New York - Mixed Media

Elfi Schuselka (Austrian, b. 1940), Mixed Media on Tarlatan and dried paint, with foamcore elements, 1981-83, signed and dated to verso. 42.25" H x 44.25" W. Provenance: From the Col...

Loy Luo is a Chinese artist based in New York. She received a Master’s Degree from the Beijing Institute of Fashion Technology in 2010 and taught art at the Be...

Elfi Schuselka (Austrian, b. 1940), "Pekabu II", Mixed Media on Mesh with Collage Foamcore Elements, 1983, signed, dated, and titled to verso, unframed. 43" H x 44.5" W. Provenance: ...

‘I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to t...

Signed and dated lower right Provenance David Stuart Galleries, Los Angeles Willard Gallery, New York Daisy Viertel Shapiro, New York Exhibition Corcoran Gallery of Art, Washington...

Original piece by Juan Arango Palacios. Showing at the The Queer Show Part II.

Figurative Blue Portrait Painting by Cuban Artist Hector Frank Unique Painting with a certificate of authenticity. Despite international acclaim as one Cuba’s foremost living artis...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years ...

5 Layered Stencil : Red, Yellow, Green Political Panda Bear hold a HARMONY sign Showing other Bears in Series Unique pieces This is on 90lb Paper color: Natural New York Artist; K...

Small Size stretched oil painting on canvas signed and wired for hanging. Contact Gallery for Framing Options. BIO David Headley was born in Washingto...

Loy Luo is a Chinese artist based in New York. She received a Master’s Degree from the Beijing Institute of Fashion Technology in 2010 and taught art at the Be...

David Hare Cronus Asleep in the Cave, 1991 Acrylic on paper on board 26 X 34 1/4 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

Collaborate by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 36 x 48. Rose Umerlik extracts the intangible emotional moments that live in our collective human psyche and interprets them abstractly through form, line and color so that they may also exist outside of ourselves. In recent years, Umerlik has shown in seven solo exhibitions and innumerable group shows domestically and internationally, published a book of work titled Intimacy of Forms, received notable reviews in such publications as Art New England, and been awarded the Clowes Award by the Vermont Studio Center. The most affecting experience of Umerlik’s career to date has been her two-month stay in the Takt Kunstprojektraum Artist Residency in Berlin, Germany. She was named a 2018 Vermont Artist...

Title - Having so much inside Size - 48 x 60 inches DETAILS : - Artwork will be carefully packaged ready for delivery with Tracking Number. - You will receive the artwork "R...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

While his work has a clear figurative language, the paintings of Juan Miguel Palacios contain a strong conceptual load, where his work developed in series, has a constant wandering o...

Elfi Schuselka (Austrian, b. 1940), "Yellow Triangle II", Mixed Media on Mesh, 1983, signed, dated and titled to verso, unframed. 43" H x 45.25" W. Provenance: From the collection of...

Jordan Barker is a New York City based mixed media artist. Initially inspired by found objects, his first piece was a coffee table that was created from a wooden palate found in the ...

Angels Grau is a Catalan artist who spends her time between Barcelona, New York, and a small village located in the breathtaking Priorat, one of the most n...

For the Sean Connery, James Bond lover. "Bond Girls Violet and Blue" by Ceravolo measures 36x39 framed. One of The Hampton's most popular and sort after urban Pop artists, Ceravolo's paintings came to popular acclaim when he was commissioned to create 5 large scale paintings of Linda Ronstadt, Jackson Browne, Frank Zappa, Neil Young and Hall and Oates for the lobby of The Palladium Theatre in New York City. In addition to those, his paintings can be found in many influential corporate and private collections, including: ELTON JOHN, ROD STEWART, ALICE COOPER, HUGH M. HEFNER, DAVID BRENNER, MONIQUE VAN VOOREN, WARNER BROS., RCA RECORDS AND SCHENLEY INDUSTRIES to name a few. He has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media. This Signed Mono Print "Bond Girls Violet and Blue" with artistic bullet holes by Ceravolo measures 29x32" framed. In this work, Ceravolo has combined an image of his large pop art painting of 007 James Bond on 100% heavyweight rag paper with his stylized images of Bond girls that played opposite Sean Connery in the Bond films on 100% rag paper. Within this work, Ceravolo has added artistic bullet holes, but none hitting 007. to make this a one of a kind signed mono print. A Certificate of Authenticity signed by Ceravolo is included with this unique Mono Print. We have included images of Ceravolo with some of his celebrity collectors along with images in the studio of his large-scale Palladium Theatre paintings...

