New York - Paintings

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

An original mid century modern abstract expressionist painting by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whose work i...

Rare Hawaiian landscape of coastal Maui. Oil on canvas. Framed. Signed. Oil on canvas. Image size, 20"H x 24"L.

Photo-realist still life painting of a green lotus leaf with brown decays edges against a soft grey background "Lotus Number Thirty", painted by Frank DePietro...

A strong modernist oil painting depicted in the 1950s by Russian, American painter Helen Stein. Mostly known for her abstract figures on canvas, this piece...

Title: Reed I Medium: Oil on canvas Size: 16 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is ...

Vertical, brightly colored abstract painting in various shades of red and pink with accents of light yellow, orange, white, and black "It's Not You It's Me" made by Hudson Valley art...

Impressive early American modernist landscape painting. Watercolor and gouache on paper. Framed. Signed. Image size, 14 by 18 inches.

Artist: Robert-Louis Nicoidski, Swiss (1931 - 2001) Title: Self-Portrait in Paris Year: circa 1978 Medium: Oil on Canvas, signed l.r.. Size: 57 x 44.5 in. (144.78 x 113.03 cm) Frame...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Butterfly Collection” is a vibrant and energetic...

This piece, "Blue Moon", is a 24x24 mixed media painting on canvas by artist Francisco Bartus. Featured is closed circle symbol, made up of individual helpings of paint, strategicall...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Circa 1930 American school winter impressionist landscape painting. Oil on board. Framed. Signed verso. Image size, 16 by 20 inches.

Horizontal abstract acrylic painting on canvas in colorful hues of periwinkle blue, red, golden yellow, peach, black and green. 40 x 84 inches unframed This contemporary abstract ...

Impressive early American modernist flower still life painting by Henrietta Elizabeth Dodd Hoopes (1904 - 1996). Oil on board. Framed. Signed. Image size, 22 by 15 inches.

Impressive early American modernist street scene. Reminiscent of New Orleans or another souther city. A bustling street scene. Nicely framed. No signature found. Image size, 24...

4062 Modern beach bathers gouache figural painting on artist board. Set in a vintage carved walnut frame Image size 14x21.5"

"Verdigris" 2025, 84" H x 60" W. A captivating large-scale abstract painting by Argentine-born artist Karina Gentinetta, renowned for her work featured in Architectural Digest, Elle...

A painting by Mark Beard/Bruce Sargeant of two male wrestlers in athletic wear grapple on a mat, their muscular bodies highlighted by soft light, capturi...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Pigment and aluminum dust on canvased board. Whimsical painting of a figure in the style of a classical nude.

Oil on canvas painting by the Russian/American artist, Nicolai Cikovsky. Signed lower left. In good unrestored condition. Housed in custom made wood and lemon gold gilt frame. Overal...

Figures (66) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 21 in. x 33 in. (53.34 cm x 83.82 cm) Frame Size: 27 x 41 inches

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection...

Amazing surreal cloudscape modernist oil painting. Framed. Oil on canvas.

“Bright Blooms 4” - Oil, Acrylic, and Ink on Canvas, 36 x 48 inches “Azalea Light” radiates with a lush vibrancy, where soft magenta blooms and golden hues blend effortlessly with t...

Vintage American modernist abstract oil painting by Duayne Hatchett (1925 - 2015). Oil on board, circa 1994. Signed on verso. Displayed in a period modern frame. Image, 22"L x 24"H.

Peter Stephens Quadrivium 70, 2024 acrylic and collage on paper 30 x 22 in image size: 13 x 18 in (ste026)

Title: Half Hillside Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Gestural abstract expressionist painting on archival paper with gold and silver metallic powders and accents of blue, burgundy, and green enamel paint "Platonic Solids...

Wonderful double sided oil on heavy fiber board paintings done by the well known North Fork Peconic Bay artist Caroline Bell. The coastal sailing painting is signed lower left. The haystack painting verso is signed in pencil lower right. The sailing painting is in good condition; the haystack painting is in good condition. Both done circa 1930. In a period but not original gold leaf over wood frame. Framed measurements are 19 by 23.75 inches. Provenance: A Long Island, New York estate. (1874-1970) Caroline Bell was the leader of a group of artists known as the Peconic Bay Impressionists...

Larry Zox Lexington, 1973 Acrylic on canvas 61 x 49 inches Provenance: Andre Emmerich Gallery, New York Janie C. Lee Gallery, Houston, Texas Private Collection, Greenwood Village, Colorado Exhibited: New York, Andre Emmerich Gallery, Larry Zox: New Paintings, March 10 - 28, 1973. Houston, Texas, Janie C. Lee Gallery, Larry Zox, February - April, 1974. A painter who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions, which question and violate symmetry. Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using a mechanical format with X number of possibilities." What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–74 solo exhibition at the Whitney Museum of American Art. Zox also at times used a freer, more intuitive method, while maintaining coloristic autonomy, which became increasingly important to him in his later career. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973–74, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum, which acquired fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. Zox’s earliest works were collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels...

