissa Rivera
Located in New York, NY
Archival pigment print
Signed and numbered, verso
12 x 18 inches, image
(Edition of 8 + 1 AP)
20 x 30 inches, image
(Edition of 5 + 2 APs)
This photograph is offered by ClampArt, ...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
Katherine
By Laura Stevens
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
12 x 18 inches
(Edition of 10)
24 x 35.5 inches
(Edition of 8)
From the series, "Another November"
This artwork is offer...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
Norbi Waiting
By Monika Merva
Located in New York, NY
Digital C-print
Signed, dated, and numbered, verso
20 x 24 inches
(Edition of 15)
24 x 30 inches
(Edition of 3)
30 x 40 inches
(Edition of 5)
This photograph is offered by ClampAr...
Category
Early 2000s Contemporary New York City - Color Photography
Materials
C Print
Sirens
By Monika Merva
Located in New York, NY
Digital C-print
Signed, dated, and numbered, verso
24 x 20 inches
(Edition of 15)
30 x 24 inches
(Edition of 3)
40 x 30 inches
(Edition of 5)
This photograph is offered by ClampAr...
Category
Early 2000s Contemporary New York City - Color Photography
Materials
C Print
Drew's First Time
By Jan Rattia
Located in New York, NY
Archival pigment print (Edition of 7)
Signed, titled, dated, and numbered, verso
This artwork is offered by ClampArt, located in New York City.
Please note that prices increase as e...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
Untitled (Snow White and Sister)
By Amy Stein
Located in New York, NY
Digital C-print
Signed and numbered, verso
20 x 20 inches
(Edition of 10)
30 x 30 inches
(Edition of 5)
This photograph is offered by ClampArt, located in New York City.
Please no...
Category
Early 2000s Contemporary New York City - Color Photography
Materials
C Print
Untitled (Hulk)
By Amy Stein
Located in New York, NY
Digital C-print
Signed and numbered, verso
20 x 20 inches
(Edition of 10)
30 x 30 inches
(Edition of 5)
This photograph is offered by ClampArt, located in New York City.
Please no...
Category
Early 2000s Contemporary New York City - Color Photography
Materials
C Print
Reminder of Home
By Chad Hunt
Located in New York, NY
Digital C-print
Signed and numbered, verso
(Edition of 10)
This photograph is offered by ClampArt, located in New York City.
Category
Early 2000s Other Art Style New York City - Color Photography
Materials
C Print
Amy
By Laura Stevens
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
12 x 18 inches
(Edition of 10)
24 x 35.5 inches
(Edition of 8)
From the series, "Another November"
This artwork is offer...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
Nina
By Laura Stevens
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
12 x 18 inches
(Edition of 10)
24 x 35.5 inches
(Edition of 8)
From the series, "Another November"
This artwork is offer...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
Waiting
By Lindsay Morris
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
13 x 19 inches, image
(Edition of 10 + 2 APs)
20 x 30 inches, image
(Edition of 10 + 2 APs)
27 x 40 inches, image
(Editi...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
Blindfold
By Lissa Rivera
Located in New York, NY
Archival pigment print
Signed and numbered, verso
20 x 30 inches, image
(Edition of 5 + 2 APs)
30 x 45 inches, image
(Edition of 3 + 1 AP)
This photograph is offered by CLAMP, loc...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
Courtesan I
By Lissa Rivera
Located in New York, NY
Archival pigment print
Signed and numbered, verso
18 x 12 inches, image
(Edition of 8 + 1 AP)
30 x 20 inches, image
(Edition of 5 + 2 APs)
This photograph is offered by ClampArt, ...
Category
2010s Contemporary New York City - Color Photography
Materials
Archival Pigment
PK
By Marc Yankus
Located in New York, NY
Archival pigment print
Signed, titled, numbered, and dated, verso
22 x 17 inches, sheet
(Edition of 15)
38 x 27 inches, sheet
(Edition of 9)
This photograph is offered by ClampArt...
Category
Early 2000s Contemporary New York City - Color Photography
Materials
Archival Pigment
Passage
By Amy Stein
Located in New York, NY
Digital C-print
Signed and numbered, verso
24 x 30 inches
(Edition of 10)
30 x 40 inches
(Edition of 3)
This photograph is offered by ClampArt, located in New York City.
Please no...
Category
Early 2000s Contemporary New York City - Color Photography
Materials
C Print
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