Ohio - Mixed Media

Contemporary Painting, Black Painting, Mixed Media Art-Tethered Ash A B O U T T H I S P I E C E : “Tethered Ash” is a piece of graffiti art by Addison Jones featuring her unique t...

Contemporary Art, Colorful Abstract Art, Abstract Prints-Mingle III ABOUT THIS PIECE: This abstract art titled "Mingle III" is a vibrant, colorful composition. It combines painting...

Clarence Holbrook Carter (American, 1904-2000) Up the Avenue, 1979 Acrylic and collage on paper Signed and dated lower right 15 x 11 inches A surrealist mid-century figural abstract...

Clarence Holbrook Carter (American, 1904-2000) Rockefeller Center, 1962 Acrylic and sand on scintilla Signed and dated lower left 25 x 20 inches Clarence Holbrook Carter achieved a ...

Viva, Warhol and Ultra Violet Collage on board, 1973 Signed with estate stamp on reverse (see photo) The original photograph used in this collage depicts ...

Red Abstract Art, Abstract Prints, Contemporary Art-Mingle VII ABOUT THIS PIECE: This abstract art titled "Mingle VII" is a vibrant, colorful composition. It combines painting, pho...

"Amplified Voice", Graffiti Art Painting, Black, 2022 A B O U T T H I S P I E C E : “Amplified Voice” is a piece of graffiti art by Addison Jones featuring her unique text previou...

Ragtime Piano Collage, 1969 Signed and dated '69 lower right Address stamp verso Provenance: Acquired from the artist Joseph M. Erdelac, friend and patron of the artist Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton (1891-1931). Facts that can be documented are that he was art editor for Golfer and Sportsman magazines, and was a contributor to various other magazines including The New Yorker, Saturday Evening Post, Colliers, Life, and Hooey, among others. He wrote sketches for NBC radio and the Rudy Vallee Show. In the 1930s, Longstreet worked and wrote under the names Thomas Burton, David Ormsbee, and Paul Haggard before settling on the name Stephen Longstreet in 1939. He wrote 12 novels under this name as well as numerous screen plays, most notably The Jolson Story, The Greatest Show on Earth, and The Helen Morgan Story. Longstreet claimed to have been introduced to ragtime and jazz by no less a legend than singer Paul Robeson while Robeson was an All-American football player at Rutgers University. However it happened, the world of jazz was a constant theme throughout Longstreet’s life. He drew and painted such notables as Count Basie, Sarah Vaughan...

Joseph Glasco (American, 1925-1996) Untitled 1978-81 Acrylic on canvas collage initialed verso and dated ‘81 48 x 51 inches Joseph Glasco was born in Paul’s Valley, Oklahoma and gre...

Lobby Arc, Abstract Mixed Media Collage on Paper, 2020 7" x 6" (HxW), hand-signed in the lower right-hand corner This small format mixed media collage combines hand cut paper and fo...

Blue Abstract Art, Colorful Abstract Art, Abstract Prints-Mingle XII ABOUT THIS PIECE: This abstract art titled "Mingle XII" is a vibrant, colorful...

Abstract Art, Colorful Abstract Prints, Blue Abstract Photography-Mingle IX ABOUT THIS PIECE: This abstract art titled "Mingle IX" is a vibrant, colorful composition. It combines p...

Mixed Media Art, Repurposed Material, Contemporary Art-Deconstructed Collective /re’pleiSH COLLECTION One of a kind Refurbished material. Limited material available. Custom sizes a...

Untitled III XII Charcoal, ink and paper collage, 1987 Initialed "R. C." and dated '87 verso in pencil From: Libor II Mono Logo Provenance: Janie C. Lee Master Drawings, New York (partial label) From: Libor II Mono Logo Exhibited: Collages and Drawings by Roberto Caracciolo and Chuck Dugan...

Contemporary Art, Abstract Paintings, Letter Art-No Looking Back I A B O U T T H I S P I E C E : “No Looking Back I” is a piece of letter art that is featured on unique handmade p...

Allen Ladd as Shane Colored and metallic paper collage. c. 1960's Signed in ink lower right; Signed in pencil on reverse; (see photo) Titled in pencil upper left recto (see photo) Provenance: Joseph Erdelac, Cleveland Erdelac was a noted Longstreet collector who donated many of the artist’s works to the Columbus Museum of Art. Note: The movie Shane, was produced in 1952-53. It won several Academy Award Nominations, including the Award for best cinematography. Note: Ladd stars to perfection as Shane, a mysterious gunfighter who providentially appears in a Wyoming community just when the clash between homesteaders and cattle ranchers is turning uglier and bloodier. Shane finds himself impressed by the hearty industriousness of Joe Starrett (Van Heflin), a farmer who’s determined to work the land and protect his family. Just as important, Shane also finds himself drawn to the homesteader’s wife, Marian (Jean Arthur...

