New York - Paintings

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work...

Hunt Slonem "Pink All Over" Single Bunny A single rabbit gestured in black on a pink background in a vintage frame Unframed: 8 x 6 inches Framed: 10.5 x 8.5 inches *Painting is fram...

#5-2751 California seascape oil on masonite displayed in an 19 century antique gitl -black wood frame,signed lower left by Mellin. Image size 11 H x 17 W

Oil on canvas on board.

Rabbit from a Hat 24 X 24 oil on birch wood panel Look at that face- his whiskers and his ears. He is a huggable little guy from Joe Concra's menagerie. Joe Concra says " The paintings I create exist in a fantastical world of possibility. I want these images of pigment and oil to be beautiful and emotional, full of life and imagination. There is a narrative thread that hangs loosely...

Hunt Slonem "Red Rover" Single Bunny A single rabbit gestured in black on a red background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches *Painting is framed - Plea...

3945 Vintage oil painting on canvas Image size 19.5x15.5"

After Jean-Baptiste Van Loo, A Portrait of King Louis XV of France (1710-1774) A magnificent quality three-quarter length portrait of King Louis XV of France and Navarre, painted in the 18th century after Jean-Baptiste Van Loo. Oil on canvas, in the original carved and gilt wood frame. Canvas: 40" high x 32" wide Frame: 46.5" high x 39" wide Very good condition, ready to hang. No damages noted. The present composition follows a portrait of Louis XV painted by Jean-Baptiste Van Loo in 1726-1727, today in Versailles. (Oil on canvas. 198.5 by 143 cm. Inv. no. MV 6942.) There were several full-length portraits painted by Van Loo of the young Louis XV, and all were executed in the years of or after his majority, 1723, when he took full control of government, wresting power from the Régent, his great-uncle Philippe, Duc d'Orléans. A slightly larger version (205 by 171 cm), in which the pose and surrounding paraphernalia mirrors that of the present work, is in the Château de Versailles, while another, in which Louis stands more front-on, his pointing right index-finger now tucked in, and with a different background arrangement, is also in Versailles. Further versions of this latter are in Nice, Musée Chéret and the Musée de Perpignan. The composition of all of these full-lengths would appear to derive from Van Loo's large equestrian portrait of Louis XV, painted in collaboration with Charles Parrocel, which was commissioned in 1723 by the Surintendance for Charles de Lorraine. Louis is depicted in similar armour and costume, astride his horse, similarly turned three-quarters to the left and his right arm outstretched. Most subsequent depictions of Louis followed this original design, including, for example, Carle Van...

A strong modernist oil painting depicted in Circa 1960 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 21.75 x 18 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

This piece, "Claude's Countless Blessings" is a 48x30 oil painting on canvas by artist Henrietta Milan. Step into a quaint garden lily pond scene depicting Claude Monet's Garden in G...

"The Bay at Malaga" is an impressionistic plein air painting depicting where the bay and mountains meet in Malaga, Spain. Marc Dalessio is one of the world's leading plein air painte...

Striking French impressionist portrait of a young girl. Oil on board. Original carved frame. Circa 1950's. Signed illegibly lower right.

Andrei Petrov's Time Transfixed is a 24 x 48 inch abstract landscape oil painting on canvas. It is a lyric abstraction in green with accents of blue and purple. The reference to a natural landscape is clearly there, almost like falling tree branches reflecting on the water surface of a lake. Petrov works by applying layers of paint and then scraping off some parts to reveal the shades underneath. The play of transparencies, brushstrokes and lights brings to life an emotional and relaxing composition. Andrei Petrov is an American Artist of Russian origins. He lives and works in New York. He states "In my approach two roads...

Original oil on board painting by Frederick Tordoff. Signed lower right and titled verso. Overall size in gold and black nautical style frame 25 by 35 inches. Condition: good; no restoration. Frame has some old repairs. This painting depicts the second race of the 1885 America's Cup between Puritan of Boston's Eastern Yacht Club...

A wonderful depiction of mother and child displayed in a gold round ornate frame with intricate details.