Gérard Cambon was born in 1960 in Toulouse (Fr). He has a degree in political science and is a self-taught artist. In the earlier years of his life practiced and experimented with c...

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – that...

This one of a kind, Resin work on thick Claybord measures 40x30x3". It combines images of Ceravolo's original super hero paintings with a mixture of images from vintage comic books. Once Ceravolo is satisfied with the composition he then seals in resin this one of a kind image on 3" thick Clayboard. This actual painting was exhibited at the Backus Museum in Florida. Ceravolo's paintings are in many influential corporate and private collections, including: ELTON JOHN, ROD STEWART, HUGH M. HEFNER, DAVID BRENNER, MONIQUE VAN VOOREN, WARNER BROS., RCA RECORDS AND SCHENLEY INDUSTRIES to name a few. His Large scale paintings have received international acclaim for more four decades and his art came to popular attention when he was commissioned to create 5 large scale oil on canvas portraits of Linda Ronstadt, Jackson Browne...

Abstract Oval Composition with Birds and Other Images Signed and numbered in pencil Etching with carborundum

Claudia Doring-Baez, "Kubrick Kidman Scarf", 2021, Cashmere/Modal blend, 26 x 71 in. Beautiful scarves created by artist Claudia Doring-Baez with her paintings printed on high quali...

May Pang's intimate and truthful portraits of John Lennon during their time together are of significant importance. A full length Documentary on John and May's relationship Titled "The lost weekend...

Digitally manipulated photography, pigment printing on cotton, hand quilting, gallery-wrapped on stretched canvas :: Mixed Media :: Contemporary :: This piece comes with an official ...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Patrick is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the borders between the digital and the material. He is best know...

Title - Man up Size - 36 x 36 inches Were taught a definition of masculinity via the language we hear around us, boys are taught that expressing sorrow/crying is not a trait of real men. Men in the society are expected to become “protectors” of and “providers” for their families. Crying like a girl, Boys dont cry...

Collaboration print with Holly Hock & PØNK Hand-Finished Screenprint with acrylic spray paint on 352 gsm paper Printers Proof Signed, Numbered, & Embossed with a Certificate of A...

Enamels, oils, acrylics, mounted subway tiles, adhered poster on wood with wood frame created by artist. A confluence of inspirations from the artist's graffiti artistry. About the Artist Born in Belgium and artistically inclined at an early age, V.P. was executing well- defined pencil sketched portraits of anyone who would sit for him by age 4. The family’s emigration to the United States in 1967 landed the 8 year old in the Fordham section of the Bronx at the height of the psychedelic era and POP ART movement.  The Fordham Road shopping district offered the young budding artist a fount of inspiration in the form of vibrant Rock & Roll, “black-light” posters in the windows of “head-shops” and the elaborately colored wardrobes of the hippies crowding the boulevard. The pivotal shift in V.P.’s artistic expression was fueled in 1968 by the sight of a Peter Max designed billboard.  Armed with magic markers and acrylic paints, V.P. recreated the vibrant designs from Max’s billboard, the music posters in store windows and the paisley patterns of the shirts the “flower children” favored, as well as the names and slogans painted on the walls of the neighborhood.  The early seventies brought with it a wondrous sight passing overhead on the sides of the elevated trains. NYC Subway Graffiti had arrived.  Looking up and seeing the esoteric names intricately rendered in multi colored swirls and strategically placed on the sides of the trains completely enthralled V.P.’s creative and adventurous spirit. Compelled to be a part of this fascinating movement he watched and rode the subways, deciphering the names and studying the “styles” on the steel rolling art gallery. Using his artistic influences and skills with markers, V.P. created his first moniker “SONIC-ACE” and obsessively drew it in colorful flowing letters to develop his own style.   At age 13 he set out to traverse the city, facing dangers and overcoming obstacles to enter an unknown and secretive world in order to join those who inspired him.  By 1974, he would change his moniker to “VICTOR-161” and paint hundreds of train cars and soon be admitted into the world famous graffiti clique “WILD STYLE” - an honor bestowed due to peer recognized artistic and stylistic abilities.  (WILDSTYLE was created/coined by the iconic TRACY-168)  V.P. was a well known and respected “writer” who “pieced” with revered writers of the day, under the aforementioned monikers including aka’s T-BOLT-123, SULFA-ONE, FANTA-ONE, BOND & ACES.  V.P. retired from painting NYC subway trains in 1977 with occasional excursions in 1986,1987,1988,1999 & 1992.  He continuously expanded his artistic pallet, studying Art History & Graphic Design in college while seeking knowledge from masters in chosen fields of art.  His works have shown in independent galleries nationally and are sought after by international collectors, with numerous private commissions. He has been featured in several best selling books and magazines focusing on graffiti art as well as his status of having been a part of the 1970’s “Golden Era” of NYC Subway Graffiti. V.P. works with a variety of mediums including aerosol paints, oils, water color & acrylic paints, often combining mediums as well as blending POP, graffiti and abstract styles of painting onto wood, canvas and metal.  His professional artistic background includes commercial art and design, logo design, silk screening, printmaking, large commissioned public murals, sign painting, pin striping and airbrushing cars, sculpting, metal fabrication, woodcarving and tattooing. Exhibitions:  Fashion Moda (BXNY) Group Show 1980/Fun Gallery (NYC) group show 1981, Beef Gallery, (LA) Group Show 1981, Gallery International (NYC) Group Show 1985, Susan Greco Gallery (NY) Group Show 1990, Shady Side...