Blue Abstract Art, Colorful Abstract Photography, Abstract Prints-Mingle X ABOUT THIS PIECE: This abstract art titled "Mingle X" is a vibrant, colo...

Colorful Abstract Prints, Abstract Art, Red Abstract Photography-Mingle II ABOUT THIS PIECE: This abstract art titled "Mingle II" is a vibrant, colorful composition. It combines pa...

Chair, Original Mixed Media Collage, 2021 Artist Commentary: This is one of months of daily collages made in prep for a multiple piece commission...

Blue Couch, Original Mixed Media Collage, 2021 Artist Commentary: This is one of months of daily collages made in prep for a multiple piece commissioned series. Keywords: hand cut,...

Pink Balance, Abstract Mixed Media Collage on Paper, 2021 7" x 7" (HxW), hand-signed by the artist This collage features layers of cut paper featuring both flat colors of pink, purp...

Sandstar, Abstract Mixed Media Collage on Paper, 2021 4.5" x 6.35" (HxW) This abstract collage combines a variation of visual elements in...

Contemporary Art, Antique Japanese Paper, Textile Art-Unwritten History A B O U T T H I S P I E C E : This 100 year old holistic dyed paper has...

Abstract Prints, Abstract Art, Colorful Abstract Photography-Mingle VII ABOUT THIS PIECE: This abstract art titled "Mingle VII" is a vibrant, colorful composition. It combines pain...

Easy Rider Blues Paper collage, post 1969 Inspired by the Peter Fonda and Dennis Hopper movie of the same title Signed lower right (see photo) Titled lower left (see photo) Condition: Usual waviness for paper from glued elements of the image. Image/Sheet size: 17. 1/2 x 23 1/8 inches Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton...

Contemporary Art, Antique Textiles, Paper Art, Textiles-Centurial Curio A B O U T T H I S P I E C E : This 100 year old holistic dyed paper has used to wrapping textiles in old Japa...

Artist Commentary: Since completing a large scale long-term commission, I've been having fun in the studio and reacquainting myself with color, landscape, fun collage materials. The ...

Original Wall Art Painting, Abstract Paintings, Letter Art-On All Counts II A B O U T T H I S P I E C E : “On All Counts II” is a piece of letter art that is featured on unique hand...

Artist Commentary: This silkscreen and collage is from a long-standing series of work about how structure and systems holds together chaos. One major inspiration is Matisse's cutouts...

Fire Island Behavior-Will It Spread to the Mainland? Collage and oil paint on luan board, n.d., c. 1970's Signed in ink lower center edge (see photo) Signed with the estate stamp ver...

Artist Commentary: This silkscreen and collage is from a long-standing series of work about how structure and systems holds together chaos. One major inspiration is Matisse's cutouts...

Artist Commentary: What I really love about collage is the shapes and colors, by chance, connect with one another. Keywords: hand cut, paper, abstract, collage, painting, tree, rose...

Contemporary Art, Mixed Media Art, Portrait Paintings-Now Turn to the Left ABOUT THIS PIECE: “Now turn to the left, (Cortney-A4)” is mixed media street art by Addison Jones featurin...

Artist Commentary: For these monoprint collages, I silkscreen patterns as a grounding structure for collage and drawing. This background of dots, hash marks, and tile patterns provid...

Untitled Mixed media on paper mounted on paper, c. 1990's Signed by the artist in pencil lower right (see photo) Condition: Excellent Image size: 8 5/8 x 10 1/4 inches Support Sheet size: 11 1/4 x 12 3/4 inches Provenance: Estate of the Artist Dehn Heirs Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen...

Abstract Art, Colorful Abstract Prints, Blue Abstract Photography-Mingle XI ABOUT THIS PIECE: Vibrant, colorful abstract composition by Addison Jones. She combines painting, photog...

Untitled Mixed media with collage elements on paper, c. 1990's Signed by the artist in pencil lower right (see photo) Condition: Excellent Image size: 7 1/16 x 6 inches Support sheet size: 10 9/16 x 8 3/8 inches Provenance: Estate of the artist Dehn Heirs Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Artist Commentary: Since completing a large scale long-term commission, I've been having fun in the studio and reacquainting myself with color, landscape, fun collage materials. The ...

Artist Commentary: Since completing a large scale long-term commission, I've been having fun in the studio and reacquainting myself with color, landscape, fun collage materials. The ...