The image shows a captivating early 20th-century Scottish river landscape painting by Joseph Henderson, a renowned Scottish artist celebrated for his evocative depictions of nature, ...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

Lee Jaffe, American (1950 - ) - Benedict Arnold at The Battle of Saratoga, Year: 1983, Medium: Gold Leaf, Tar, Turkey Feathers, and Oil on Canvas, not signed, Size: 136 x 144 in....

A whimsical oil painting depicting a park scene in Paris during spring by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in the first half...

Hand painted and stencilled on panel In 1999 BustArt began his artistic career with classic Graffiti. Until 2005, he became familiar with the whole spectrum of Graffiti and reached...

Mystery Artist Untitled (North African Street Scene), 1966 Oil on canvas 20 x 16 in. Framed: 24 x 20 1/4 x 1 1/4 in. Signed and dated lower right Inscribed verso: Original oil painting

A gorgeous American impressionist painting of Gloucester Harbor. Unsigned but by a very skilled hand. The canvas is 20" x 16" housed in a period frame.

This striking American Cubist still life by Genara Del, circa 1970, is a masterful exploration of form, color, and abstraction, capturing the essence of modern art with both simplici...

Antique American school modernist mixed media painting. Oil on board with gold leaf assemblage, circa 1930. Unsigned. Image size, 13L x 17H. Housed in a period wood frame most li...

Anna Richards Brewster (American, 1870-1952) Title: Visiting the Place of Pilgrimage Medium: oil on canvas Size: 17 x 25 inches / 26 x 34 inches framed Markings: Signed lower left ...

Julia Marc, American - Heaven Can Wait, Year: circa 1980, Medium: Acrylic on Canvas, signed lower right, Size: 60 x 48 in. (152.4 x 121.92 cm)

Antique American impressionist snow covered landscape oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood molding. Excel...

Portrait of a Clown This expressive and dynamic work by Ken Foster, an accomplished English Impressionist painter, is a compelling example of his mastery in capturing the essence of...

4034 Antique Impressionist oil on artist board Set in a vintage carved wood frame image size 11.5x9.5"

"Moonrise Over Ram Island" is an Impressionist oil on linen painting by Viktor Butko. It depicts the moon rising over water of Ram Island. There is a boat sailing through the water w...

A New York City winter steet scene (possibly Madison Ave?) by American Impressionist, Kenneth Frazier (1867 - 1949). Painting measures 18 x 12 inches,...

This elegant English 19th-century portrait of a young boy dressed in a Cavalier costume, painted circa 1860, is a striking example of Victorian portraiture that seamlessly combines h...

5-3288 Oil on board set in a gilt wood frame Image size 19.5x15.5"

The Butterfly series for Ash began as a sentiment to her late Father. Butterflies began to appear in unexplainable ways after his passing, the artist later discovered that Butterflies represent spiritual rebirth, transformation, change, hope, and life - she goes on to say: "The butterfly series draws inspiration from Rivera's quote 'Butterflies can't see their wings. They can't see how truly beautiful they are, but everyone else can.'" After coming to the fruition that Butterflies pose as not only a symbol for beauty and rebirth, Almonte felt a feeling of deep comfort. Her passion for sharing this message of hope and renewal through her colorfully diverse canvases is achieved with resilience leaving her audience glimmering much like the inner voice and the spark of Joie de vivre that fuels her purpose in life to create. This piece is painted on thick gallery wrap canvas and is signed lower right and on verso, it comes with hanging wire on verso ready to be displayed. Art measures 36 x 36 inches Inspired by vibrance and an optimistic outlook on life, Ash Almonte is recognized for her distinct abstract expressionistic style. She is best known for her series of Chandeliers, Butterflies, and Fashion from the Seventh Avenue Design District. Almonte's award-winning works can be found in private and permanent collections around the world. She is motivated by change, compassion for others, and miraculous phenomena that can impact others for good. Her flair and admiration for fashion and art have been a staple of her life since childhood. As a young girl, she would experiment using anything she could find to make art; from tearing apart bushel baskets at her father’s fruit stand, to tearing out old magazine clippings from her mother's magazine collection; anything and everything around her could potentially be used to create. She would continue to seek out opportunities throughout her young adult years, as her love for fashion grew, allowing her to collaborate with celebrity stylists creating looks for top billboard artists, as well as apparel worn at New York Fashion Week for designers Sherri Hill...