Antique American modernist abstract minimalist oil painting. Oil on canvas. Framed. Signed verso.

Calvert Coggeshall Untitled, circa 1975 Oil on canvas 50 x 40 inches Calvert Coggeshall worked as an abstract painter and interior designer primari...

Beautiful original oil on canvas double portrait painting of a young boy and girl with cat (moist likely brother and sister) attributed to the hand of American artist, John Carlin. ...

This painting by artist Ray Simonini titled "Luna" is a 12x16 farm animal oil painting on canvas featuring a portrait of a white horse against a colorful bright background. Afternoon...

David Stern (Germany, b. 1956) Acrylic on Canvas 91 x 81 inches Hand-Signed by the Artist Certificate of Authenticity Available A tour de force of scale, spirit, and painterly force...

Hunt Slonem "Maxim" Single Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 10 x 8 inches Framed: 13.5 x 11.5 inches *Paint...

Title: Spring Stream Medium: Oil on canvas Size: 16 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

"Dusk Forest Scene, Catskills," 1875 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 7 inches. The work is signed by DeForest, and dated May 13, 1875 at lower right. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

Well painted and very decorative oil on panel Painted on a mahogany panel and monogrammed L.B Well framed in a new English handmade gold leaf frame. The...

This dreamlike piece, "River Bend", is a 36x48 oil painting on canvas by artist Craig Mooney depicting a shimmering river in the late afternoon hours, snaking through the bends of l...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

This charming portrait of a Collie dog by Frederick French, painted circa 1896, captures the loyal and calm nature of one of the most beloved breeds. French's delicate attention to d...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils, glass, with gold flakes t...

Important and exhibited American impressionist dock scene by Junius Allen (1898 - 1962). Oil on canvas. Framed. Signed. Image size, measuring 25 by 30 inches.

An oil painting on paper - framed and matted. Optional Plexiglass included. 17 x 13 inches, framed Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions ...

5-3271 Colorful Abstract on rapped canvas signed R.Zani

Painting description: This is a new example of my ongoing series, "Intersections". My attempt to capture urban abstraction. Shape and colors intersect and overlap. With the use of ...

3564 Oil on canvas board Set in a vintage wood frame Image size 19x13"

This work is a unique piece. It is a gilded oil painting on linen canvas with 12 carat gold leaf. CS Art comprises of two artists, one French, the other Norwegian. They have been p...

Inscribed, upper left: “Miss Laura Keppel” Provenance: Commissioned from the artist and by descent in the Keppel family estate, Lexham Hall, Norfolk, to: Major Bertram William Arnol...

MODERNIST ABSTRACT Mid-Century New Hope Non-Objective oil American Modern WPA Louis Stone (1902-1984) "Abstract," 16 X 12 inches. Oil on canvas, signed lower right. An abstract pai...

Artist: Slonem, Hunt Title: Flight Date: 2023 Medium: Oil on Panel Unframed Dimensions: 16" x 11" Framed Dimensions: 18" x 13" Signature: Signed Verso Edition: Unique Provenan...

A charming depiction of Snow in Downtown New York City with a figure walking a dog and cars in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, whites, and burnt sienna's. An iconic street scene with beautiful brushwork and whimsical details, this piece captures the essence of New York in snow. This work is a following of Guy Wiggins. This painting is signed verso and it comes housed in a French style antique frame ready to be displayed with hanging wire on verso. Art measures 10 x 6 inches Frame measures 13.5 x 9.5 inches Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best recognized for her series ‘Brides’, ‘Dripping Dots’ and ‘Hearts’, as well as her ‘Plein-Air’ street scenes of quintessential New York locations. Shaoul’s works can be found in hundreds of private and corporate collections worldwide. Since her first group show at Parsons School of Design in 2009, her work has been showcased internationally – from Italy to South Korea – and has been shown at various art fairs nationwide including Miami, Palm Beach, Dallas, and New York. Shaoul has had numerous solo exhibitions and has garnered the attention of notable celebrities such as Emma Roberts, Lily Collins, Ashley Park, Catherine Deneuve and John Malkovich. Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9-foot colorful, abstract mural in her mother’s art...

Acrylic on canvas - Unframed. Using the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between foreground and background, center and ed...

Ink on paper - Philip Wittmann work is based on signs. Signs are for him an intermediary between abstraction and writing. He started painting 32 years ago, at the age of 26, as an ...

Early 20th-Century Antique English Autumn/fall river landscape. Sidney Pike was a prolific landscape and genre artist exhibiting between 1880-1907, London based originally he seems ...

Hunt Slonem "2 Blue Diamond Dust" Bunny Couple A pair of rabbits gestured in blue and white on a dark blue Diamond Dust background in a vintage frame Unframed: 14.5 x 11.5 inches Fr...

Title: The Heavenly Road Medium: Oil on canvas Size: 23 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This...