Artist Commentary: Since completing a large scale long-term commission, I've been having fun in the studio and reacquainting myself with color, landscape, fun collage materials. The ...

Untitled Mixed media with collage elements on paper, c. 1990's Signed by the artist in pencil lower right (see photo) Condition: Excellent Image size: 7 x 6 1/2 inches Support sheet size: 10 1/2 x 8 3/8 inches Provenance: Estate of the artist Dehn Heirs Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen...

Artist Commentary: What I really love about collage is the shapes and colors, by chance, connect with one another. Keywords: hand cut, paper, abstract, collage, painting, tree, rose...

Butterfly Wall Decor, Butterfly Art, Mixed Media Art-No.1268 Cobalt+Coal A B O U T T H I S P I E C E : Addison always gets inspired by nature. Butterflies are random, yet always bring joy when you see them. Why not have that everyday? Addison loves to highlight the beauty of nature and how special it is. These are real handpicked butterflies mounted...

Modern Art, Abstract Modern Art, Pink Abstract Photography-Mingle IV ABOUT THIS PIECE: Vibrant, colorful abstract modern art by Addison Jones. She combines painting, photography a...

Gestural abstraction with collage elements on stretched canvas. Ships ready to hang. :: Mixed Media :: Abstract Expressionism :: This piece comes with an official certificate of auth...

Untitled (Seascape at night) Tissue paper collage on Fabriano wove paper, 1964 Signed in ink lower left Annotated 42 in pencil on verso Condition:...

Black and White Graffiti Art, Abstract Art, Contemporary Art-Without Omission II A B O U T T H I S P I E C E : “WITHOUT OMISSION” is a ...

Untitled Gold leaf collage with acrylic on canvas, mounted on canvas, c. 2003-4 Unsigned Provenance: Estate of the Artist Peter Marks (1935 -2010) Peter M...

Pink Abstract Art, Abstract Art, Colorful Abstract Photography-Mingle V ABOUT THIS PIECE: Vibrant, colorful abstract composition by Addison Jones. ...

Painters who have tackled the genre of Still Life are awe inspiring to me. To name a few, Matisse, Cezanne and my favorite, Georgio Morandi, all of whom painted memorable still lifes. The content of a Nature Morte (French translation) usually consists of domestic, ubiquitous items that occupy a place in the home environment. My interest in this genre of painting began long ago and I have pursued it concomitantly with my larger abstract works. As an abstract painter, I find many corollaries between Abstraction and Realism. That’s not to say that my still life paintings are realistic or abstract but to be more accurate, artistic license allows me to invent my own brand of semi realism incorporated into ‘’The Stll Life’’. My goal in this body of work was to create a dynamic based on the juxtaposition of patterns and a bold, complementary palette-- resulting in a synergy of texture, animation and optical effects. As the work progressed, an organic evolution of ideas took over and the work became more reductive and less confrontational. Just a word about my titles. Some are ‘’tongue in cheek’’ and some are a sardonic take on the imagery but I spend a lot of time making sure the titles fit the idea behind the painting. Of course, viewer interpretation is always welcome. Patricia Zinsmeister Parker...

Modern Art, Minimalist Art, Street Art-Shoulder Drip in Trichrome ABOUT THIS PIECE: This minimalist modern street art piece begins as a portrait photograph shot by the artist and e...

My paintings do have a story to tell although it does not lie in each piece but in the process of abstract expressionism. As an artist I think about scale, unity and color. I’m not...

Gold Graffiti Art, Abstract Painting, Modern Art-What Now I A B O U T T H I S P I E C E : “WHAT NOW” is a piece of letter art inspired by graffiti by Addison Jones featuring her u...

Miles Davis Plays Cool Jazz Collage, c. 1970 Unsigned Titled by the artist lower left margin (see photo) Provenance: Acquired directly from the artist by his friend and patron Joseph...

Colored paper collage, c. 1960 Signed lower right. Provenance: Estate of the artist Distinguished Private Collection, Indianapolis, Indiana Sight dimension...

My paintings do have a story to tell although it does not lie in each piece but in the process of abstract expressionism. As an artist I think about scale, unity and color. IΓÇÖm not...

Abstract Painting, Graffiti Letters, Street Art, Black Contemporary Art-Sprouted A B O U T T H I S P I E C E : “SPROUTED” is a piece of letter art inspired by graffiti by Addison ...

Yellow Painting, Pop Art Portrait, Pop Art-Are You Still There? in Yellow A B O U T T H I S P I E C E : "Are You Still There? in Yellow (Hannah-A1)" began as a portrait photograph s...