‘Starting with a drawing of "real" flowers, I create layers of thinly veiled surfaces. They become abstracted through the process of multiple printings. The essence of flowers become...

Mixed media abstract piece created using latex paint and metal bits. :: Mixed Media :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist ...

"Benday Sophia 1" pays tribute to those paintings that became the trademark of Ceravolo's unique and trend setting style of painting. His work is collected worldwide and is in many important collections including, Sir Elton John, Rod Stewart, Hugh Hefner and Prince Jefri of Brunei to name only a few. In addition to those, his paintings came to popular attention when he was commissioned to create 5 large scale paintings for the lobby of The Palladium Theatre in New York City. In this painting, Ceravolo has featured an image of his pop art painting of Sophia Loren, and combined it with a pattern of benday dots to create the basis of "Benday Sophia 1". He then paints his trademark brush strokes and textures on the canvas over the pop art portrait. Then, he paints the "floating" illusion that creates the 3d floating effect he is known for. The Canvas measures 36x28".

Lovie Olivia “PL Bay” 2023 Signed Medical file folders, squid ink, graphite, glitter, acetate, vellum (Unique) 14 x 11 inches

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

Mixed media collaboration between photographer John Mazlish & artist John Wright.

Original Neutral Color Tone Figurative Painting by Cuban Painter Hector Frank. International acclaim as one Cuba’s foremost living artists, Havana born Hector Frank. Now, in his art...

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – tha...

‘I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to t...

Pop Art. Americana. Mickey Mouse homage. Ephemera, Oil, Acrylic, Resin on Panel. About the Artist: John Joseph Hanright is a contemporary painter and assemblage artist who brings...

Antonio Pulgarín “Our Last Night” 2021 Signed and numbered on label, verso Archival pigment print on bamboo plywood (Edition of 2) 32 x 40 inches

Florencia Alvarado “Hands (1)” 2018 Signed and numbered, verso Archival pigment print (Edition of 5) 14 x 11 inches

Kelli Connell/Natalie Krick “Suits” 2022 Signed and numbered on label, verso Archival pigment print (Edition of 6) 30 x 24 inches Contemporary

From my ongoing series, 'Portable Landscape or Landscape for the Traveler.' Before European contact, the Lenape Manhattan's original inhabitants called the island Manahatta, which me...

Kimber Berry, Liquid Landscape 0711, Acrylic and Mixed Media on Canvas. It is 18x12 inches. This is a layered, dimensional contemporary painting. It...

"Many rivers to cross, but I can't seem to find my way over..."

Positivity & uplifting imagery is the theme of Urrutia's unique work "Back in the New York Groove". A striking black & white photograph of the Brooklyn Bridge sits in the center, and...

40"x50" oil and graphite on canvas (signed on reverse). This large scale oil painting by Mark Masyga created with a stunning linear abstract composition. Masyga employs drawing tech...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

Collaboration between photographer John Mazlish & artist John Wright.

Nature is a continue source of inspiration for my artwork. This original piece uses warm colors to create the atmosphere of a summer day. Summer, trees, landscape, warmth, nature,...

Keith Haring Record Art 1987: A rare highly sought-after Keith Haring illustrated album cover featuring vibrant colors that make for stand-out wall art (7x7 inches). Off-Set Lithog...

Edition version – Night Sky and Silver Stars Surface – deep edge canvas Edition size – 5 Size – 12x10x1.5" Year – 2024 Description – 12 colour stencil and spray paint on deep edg...

"Ode to the Sun", Summer beauty. Encaustic wax & polaroid on wood board.

You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work. With her new "TOUCH ME DONUTS" ...

Really well done collage in black and white with a few subtle touches of deep red. Collage is done on a box board and ready to hang.