Antique American impressionist still life oil painting. Oil on canvas. Framed. Signed illegibly. Image size, 20L x 24H.

Antique American modernist landscape oil painting. Oil on canvas. Framed. Signed "Lee Tang".

Artist: Slonem, Hunt Title: Mixed Migration Pink Date: 2023 Medium: Oil on Panel Unframed Dimensions: 23" x 18" Framed Dimensions: 27" x 22.5" Signature: Signed Edition: Uniq...

This equine portrait, "American Mustang" is a 36x48" oil painting on canvas by Italian actor and artist Federico Castelluccio. A beautiful dark horse ...

Antique American impressionist landscape oil painting by Arthur E. Ward (1863 - 1928). OIl on board. Framed. Signed.

Contemporary American modernist Washington Square Park street scene oil painting. Oil on canvas. Signed. In excellent original condition. Excellent condition, ready to hang and en...

Hunt Slonem "Ofelia" Black and White Bunny A rabbit gestured in black on a white background in a vintage frame Unframed: 10 x 8 inches Framed: 17 x 15 inches *Painting is framed - P...

Highway Signage (Oil Painting of Signs in the Distance) Made in 2023 by Berkshire based artist Margaret G. Still Oil on Canvas, 10 x 8 inches The placement of the large sign in the ...

Ceri Richards Lyre Bird (Design for the cover of Poetry London), 1943 Ink, gouache and pastel on paper Bears original Jonathan Clark & Co. label on the back of the frame Unique Frame...

3582B Cubic abstract Painting Set in a gilt wood frame

Otto Aguiar's signature, romantic couple overlooking the water, arms locked in a moment of true peace. Executed in a palette of cool tones complementing the warm sentiments. My Mome...

Modernist abstract composition signed Geist. Oil on board, circa 1950. Signed lower right. Displayed in a wood frame. Excellent ready to hang condition.

Artist: Jeanick Bouys, French (1950 - ) Title: No. 217 Year: 1983 Medium: Oil on Canvas, Signed on Verso Size: 42 x 52 inches (106.68 x 132.08 cm)

Ben Wilson Byzantium, 1975 Oil on Masonite painting Hand signed reverse, Titled, "Byzantium", dated 1975 by the artist and also with estate stamp - in addition to Ben Wilson's hand s...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 16H by 24L.

Beautifully painted sunset on the river with a single figure in a punt and cattle crossing by the American artist, George Riecke. Most likely a New Orlea...

Title: Rhythm Medium: Oil on canvas Size: 23.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on French Blue background with thick use of paint. It ...

Antique American school modernist still life painting. Oil on board. Signed. Framed. In excellent original condition. Handsomely framed in a gold giltwood molding. Excellent c...

Ernest Fiene Tugboat in New York Harbor Signed lower right Oil on canvas 24 1/2 x 34 1/2 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated...

Abstract Composition Diptych, Mixed Media on Paper, laid on board, overlapping transparent circles with a flock of teardrops, apparently unsigned, unframed. Panel: 24" H x 24" W. Pro...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Contemporary painting of a nude man reclining by Mark Beard. Double-sided oil on panel Signed in red, u.r. “Bruce Sargeant is a mythic figure in...

A stunning oil painting depicting figures in a garden picking flowers executed in the 20th Century. Duteurtre was known for his charming intimate figurative scenes portraying life in Europe. He was active, picking up subjects from the markets, beaches, parks, restaurants, and home life. This painting comes housed in a stunning carved giltwood frame. Signed lower left. Art measures 20 x 24 inches Frame Measures 26 x 30 inches Pierre Eugene Duteurtre...

This piece has a strong presence with bold brushwork and heavy use of paint. A classic Mid-20th Century Modern piece on canvas depicting a floral still life with a white roses arrang...

“10th Hole, Gardiner Bay” is an oil painting by contemporary American painter Kelly Carmody. Painted en-plein-air at the Gardiner's Bay Country Club on Shelter Island, it shows rolli...